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Paris from the Earliest Period to the Present Day. Volume 1
All the necessary measures had been taken by the Guises and by the municipality of the city; the signal was to be given from the Palais de Justice, by the first stroke of the tocsin after midnight, on the morning of Sunday, the 24th of August, the day of Saint-Barthélemy, and the Catholics were to be designated by white handkerchiefs on their arms and white crosses in their hats. But the killing began under the walls of the Louvre before the appointed hour, and Catherine sent hastily to the neighboring church of Saint-Germain-l'Auxerrois with orders to give the signal. The Duc de Guise had reserved for himself the honor of superintending the murder of Coligny, then helpless from his wounds, and he immediately hastened to the Hôtel de Ponthieu, where the admiral was lodged, burst in the doors, had the old man murdered and flung out of the window and his head struck off.
There are various authorities, among them D'Aubigné, for the story that the king fired with a long arquebus from one of the windows of the Louvre upon the fleeing Huguenots. "He took great pleasure," says Brantôme, "in seeing from his windows more than four thousand corpses, killed or drowned, floating down the river." The same chronicler relates that when, on the 27th, in company with his mother and a number of seigneurs, he visited the gibbet of Montfaucon to inspect the corpse of the admiral, there hanging in chains, he did not, like all the others, stop his nose, but said: "I do not as you all do, for the smell of an enemy is always pleasant." He had, perhaps, borrowed the phrase from Aulus Vitellius, visiting the battle-field of Bedriac.
"Women who were enceinte were ripped open, that the little Huguenots might be snatched from their wombs, to be thrown, to be devoured, to pigs and dogs. In those houses in which none were left alive but children, these infants were piled into large baskets, and then thrown from the bridges into the river. There might be seen frightful little boys, ten years of age, strangling the babies in the cradles, or dragging them through the streets by a cord around their necks."
The number of slain in the city of Paris was variously estimated at from two thousand to ten. The murders did not cease entirely until the 17th of September, and, with the exception of some districts, in which the officials refused to carry out their orders, extended throughout France. The victims were by no means all Huguenots; the opportunities offered to private vengeance were too great, and rivals, debtors, thieves, and a horde of criminals covered their crimes with the cloak of religion. Two years later, the king died, at the age of twenty-four, tormented in his last moments by remorse, and cared for only by his old Huguenot nurse.
Even in this horrible business, there were not wanting reassuring touches of human nature. The fine story which Dumas père tells with so much spirit in his Reine Margot, of the wounded gentleman, pursued by the assassins, seeking refuge in the very bed-chamber of this queen, and saved by her, is quite true, if we may believe the recital of the queen herself (Historic Memoirs: Margaret of Valois). His name was Monsieur de Nançay, and she was obliged to change her chemise, as he had bloodied it in clinging to her! In the conspiracy to prevent the return of the King of Poland, afterward Henri III, to France in the eventuality of the death of Charles, of which conspiracy the youngest royal brother, the Duc d'Alençon, was the head, there were two gentlemen, Joseph de Boniface, Sieur de la Mole, who was Queen Marguerite's lover, and the Comte de Coconas, an Italian, who was loved by the Duchesse de Nevers. The story of the trial and execution of these two, and even the ghastly incident of the preservation of the severed head of the lover, are also founded on facts.
The massacre of Saint-Bartholomew has found apologists, even at this late day,—an historical work issued by the house of Firmin-Didot, in 1898, purporting to give an impartial résumé of the acts of the League during the reigns of Henri III and Henri IV, declares that the people took part in this tragedy because "their zeal had been misled," and they believed that they were going, not to massacre, but to battle "against enemies who menaced their faith and their liberty." The League, according to this champion of the Church, M. V. de Chalambert, "was at once legitimate in its principles, energetic and sagacious in its acts, in its faith;" … "if the family of Lorraine had the signal honor of personifying, during a space of nearly fifty years, the Catholic cause in France, it owed this honor to the faith, to the sincere zeal, and to the great qualities of its princes, not to the schemes of ambition." A more important work, the History of the Princes of Condé, by the Duc d'Aumale, in seven volumes, is much more impartial, though the distinguished author's sympathies are naturally enlisted in this subject. He quotes with just appreciation the answer of the young Prince of Condé, Henri de Bourbon, to Charles IX after the massacre, when the king summoned him before him and curtly gave him his choice: "Messe, mort, ou Bastille?" (the mass, death, or the Bastile.) "God will not permit, my king and my seigneur, that I should select the first. As for the other two, they are at your discretion, which may God temper with His Providence."
"The intellectual life of the people," says the author of the Mémoires du peuple français, "had gained, rather than lost, amid the terrible emotions of public affairs. In the interiors of the houses, everything demonstrated that literature, the arts, the sciences, commerce, and industry were far from having succumbed during the long crises of the preceding reigns." It was during the reign of Charles IX that the beginning of the year was fixed at the first of January, by an edict issued in 1564. It had previously been considered as commencing at Easter.
Henri de Navarre and the young Duc d'Alençon were retained as prisoners in the Louvre, where they amused themselves by flying quails in their rooms and making love to the ladies. The young prince escaped first, on the evening of the 15th of September, 1575, but the king did not succeed in evading the vigilance of his keepers till the following February, when he took advantage of a hunt in the forest of Senlis, to ride to rejoin Monsieur, his young brother-in-law, and the Prince de Condé, thus abjuring the vows of the Church, which he had taken under compulsion. The Paix de Monsieur which followed, signed on the 17th of April, 1576, granted the followers of Luther and Calvin the free exercise of their religion everywhere, "as much as they would have acquired by gaining two battles against the court of France." To the zealous Catholics this peace seemed like a betrayal of their cause, and the Sainte Ligue, for the maintenance of the privileges of the Church and the king, was organized throughout the country under the auspices of Henri de Guise, who placed himself at the head of the movement.
Henri III, who had fled from his throne of Poland to take that of France as soon as he heard of the death of his brother, had not even the few good qualities of the latter. Depraved, prodigal, effeminate, capable only of the most puerile occupations, he excited the indignation of the Parisians by his dissolute manners, by his travesty of feminine apparel, his fine collars, his necklaces of pearls, his pourpoint opened to show his throat. D'Aubigné declared that he could not decide whether he saw "a woman-king or a man-queen." In his solemn entry into his capital he scandalized the grave citizens by his appearance, "having around him a great quantity of parakeets, monkeys, and little dogs." His courtiers and favorites naturally followed his example, and shared the popular disfavor; in 1576, the Parisians began to designate them as mignons du roi. Their worthy master, whenever it arrived to one of them to be killed in duel or ambuscade, contented himself with giving him a fine tomb and a marble statue in the church of Saint-Paul, hence called "the seraglio of the mignons," so that, says De Thou, "the usual threat against one of these favorites was: 'I will have him carved in marble like the others.'"
To thwart the schemes of the Guises, who had begun to plot for the succession to the throne, the king placed himself at the head of the League, and created his Order of the Saint-Esprit in hopes of winning partisans in both camps. His brother, now Duc d'Anjou, died in 1584, after an unsuccessful expedition into the Low Countries; the Duc de Guise concluded the treaty of Joinville with Philippe II of Spain, in the same year, in which the high contracting parties agreed to extirpate sects and heresies; to exclude from the throne of France heretic princes, or those who promised public impunity to heretics, and to assure the succession of the Valois to Charles, Cardinal de Bourbon. The cardinal was put forward as a stalking-horse, to be discarded at the right moment. And yet after the eighth civil war, that "of the three Henrys," the duke had the courage, or the assurance, to come to demand an audience of the king at Blois, and was poniarded by the Quarante-Cinq, the royal body-guard, in the antechamber. The next day, his brother, the cardinal, was killed with halberds, and the two bodies were burned that there might be no relics.
Catherine de Médicis, if we may believe the historians, had an undoubted talent for epigrams. When it was announced to her erroneously, as it afterward proved, that the battle of Dreux, in 1562, had been won by the Huguenots, she remarked, placidly: "Well, we shall have to pray God in French." When her son hastened to inform her after this notable assassination: "I have become, again, King of France, madame, having had killed the King of Paris," she replied: "It is not enough to cut out, my son; you must sew up." Henri did not know how to sew up; the League was far from being killed, the city of Paris, filled with fury and resentment at this murder, publicly disowned him and closed its gates against him. In one of the many nocturnal processions in its streets, a hundred thousand persons, it is said, carrying lighted torches, extinguished them all at once at a signal, crying, with one voice: "God extinguish thus the race of Valois!" He was obliged to seek an alliance with the Béarnais; the two kings laid siege to the capital, and a fanatical Dominican monk, Jacques Clément, having gained access to the tent of Henri III by forged letters, buried a knife in his bowels. He died in the night, having previously made his attendants swear to recognize the King of Navarre as King of France. His mother had died six months before, "despair in her soul."
Of Henri IV, "manly and humane by natural gifts, as well as by worldly experience," there are innumerable anecdotes related to illustrate his somewhat contradictory character. He is even found apologizing for Catherine de Médicis. One day, in 1600, the Président de Groulard was recalling to the king the memory of the many ills that she had brought upon France. "But," said the Béarnais, "I should like to ask you, what could a poor woman do who had, by the death of her husband, been left with five small children on her hands and two families who were endeavoring to wrest the crown from them, ours and that of the Guises? Was she not obliged to make use of strange personages to outwit both of them, and yet to preserve, as she did, her children, who reigned successively, thanks to the discreet conduct of so sagacious a woman? I wonder that she did not do even worse!" His perpetual pecuniary difficulties, so common to kings of France, developed in him other qualities. L'Estoile relates that his fine horses were returned to him in Paris because there were no funds with which to provide for them. The king turned to M. d'O, the Governor of Paris, and asked him how this came to be. "Sire," replied the latter, "there is no money." "My condition," said the king, "is, indeed, deplorable! I shall presently be obliged to go naked and on foot." Then, turning to a valet de chambre, he asked him how many shirts he possessed. "A dozen, sire; some of them are torn." "And handkerchiefs, have I not eight?" "At present, there are only five." "One night, when D'Aubigné and La Force were sleeping near the King of Navarre, the former complained bitterly to the second of their master's stinginess. La Force, overwhelmed with fatigue, was not listening. 'Do you not hear what I am saying?' asked D'Aubigné. La Force, rousing himself, demanded the subject of his discourse. 'Eh! he is telling thee,' said the king, who had heard it all, 'that I am a skinflint [un ladre vert], and the most ungrateful mortal on the face of the earth.' 'He did not manifest any resentment toward me,' adds D'Aubigné; 'but neither did he give me a quarter of an écu the more.'"
His second marriage, with Marie de Médicis, a niece of the Pope, was no more happy than royal marriages usually were. The pontiff had granted him a divorce from Marguerite de Valois, whose conduct was thought to be too frivolous even for those times; and the royal nuptials were solemnized at Florence in October, 1600, and greatly fêted in Paris the following January. "A dull woman, who brought him neither heart nor beauty nor wit, but the largest dot that could then be found (six hundred thousand écus of gold, equivalent to eighteen or twenty millions of francs to-day)." "His mistresses—less by their beauty than by gaiety and good humor—held an influence over him which probably she herself might have acquired, could she have curbed her violent temper. But not only did she rave and rage, and assail him with angry words, it was even necessary to restrain her from the too free use of her hands. And her blows were far from being light ones, for, as Henri once jestingly said, she was 'terribly robust.'" His conjugal inconstancy was, indeed, flagrant. La belle Gabrielle, Madame de Liancourt, afterward made Marquise de Mousseaux, the most celebrated of his mistresses, was declared by him to be the only woman he ever really loved, and, say the chronicles, "he used to caress her greatly and kiss her before everybody," but she had plenty of successors. One of them, the Marquise de Verneuil, was obliged to be present in the queen's train on the day of her coronation, as was, also, the divorced Marguerite de France; and on the very morning of his assassination, the king, now grizzled and bent, went to pay a visit to a newer beauty to whom he was paying court, Mlle. Angélique Paulet, daughter of the secretary of State who originated the celebrated financial measure named, after him, la paulette.
Nevertheless, it is related that on the day of her coronation, in 1610, when Marie de Médicis passed up the nave of the cathedral of Saint-Denis, flushed with pride and triumph, and wearing regally the royal mantle and jewels, Henri, who was present only as a spectator, turned to Sully, his minister and friend, and said, with animation: "Ventre-saint-gris! Qu'elle est belle!" It may be remarked that the king's favorite oath was said to have been invented for him by the churchmen, that he might not be guilty of blasphemy,—neither Saint-Gris nor his stomach being known to the calendar.
After having paid his visit to Mademoiselle Paulet, the king ordered his carriage, to go and see how the preparations for the 16th of May—the day of the public entrance into the capital of the newly-crowned Queen of France—were progressing. It is said that he had a superstitious presentiment concerning carriages, and but very seldom used them; there were not wanting other warnings, one from the astrologers, and his heart was unusually heavy. He had already escaped nineteen attempts at assassination. The coaches of those days had no glass windows, and were clumsy boxes, mounted on four immense wheels, and either set without springs or suspended on broad leathern bands. The king, who was accompanied by the ducs d'Épernon and de Montbazon and five other gentlemen, ordered the leathern curtains at the sides to be rolled up; at the corner of the Rue Saint-Honoré and the narrow Rue de la Ferronnerie there was a temporary blockade caused by two wagons, one laden with wine and the other with hay,—Ravaillac took advantage of the halt to mount with one foot on one of the spokes of the hind wheel on the side where the king was sitting and stabbed him three times, though the second stroke was instantly mortal.
The consternation was general and overwhelming, and with reason. "There might be seen men, as if struck by lightning, suddenly fall unconscious in the middle of the streets; several persons died very suddenly."
Henri III was the first King of France who made use of a carriage, but horses and mules long remained the favorite means of transportation for those who did not go afoot. Sober personages, magistrates and burghers, rode mules, and the ladies were loath to give up their hackneys for the new machines. Sauval, in his Antiquités de Paris, relates that he had been informed by a certain ancient dame—Madame Pilon—that there were no coaches in Paris until after the time of the League, some sixteen years before the death of Henri IV, and that the first person to appear in one was a relative of her own, the daughter of a wealthy apothecary of the Rue Saint-Antoine. Glass windows for them were not used till the reign of Louis XIV, who sent a coach so furnished as a gift to Charles II of England. The usage of tobacco began to be general under Henri IV, and soon became so excessive that the strongest measures were taken against those addicted to this habit. The beard of this monarch was also considered an offensive innovation by his Catholic subjects, and is even said to be responsible for more than one of the fanatical attempts on his life. His Huguenot subjects, however, "drew a hope from his continuance to wear it that their renegade chief might yet be of the number of the predestined."
"A hundred virtues of a valet, and not one virtue of a master," said Tallemant des Réaux of Henri's son, Louis XIII, as he grew to manhood. In two very recent publications on this historical period, M. Berthold Zeller, drawing his details from the contemporary reports of the Florentine and Venetian ambassadors at the court of France, presents a striking picture of the feebleness and ineptitude of the young king, even after the date of the official ending of his minority, October 2, 1614, and of the subtlety, quite Italian, with which the queen-mother played her part amid the intrigues of her followers and her adversaries. M. Louis Batiffol, in an article in the Revue de Paris, December, 1896, comments on a collection of manuscripts which he has found in the Bibliothèque Nationale, communications furnished by Louis XIII to the Gazette, published by Renaudot, on various military transactions. The communications were all edited, and not printed from these originals, because, although he was very fond of writing for the new art of printing, the king was "absolutely destitute of orthography, and was ignorant of the simplest rules of grammar. He wrote stiffly and with great care, in letters thin and long, more than a centimètre in length, he re-read, erased, and corrected in pencil the most awkward phrases, but his style remained at the end that of a child." Before being sent to the printer, these royal communications were corrected by one of his secretaries, M. Lucas, and afterward went through the hands of Richelieu. Nevertheless, M. Batiffol finds that these articles give "a very favorable impression of a king who presents so unimportant a figure in history and yet who did not lack for real qualities,"—an impression of impassibility, of self-control under all circumstances, and of a very serious application to the details of the affairs that came before him. "He was a soldier devoted to his profession, a true soldier, who loved the whistling of bullets, and would remain all night on horseback under a beating rain if he expected an attack from the enemy."
He was also a superior market-gardener, and prided himself on having the earliest and finest spring vegetables, superintending all the details of their cultivation himself. None of these early crops, however, appeared on his own table, but were furnished, at fancy prices, to such luxurious consumers as the wealthy Pierre de Puget, Seigneur de Montauron, Conseiller du roi. One day, in 1628, being, as usual, at a loss for occupation, and having successfully concocted a fricandeau for dinner, he amused himself by shaving all his courtiers, leaving them only a little tuft on the chin. This, naturally, set the fashion for beards for some time.
It also became the custom for gentlemen to perfume themselves, to disguise the odor of the pipe, which was now coming into general use. In October, 1645, the King of Poland sent a magnificent embassy, with an escort of four hundred cavaliers, to Paris to demand in marriage the hand of Marie-Louise de Gonzague, daughter of Charles I, Duke of Mantua, and Catherine de Lorraine; a formal entry into the city was arranged, and the Parisians were much impressed with the grand costumes of the Polish nobility,—"their stuffs were embossed with gold and silver, and precious stones glittered from every portion of their adornment, whilst the French nobility, which came out to meet them, displayed only plumes and ribbons." Nevertheless, it appeared that the French nobles had shaved themselves and washed their hands, which the Poles had forgotten to do. This mediæval lack of cleanliness continued down to the time of Louis XIV; Marguerite de Navarre, in a pretty, amorous dialogue of her composition, makes the fair lady admit that she had not washed her hands for a week.
The court of France was, at this period, the most depraved in morals, the grossest and most unpolished in manners, of any in Europe. The women of the bourgeoisie, envious of the great ladies, called them dames à gorge nue; and the latter retaliated by designating the women of the people as grisettes, because of their gray (grises) stockings,—a name retained almost down to the present day. In the sittings of the États Généraux, the President, Miron, complained bitterly of the excesses of the nobility, the contempt for justice, the open violences, the gambling, the extravagance, the constant duels, the "execrable oaths with which they thought it proper to ornament their usual discourse." It was from this general ignorance and corruption that the Marquise de Rambouillet withdrew in disgust, and established in her own hôtel that famous society of arts and letters and refinement—somewhat stilted and artificial—which constituted it the true court of France. "Instituted certainly before 1620," says M. Victor Cousin, "it sparkled with the utmost brilliancy for thirty years."
In 1612, the queen-mother, Marie de Médicis, then regent, arranged a double Spanish marriage for two of her children: the Princess Elisabeth, a child of twelve, was sent to Spain to wed the Prince of the Asturias, afterward Philip IV, and Louis brought back to Paris "a fine tall girl, a Spanish blonde, wanting yet two or three summers for the full development of her beauty," Anne d'Autriche. Though he was as faithful to his marriage vows as Saint-Louis, it is said, he seems to have always maintained for his wife a profound contempt, and, when the little Louis XIV was born, refused to take the infant in his arms, or to kiss it, which wounded the mother more than all his previous neglect. His treatment of his own mother in her later days was even more reprehensible; she was banished, and left in indigence and humiliation till her death, at Cologne, July 3, 1642. Her sole piece of jewelry, a cross surrounded with diamonds, and containing a piece of the true cross, she bequeathed to her daughter Henrietta, wife of Charles I of England. It was through Marie de Médicis, whom he afterward opposed so consistently, that the Bishop of Luçon, afterward Cardinal Richelieu, first was called to court, and during the king's minority and tutelage the government was administered by "the three robes," the queen-mother, the Bishop of Luçon, and the wife of the Italian favorite Concini, the Maréchal d'Ancre, killed on the drawbridge of the Louvre when he became too overbearing and obnoxious.
"The distinguishing characteristic of the Siècle de Louis XIV," says M. Maxime Petit, in his review of the important work by Émile Bourgeois, Le Grand Siècle, "that which Voltaire selected as the most important, is not the history of the negotiations and the battles, but that of the manners and customs, the ideas, the beliefs, the letters, and the arts.... Never, perhaps, more than in the time of Louis XIV was there a more complete harmony between the ideas and the life. The political forces are thoroughly disciplined, and the principle of authority, which Richelieu had developed to its fullest extent, reigns uncontested. Polite society—the only one to be considered—believes itself to be in possession of absolute rules, and, in the court as in the city, the heart abdicates in favor of reason." "When one speaks of the seventeenth century in France," says M. Louis Farges, "it appears, to those who are neither historians nor professional scholars, as one of those rare epochs in which all the forces of the nation concentrate and develop in a serene and majestic unity. France seems, then, to be at the summit of her political power, of her intellectual and artistic development, of her religious and philosophical unity. Taken altogether, and in a very general manner, this is a very just idea; … it must be admitted that at no other epoch has the genius of France manifested itself in the divers branches of human activity in a manner so complete, so abundant, and so united." "France was really," says M. Duruy, "at the head of modern civilization, and, by the recognized superiority of her genius and of her taste, she caused to be accepted by the whole of Europe the pacific empire of her artists and of her writers."