The French Lieutenant's Woman / Любовница французского лейтенанта

He moved round the plateau, to where he could see the sleeper's face better, and it was only then that he realized whom he had come upon. It was the French Lieutenant's Woman. Part of her hair had become loose and half covered her cheek. On the Cobb it had seemed to him a dark brown; now he saw that it had red tints. The skin below seemed very brown in that light, as if the girl cared more for health than a fashionably pale complexion. A strong nose, heavy eyebrows, the mouth he could not see.

He stood unable to do anything but stare down, tranced by this unexpected meeting, and overcome by an equally strange feeling – not sexual, but fraternal, perhaps paternal, a certainty of the innocence of this creature, of her being unfairly outcast. He could not imagine what could drive her to this wild place.

He came at last to the very edge of the rampart above her, directly over her face, and there he saw that all the sadness was gone; in sleep the face was gentle, it might even have had a smile. It was precisely then that she awoke.

She looked up at once. He was detected, and he was too much a gentleman to deny it. So when Sarah rose to her feet, gathering her coat about her, and stared back up at him, he raised his hat and bowed. She said nothing, but fixed him with a look of shock and confusion. She had fine dark eyes.

They stood thus for several seconds. She seemed so small to him, standing there below, as if, should he take a step towards her, she would turn and rush out of his sight.

“A thousand apologies. I came upon you by chance.” And then he turned and walked away. He did not look back, but went down to the path he had left, and waited half a minute to see if she was following him. She did not appear. Very soon he marched firmly away up the steeper path.

11

At about the same time Ernestina got from her bed and took her diary from her dressing table. In the morning she wrote: “Did not see dearest Charles. Did not go out, tho' it is very fine. Did not feel happy.”

Aunt Tranter's house was small, and she had heard Sam knock on the front door downstairs when he brought flowers; she had heard Mary open it – a murmur of voices and then a suppressed laughter from the maid, a slammed door. The suspicion crossed her mind that Charles had been down there, flirting; and this was one of her deepest fears about him.

She knew he had lived in Paris, in Lisbon, and traveled much; she knew he was eleven years older than herself; she knew he was attractive to women. His answers to her playful questions about his past conquests were always playful in return; and that was the rub[80]. She felt jealous. But the matter of whether he had slept with other women didn't worry her much. It was really Charles's heart of which she was jealous. That, she could not bear to think of having to share.

When the front door closed, Ernestina tried to control herself, then she rang the bell and soon afterwards, there were footsteps, a knock, and the door opened to let in Mary bearing a vase with a fountain of spring flowers. The girl came and stood by the bed, smiling.

Of the three young women who pass through these pages Mary was, in my opinion, by far the prettiest. She had pink complexion, corn-colored hair and wide gray-blue eyes. Not even the dull Victorian clothes could hide the seductive plump figure.

Mary's great-great-granddaughter, who is twenty-two years old this month I write in, much resembles her ancestor; and her face is known over the entire world, for she is one of the more celebrated younger English film actresses.

Mrs. Tranter liked pretty girls; and pretty, laughing girls even better. Of course, Ernestina was her niece, and she worried for her more; but Ernestina she saw only once or twice a year, and Mary she saw every day. The girl had a warm heart; she returned the warmth that was given.

Mary was not faultless; and one of her faults was a certain envy of Ernestina, who became the favorite of the household when she arrived from London; but the young lady from London came also with trunkfuls of the latest London and Paris fashions, while she had only three dresses. She also thought Charles was a beautiful man for a husband; too good for a pale creature like Ernestina. This was why Charles had the benefit of those gray-and-blue eyes when she opened the door to him or passed him in the street. Each time he raised his hat to her in the street she mentally cocked her nose at Ernestina[81].

Mary placed the flowers on the bedside commode.

“From Mr. Charles, Miss Tina. With 'er complimums.” Mary spoke in a dialect known for its contempt of pronouns and suffixes[82].

“Place them on my dressing table. I do not like them so close.”

Mary obediently put them there.

“Did he bring them himself?”

“No, miss.”

“Where is Mr. Charles?”

“Doan know, miss. I didn' ask'un.” But her mouth was pressed too tightly together, as if she wanted to giggle.

“But I heard you speak with the man.”

“Yes, miss.”

“What about?”

“'Twas just the time o' day[83], miss.”

“Is that what made you laugh?”

“Yes, miss. 'Tis the way 'e speaks, miss.”

Ernestina gave her a look very much like Mrs. Poulteney's.

“You will kindly remember that he comes from London.”

“Yes, miss.”

“Mr. Smithson has already spoken to me of him. The man fancies himself a Don Juan[84].”

“What's that then, Miss Tina?[85]”

“Never mind now[86]. But if he makes advances[87] I wish to be told at once.”

In London the beginnings of a social stratification had, by the mid-century, begun. Nothing of course took the place of good blood[88]; but it had become generally accepted that good money and good brains could help achieve high social standing[89]. Ernestina's grandfather had been a draper when he was young; but he died a very rich draper since he had moved commercially into central London, founded one of the West End's great stores and extended his business into many departments besides drapery. Her father had given her the best education that money could buy. In all except his origins he was a gentleman; and he had married a daughter of one of the City's most successful solicitors, who had good ancestors.

Charles had first met her the preceding November, at the house of a lady who had her eye on him for one of her daughters. To both young people it had promised to be just one more dull evening; and both, when they returned to their homes, found that it had not been so.

They saw in each other a superiority of intelligence. Ernestina let it be known that she had found Mr. Smithson an agreeable change from the dull crop of partners presented for her examination that season. Her mother made discreet inquiries; and consulted her husband, who made more. Charles passed his secret exam with flying colors[90].

When he began to attend her mother's parties he had the unusual experience of finding that there was no sign of the usual matrimonial trap; no sly hints from the mother of how much the sweet darling loved children; or less sly ones from the father on the size of the fortune “my dearest girl” would bring to her husband. The latter were, in any case, unnecessary; the Hyde Park house was fit for a duke to live in, and the absence of brothers and sisters said more than a thousand bank statements[91].

Ernestina played her hand well. She always invited other attractive young men; and did not do him any particular favour. She was, on principle, never serious with him: she gave him the impression that she liked him because he was fun – but of course she knew he would never marry. Then came an evening in January when she decided to plant the fatal seed[92].

She saw Charles standing alone; and on the opposite side of the room she saw an aged widow. She went up to him.

“Shall you not go converse with Lady Fairwether?”

“I should rather converse with you.”

“I will present you.”

So they began to cross the room together; but halfway to the lady, she stopped, laid her hand a moment on his arm, and looked him in the eyes.

“If you are determined to be an old bachelor, Mr. Smithson, you must practice for your part[93].”

She had moved on before he could answer; but her eyes made it clear that she made an offer.

What she did not know was that she had touched a sensitive place in Charles's soul; his feeling that life was passing him by, that he was being lazy, selfish… and worse. He had not traveled abroad those last two years; and he had realized that previously traveling had been a substitute for not having a wife. It allowed him to take an occasional woman into his bed, a pleasure he strictly forbade himself, perhaps remembering what his first test in that field had caused, in England.

Traveling no longer attracted him; but women did, and he was therefore in a state of extreme sexual frustration. He passed a very thoughtful week. Then one morning he woke up.

Everything had become simple. He loved Ernestina. He thought of the pleasure of waking up on just such a cold, gray morning, and seeing that sweet little face asleep beside him. A few minutes later he startled the sleepy Sam by saying: “Sam! I am an absolute one hundred per cent heaven forgive me damned fool[94]!”

A day or two afterwards the fool had an interview with Ernestina's father. It was brief, and very satisfactory. He went down to the drawing room, where Ernestina's mother sat. Unable to speak to Charles, she pointed in the direction of the conservatory. Charles opened the white doors to it and stood in the hot, fragrant air. He had to search for Ernestina, but at last he found her in one of the farthest corners. She glanced at him, and then looked hastily down and away. She held a pair of silver scissors, and was pretending to snip off some of the dead blooms of the heavily scented plant. Charles stood close behind her; coughed.

“I have come to bid my adieux. I have decided to leave England. For the rest of my life I shall travel. How else can an old bachelor spend his days?”

He was ready to go on in this vein[95]. But then he saw that Ernestina's head was bowed and that her knuckles were drained white by the force with which she was gripping the table. He understood that it came from a deep emotion she felt for him.

“But if I believed that someone cared for me to share…”

He could not go on, for she had turned, her eyes full of tears. Their hands met, and he drew her to him. They did not kiss. They could not, for she burst into tears.

A few minutes later Charles led Tina to the door back to the drawing room. But he stopped a moment at a plant of jasmine and picked a sprig and held it playfully over her head.

“It isn't mistletoe[96], but it will do, will it not?”

And so they kissed, with lips as asexual as children's. Ernestina began to cry again; then dried her eyes, and allowed Charles to lead her back into the drawing room, where her mother and father stood. No words were needed. Ernestina ran into her mother's opened arms. Meanwhile the two men stood smiling at each other; the one as if he had just concluded an excellent business deal, the other as if he was not quite sure which planet he had just landed on, but sincerely hoped the natives were friendly.

12

Charles walked for a mile or more through the woods of Ware Commons. Soon he was on the cart track[97] back to Lyme. Ahead moved the black figure of the girl; she walked not quickly, but with an even pace, like one used to covering long distances. Charles set out to catch up, and after a hundred yards or so he came close behind her. She must have heard the sound of his boots, but she did not turn. He noticed that the coat was a little too large for her, and that the heels of her shoes were mudstained. He hesitated only a moment, then:

“Madam!”

She turned, to see him hatless, smiling; and once again that face had an extraordinary effect on him. It seemed to both envelop and reject him.

“I owe you two apologies. I did not know yesterday that you were Mrs. Poulteney's secretary. I fear I addressed you in a most impolite manner.”

She stared down at the ground. “It's no matter, sir.”

“And just now when I seemed… I was afraid you had been taken ill.”

Still without looking at him, she inclined her head and turned to walk on.

“May I not accompany you?[98] Since we walk in the same direction?”

She stopped, but did not turn. “I prefer to walk alone.”

“Mrs. Tranter told me who you are. I am – ”

“I know who you are, sir.”

“Then.”

Her eyes were suddenly on his.

“Kindly allow me to go on my way alone.” His smile stopped. He bowed and stepped back. But instead of continuing on her way, she stared at the ground a moment. “And please tell no one you have seen me in this place.”

Then, without looking at him again, she turned and went. Standing in the center of the road, Charles watched her black back moving away. All he was left with[99] was the after-image of those eyes – they were abnormally large, as if able to see more and suffer more.

He looked round, trying to imagine why she should not wish it known that she came among these innocent woods. But then he remembered her story.

When Charles finally arrived in Broad Street, he decided to call at Mrs. Tranter's on his way to the White Lion. She brought him into the little drawing room, where he met Ernestina and kissed her fingers. She took her hand away. “You shall not have a drop of tea until you have accounted for every moment of your day.”

He described everything that had happened to him; or almost everything, for Ernestina had now twice made it clear that the subject of the French Lieutenant's Woman was unpleasant to her.

Charles produced the piece of rock he had brought for Ernestina. “It is a most fascinating wilderness, the Undercliff. I had no idea such places existed in England.”

“Now confess, Charles, you have been dallying with the wood nymphs.”

Charles showed here surprise, which he covered with a smile. It was on the tip of his tongue[100] to tell her about the girl; and yet seemed a sort of treachery, both to the girl and to himself.

Sarah found Mrs. Poulteney sitting in wait for her when she returned from her walk that evening. I said “in wait”; but “in state[101]” would have been a more appropriate term. Sarah appeared in the private drawing room for the evening Bible-reading, and found herself as if faced with the muzzle of a cannon. It was very clear that any moment Mrs. Poulteney might go off, and with a very loud bang indeed.

Sarah went towards the lectern in the corner of the room, where the large “family” Bible had laid. But she saw that all was not well.

“Is something wrong, Mrs. Poulteney?”

“Something is very wrong,” said the abbess. “I have been told something I can hardly believe.”

“To do with me?”

“I should never have listened to the doctor. I should have listened to my own common sense[102].”

“What have I done?”

“I do not think you are mad at all. You are a cunning, wicked creature. You know very well what you have done.”

“I will swear on the Bible – ”

But Mrs. Poulteney gave her a look of indignation. “You will do nothing of the sort![103] That is blasphemy.”

Sarah came forward, and stood in front of her mistress. “I must insist on knowing of what I am accused.” Mrs. Poulteney told her.

To her amazement Sarah showed not the least sign of shame.

“But what is the sin in walking on Ware Commons?”

'The sin! You, a young woman, alone, in such a place!”

“But ma'm, it is nothing but a large wood.”

“I know very well what it is. And what goes on there. And the sort of person who frequents it.”

“No one frequents it. That is why I go there – to be alone.”

“Do you contradict me, miss! Am I not to know what I speak of?[104]”

Having said all, Mrs. Poulteney began to change her tack.

“You have distressed me deeply.”

“But how was I to tell? I am not to go to the sea[105]. Very well, I don't go to the sea. I wish for solitude. That is all. That is not a sin. I will not be called a sinner for that.”

“Have you never heard speak of Ware Commons?”

“As a place of the kind you mean – never.”

Mrs. Poulteney looked somewhat confused: she recalled that Sarah had not lived in Lyme until recently; and that she could be ignorant of the bad reputation of the place.

“Very well. But let it be plainly understood. I permit no one to go or to be seen near that place. You will walk to where it is decent. Do I make myself clear?”

“Yes. I am to walk in the paths of righteousness.” For one moment Mrs. Poulteney thought she had been the subject of a sarcasm; but Sarah's eyes were down.

“Then let us hear no more of this foolishness. I do this for your own good.”

Sarah murmured, “I know.” Then, “I thank you, ma'm.”

No more was said. She turned to the Bible and read the passage Mrs. Poulteney had marked.

Later that night Sarah might have been seen standing at the open window of her unlit bedroom. The house was silent, and the town as well, for people went to bed by nine in those days before electricity and television. It was now one o'clock. Sarah was in her nightgown, with her hair loose; and she was staring out to sea.

14

When Mrs. Tranter, Ernestina and Charles were announced on the morning following that woodland meeting, Sarah rose at once to leave the room. But Mrs. Poulteney asked her to stay. The visitors were ushered in. Mrs. Tranter came forward, expansive and kind. Sarah stood shyly in the background; Charles and Ernestina stood behind the two elder ladies. Then Ernestina was presented.

“How are you, Mrs. Poulteney? You look exceedingly well.”

“At my age, Miss Freeman, spiritual health is all that counts[106].”

“Then I have no fears for you.”

She turned to present Charles, who bent over the old lady's hand.

“Great pleasure, ma'm. Charming house.”

“It is too large for me. I keep it on for my dear husband's sake[107]. I know he would have wished it so.”

And she stared past Charles at an oil painting done of Frederick only two years before he died in 1851, in which it was clear that he was a wise, Christian, dignified, good-looking sort of man. Actually, Mr. Poulteney had been a total, though very rich, nonentity; and the only really significant act of his life had been his leaving it. Charles respectfully looked at the portrait.

“Ah. Indeed. I understand. Most natural[108].”

Mrs. Tranter smiled at Sarah. “My dear Miss Woodruff, it is a pleasure to see you.” She went and pressed Sarah's hand, and said in a lower voice, “Will you come to see me – when dear Tina has gone?” She smiled and made a small nod.

Further introductions were then made. The two young ladies coolly inclined heads at one another, and Charles bowed. He watched closely to see if the girl would in any way show their two meetings of the day before, but her eyes avoided his. Mrs. Poulteney ignored Sarah absolutely. So also, Charles was not pleased to note, did Ernestina. Aunt Tranter did her best to draw the girl into the conversation; but she sat apart, with a blank face[109]. He himself once or twice turned politely to her to confirm an opinion, but it was without success.

Towards the end of the visit Charles began to realize a new aspect of the situation. It became clear to him that the girl's meekness was contrary to her nature; that she was playing a part; and that the part was one of complete dislike of her mistress. Mrs. Poulteney and Mrs. Tranter held a polite conversation on different subjects – the weather; births, funerals and marriages; politics; religion.

“That girl I dismissed – she has given you no further trouble?” Mrs. Poulteney asked.

Mrs. Tranter smiled. “Mary? I would not part with her for the world[110].”

“Mrs. Fairley informs me that she saw her only this morning talking with a person. A young person. Mrs. Fairley did not know him.”

Ernestina gave Charles a sharp glance; for a wild moment he thought she meant him – then realized.

He smiled. “Then no doubt it was Sam. My servant, madam,” he added for Mrs. Poulteney's benefit.

Ernestina avoided his eyes. “I think you should speak to Sam. There is a world of difference between what may be accepted in London and what is proper here.”

Mrs. Tranter looked hurt. “Ernestina my dear, she may be high-spirited. But I've never had the least cause to – ”

“My dear, kind aunt, I am well aware how fond you are of her.”

Charles heard the dryness in her voice and came to Mrs. Tranter's defense.

“There is no surer sign of a happy house than a happy maidservant at its door.”

Ernestina looked down at that, with a telltale little tightening of her lips[111]. Good Mrs. Tranter blushed slightly at the compliment, and also looked down. Mrs. Poulteney had listened to this crossfire with some pleasure; and she now decided that she disliked Charles sufficiently to be rude to him.

“Your future wife is a better judge than you are of such matters, Mr. Smithson. I know the girl in question. I had to dismiss her.”

And she too looked down, which marked the end of the subject.

“I bow to your far greater experience, madam[112].”

But his tone was unmistakably cold and sarcastic.

The three ladies all sat with averted eyes. It was when a look at last passed between Sarah and Charles. It was very brief, but it spoke worlds[113]; two people had recognized they had a common enemy.

15

They had left soon, and Ernestina had been very silent on the walk to Broad Street. Once there she had seen to it that she was left alone with Charles; and no sooner had the door shut on her aunt's back[114] than she burst into tears and threw herself into his arms. It was the first disagreement that had ever darkened their love. Charles kissed her on each wet eyelid and forgave her.

“And my sweet, silly Tina, why shouldn't we let others do what has made us both so happy? What if this wicked maid and my rascal Sam should fall in love? Are we to throw stones?”

She smiled up at him from her chair. “This is what comes of trying to behave like a grown-up.”

He knelt beside her and took her hand. “Sweet child. You will always be that to me.” She bent her head to kiss his hand, and he in turn kissed the top of her hair.

She murmured, “Eighty-eight days. I cannot bear the thought[115].”

“Let us elope. And go to Paris.”

She raised her head, and he kissed her on the lips. She sank back in the chair, blushing, her heart beating so fast that she thought she would faint. He held her hand, and pressed it playfully.

“If the worthy Mrs. P. could see us now?”

She covered her face with her hands, and began to laugh. They were both happy to enjoy the wonderful new freedoms their age brought.

16

Five days passed. For Charles, no opportunities to continue his exploration of the Undercliff presented themselves. All days long Ernestina was discussing with him the problems related to their future family life, which he began to find tiresome. Finally, he was granted a free afternoon.

He knew at once where he wished to go. He had had no thought except for the French Lieutenant's Woman when he found her on that wild cliff meadow; but he had just had enough time to notice there considerable piles of flint. It was certainly this which made him walk that afternoon to the place.

When he crossed the grass he saw that the meadow was empty; and very soon he had forgotten her. He began to search for his tests. It was a colder day than when he had been there before. Sun and clouds rapidly succeeded each other in proper April fashion, but the wind was out of the north. At the foot of the bluff, therefore, it was agreeably warm; and an additional warmth soon came to Charles when he saw an excellent test lying at his feet.

Forty minutes later, however, he realized that he was to have no further luck below the bluff. He walked towards the path that led back into the woods. And there, a dark movement!

She was halfway up the steep little path. As soon as he saw her he stopped. But then she saw him. They stood some fifteen feet apart, both clearly embarrassed, though with very different expressions. Charles was smiling; and Sarah stared at him with suspicion.

“Miss Woodruff!”

She gave him a nod, and seemed to hesitate, as if she would have turned back if she could. But then she realized he was standing to one side for her[116] and made hurriedly to pass him. But she slipped on the muddied path and fell to her knees. He helped her up; now she was totally like a wild animal, unable to look at him, trembling.