Summer and the City

“Oh, sure.” I have absolutely no idea what’s she talking about. But I’m not about to admit my ignorance. Plus, this girl sounds kind of . . . bizarre.

“Good. I’ll see you in front of Saks.” She hangs up before I can get her name.

Yippee! I knew it. The whole time my Carrie bag was gone, I had a strange premonition I’d get it back. Like something out of one of those books on mind control: visualize what you want and it will come to you.

“A-hem!”

I look up from my cot and into the scrubbed pink face of my landlady, Peggy Meyers. She’s squeezed into a gray rubber suit that fits like sausage casing. The suit, combined with her shining round face, gives her an uncanny resemblance to the Michelin Man.

“Was that an outgoing call?”

“No,” I say, slightly offended. “They called me.”

Her sigh is a precise combination of annoyance and disappointment. “Didn’t we go over the rules?”

I nod, eyes wide, pantomiming fear.

“All phone calls are to take place in the living room. And no calls are to last more than five minutes. No one needs longer than five minutes to communicate. And all outgoing calls must be duly listed in the notebook.”

Duly, I think. That’s a good word.

“Do you have any questions?” she asks.

“Nope.” I shake my head.

“I’m going for a run. Then I have auditions. If you decide to go out, make sure you have your keys.”

“I will. I promise.”

She stops, takes in my cotton pajamas, and frowns. “I hope you’re not planning to go back to sleep.”

“I’m going to Saks.”

Peggy purses her lips in disapproval, as if only the indolent go to Saks. “By the way, your father called.”

“Thanks.”

“And remember, all long-distance calls are collect.” She lumbers out like a mummy. If she can barely walk in that rubber suit, how can she possibly run in it?

I’ve only known Peggy for twenty-four hours, but already, we don’t get along. You could call it hate at first sight.

When I arrived yesterday morning, disheveled and slightly disoriented, her first comment was: “Glad you decided to show up. I was about to give your room to someone else.”

I looked at Peggy, whom I suspected had once been attractive but was now like a flower gone to seed, and half wished she had given the room away.

“I’ve got a waiting list a mile long,” she continued. “You kids from out of town have no idea—no idea—how impossible it is to find a decent place in New York.”

Then she sat me down on the green love seat and apprised me of “the rules”:

No visitors, especially males.

No overnight guests, especially males, even if she is away for the weekend.

No consumption of her food.

No telephone calls over five minutes—she needs the phone line free in case she gets a call about an audition.

No coming home past midnight—we might wake her up and she needs every minute of sleep.

And most of all, no cooking. She doesn’t want to have to clean up our mess.

Jeez. Even a gerbil has more freedom than I do.

I wait until I hear the front door bang behind her, then knock hard on the plywood wall next to my bed. “Ding-dong, the witch is dead,” I call out.

L’il Waters, a tiny butterfly of a girl, slips through the plywood door that connects our cells. “Someone found my bag!” I exclaim.

“Oh, honey, that’s wonderful. Like one of those magical New York coincidences.” She hops onto the end of the cot, nearly tipping it over. Nothing in this apartment is real, including the partitions, doors, and beds. Our “rooms” are built into part of the living room, forming two tiny six-by-ten spaces with just enough room for a camp bed, a small folding table and chair, a tiny dresser with two drawers, and a reading light. The apartment is located right off Second Avenue, so I’ve taken to calling L’il and me The Prisoners of Second Avenue after the Neil Simon movie.

“But what about Peggy? I heard her yelling at you. I told you not to use the phone in your room.” L’il sighs.

“I thought she was asleep.”

L’il shakes her head. She’s in my program at The New School, but arrived a week earlier to get acclimated, which also means she got the slightly better room. She has to walk through my space to get to hers, so I have even less privacy than she does. “Peggy always gets up early to go jogging. She says she has to lose twenty pounds—”

“In that rubber suit?” I ask, astounded.

“She says it sweats the fat out.”

I look at L’il in appreciation. She’s two years older than I am, but looks about five years younger. With her birdlike stature, she’s one of those girls who will probably look like she’s twelve for most of her life. But L’il is not to be underestimated.

When we first met yesterday, I joked about how “L’il” would look on the cover of a book, but she only shrugged and said, “My writing name is E. R. Waters. For Elizabeth Reynolds Waters. It helps to get published if people don’t know you’re a girl.” Then she showed me two poems she’d had published in The New Yorker.

I nearly fell over.

Then I told her how I’d met Kenton James and Bernard Singer. I knew meeting famous writers wasn’t the same as being published yourself, but I figured it was better than nothing. I even showed her the paper where Bernard Singer had written his phone number.

“You have to call him,” she said.

“I don’t know.” I didn’t want to make too big a deal of it.

Thinking of Bernard made me all jellyish until Peggy came in and told us to be quiet.

Now I give L’il a wicked smile. “Peggy,” I say. “She really goes to auditions in that rubber suit? Can you imagine the smell?”

L’il grins. “She belongs to a gym. Lucille Roberts. She says she takes a shower there before. That’s why she’s always so crazy. She’s sweating and showering all over town.”

This cracks us up, and we fall onto my bed in giggles.

The red-haired girl is right: I have no problem finding her.

Indeed, she’s impossible to miss, planted on the sidewalk in front of Saks, holding a huge sign that reads, DOWN WITH PORNOGRAPHY on one side, and PORNOGRAPHY EXPLOITS WOMEN on the other. Behind her is a small table covered with graphic images from porno magazines. “Women, wake up! Say no to pornography!” she shouts.

She waves me over with her placard. “Do you want to sign a petition against pornography?”

I’m about to explain who I am, when a stranger cuts me off.

“Oh, puhleeze,” the woman mutters, stepping around us. “You’d think some people would have better things to do than worrying about other people’s sex lives.”

“Hey,” the red-haired girl shouts. “I heard that, you know? And I don’t exactly appreciate it.”

The woman spins around. “And?”

“What do you know about my sex life?” she demands. Her hair is cut short like a boy’s and, as promised, dyed a bright tomato red. She’s wearing construction boots and overalls, and underneath, a ragged purple T-shirt.

“Honey, it’s pretty clear you don’t have one,” the woman responds with a smirk.

“Is that so? Maybe I don’t have as much sex as you do, but you’re a victim of the system. You’ve been brainwashed by the patriarchy.”

“Sex sells,” the woman says.

“At the expense of women.”

“That’s ridiculous. Have you ever considered the fact that some women actually like sex?”

“And?” The girl glares as I take advantage of the momentary lull to quickly introduce myself.

“I’m Carrie Bradshaw. You called me. You have my bag?”

“You’re Carrie Bradshaw?” She seems disappointed. “What are you doing with her?” She jerks her thumb in the woman’s direction.

“I don’t even know her. If I could just get my bag—”

“Take it,” the redheaded girl says, as if she’s had enough. She picks up her knapsack, removes my Carrie bag, and hands it to me.

“Thank you,” I say gratefully. “If there’s anything I can ever do—”

“Don’t worry about it,” she replies proudly. She picks up her placard and accosts an elderly woman in pearls. “Do you want to sign a petition against pornography?”

The old woman smiles. “No thank you, dear. After all, what’s the point?”

The red-haired girl looks momentarily crestfallen.

“Hey,” I say. “I’ll sign your petition.”

“Thanks,” she says, handing me a pen.

I scribble my name and skip off down Fifth Avenue. I dodge through the crowds, wondering what my mother would have thought about me being in New York. Maybe she’s watching over me, making sure the funny red-haired girl found my bag. My mother was a feminist, too. At the very least, she’d be proud I signed the petition.

“There you are!” L’il calls out. “I was afraid you were going to be late.”

“Nope,” I say, panting, as I join her on the sidewalk in front of The New School. The trek downtown was a lot farther than I expected, and my feet are killing me. But I saw all kinds of interesting things along the way: the skating rink at Rockefeller Center. The New York Public Library. Lord & Taylor. Something called the Toy Building. “I got my bag,” I say, holding it up.

“Carrie was robbed her very first hour in New York,” L’il crows to a cute guy with bright blue eyes and wavy black hair.

He shrugs. “That’s nothing. My car was broken into the second night I was here. They smashed the window and stole the radio.”

“You have a car?” I ask in surprise. Peggy told us no one had cars in New York. Everyone is supposed to walk or take the bus or ride the subway.

“Ryan’s from Massachusetts,” L’il says as if this explains it. “He’s in our class too.”

I hold out my hand. “Carrie Bradshaw.”

“Ryan McCann.” He’s got a goofy, sweet smile, but his eyes bore into me as if summing up the competition. “What do you think about our professor, Viktor Greene?”

“I think he’s extraordinary,” L’il jumps in. “He’s what I consider a serious artist.”

“He may be an artist, but he’s definitely a creep,” Ryan replies, goading her.

“You hardly know him,” L’il says, incensed.

“Wait a minute. You guys have met him?” I ask.

“Last week,” Ryan says casually. “We had our conferences. Didn’t you?”

“I didn’t know we were supposed to have a conference,” I falter. How did this happen? Am I already behind?

L’il gives Ryan a look. “Not everyone had a conference. It was only if you were going to be in New York early. It doesn’t matter.”

“Hey, you kids want to go to a party?”

We turn around. A guy with a Cheshire cat grin holds up some postcards. “It’s at The Puck Building. Wednesday night. Free admission if you get there before ten o’clock.”

“Thanks,” Ryan says eagerly as the guy hands us each a postcard and strolls away.

“Do you know him?” L’il asks.

“Never seen him before in my life. But that’s cool, isn’t it?” Ryan says. “Where else would some stranger walk up to you and invite you to a party?”

“Along with a thousand other strangers,” L’il adds.

“Only in New York, kids,” Ryan says.

We head inside as I examine the postcard. On the front is an image of a smiling stone cupid. Underneath are the words, LOVE. SEX. FASHION. I fold the postcard and stick it into my bag.

Chapter Four

Ryan wasn’t kidding. Viktor Greene is strange.

For one thing, he droops. It’s like someone dropped him out of the sky and he never quite got his sea legs here on earth. Then there’s his mustache. It’s thick and glossy across his upper lip, but curls forlornly around each side of his mouth like two sad smiles. He keeps stroking that mustache like it’s some kind of pet.

“Carrie Bradshaw?” he asks, consulting a list.

I raise my hand. “That’s me.”

“It is I,” he corrects. “One of the things you’ll learn in this seminar is proper grammar. You’ll find it improves your manner of speaking as well.”

I redden. Five minutes into my first real writing class and I’ve made a bad impression.

Ryan catches my eye and winks as if to say, “I told you so.”

“Ah, and here’s L’il.” Viktor Greene nods as he gives his mustache a few more comforting pats. “Does everyone know Ms. Elizabeth Waters? She’s one of our most promising writers. I’m sure we’ll be hearing a lot from her.”

If Viktor Greene had said something like that about me, I’d be worried everyone in the class was going to hate me. But not L’il. She takes Viktor’s praise in stride, as if she’s used to being regaled for her talent.

For a moment, I’m jealous. I try to reassure myself that everyone in the class is talented. Otherwise they wouldn’t be here, right? Including myself. Maybe Viktor Greene just doesn’t know how talented I am—yet?

“Here’s how this seminar works.” Viktor Greene shuffles around as if he’s lost something and can’t remember what it is. “The theme for the summer is home and family. In the next eight weeks, you’ll write four short stories or a novella or six poems exploring these themes. Each week, I’ll choose three or four works to be read aloud. Then we’ll discuss them. Any questions?”

A hand shoots up belonging to a slim guy with glasses and a mane of blond hair. Despite his resemblance to a pelican, he nevertheless manages to give off the impression that he thinks he’s better than everyone else. “How long are the short stories supposed to be?”

Viktor Greene taps his mustache. “As long as it takes to tell the story.”

“So that could mean two pages?” demands a girl with an angular face and tawny eyes. A baseball cap is perched backward over her luxurious crop of dark hair and she’s wearing a pile of beaded necklaces slung around her neck.

“If you can tell a whole story in five hundred words, be my guest,” Viktor Greene says mournfully.

The girl nods, a triumphant expression on her beautiful face. “It’s just that my father is an artist. And he says—”

Viktor sighs. “We all know who your father is, Rainbow.”

Wait a minute. Rainbow? What kind of name is that? And who is this artist father of hers?

I sit back and fold my arms. The guy with the long nose and blond hair catches Rainbow’s eye and nods, edging his chair a little closer to hers, as if they’re already friends.

“I have a question.” Ryan raises his hand. “Can you guarantee that after taking this course, we’ll all become writers?”

This causes Viktor Greene to droop even more. I actually wonder if he’s going to disappear into the floor.

He frantically pats down his mustache with both hands. “Good question. And the answer is no. Chances are ninety-nine point nine percent of you won’t make it as writers at all.”

The class groans.

“If I’m not going to make it as a writer, I’ll have to demand my money back,” Ryan says jokingly.

Everyone laughs, except Viktor Greene. “If that’s the way you feel, you should contact the bursar’s office.”

He twirls the ends of his mustache between his fingers.

That mustache is going to drive me insane. I wonder if Viktor Greene is married and what his wife thinks of all his mustache stroking. Living with that mustache must be like having an extra person in the house. Does it have its own name and eat its own food as well?

And suddenly, I’m burning with passion. I don’t care what Viktor Greene says: I’m going to make it. I’m going to become a real writer if it kills me.

I look around the room at my fellow students. Now I’m the one judging the competition.

“All right,” I say, plopping onto L’il’s bed. “Who is Rainbow’s father?”

“Barry Jessen,” she says with a sigh.

“Who the hell is Barry Jessen? I know he’s an artist and all, but—”

“He’s not just any artist. He’s one of the most important artists in New York right now. He’s the leader of some new art movement. They live in abandoned buildings in SoHo—”

“Rainbow lives in an abandoned building?” I ask, perplexed. “Do they have running water? Heat? She doesn’t look like she’s homeless.”

“She’s not,” L’il says in exasperation. “They only used to be abandoned buildings. Garment and print factories. But then all these artists moved in and started fixing them up. And now they have parties in their lofts and take drugs and people buy their art and write about them in The New York Times and New York Magazine.”

“And Rainbow?”

“Well, her father is Barry Jessen. And her mother is Pican—”

“The model?”

“That’s why she’s so beautiful and will get anything she wants. Which includes becoming a writer. Does that answer your question?”

“So she’s a million times cooler than us.”

“Than ‘we are,’” L’il corrects. “And, yes, she is. Her parents know a ton of people, and if Rainbow wants to get a book published, all she has to do is snap her fingers and her father will find someone to publish it for her. And then he’ll get a bunch of journalists to write about it and critics to give her good reviews.”

“Damn,” I say, impressed.

“Meanwhile, if the rest of us want to be successful, we have to do it the old-fashioned way. We have to write something great.”

“What a bore,” I say sarcastically.

L’il laughs while I pick at an imaginary thread. “And what about that guy with the blond hair and the attitude? He acts like he knows her.”

“Capote Duncan?” she says in surprise. “I’m sure he does. Capote’s the type who knows everyone.”

“Why?”

“Oh, he just is. He’s from the South,” she says, as if this explains it. “He’s kind of dreamy, isn’t he?”

“No. But he is kind of an asshole.”

“He’s older. He and Ryan are seniors in college. They’re friends. Apparently the two of them are quite the ladies’ men.”

“You’re kidding.”

“I’m not.” She pauses, and in a slightly formal tone of voice, adds, “If you don’t mind—”

“I know, I know,” I say, jumping off the bed. “We’re supposed to be writing.”

L’il doesn’t seem to share my overweening interest in other people. Perhaps she’s so confident in her own talents, she feels like she doesn’t need to. I, on the other hand, could easily spend the entire day engaged in gossip, which I prefer to call “character analysis.” Unfortunately, you can’t engage in character analysis by yourself. I go back into my cubbyhole, sit down at my desk, roll a piece of paper into my typewriter, and sit there.

Ten minutes later, I’m still sitting there, staring at the wall. There’s only one window in our area, and it’s in L’il’s room. Feeling like I’m suffocating, I get up, go into the living room, and look out the window there.

Peggy’s apartment is in the back of the building, facing the back of another nearly identical building on the next street. Maybe I could get a telescope and spy on the apartments across the way. I could write a story about the residents. Unfortunately, the denizens of that building appear to be as dull as we are. I spot the flickering blue screen of a television set, a woman washing the dishes, and a sleeping cat.

I sigh, feeling thwarted. There’s a whole world out there and I’m stuck in Peggy’s apartment. I’m missing everything. And now I only have fifty-nine days left.

I’ve got to make something happen.

I race to my cubby, grab Bernard’s number, and pick up the phone.

I hesitate, considering what I’m about to do, and put it down.

“L’il?” I call out.

“Yes?”

“Should I call Bernard Singer?”

L’il comes to the door. “What do you think?”

“What if he doesn’t remember me?”

“He gave you his number, didn’t he?”

“But what if he didn’t mean it? What if he was only being polite? What if—”

“Do you want to call him?” she asks. “Yes.”

“Then do.” L’il is very decisive. It’s a quality I hope to develop in myself someday.

And before I can change my mind, I dial.

“Y-ello,” he says, after the third ring.

“Bernard?” I say, in a voice that’s way too high. “It’s Carrie Bradshaw.”

“Aha. Had a feeling it might be you.”

“You did?” I curl the phone cord around my finger.

“I’m a bit psychic.”

“Do you have visions?” I ask, not knowing what else to say.

“Feelings,” he murmurs sexily. “I’m very in touch with my feelings. What about you?”

“I guess I am too. I mean, I never seem to be able to get rid of them. My feelings.”

He laughs. “What are you doing right now?”

“Me?” I squeak. “Well, I’m just kind of sitting here trying to write—”

“Want to come over?” he asks suddenly.

I’m not sure what I was expecting, but it isn’t this. I suppose I had a vague yet hopeful idea that he would invite me to dinner. Take me out on a proper date. But asking me to come to his apartment? Yikes. He probably thinks I’m going to have sex with him.

I pause.

“Where are you?” he asks.

“On Forty-seventh Street?”

“You’re less than ten blocks away.”

“Okay,” I cautiously agree. As usual, my curiosity trumps my better judgment. A very bad trait, and one I hope to amend. Someday.

But maybe dating is different in New York. For all I know, inviting a strange girl to your apartment is just the way they do things around here. And if Bernard tries anything funny, I can always kick him.

On my way out, I run into Peggy coming in. She’s got her hands full trying to maneuver three old shopping bags onto the love seat. She looks me up and down and sighs. “Going out?”

I deliberate, wondering how much I need to tell her. But my excitement gets the better of me. “I’m going to see my friend. Bernard Singer?”

The name has its desired effect. Peggy inhales, nostrils flaring. The fact that I know Bernard Singer has to be killing her. He’s the most famous playwright in all of New York and she’s still a struggling actress. She’s probably dreamed of meeting him for years, and yet here I am, only three days in the city, and already I know him.

“Some people have quite the life, don’t they?” She grumbles as she goes to the refrigerator and extracts one of her many cans of Tab—which are also off-limits for L’il and me.

For a moment, I feel victorious, until I take in Peggy’s despondent expression. She jerks the ring from the top of the can and drinks thirstily, like the solutions to all her problems lie in that can of Tab. She drains it, absentmindedly rubbing the metal ring against her thumb.

“Peggy, I—”

“Damn!” She drops the can and sticks her thumb in her mouth, sucking the blood from the cut where the ring has sliced the skin. She closes her eyes as if holding back tears.

“Are you all right?” I ask quickly.

“Of course.” She looks up, furious that I’ve witnessed this moment of weakness. “You’re still here?”

She brushes past me on her way to her room. “Tonight’s my night off and I intend to make it an early one. So don’t be home late.”

She closes the door. For a second, I stand there, wondering what just happened. Maybe it’s not me Peggy hates. Maybe it’s her life.

“Okay,” I say to no one in particular.

Chapter Five

Bernard lives in Sutton Place. It’s only a few blocks away, but it might as well be in another city. Gone are the noise, the grime, and the vagrant types that populate the rest of Manhattan. Instead, there are buildings constructed of soft-colored stone with turrets and green copper mansards. Uniformed doormen wearing white gloves stand under quiet awnings; a limousine idles at the curb. I pause, breathing in the atmosphere of luxury as a nanny passes me wheeling a baby carriage, behind which prances a small fluffy dog.

Bernard must be rich.

Rich, famous, and attractive. What am I getting myself into?

I scan the street, looking for number 52. It’s on the east side facing the river. Swanky, I think, hurrying toward the building. I step inside, where I’m immediately halted by a low growl from a stern-faced doorman. “Can I help you?”