Silent in the Sanctuary

With degrees in English and History and a particular love of Regency and Victorian times, Deanna Raybourn is a committed anglophile, who, at her husband’s insistence, gave up teaching to devote her energies to writing. Clearly her husband knew what he was doing.

Silent in the Sanctuary is Deanna’s second novel in the Silent series featuring the effervescent Lady Julia Grey and the enigmatic private investigator Nicholas Brisbane.

Deanna is currently hard at work on her next book, Silent on the Moor, which will be available soon from MIRA Books.

Find out more online at www.mirabooks.co.uk/ deannaraybourn

Also by Deanna Raybourn

SILENT IN THE GRAVE

A Lady Julia Grey Mystery

SILENT in the SANCTUARY

Deanna Raybourn

www.mirabooks.co.uk

ACKNOWLEDGEMENTS

As ever, many thanks to my esteemed agent, Pam Hopkins, for all her hard work and support, for her unflagging optimism and for her ferocious devotion. Many thanks as well to my editor, the elegantly tenacious Valerie Gray, whose commitment to my writing has been truly humbling in the best possible way. My life and my work are the better for knowing both of you.

I am incredibly grateful to the MIRA editorial, marketing and PR teams for their enthusiasm and the exquisite care they have lavished on my novels. Particular debts of gratitude are owed to Cris Jaw and Julianna Kolesova for their stylish artistic contributions to this series. And many, many thanks to the unseen hands whose work is often unremarked, but so very essential and much appreciated – the proofreading, production and sales departments.

Thanks also to my Jackson girls, as always, for all their love and support. Particular thanks to Kim Taylor, for going above and beyond the call of friendship, and all of those who have done more than I could ever have asked. It is a gift to know you and to call you friends.

And thanks most of all to my family; thanks to my daughter and my father for their many little kindnesses, and to my husband, for everything. As ever.

This book is dedicated to my mother,

Barbara Russell Jones, who has read every word I have

ever written and loved them all.

SILENT in the SANCTUARY

THE FIRST CHAPTER

Italy, 1887

Travelers must be content. —AS YOU LIKE IT

“Well, I suppose that settles it. Either we all go home to England for Christmas or we hurl ourselves into Lake Como to atone for our sins.”

I threw my elder brother a repressive look. “Do not be so morose, Plum. Father’s only really angry with Lysander,” I pointed out, brandishing the letter from England with my fingertips. The paper fairly scorched my skin. Father’s temper was a force of nature. Unable to rant at Lysander directly, he had applied himself to written chastisement with great vigour.

“The rest of us can go home easily enough,” I said. “Just think of it—Christmas in England! Plum pudding and snapdragon, mistletoe and wassail—”

“Chilblains and damp beds, fogs so thick you cannot set foot out of doors,” Plum put in, his expression sour. “Someone sobbing in the linen cupboard, Father locking himself in the study after threatening to drown the lot of us in the moat.”

“I know,” I said, my excitement rising. “Won’t it be wonderful?”

Plum’s face cracked into a thin, wistful smile. “It will, actually. I have rather missed the old pile—and the family, as well. But I shall be sorry to leave Italy. It has been an adventure I shall not soon forget.”

On that point we were in complete agreement. Italy had been a balm to me, soothing and stimulating at once. I had joined two of my brothers, Lysander and Eglamour—Plum to the family—after suffering the loss of my husband and later my home, and very nearly my own life. I had arrived in Italy with my health almost broken and my spirit in a sorrier state. Four months in a warm, sunny clime with the company of my brothers had restored me. And though the weather had lately grown chill and the seasons were turning inward, I had no wish to leave Italy yet. Still, the lure of family and home, particularly at Christmas, was strong.

“Well, who is to say we must return permanently? Italy shall always be here. We can go to England for Christmas and still be back in Venice in time for Carnevale.”

Plum’s smile deepened. “That is terribly cunning of you, Julia. I think living among Italians has developed a latent talent in you for intrigue.”

It was a jest, but the barb struck too close to home, and I lowered my head over my needlework. I had engaged in an intrigue in England although I had never discussed it with my brothers. There had been an investigation into my husband’s death, a private investigation conducted by an inquiry agent. I had assisted him and unmasked the killer myself. It had been dangerous, nasty work, and I told myself I was happy to be done with it.

But even as I plunged my needle into the canvas, trailing a train of luscious scarlet silk behind it, I felt a pang of regret—regret that my days were occupied with nothing more purposeful than those of any other lady of society. I had had a glimpse of what it meant to be useful, and it stung now to be merely decorative. I longed for something more important than the embroidering of cushions or the pouring of tea to sustain me.

Of my other regrets, I would not let myself think. I yanked at the needle, snarling the thread.

“Blast,” I muttered, rummaging in my work basket for my scissors.

“We are a deceptively domestic pair,” Plum said suddenly.

I snapped the threads loose and peered at him. “Whatever do you mean?”

He waved a hand. “This lovely villa, the fireside, both of us in slippers. I, reading my paper from England whilst you ply your needle. We might be any couple, by any fireside, placidly whiling away the darkening hours of an autumn eve.”

I glanced about. The rented villa was comfortably, even luxuriously appointed. The long windows of the drawing room overlooked Lake Como, although the heavy velvet draperies had long since been drawn against the gathering dark. “I suppose, but—”

What I had been about to say next was lost. Morag, my maid, entered the drawing room to announce a visitor.

“The Count of Four-not-cheese.”

I gave her an evil look and tossed my needlework aside. Plum dashed his newspaper to the floor and jumped to his feet.

“Alessandro!” he cried. “You are a welcome sight! We did not expect you until Saturday.”

Morag did not move, and our visitor stepped neatly around her, doffing his hat and cape. They were speckled with raindrops that glittered in the firelight. He held them out to Morag who looked at him as though he had just offered her a dead animal. I rushed to take them.

“Alessandro, how lovely to see you.” I thrust the cape and hat at Morag. “Take these and brush them well,” I instructed. “And his name is Fornacci,” I hissed at her.

She gave me a shrug and a curl of the lip and departed, dragging the tail of Alessandro’s beautiful coat on the marble floor as she went.

I turned to him, smiling brightly. “Do come in and get warm by the fire. It has turned beastly out there and you must be chilled to the bone.”

He gave me a look rich with gratitude, and something rather more as well. Plum and I bustled about, plumping cushions and making him comfortable with a chair by the fire and a glass of good Irish whiskey. Alessandro had never tasted whiskey until making the acquaintance of my brothers, but had become something of a connoisseur in the months he had known them. To begin with, he no longer made the mistake of tossing his head back and drinking the entire glass at one gulp.

After a few minutes by the fire he had thawed sufficiently to speak. “It is so good to see you again,” he said, careful to look at Plum as well as myself when he spoke. “I am very much looking forward to spending Christmas with you here.” His English was terribly fluent, very much better than my Italian, but there was a formality that lingered in his speech. I found it charming.

Plum, who had poured himself a steady glass of spirits, took a deep draught. “I am afraid there has been a change in plans, old man.”

“Old man” was his favourite nickname for Alessandro, no doubt for its incongruity. Alessandro was younger than either of us by some years.

The young man’s face clouded a little and he looked from Plum to me, his silky dark brows knitting in concern. “I am not invited for Christmas? Shall I return to Firenze then?”

I slapped Plum lightly on the knee. “Don’t be vile. You have made Alessandro feel unwelcome.” It had been arranged that Alessandro would come to us in November, and we would all spend the holiday together before making a leisurely journey to Venice in time for Carnevale. There was no hope of such a scheme now. I turned to Alessandro, admiring for a moment the way the firelight licked at his hair. I had thought it black, but his curls shone amber and copper in their depths. I wondered how difficult it would be to persuade Plum to paint him.

“You see, Alessandro,” I explained, “we have received a letter from our father, the Earl March. He is displeased with our brother Lysander and wishes us all to return to England at once. We shall spend Christmas there.”

“Ah. How can one argue with the call of family? If you must return, my friends, you must return. But know that you will always carry with you the highest regard of Alessandro Fornacci.”

This handsome speech was accompanied by a courtly little bow from the neck and a noble, if pained, expression that would have done a Caesar proud.

“I have a better idea, and a very good notion it is,” Plum said slowly. “What if we bring Alessandro with us?”

I had just taken a sip of my own whiskey and I choked lightly. “I beg your pardon, Plum?”

Alessandro raised his hands in a gesture I had seen many Italians employ, as if warding something off. “No, my friend, I must not. If your father is truly angry, he will not welcome an intruder at this time.”

“Are you mad? This is precisely the time to bring someone outside the family into the fold. It will keep him from killing Lysander outright. He will behave himself if we cart you back to England with us. The old man has peculiar ideas, but he is appallingly hospitable.”

“Plum, kindly do not refer to Father as ‘the old man’. It is disrespectful,” I admonished.

Alessandro was shaking his head. “But I have not been invited. It would be a great discourtesy.”

“It would be a far greater discourtesy for Father to kill his own son,” Plum pointed out tartly. “And you have been invited. By us. Now I must warn you, the family seat is rather old-fashioned. Father doesn’t hold with new ideas, at least not for country houses. You’ll find no steam heat or even gaslights. I’m afraid it’s all coal fires and candles, but it really is a rather special old place. You always said you wanted to see England, and Bellmont Abbey is as English as it gets, dear boy.”

Alessandro hesitated. “If I may be so bold, why is his lordship so angry with Lysander? Surely it is not—”

“It is,” Plum and I chorused.

Just at that moment, sounds of a quarrel began to echo from upstairs. There was a shout and the unmistakable crash of breaking crockery.

“But the earl, he cannot object to Lysander’s marriage to so noble and lovely a lady as Violante,” Alessandro put in, quite diplomatically I thought.

Something landed with a great thud on the floor, shivering the ceiling and causing the chandelier above our heads to sway gently.

“Do you suppose that was one of them?” Plum inquired lightly.

“Don’t jest. If it was, we shall have to deal with the body,” I reminded him. Violante began to shriek, punctuating her words with tiny stamps of her heel from the sound of it.

“I wonder what she is calling him. It cannot be very nice,” I mused.

Alessandro gave an elegant shrug. “I regret, my understanding of Napolitana, it is imperfect.” He dropped his eyes, and I wondered if he understood more than politeness would allow him to admit.

“Probably for the best,” Plum remarked, draining the last of his whiskey.

“Do not finish off the decanter,” I warned him. “Lysander will want a glass or two when they have finished for the evening.”

“Or seven,” Plum countered with a twitch of his lip. I gave him a disapproving look. Lysander’s marital woes were not a source of amusement to me. I had endured enough of my own connubial difficulties to be sympathetic. Plum, however, wore a bachelor’s indifference. He had never said so, but I suspected his favourite brother’s defection to the married state had rankled him. They had travelled the Continent together for years, roaming wherever their interests and their acquaintance had directed them, exploring museums and opera houses and ruined castles. They wrote poetry and concertos and painted murals on the walls of ancient abbeys. They had been the staunchest companions until Lysander, having left his thirtieth birthday some years past, had spotted Violante sitting serenely in her uncle’s box at La Fenice. It was, as the Tuscans say, un colpo di fulmine, a bolt of lightning.

It was also a bit misleading. Upon further investigation, Lysander discovered Violante was Neapolitan, not Venetian, and there was quite simply nothing about her that was serene. She carried in her blood all the warmth and passion and raw-boned energy of her native city. Violante was Naples, and for a cool-blooded, cool-headed Englishman like Lysander the effect was intoxicating. He married her within a month, and presented Plum and me with a fait accompli, a sister-in-law who smothered us in kisses and heady jasmine perfumes. For my part, I found her charming, wholly unaffected if somewhat exhausting. Plum, on the other hand, was perfectly cordial and cordially perfect. Whenever Violante stepped from a carriage or shivered from the cold, Plum would offer her a hand or his greatcoat, bowing and murmuring a graciously phrased response to her effusive thanks. And yet always he watched her with the cool detachment one usually reserves for specimens at the zoological garden. I often thought there might be real fondness there if he could unbend a little and forgive her for coming so precipitously into our lives.

But Plum was nothing if not stubborn, and I knew a straightforward approach would only cause him to dig his heels into the ground like a recalcitrant pony. So I endeavoured to distract him with little whims and treats, cajoling him into good temper in spite of himself.

And then we met Alessandro, or to be accurate, I met Alessandro, for he was a friend of my brothers of some years’ duration. Rome had been too hot, too noisy, altogether too much for my delicate state when I first arrived in Italy. My brothers immediately decided to quit the city and embark on a leisurely tour to the north, lingering for a few days or even weeks in any particularly engaging spot, but always pushing on toward Florence. We settled comfortably in a tiny palazzo there, and I began to recover. My fire-roughened voice smoothed again, never quite as it had been, but not noticeably damaged. My lungs were strengthened and my spirits raised. Lysander felt comfortable enough to leave us to accept an invitation for a brief trip to Venice to celebrate the private debut of a friend’s opera. Plum pledged to watch over me, and Lysander departed, to return a month later after endless delays and a secret wedding, his voluble bride in tow.

Alessandro had kept us company while Lysander was away, guiding us to hidden piazze, revealing secret gardens and galleries no tourists ever crowded. He drove us to Fiesole in a beribboned pony cart, stopping to point out the most breathtaking views in that enchanted hilltop town, and introduced us to inns in whose flower-drenched courtyards we were served food so delicious it must have been bewitched. Plum always seemed to wander off, sketchbook in hand to capture a row of cypresses, stalwart and straight as a regiment, or the elegant curve of a signorina’s cheek, distinctive as a goddess out of myth. Alessandro did not seem to mind. He talked to me of history and culture and we practiced our languages with each other, learning to speak of everything and nothing at all.

They were the most peaceful and serene weeks of my life, and they ended only when Lysander returned with Violante, bursting with pride, his chin held a trifle higher from defiance as much as happiness. With his native courtesy, Alessandro withdrew at once, leaving us to our privacy as a newly re-formed family. There were flinty discussions verging on quarrels, where we all went quite white about the lips and I could feel the heat rising in my face. Lysander had no wish to inform Father of his marriage, thinking instead to make a trip to England sometime in the summer, bringing his surprise bride with him then. Plum and I argued forcefully against this, reminding him of his duty, his obligation, his name. And more to the point, his allowance. If Father was made to look foolish, angered too far, he could easily slash Ly’s allowance to ribbons or halt it altogether. Lysander was an accomplished musician, but he was a conductor manqué, a dabbler. He had no serious reputation upon which to build a career, and without a formal education, without proper connections, his situation was impossible. He relented finally, with bad grace, and Plum penned the letter to Father, writing in Lysander’s name to tell him there was a new addition to the family.

The reaction had been swift—a summons to Lysander to bring his bride home at once. Lysander, in a too-typical gambit of avoidance, rented the villa at Lake Como, insisting we could not go home before Carnevale season and that we might as well spend Christmas in the lake country. But he had underestimated Father. The second letter had been forceful, specific, and brutal. We were expected, all of us now, to return home immediately. Lysander had masked his dread with defiance, dropping the letter on the mantelpiece and shrugging before stalking from the room. Violante had followed him, accusing him of being embarrassed of her, if I translated correctly. The Napolitana dialect had defeated me almost entirely from the beginning, and I think our inability to understand one another most of the time explained why Violante and I had learned to get on so well.

Suddenly, Plum cocked his head. “Listen to the silence. Do you suppose one of them has finally done the other a mischief?”

“Your slang is appalling,” I told him, taking up my needlework again. “And no, I do not think one of them has done murder. I think they have decided to discuss the matter rationally, in a mature, adult fashion.”

Plum snorted, and Alessandro pretended not to notice, sipping quietly at his whiskey. “Adult? Mature? My dear girl, you have lived with them some weeks now. Have you ever seen them discuss anything in a mature, adult fashion? No, and they will not, not so long as they both enjoy the fillip of excitement that a brisk argument lends to a marriage.”

I blinked at him. “They are newlyweds. They are in love. I hardly think they need to hurl plates at one another’s heads to enjoy themselves.”

“Don’t you? Our dear Violante is a southerner, who doubtless took in screaming with her mother’s milk. And Lysander is a fool who has read too much poetry. He mistakes the volume of a raised voice for true depth of feeling. I despair of him.”

“Do not worry, Lady Julia,” Alessandro put in gently. Giulia, he said, drawing out the syllables like poetry. “To speak loudly, it is simply the way of the southerners. They are very different from those of us bred in the north. We are cooler and more temperate, like the climate.”

He flashed me a dazzling smile, and I made a feeble effort to return it. “Still, it has gone too quiet,” I commented. “Do you suppose they have made it up?”

“They have not,” came Ly’s voice, thick with bitterness. He was standing in the doorway, his hair untidy, his colour high with righteous anger, his back stiff with resentment. It was a familiar posture for him these days. “Violante is insisting we obey Father’s summons. She wants to see England and to ‘meet her dear papa’, she says.” He flung himself into the chair next to Plum’s, his expression sour. “Hullo, Alessandro. Sorry you had to hear all of that,” he added with a glance toward the ceiling.

Alessandro murmured a greeting in return as I studied my brothers, feeling a sudden rush of emotion for the pair of them. Handsome and feckless, they were remarkably similar in appearance, sharing both the striking green eyes of the Marches and the dark hair and pale complexion that had marked our family for centuries. But although their features were similar, their clothes stamped them as very different men. Plum took great pains to search out the most outlandish costumes he could find, outfitting himself in velvet frock coats a hundred years out of fashion, or silk caps that made him look like a rather dashing mushroom.

Lysander, on the other hand, was a devotee of the spare elegance of Brummell. He never wore any colours other than white or black, and every garment he owned had been fitted a dozen times. He was particular as a pasha, and carried himself with imperious grace. When the pair of them went out together they always attracted attention, doubtless the effect they hoped for. They had a gift for making friends easily, and more times than I could count since my arrival in Italy, we had entered a restaurant or hotel or theatre box only to have my brothers greeted by name and kissed heartily, food and drink pressed upon us as though we were minor royalty. They could be puckishly charming when they wished, and delightful company. Until they were bored or thwarted. Then they were capable of horrifying mischief, although they had behaved themselves well enough since I had joined them.

I flicked a glance at Alessandro from under my lashes. He was still placidly sipping his drink, savoring it slowly, his trousers perfectly creased in spite of the filthy weather. He was an elegant, composed young gentleman, and I thought that with a little more time he might have been a noble influence on my scapegrace brothers.

I smoothed my skirts and cleared my throat.

“My dear,” I told Lysander, “I think it is quite clear we must return to England, and you must face Father. Now, we can sit up half the night and argue like thieves, but we will talk you round eventually, so you might as well capitulate now and let us get on with planning our journey.”

Lysander looked wonderingly from me to Plum. “When did Julia become brisk? She has never been brisk. Or bossy. Julia, I do not think I much care for this new side of you. You are beginning to sound like our sisters, and I do not like our sisters.”

I said nothing, but fixed him with a patient, pleasant look of expectation. After a long moment, he groaned. “Pax, I beg you. I am powerless against a determined woman.” I thought of his tempestuous bride, and wondered if I ought to share with her the power of a few minutes of very pregnant silence. But there was work at hand, and I made a note to myself to speak with Violante later.

“Then we are agreed,” I said. I rose and went to the desk, seating myself and arranging writing materials. There was a portfolio of scarlet morocco, stamped in gold with my initials, and filled with the creamiest Florentine writing-paper. I dipped my pen and gave my brothers a purposeful look, the tip of my pen poised over the luscious paper. “Now, we have also had a letter from Aunt Hermia, and I have managed to make out that she is intending to hold a sort of house party over Christmas. We must not arrive without gifts.”