Short Stories / Рассказы

Well, it made no difference to him now. He had eaten of the lotus. He was happy and content in this land of perpetual afternoon. Those old days of life in the States seemed like an irritating dream. He hoped Ida would be as happy as he was. The climate as balmy as that of distant Avalon; the fetterless, idyllic round of enchanted days; the life among this indolent, romantic people – a life full of music, flowers, and low laughter; the influence of the imminent sea and mountains, and the many shapes of love and magic and beauty that bloomed in the white tropic nights – with all he was more than content. Also, there was Paula Brannigan.

Geddie intended to marry Paula – if, of course, she would consent; but he felt rather sure that she would do that. Somehow, he kept postponing his proposal. Several times he had been quite near to it; but a mysterious something always held him back. Perhaps it was only the unconscious, instinctive conviction that the act would sever the last tie that bound him to his old world.

He could be very happy with Paula. Few of the native girls could be compared with her. She had attended a convent school in New Orleans for two years; and when she chose to display her accomplishments no one could detect any difference between her and the girls of Norfolk and Manhattan. But it was delicious to see her at home dressed, as she sometimes was, in the native costume, with bare shoulders and flowing sleeves.

Bernard Brannigan was the great merchant of Coralio. Besides his store, he maintained a train of pack mules, and carried on a lively trade with the interior towns and villages. He had married a native lady of high Castilian descent, but with a tinge of Indian brown showing through her olive cheek. The union of the Irish and the Spanish had produced, as it so often has, an offshoot of rare beauty and variety. They were very excellent people indeed, and the upper story of the house was ready to be placed at the service of Geddie and Paula as soon as he should make up his mind to speak about it.

By the time two hours were whiled away the consul tired of reading. The papers lay scattered about him on the gallery. Reclining there, he gazed dreamily out upon an Eden. A clump of banana plants interposed their broad shields between him and the sun. The gentle slope from the consulate to the sea was covered with the dark-green foliage of lemon-trees and orange-trees just bursting into bloom. A lagoon pierced the land like a dark, jagged crystal, and above it a pale ceiba-tree rose almost to the clouds. The waving coconut palms on the beach flared their decorative green leaves against the slate of an almost quiescent sea. His senses were cognizant of brilliant scarlet and ochres and the vert of the coppice, of odors of fruit and bloom and the smoke from Chanca’s clay oven under the calabash-tree; of the treble laughter of the native women in their huts, the song of the robin, the salt taste of the breeze, the diminuendo of the faint surf running along the shore – and, gradually, of a white speck, growing to a blur, that intruded itself upon the drab prospect of the sea.

Lazily interested, he watched this blur increase until it became the Idalia steaming at full speed, coming down the coast. Without changing his position he kept his eyes upon the beautiful white yacht as she drew swiftly near, and came opposite to Coralio. Then, sitting upright, he saw her float steadily past and on. He had seen the frequent splash of her polished brass work and the stripes of her deck-awnings – so much, and no more. Like a ship on a magic lantern slide the Idalia had crossed the illuminated circle of the consul’s little world, and was gone. Save for the tiny cloud of smoke that was left hanging over the brim of the sea, she might have been an immaterial thing, a chimera of his idle brain.

Geddie went into his office and sat down to dawdle over his report. If the reading of the article in the paper had left him unshaken, this silent passing of the Idalia had done for him still more. It had brought the calm and peace of a situation from which all uncertainty had been erased. He knew that men sometimes hope without being aware of it. Now, since she had come two thousand miles and had passed without a sign, not even his unconscious self need cling to the past any longer.

After dinner, when the sun was low behind the mountains, Geddie walked on the little strip of beach under the coconuts. The wind was blowing mildly landward, and the surface of the sea was rippled by tiny wavelets.

A miniature breaker, spreading with a soft “swish” upon the sand brought with its something round and shiny that rolled back again as the wave receded. The next influx beached it clear, and Geddie picked it up. The thing was a long-necked wine bottle of colorless glass. The cork had been driven in tightly to the level of the mouth, and the end covered with dark-red sealing-wax. The bottle contained only what seemed to be a sheet of paper, much curled from the manipulation it had undergone while being inserted. In the sealing-wax was the impression of a seal – probably of a signet-ring, bearing the initials of a monogram; but the impression had been hastily made, and the letters were past anything more certain than a shrewd conjecture. Ida Payne had always worn a signet-ring in preference to any other finger decoration. Geddie thought he could make out the familiar “I P”; and a queer sensation of disquietude went over him. More personal and intimate was this reminder of her than had been the sight of the vessel she was doubtless on. He walked back to his house, and set the bottle on his desk.

Throwing off his hat and coat, and lighting a lamp – for the night had crowded precipitately upon the brief twilight – he began to examine his piece of sea salvage.

By holding the bottle near the light and turning it judiciously, he made out that it contained a double sheet of note-paper filled with close writing; further, that the paper was of the same size and shade as that always used by Ida; and that, to the best of his belief, the handwriting was hers. The imperfect glass of the bottle so distorted the rays of light that he could read no word of the writing; but certain capital letters, of which he caught comprehensive glimpses, were Ida’s, he felt sure.

There was a little smile both of perplexity and amusement in Geddie’s eyes as he set the bottle down, and laid three cigars side by side on his desk. He fetched his steamer chair from the gallery, and stretched himself comfortably. He would smoke those three cigars while considering the problem.

For it amounted to a problem. He almost wished that he had not found the bottle; but the bottle was there. Why should it have drifted in from the sea, whence come so many disquieting things, to disturb his peace?

In this dreamy land, where time seemed so redundant, he had fallen into the habit of bestowing much thought upon even trifling matters.

He began to speculate upon many fanciful theories concerning the story of the bottle, rejecting each in turn.

Ships in danger of wreck or disablement sometimes cast forth such precarious messengers calling for aid. But he had seen the Idalia not three hours before, safe and speeding. Suppose the crew had mutinied and imprisoned the passengers below, and the message was one begging for succour! But, premising such an improbable outrage, would the agitated captives have taken the pains to fill four pages of note-paper with carefully penned arguments to their rescue.

Thus by elimination he soon rid the matter of the more unlikely theories, and was reduced – though aversely – to the less assailable ones that the bottle contained a message to himself. Ida knew he was in Coralio; she must have launched the bottle while the yacht was passing and the wind blowing fairly toward the shore.

As soon as Geddie reached this conclusion a wrinkle came between his brows and a stubborn look settled around his mouth. He sat looking out through the doorway at the gigantic fire-flies traversing the quiet streets.

If this was a message to him from Ida, what could it mean save an overture at reconciliation? And if that, why had she not used the same methods of the post instead of this uncertain and even flippant means of communication? A note in an empty bottle, cast into the sea! There was something light and frivolous about it, if not actually contemptuous.

The thought stirred his pride, and subdued whatever emotions had been resurrected by the finding of the bottle.

Geddie put on his coat and hat and walked out. He followed a street that led him along the border of the little plaza where a band was playing and people were rambling, care-free and indolent. Some timorous senoritas scurrying past with fire-flies tangled in the jetty braids of their hair glanced at him with shy, flattering eyes. The air was languorous with the scent of jasmin and orange-blossoms.

The consul stayed his steps at the house of Bernard Brannigan. Paula was swinging in a hammock on the gallery. She rose from it like a bird from its nest. The color came to her cheek at the sound of Geddie’s voice.

He was charmed at the sight of her costume – a flounced muslin dress, with a little jacket of white flannel, all made with neatness and style. He suggested a stroll, and they walked out to the old Indian well on the hill road. They sat on the curb, and there Geddie made the expected but long-deferred speech. Certain though he had been that she would not say him nay, he was still thrilled at the completeness and sweetness of her surrender. Here was surely a heart made for love and steadfastness. Here was no caprice or questionings or captious standards of convention.

When Geddie kissed Paula at her door that night he was happier than he had ever been before. “Here in this hollow lotus land, ever to live and lie reclined” seemed to him, as it has seemed to many mariners, the best as well as the easiest. His future would be an ideal one. He had attained a Paradise without a serpent. His Eve would be indeed a part of him, unbeguiled, and therefore more beguiling. He had made his decision to-night, and his heart was full of serene, assured content.

Geddie went back to his house whistling that finest and saddest love song, “La Golondrina.[12]” At the door his tame monkey leaped down from his shelf, chattering briskly. The consul turned to his desk to get him some nuts he usually kept there. Reaching in the half-darkness, his hand struck against the bottle. He started as if he had touched the cold rotundity of a serpent.

He had forgotten that the bottle was there.

He lighted the lamp and fed the monkey. Then, very deliberately, he lighted a cigar, and took the bottle in his hand, and walked down the path to the beach.

There was a moon, and the sea was glorious. The breeze had shifted, as it did each evening, and was now rushing steadily seaward.

Stepping to the water’s edge, Geddie hurled the unopened bottle far out into the sea. It disappeared for a moment, and then shot upward twice its length. Geddie stood still, watching it. The moonlight was so bright that he could see it bobbing up and down with the little waves. Slowly it receded from the shore, flashing and turning as it went. The wind was carrying it out to sea. Soon it became a mere speck, doubtfully discerned at irregular intervals; and then the mystery of it was swallowed up by the greater mystery of the ocean. Geddie stood still upon the beach, smoking and looking out upon the water.

“Simon! – Oh, Simon! – Wake up there, Simon!” bawled a sonorous voice at the edge of the water.

Old Simon Cruz was a half-breed fisherman and smuggler who lived in a hut on the beach. Out of his earliest nap Simon was thus awakened.

He slipped on his shoes and went outside. Just landing from one of the Valhalla’s boats was the third mate of that vessel, who was an acquaintance of Simon’s, and three sailors from the fruiter.

“Go up, Simon,” called the mate, “and find Doctor Gregg or Mr Goodwin or anybody that’s a friend to Mr Geddie, and bring ’em here at once.”

“Saints of the skies!” said Simon, sleepily, “nothing has happened to Mr Geddie?”

“He’s under that tarpauling,” said the mate, pointing to the boat, “and he’s rather more than half drowned. We seen him from the steamer nearly a mile out from shore, swimmin’ like mad after a bottle that was floatin’ in the water, outward bound. We lowered the gig and started for him. He nearly had his hand on the bottle, when he gave out and went under. We pulled him out in time to save him, maybe; but the doctor is the one to decide that.”

“A bottle?” said the old man, rubbing his eyes. He was not yet fully awake. “Where is the bottle?”

“Driftin’ along out there some’eres,” said the mate, jerking his thumb toward the sea. “Get on with you, Simon.”

A Service of Love

When one loves one’s Art no service seems too hard.

That is our premise. This story shall draw a conclusion from it, and show at the same time that the premise is incorrect. That will be a new thing in logic, and a feat in story-telling somewhat older than the great wall of China.

Joe Larrabee came out of the post-oak flats of the Middle West pulsing with a genius for pictorial art. At six he drew a picture of the town pump with a prominent citizen passing it hastily. This effort was framed and hung in the drug store window by the side of the ear of corn with an uneven number of rows. At twenty he left for New York with a flowing necktie and a capital tied up somewhat closer.

Delia Caruthers did things in six octaves so promisingly in a pine-tree village in the South that her relatives chipped in enough in her chip hat for her to go “North” and “finish.” They could not see her f —, but that is our story.

Joe and Delia met in an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt’s works, pictures, Waldteufel, wall paper, Chopin and oolong.

Joe and Delia became enamoured one of the other, or each of the other, as you please, and in a short time were married – for (see above), when one loves one’s Art no service seems too hard.

Mr and Mrs Larrabee began housekeeping in a flat. It was a lonesome flat – something like the A sharp way down at the left-hand end of the keyboard. And they were happy; for they had their Art, and they had each other. And my advice to the rich young man would be – sell all thou hast, and give it to the poor – janitor for the privilege of living in a flat with your Art and your Delia.

Flat-dwellers shall indorse my dictum that theirs is the only true happiness. If a home is happy it cannot fit too close – let the dresser collapse and become a billiard table; let the mantel turn to a rowing machine, the escritoire to a spare bedchamber, the washstand to an upright piano; let the four walls come together, if they will, so you and your Delia are between. But if home be the other kind, let it be wide and long – enter you at the Golden Gate, hang your hat on Hatteras, your cape on Cape Horn and go out by the Labrador.

Joe was painting in the class of the great Magister – you know his fame. His fees are high; his lessons are light – his high-lights have brought him renown. Delia was studying under Rosenstock – you know his repute as a disturber of the piano keys.

They were mighty happy as long as their money lasted. So is every – but I will not be cynical. Their aims were very clear and defined. Joe was to become capable very soon of turning out pictures that old gentlemen with thin side-whiskers and thick pocketbooks would sandbag one another in his studio for the privilege of buying. Delia was to become familiar and then contemptuous with Music, so that when she saw the orchestra seats and boxes unsold she could have sore throat and lobster in a private dining-room and refuse to go on the stage.

But the best, in my opinion, was the home life in the little flat – the ardent, voluble chats after the day’s study; the cozy dinners and fresh, light breakfasts; the interchange of ambitions – ambitions interwoven each with the other’s or else inconsiderable – the mutual help and inspiration; and – overlook my artlessness – stuffed olives and cheese sandwiches at 11 p.m.

But after a while Art flagged. It sometimes does, even if some switchman doesn’t flag it. Everything going out and nothing coming in, as the vulgarians say. Money was lacking to pay Mr Magister and Herr Rosenstock their prices. When one loves one’s Art no service seems too hard. So, Delia said she must give music lessons to keep the chafing dish bubbling.

For two or three days she went out canvassing for pupils. One evening she came home elated.

“Joe, dear,” she said, gleefully, “I’ve a pupil. And, oh, the loveliest people! General – General A. B. Pinkney’s daughter – on Seventy-first street. Such a splendid house, Joe – you ought to see the front door! Byzantine I think you would call it. And inside! Oh, Joe, I never saw anything like it before.

“My pupil is his daughter Clementina. I dearly love her already. She’s a delicate thing – dresses always in white; and the sweetest, simplest manners! Only eighteen years old. I’m to give three lessons a week; and, just think, Joe! $5 a lesson. I don’t mind it a bit; for when I get two or three more pupils I can resume my lessons with Herr Rosenstock. Now, smooth out that wrinkle between your brows, dear, and let’s have a nice supper.”

“That’s all right for you, Dele,” said Joe, attacking a can of peas with a carving knife and a hatchet, “but how about me? Do you think I’m going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in a dollar or two.”

Delia came and hung about his neck.

“Joe, dear, you are silly. You must keep on at your studies. It is not as if I had quit my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on $15 a week. You mustn’t think of leaving Mr Magister.”

“All right,” said Joe, reaching for the blue scalloped vegetable dish. “But I hate for you to be giving lessons. It isn’t Art. But you’re a trump and a dear to do it.”

“When one loves one’s Art no service seems too hard,” said Delia.

“Magister praised the sky in that sketch I made in the park,” said Joe. “And Tinkle gave me permission to hang two of them in his window. I may sell one if the right kind of a moneyed idiot sees them.”

“I’m sure you will,” said Delia, sweetly. “And now let’s be thankful for Gen. Pinkney and this veal roast.”

During all of the next week the Larrabees had an early breakfast. Joe was enthusiastic about some morning-effect sketches he was doing in Central Park, and Delia packed him off breakfasted, coddled, praised and kissed at 7 o’clock. Art is an engaging mistress. It was most times 7 o’clock when he returned in the evening.

At the end of the week Delia, sweetly proud but languid, triumphantly tossed three five-dollar bills on the 8x10 (inches) centre table of the 8x10 (feet) flat parlour.

“Sometimes,” she said, a little wearily, “Clementina tries me. I’m afraid she doesn’t practise enough, and I have to tell her the same things so often. And then she always dresses entirely in white, and that does get monotonous. But Gen. Pinkney is the dearest old man! I wish you could know him, Joe. He comes in sometimes when I am with Clementina at the piano – he is a widower, you know – and stands there pulling his white goatee. “And how are the semiquavers and the demisemiquavers progressing?” he always asks.

“I wish you could see the wainscoting in that drawing-room, Joe! And those Astrakhan rug portieres. And Clementina has such a funny little cough. I hope she is stronger than she looks. Oh, I really am getting attached to her, she is so gentle and high bred. Gen. Pinkney’s brother was once Minister to Bolivia.”

And then Joe, with the air of a Monte Cristo, drew forth a ten, a five, a two and a one – all legal tender notes – and laid them beside Delia’s earnings.

“Sold that watercolour of the obelisk to a man from Peoria,” he announced overwhelmingly.

“Don’t joke with me,” said Delia, “not from Peoria!”

“All the way. I wish you could see him, Dele. Fat man with a woollen muffler and a quill toothpick. He saw the sketch in Tinkle’s window and thought it was a windmill at first. He was game, though, and bought it anyhow. He ordered another – an oil sketch of the Lackawanna freight depot – to take back with him. Music lessons! Oh, I guess Art is still in it.”

“I’m so glad you’ve kept on,” said Delia, heartily. “You’re bound to win, dear. Thirty-three dollars! We never had so much to spend before. We’ll have oysters to-night.”

“And filet mignon with champignons,” said Joe. “Where is the olive fork?”

On the next Saturday evening Joe reached home first. He spread his $18 on the parlour table and washed what seemed to be a great deal of dark paint from his hands.

Half an hour later Delia arrived, her right hand tied up in a shapeless bundle of wraps and bandages.

“How is this?” asked Joe after the usual greetings. Delia laughed, but not very joyously.

“Clementina,” she explained, “insisted upon a Welsh rabbit after her lesson. She is such a queer girl. Welsh rabbits at 5 in the afternoon. The General was there. You should have seen him run for the chafing dish, Joe, just as if there wasn’t a servant in the house. I know Clementina isn’t in good health; she is so nervous. In serving the rabbit she spilled a great lot of it, boiling hot, over my hand and wrist. It hurt awfully, Joe. And the dear girl was so sorry! But Gen. Pinkney! – Joe, that old man nearly went distracted. He rushed downstairs and sent somebody – they said the furnace man or somebody in the basement – out to a drug store for some oil and things to bind it up with. It doesn’t hurt so much now.”

“What’s this?” asked Joe, taking the hand tenderly and pulling at some white strands beneath the bandages.

“It’s something soft,” said Delia, “that had oil on it. Oh, Joe, did you sell another sketch?” She had seen the money on the table.

“Did I?” said Joe; “just ask the man from Peoria. He got his depot to-day, and he isn’t sure but he thinks he wants another parkscape and a view on the Hudson. What time this afternoon did you burn your hand, Dele?”

“Five o’clock, I think,” said Dele, plaintively. “The iron – I mean the rabbit came off the fire about that time. You ought to have seen Gen. Pinkney, Joe, when – ”

“Sit down here a moment, Dele,” said Joe. He drew her to the couch, sat beside her and put his arm across her shoulders.

“What have you been doing for the last two weeks, Dele?” he asked.

She braved it for a moment or two with an eye full of love and stubbornness, and murmured a phrase or two vaguely of Gen. Pinkney; but at length down went her head and out came the truth and tears.

“I couldn’t get any pupils,” she confessed. “And I couldn’t bear to have you give up your lessons; and I got a place ironing shirts in that big Twenty-fourth street laundry. And I think I did very well to make up both General Pinkney and Clementina, don’t you, Joe? And when a girl in the laundry set down a hot iron on my hand this afternoon I was all the way home making up that story about the Welsh rabbit. You’re not angry, are you, Joe? And if I hadn’t got the work you mightn’t have sold your sketches to that man from Peoria.”

“He wasn’t from Peoria,” said Joe, slowly.

“Well, it doesn’t matter where he was from. How clever you are, Joe – and – kiss me, Joe – and what made you ever suspect that I wasn’t giving music lessons to Clementina?”

“I didn’t,” said Joe, “until to-night. And I wouldn’t have then, only I sent up this cotton waste and oil from the engine-room this afternoon for a girl upstairs who had her hand burned with a smoothing-iron. I’ve been firing the engine in that laundry for the last two weeks.”

“And then you didn’t – ”

“My purchaser from Peoria,” said Joe, “and Gen. Pinkney are both creations of the same art – but you wouldn’t call it either painting or music.”

And then they both laughed, and Joe began:

“When one loves one’s Art no service seems – ”

But Delia stopped him with her hand on his lips. “No,” she said – “just ‘When one loves.’ ”

The Furnished Room