The Best Short Stories of 1917, and the Yearbook of the American Short Story

"Yes," murmured Lady Masters.

"Well, then," continued Sir John, "you must imagine this Morton, an ugly little boy of twelve, going up on a scholarship to a great public school—a rather bitter little boy, without any particular prospects ahead of him except those his scholarship held out; and back of him a poor, stunted life, with a mother in it—a sad dehumanized creature, I gathered, who subsisted on the bounty of a niggardly brother. And this, you can understand, was the first thing that made Morton hate virtue devoid of strength. His mother, he told me, was the best woman he had ever known. The world had beaten her unmercifully. His earliest recollection was hearing her cry at night.... And there, at the school, he had his first glimpse of the great world that up to then he had only dimly suspected. Dramatic enough in itself, isn't it?—if you can visualize the little dark chap. A common enough drama, too, the Lord knows. We people on top are bequeathing misery to our posterity when we let the Mortons of the world hate the rich. And head and shoulders above the other boys of his age at the school was Bewsher; not that materially, of course, there weren't others more important; Bewsher's family was old and rich as such families go, but he was very much a younger son, and his people lived mostly in the country; yet even then there was something about him—a manner, an adeptness in sports, an unsought popularity, that picked him out; the beginnings of that Norman nose that Mr. Burnaby has mentioned. And here"—Sir John paused and puffed thoughtfully at his cigarette—"is the first high light.

"To begin with, of course, Morton hated Bewsher and all he represented, hated him in a way that only a boy of his nature can; and then, one day—I don't know exactly when it could have been, probably a year or two after he had gone up to school—he began to see quite clearly what this hate meant; began to see that for such as he to hate the Bewshers of the world was the sheerest folly—a luxury far beyond his means. Quaint, wasn't it? In a boy of his age! You can imagine him working it out at night, in his narrow dormitory bed, when the other boys were asleep. You see, he realized, dimly at first, clearly at last, that through Bewsher and his kind lay the hope of Morton and his kind. Nice little boys think the same thing, only they are trained not to admit it. That was the first big moment of Morton's life, and with the determination characteristic of him he set out to accomplish what he had decided. In England we make our future through our friends, in this country you make it through your enemies. But it wasn't easy for Morton; such tasks never are. He had a good many insults to swallow. In the end, however, from being tolerated he came to be indispensable, and from being indispensable eventually to be liked. He had planned his campaign with care. Carefulness, recklessly carried out, has been, I think, the guiding rule of his life. He had modelled himself on Bewsher; he walked like Bewsher; tried to think like Bewsher—that is, in the less important things of life—and, with the divination that marks his type of man, the little money he had, the little money that as a schoolboy he could borrow, he had spent with precision on clothes and other things that brought him personal distinction; in what people call necessities he starved himself. By the time he was ready to leave school you could hardly have told him from the man he had set out to follow: he was equally well-mannered; equally at his ease; if anything, more conscious of prerogative than Bewsher. He had come to spend most of his holidays at Bewsher's great old house in Gloucestershire. That, too, was an illumination. It showed him what money was made for—the sunny quiet of the place, the wheels of a spacious living that ran so smoothly, the long gardens, the inevitableness of it all. Some day, he told himself, he would have just such a house. He has. It is his mistress. The world has not allowed him much of the poetry that, as you must already see, the man has in him; he takes it out on his place.

"It was in Morton's last year at Oxford, just before his graduation, that the second great moment of his life occurred. He had done well at his college, not a poor college either; and all the while, you must remember, he was borrowing money and running up bills. But this didn't bother him. He was perfectly assured in his own mind concerning his future. He had counted costs. In that May, Bewsher, who from school had gone to Sandhurst, came up on a visit with two or three other fledgling officers, and they had a dinner in Morton's rooms. It turned into rather a 'rag,' as those things do, and it was there, across a flower-strewn, wine-stained table, that Morton had his second revelation. He wasn't drunk—he never got drunk; the others were. The thing came in upon him slowly, warmingly, like the breeze that stirred the curtains. He felt himself, as never before, a man. You can see him sitting back in his chair, in the smoke and the noise and the foolish singing, cool, his eyes a little closed. He knew now that he had passed the level of these men; yes, even the shining mark Bewsher had set. He had gone on, while they had stood still. To him, he suddenly realized, and to such as he, belonged the heritage of the years, not to these men who thought they held it. These old gray buildings stretching away into the May dusk, the history of a thousand years, were his. These sprawled young aristocrats before him—they, whether they eventually came to know it or not, they, and Bewsher with them—would one day do his bidding: come when he beckoned, go when he sent. It was a big thought, wasn't it, for a man of twenty-two?" Sir John paused and puffed at his cigarette.

"That was the second high light," he continued, "and the third did not come until fifteen years later. Bewsher went into the Indian army—his family had ideas of service—and Morton into a banking-house in London. And there, as deliberately as he had taken them up, he laid aside for the time being all the social perquisites which he had with so much pains acquired. Do you know—he told me that for fifteen years not once had he dined out, except when he thought his ambitions would be furthered by so doing, and then, as one turns on a tap, he turned on the charm he now knew himself to possess. It is not astonishing, is it, when you come to think of it, that eventually he became rich and famous? Most people are unwilling to sacrifice their youth to their future. He wasn't. But it wasn't a happy time. He hated it. He paid off his debts, however, and at the end of the fifteen years found himself a big man in a small way, with every prospect of becoming a big man in a big way. Then, of course—such men do—he began to look about him. He wanted wider horizons, he wanted luxury, he wanted a wife; and he wanted them as a starved man wants food. He experienced comparatively little difficulty in getting started. Some of his school and university friends remembered him, and there was a whisper about that he was a man that bore watching. But afterward he stuck. The inner citadel of London is by no means as assailable as the outer fortifications lead one to suppose.

"They say a man never has a desire but there's an angel or a devil to write it down. Morton had hardly made his discovery when Bewsher turned up from India, transferred to a crack cavalry regiment; a sunburnt, cordial Bewsher, devilishly determined to enjoy the fulness of his prime. On his skirts, as he had done once before, Morton penetrated farther and farther into the esoteric heart of society. I'm not sure just how Bewsher felt toward Morton at the time; he liked him, I think; at all events, he had the habit of him. As for Morton, he liked Bewsher as much as he dared; he never permitted himself to like any one too much.

"I don't know how it is with you, but I have noticed again and again that intimate friends are prone to fall in love with the same woman: perhaps it is because they have so many tastes in common; perhaps it is jealousy—I don't know. Anyhow, that is what happened to these two, Morton first, then Bewsher; and it is characteristic that the former mentioned it to no one, while the latter was confidential and expansive. Such men do not deserve women, and yet they are often the very men women fall most in love with. At first the girl had been attracted to Morton, it seems; he intrigued her—no doubt the sense of power about him; but the handsomer man, when he entered the running, speedily drew ahead. You can imagine the effect of this upon her earlier suitor. It was the first rebuff that for a long time had occurred to him in his ordered plan of life. He resented it and turned it over in his mind, and eventually, as it always does to men of his kind, his opportunity came. You see, unlike Bewsher and his class, all his days had been an exercise in the recognition and appreciation of chances. He isolated the inevitable fly in the ointment, and in this particular ointment the fly happened to be Bewsher's lack of money and the education the girl had received. She was poor in the way that only the daughter of a great house can be. To Morton, once he was aware of the fly, and once he had combined the knowledge of it with what these two people most lacked, it was a simple thing. They lacked, as you have already guessed, courage and directness. On Morton's side was all the dunder-headism of an aristocracy, all its romanticism, all its gross materialism, all its confusion of ideals. But you mustn't think that he, Morton, was cold or objective in all this: far from it; he was desperately in love with the girl himself, and he was playing his game like a man in a corner—all his wits about him, but fever in his heart.

"There was the situation, an old one—a girl who dare not marry a poor man, and a poor man cracking his brains to know where to get money from. I dare say Bewsher never questioned the rightness of it all—he was too much in love with the girl, his own training had been too similar. And Morton, hovering on the outskirts, talked—to weak people the most fatal doctrine in the world—the doctrine of power, the doctrine that each man and woman can have just what they want if they will only get out and seek it. That's true for the big people; for the small it usually spells death. They falter on methods. They are too afraid of unimportant details. His insistence had its results even more speedily than he had hoped. Before long the girl, too, was urging Bewsher on to effort. It isn't the first time goodness has sent weakness to the devil. Meanwhile the instigator dropped from his one-time position of tentative lover to that of adviser in particular. It was just the position that at the time he most desired.

"Things came to a head on a warm night in April. Bewsher dropped in upon Morton in his chambers. Very handsome he looked, too, I dare say, in his evening clothes, with an opera-coat thrown back from his shoulders. I remember well myself his grand air, with a touch of cavalry swagger about it. I've no doubt he leaned against the chimney-piece and tapped his leg with his stick. And the upshot of it was that he wanted money.

"Oh, no! not a loan. It wasn't as bad as that. He had enough to screw along with himself; although he was frightfully in debt. He wanted a big sum. An income. To make money, that was. He didn't want to go into business if he could help it; hadn't any ability that way; hated it. But perhaps Morton could put him in the way of something? He didn't mind chances."

"Do you see?" Sir John leaned forward. "And he never realized the vulgarity of it—that product of five centuries, that English gentleman. Never realized the vulgarity of demanding of life something for nothing; of asking from a man as a free gift what that man had sweated for and starved for all his life; yes, literally, all his life. It was an illumination, as Morton said, upon that pitiful thing we call 'class.' He demanded all this as his right, too; demanded power, the one precious possession. Well, the other man had his code as well, and the first paragraph in it was that a man shall get only what he works for. Can you imagine him, the little ugly man, sitting at his table and thinking all this? And suddenly he got to his feet. 'Yes,' he said, 'I'll make you a rich man.' But he didn't say he would keep him one. That was the third high light—the little man standing where all through the ages had stood men like him, the secret movers of the world, while before them, supplicating, had passed the beauty and the pride of their times. In the end they all beg at the feet of power—the kings and the fighting men. And yet, although this was the great, hidden triumph of his life, and, moreover, beyond his hopes a realization of the game he had been playing—for it put Bewsher, you see, utterly in his power—Morton said at the moment it made him a little sick. It was too crude; Bewsher's request too unashamed; it made suddenly too cheap, since men could ask for it so lightly, all the stakes for which he, Morton, had sacrificed the slow minutes and hours of his life. And then, of course, there was this as well: Bewsher had been to Morton an ideal, and ideals can't die, even the memory of them, without some pain."

Mrs. Malcolm, watching with lips a little parted, said to herself: "He has uncoiled too much."

"Yes"—Sir John reached out his hand and, picking up a long-stemmed rose from the table, began idly to twist it in his fingers. "And that was the end. From then on the matter was simple. It was like a duel between a trained swordsman and a novice; only it wasn't really a duel at all, for one of the antagonists was unaware that he was fighting. I suppose that most people would call it unfair. I have wondered. And yet Bewsher, in a polo game, or in the game of social life, would not have hesitated to use all the skill and craft he knew. But, you say, he would not have played against beginners. Well, he had asked himself into this game; he had not been invited. And so, all through that spring and into the summer and autumn the three-cornered contest went on, and into the winter and on to the spring beyond. Unwittingly, the girl was playing more surely than ever into Morton's hand. The increasing number of Bewsher's platitudes about wealth, about keeping up tradition, about religion, showed that. He even talked vaguely about giving up the army and going into business. 'It must have its fascinations, you know,' he remarked lightly. In the eyes of both of them Morton had become sort of fairy godfather—a mysterious, wonderful gnome at whose beck gold leaped from the mountainside. It was just the illusion he wished to create. In the final analysis the figure of the gnome is the most beloved figure in the rotten class to which we belong.

"And then, just as spontaneously as it had come, Bewsher's money began to melt away—slowly at first; faster afterward until, finally, he was back again to his original income. This was a time of stress, of hurried consultations, of sympathy on the part of Morton, of some rather ugly funk on the part of Bewsher; and Morton realized that in the eyes of the girl he was rapidly becoming once more the dominant figure. It didn't do him much good"—Sir John broke the stem of the rose between his fingers.

"Soon there was an end to it all. There came, finally, a very unpleasant evening. This too was in April; April a year after Bewsher's visit to Morton's chambers, only this time the scene was laid in an office. Bewsher had put a check on the desk. 'Here,' he said, 'that will tide me over until I can get on my feet,' and his voice was curiously thick; and Morton, looking down, had seen that the signature wasn't genuine—a clumsy business done by a clumsy man—and, despite all his training, from what he said, a little cold shiver had run up and down his back. This had gone farther than he had planned. But he made no remark, simply pocketed the check, and the next day settled out of his own pockets Bewsher's sorry affairs; put him back, that is, where he had started, with a small income mortgaged beyond hope. Then he sent a note to the girl requesting an interview on urgent business. She saw him that night in her drawing-room. She was very lovely. Morton was all friendly sympathy. It wasn't altogether unreal, either. I think, from what he told me, he was genuinely touched. But he felt, you know—the urge, the goad, of his own career. His kind do. Ultimately they are not their own masters. He showed the girl the check—not at first, you understand, but delicately, after preliminary discussion; reluctantly upon repeated urging. 'What was he to do? What would she advise? Bewsher was safe, of course; he had seen to that; but the whole unintelligible, shocking aspect of the thing!' He tore the check up and threw it in the fire. He was not unaware that the girl's eyes admired him. It was a warm night. He said good-by and walked home along the deserted street. He remembered, he told me, how sweet the trees smelled. He was not happy. You see, Bewsher had been the nearest approach to a friend he had ever had.

"That practically finished the sordid business. What the girl said to Bewsher Morton never knew; he trusted to her conventionalized religion and her family pride to break Bewsher's heart, and to Bewsher's sentimentality to eliminate him forever from the scene. In both surmises he was correct; he was only not aware that at the same time the girl had broken her own heart. He found that out afterward. And Bewsher eliminated himself more thoroughly than necessary. I suppose the shame of the thing was to him like a blow to a thoroughbred, instead of an incentive, as it would have been to a man of coarser fibre. He went from bad to worse, resigned from his regiment, finally disappeared. Personally, I had hoped that he had begun again somewhere on the outskirts of the world. But he isn't that sort. There's not much of the Norman king to him except his nose. The girl married Morton. He gave her no time to recover from her gratitude. He felt very happy, he told me, the day of his wedding, very elated. It was one of those rare occasions when he felt that the world was a good place. Another high light, you see. And it was no mean thing, if you consider it, for a man such as he to marry the daughter of a peer, and at the same time to love her. He was not a gentleman, you understand, he could never be that—it was the one secret thing that always hurt him—no amount of brains, no amount of courage could make him what he wasn't; he never lied to himself as most men do; so he had acquired a habit of secretly triumphing over those who possessed the gift. The other thing that hurt him was when, a few months later, he discovered that his wife still loved Bewsher and always would. And that"—Sir John picked up the broken rose again—"is, I suppose, the end of the story."

There was a moment's silence and then Burnaby lifted his pointed chin. "By George!" he said, "it is interesting to know how things really happen, isn't it? But I think—you have, haven't you, left out the real point. Do you—would you mind telling just why you imagine Morton did this thing? Told his secret before all those people? It wasn't like him, was it?"

Sir John slowly lighted another cigarette, and then he turned to Burnaby and smiled. "Yes," he said, "it was extremely like him. Still, it's very clever of you, very clever. Can't you guess? It isn't so very difficult."

"No," said Burnaby, "I can't guess at all."

"Well, then, listen." And to Mrs. Malcolm it seemed as if Sir John had grown larger, had merged in the shadows about him; at least he gave that impression, for he sat up very straight and threw back his shoulders. For a moment he hesitated, then he began, "You must go back to the dinner I was describing," he said—"the dinner in London. I too was intrigued as you are, and when it was over I followed Morton out and walked with him toward his club. And, like you, I asked the question. I think that he had known all along that I suspected; at all events, it is characteristic of the man that he did not try to bluff me. He walked on for a little while in silence, and then he laughed abruptly. 'Yes,' he said, 'I'll tell you. Yes. Just this. What there is to be got, I've got; what work can win I've won; but back of it all there's something else, and back even of that there's a careless god who gives his gifts where they are least deserved. That's one reason why I talked as I did to-night. To all of us—the men like me—there comes in the end a time when we realize that what a man can do we can do, but that love, the touch of other people's minds, these two things are the gifts of the careless god. And it irritates us, I suppose, irritates us! We want them in a way that the ordinary man who has them cannot understand. We want them as damned souls in hell want water. And sometimes the strain's too much. It was to-night. To touch other minds, even for a moment, even if they hate you while you are doing it, that's the thing! To lay yourself, just once, bare to the gaze of ordinary people! With the hope, perhaps, that even then they may still find in you something to admire or love. Self-revelation! Every man confesses sometime. It happened that I chose a dinner party. Do you understand?'" It was almost as if Sir John himself had asked the question.

"And then"—he was speaking in his usual calm tones again—"there happened a curious thing, a very curious thing, for Morton stopped and turned toward me and began to laugh. I thought he would never stop. It was rather uncanny, under the street lamp there, this usually rather quiet man. 'And that,' he said at length, 'that's only half the story. The cream of it is this: the way I myself felt, sitting there among all those soft, easily lived people. That's the cream of it. To flout them, to sting them, to laugh at them, to know you had more courage than all of them put together, you who were once so afraid of them! To feel that—even if they knew it was about yourself you were talking—that even then they were afraid of you, and would to-morrow ask you back again to their houses. That's power! That's worth doing! After all, you can keep your love and your sympathy and your gentlemen; it's only to men like me, men who've sweated and come up, that moments arise such as I've had to-night.' And then, 'It's rather a pity,' he said, after a pause, 'that of them all you alone knew of whom I was talking. Rather a pity, isn't it?'" Sir John hesitated and looked about the table. "It was unusual, wasn't it?" he said at length gently. "Have I been too dramatic?"

In the little silence that followed, Mrs. Malcolm leaned forward, her eyes starry. "I would rather," she said, "talk to Bewsher in his teepee than talk to Morton with all his money."

Sir John looked at her and smiled—his charming smile. "Oh, no, you wouldn't," he said. "Oh, no! We say those things, but we don't mean them. If you sat next to Morton at dinner you'd like him; but as for Bewsher you'd despise him, as all right-minded women despise a failure. Oh, no; you'd prefer Morton."

"Perhaps you're right," sighed Mrs. Malcolm; "pirates are fascinating, I suppose." She arose to her feet. Out of the shadows Lady Masters advanced to meet her. "She is like a mist," thought Mrs. Malcolm. "Exactly like a rather faint mist."

Burnaby leaned over and lit a cigarette at one of the candles. "And, of course," he said quietly, without raising his head, "the curious thing is that this fellow Morton, despite all his talk of power, in the end is merely a ghost of Bewsher, after all, isn't he?"

Sir John turned and looked at the bowed sleek head with a puzzled expression. "A ghost!" he murmured. "I don't think I quite understand."

"It's very simple," said Burnaby, and raised his head. "Despite all Morton has done, in the things worth while, in the things he wants the most, he can at best be only a shadow of the shadow Bewsher has left—a shadow of a man to the woman who loves Bewsher, a shadow of a friend to the men who liked Bewsher, a shadow of a gentleman to the gentlemen about him. A ghost, in other words. It's the inevitable end of all selfishness. I think Bewsher has rather the best of it, don't you?"

"I—I had never thought of it in quite that light," said Sir John, and followed Mrs. Malcolm.

They went into the drawing-room beyond—across a hallway, and up a half-flight of stairs, and through glass doors. "Play for us!" said Mrs. Malcolm, and Burnaby, that remarkable young man, sat down to the piano and for perhaps an hour made the chords sob to a strange music, mostly his own.

"That's Bewsher!" he said when he was through, and had sat back on his stool, and was sipping a long-neglected cordial.