The Best Short Stories of 1917, and the Yearbook of the American Short Story

"You're using the wires a lot, Dad," said Sanford, roaming in. "Anything wrong? Where's Ling to sleep?"

"In Pete's room. Good-night, Godson. No, nothing wrong."

But Sanford was back presently, his eyes wide.

"I say, Onnie's asleep front of my door and I can't get over her. What's got into the girl?"

"She's worried. Her snake's bells are going, and she thinks the house'll burn down. Let her be. Sleep with me, and keep my feet warm, Sonny."

"Sure," yawned Sanford. "'Night, Billy."

"Well," said Bill, "that settles that, sir. She'd hear anything, or I will, and you're a light sleeper. Suppose we lock up as much as we can and play some checkers?"

They locked the doors, and toward midnight Cameron rapped at the library window, his rubber coat glistening.

"Not a print of the wastrel loon, sir; but the lads will bide out the night. They've whusky an' biscuits an' keep moving."

"I'll come out myself," Rawling began, but the smith grunted.

"Ye're no stirrin' oot yer hoos, Robert Rawling! Ye're daft! Gin you met this ganglin' assassinator, wha'd be for maister? San's no to lack a father. Gae to yer bit bed!"

"Gosh!" said Bill, shutting the window, "he's in earnest. He forgot to try to talk English even. I feel better. The hog's fallen into a hole and gone to sleep. Let's go up."

"I suppose if I tell Onnie San's with me, she'll just change to my door," Rawling considered; "but I'll try. Poor girl, she's faithful as a dog!"

They mounted softly and beheld her, huddled in a blanket, mountainous, curled outside Sanford's closed door, just opposite the head of the stairs. Rawling stooped over the heap and spoke to the tangle of blue-shadowed hair.

"Onnie Killelia, go to bed."

"Leave me be, your Honor. I'm—"

Sleep cut the protest. The rattles sounded feebly, and Rawling stood up.

"Just like a dog," whispered Bill, stealing off to a guest-room. "I'll leave my door open." He patted the revolver in his jacket and grinned affectionately. "Good-night, Boss."

Rawling touched the switch inside his own door, and the big globe set in the hall ceiling blinked out. They had decided that, supposing the cockney got so far, a lightless house would perplex his feet, and he would be the noisier. Rawling could reach this button from his bed, and silently undressed in the blackness, laying the automatic on the bedside table, reassured by all these circling folk, Onnie, stalwart Bill, and the loyal men out in the rain. Here slept Sanford, breathing happily, so lost that he only sighed when his father crept in beside him, and did not rouse when Rawling thrust an arm under his warm weight to bring him closer, safe in the perilous night.

The guest-room bed creaked beneath Bill's two hundred pounds of muscle, and Ling snored in Peter's room. Rawling's nerves eased on the mattress, and hypnotic rain began to deaden him, against his will. He saw Percival sodden in some ditch, his knife forgotten in brandy's slumbers. No shout came from the hillside. His mind edged toward vacancy, bore back when the boy murmured once, then he gained a mid-state where sensation was not, a mist.

He sat up, tearing the blankets back, because some one moved in the house, and the rain could be heard more loudly, as if a new window were open. He swung his legs free. Some one breathed heavily in the hall. Rawling clutched his revolver, and the cold of it stung. This might be Onnie, any one; but he put his finger on the switch.

"Straight hover—hover the way it was," said a thick, puzzled voice. "There, that one! 'Is bloody barth!"

The rattles whirred as if their first owner lived. Rawling pressed the switch.

"Your Honor!" Onnie screamed. "Your Honor! Master San! Be lockin' the door inside, Master San! Out of this, you! You!"

Rawling's foot caught in the doorway of the bright hall, and he stumbled, the light dazzling on the cockney's wet bulk hurling itself toward the great woman where she stood, her arms flung cruciform, guarding the empty room. The bodies met with a fearful jar as Rawling staggered up, and there came a crisp explosion before he could raise his hand. Bill's naked shoulder cannoned into him, charging, and Bill's revolver clinked against his own. Rawling reeled to the stair-head, aiming as Bill caught at the man's shirt; but the cockney fell backward, crumpling down, his face purple, his teeth displayed.

"In the head!" said Bill, and bent to look, pushing the plastered curls from a temple. The beast whimpered and died; the knife rattled on the planks.

"Dad," cried Sanford, "what on—"

"Stay where you are!" Rawling gasped, sick of this ugliness, dizzy with the stench of powder and brandy. Death had never seemed so vile. He looked away to the guardian where she knelt at her post, her hands clasped on the breast of her coarse white robe as if she prayed, the hair hiding her face.

"I'll get a blanket," Bill said, rising. "There come the men! That you, Ian?"

The smith and a crowd of pale faces crashed up the stairs.

"God forgie us! We let him by—the garden, sir. Alec thought he—"

"Gosh, Onnie!" said Bill, "excuse me! I'll get some clothes on. Here, Ian—"

"Onnie," said Sanford, in the doorway—"Onnie, what's the matter?"

As if to show him this, her hands, unclasping, fell from the dead bosom, and a streak of heart's blood widened from the knife-wound like the ribbon of some very noble order.

A CUP OF TEA 3

By MAXWELL STRUTHERS BURTFrom Scribner's Magazine

Young Burnaby was late. He was always late. One associated him with lateness and certain eager, impossible excuses—he was always coming from somewhere to somewheres, and his "train was delayed," or his huge space-devouring motor "had broken down." You imagined him, enveloped in dust and dusk, his face disguised beyond human semblance, tearing up and down the highways of the world; or else in the corridor of a train, biting his nails with poorly concealed impatience. As a matter of fact, when you saw him, he was beyond average correctly attired, and his manner was suppressed, as if to conceal the keenness that glowed behind his dark eyes and kept the color mounting and receding in his sunburnt cheeks. All of which, except the keenness, was a strange thing in a man who spent half his life shooting big game and exploring. But then, one imagined that Burnaby on the trail and Burnaby in a town were two entirely different persons. He liked his life with a thrust to it, and in a great city there are so many thrusts that, it is to be supposed, one of Burnaby's temperament hardly has hours enough in a day to appreciate all of them and at the same time keep appointments.

On this February night, at all events, he was extremely late, even beyond his custom, and Mrs. Malcolm, having waited as long as she possibly could, sighed amusedly and told her man to announce dinner. There were only three others besides herself in the drawing-room, Masters—Sir John Masters, the English financier—and his wife, and Mrs. Selden, dark, a little silent, with a flushed, finely cut face and a slightly sorrow-stricken mouth. And already these people had reached the point where talk is interesting. People did in Mrs. Malcolm's house. One went there with anticipation, and came away with the delightful, a little vague, exhilaration that follows an evening where the perfection of the material background—lights, food, wine, flowers—has been almost forgotten in the thrill of contact with real persons, a rare enough circumstance in a period when the dullest people entertain the most. In the presence of Mrs. Malcolm even the very great forgot the suspicions that grow with success and became themselves, and, having come once, came again vividly, overlooking other people who really had more right to their attentions than had she.

This was the case with Sir John Masters. And he was a very great man indeed, not only as the world goes but in himself: a short, heavy man, with a long, heavy head crowned with vibrant, still entirely dark hair and pointed by a black, carefully kept beard, above which arose—"arose" is the word, for Sir John's face was architectural—a splendid, slightly curved nose—a buccaneering nose; a nose that, willy-nilly, would have made its possessor famous. One suspected, far back in the yeoman strain, a hurried, possibly furtive marriage with gypsy or Jew; a sudden blossoming into lyricism on the part of a soil-stained Masters. Certainly from somewhere Sir John had inherited an imagination which was not insular. Dangerous men, these Sir Johns, with their hooked noses and their lyric eyes!

Mrs. Malcolm described him as fascinating. There was about him that sense of secret power that only politicians, usually meretriciously, and diplomats, and, above all, great bankers as a rule possess; yet he seldom talked of his own life, or the mission that had brought him to New York; instead, in his sonorous, slightly Hebraic voice, he drew other people on to talk about themselves, or else, to artists and writers and their sort, discovered an amazing, discouraging knowledge of the trades by which they earned their living. "One feels," said Mrs. Malcolm, "that one is eyeing a sensitive python. He uncoils beautifully."

They were seated at the round, candle-lit table, the rest of the room in partial shadow, Sir John looking like a lost Rembrandt, and his blonde wife, with her soft English face, like a rose-and-gray portrait by Reynolds, when Burnaby strode in upon them … strode in upon them, and then, as if remembering the repression he believed in, hesitated, and finally advanced quietly toward Mrs. Malcolm. One could smell the snowy February night still about him.

"I'm so sorry," he said. "I—"

"You broke down, I suppose," said Mrs. Malcolm, "or the noon train from Washington was late for the first time in six years. What do you do in Washington, anyway? Moon about the Smithsonian?"

"No," said Burnaby, as he sank into a chair and unfolded his napkin. "Y'see—well, that is—I ran across a fellow—an Englishman—who knew a chap I met last summer up on the Francis River—I didn't exactly meet him, that is, I ran into him, and it wasn't the Francis River really, it was the Upper Liara, a branch that comes in from the northwest. Strange, wasn't it?—this fellow, this Englishman, got to talking about tea, and that reminded me of the whole thing." He paused on the last word and, with a peculiar habit that is much his own, stared across the table at Lady Masters, but over and through her, as if that pretty pink-and-white woman had entirely disappeared,—and the warm shadows behind her,—and in her place were no one could guess what vistas of tumbling rivers and barren tundras.

"Tea!" ejaculated Mrs. Malcolm.

Burnaby came back to the flower-scented circle of light.

"Yes," he said soberly, "tea. Exactly."

Mrs. Malcolm's delicate eyebrows rose to a point. "What," she asked, in the tones of delighted motherhood overlaid with a slight exasperation which she habitually used toward Burnaby, "has tea got to do with a man you met on the Upper Liara last summer and a man you met this afternoon? Why tea?"

"A lot," said Burnaby cryptically, and proceeded to apply himself to his salad, for he had refused the courses his lateness had made him miss. "Y'see," he said, after a moment's reflection, "it was this way—and it's worth telling, for it's queer. I ran into this Terhune this afternoon at a club—a big, blond Englishman who's been in the army, but now he's out making money. Owns a tea house in London. Terhune & Terhune—perhaps you know them?" He turned to Sir John.

"Yes, very well. I imagine this is Arthur Terhune."

"That's the man. Well, his being in tea and that sort of thing got me to telling him about an adventure I had last summer, and, the first crack out of the box, he said he remembered the other chap perfectly—had known him fairly well at one time. Odd, wasn't it, when you come to think of it? A big, blond, freshly bathed Englishman in a club, and that other man away up there!"

"And the other man? Is he in the tea business too?" asked Mrs. Selden. She was interested by now, leaning across the table, her dark eyes catching light from the candles. It was something—to interest Mrs. Selden.

"No," said Burnaby abruptly. "No. He's in no business at all, except going to perdition. Y'see, he's a squaw-man—a big, black squaw-man, with a nose like a Norman king's. The sort of person you imagine in evening clothes in the Carleton lounge. He might have been anything but what he is."

"I wonder," said Sir John, "why we do that sort of thing so much more than other nations? Our very best, too. It's odd."

"It was odd enough the way it happened to me, anyhow," said Burnaby. "I'd been knocking around up there all summer, just an Indian and myself—around what they call Fort Francis and the Pelly Lakes, and toward the end of August we came down the Liara in a canoe. We were headed for Lower Post on the Francis, and it was all very lovely until, one day, we ran into a rapid, a devil of a thing, and my Indian got drowned."

"How dreadful!" murmured Lady Masters.

"It was," agreed Burnaby; "but it might have been worse—for me, that is. It couldn't have been much worse for the poor devil of an Indian, could it? But I had a pretty fair idea of the country, and had only about fifty miles to walk, and a little waterproof box of grub turned up out of the wreck, so I wasn't in any danger of starving. It was lonely, though—it's lonely enough country, anyhow, and of course I couldn't help thinking about that Indian and the way big rapids roar. I couldn't sleep when night came—saw black rocks sticking up out of white water like the fangs of a mad dog. I was pretty near the horrors, I guess. So you can imagine I wasn't sorry when, about four o'clock of the next afternoon, I came back to the river again and a teepee standing up all by itself on a little pine-crowned bluff. In front of the teepee was an old squaw—she wasn't very old, really, but you know how Indians get—boiling something over a fire in a big pot. 'How!' I said, and she grunted. 'If you'll lend me part of your fire, I'll make some tea,' I continued. 'And if you're good, I'll give you some when it's done.' Tea was one of the things cached in the little box that had been saved. She moved the pot to one side, so I judged she understood, and I trotted down to the river for water and set to work. As you can guess, I was pretty anxious for any kind of conversation by then, so after a while I said brightly: 'All alone?' She grunted again and pointed over her shoulder to the teepee. 'Well, seeing you're so interested,' said I, 'and that the tea's done, we'll all go inside and ask your man to a party—if you'll dig up two tin cups. I've got one of my own.' She raised the flap of the teepee and I followed her. I could see she wasn't a person who wasted words. Inside a little fire was smouldering, and seated with his back to us was a big, broad-shouldered buck, with a dark blanket wrapped around him. 'Your good wife,' I began cheerily—I was getting pretty darned sick of silence—'has allowed me to make some tea over your fire. Have some? I'm shipwrecked from a canoe and on my way to Lower Post. If you don't understand what I say, it doesn't make the slightest difference, but for God's sake grunt—just once, to show you're interested.' He grunted. 'Thanks!' I said, and poured the tea into the three tin cups. The squaw handed one to her buck. Then I sat down.

"There was nothing to be heard but the gurgling of the river outside and the rather noisy breathing we three made as we drank; and then—very clearly, just as if we'd been sitting in an English drawing-room—in the silence a voice said: 'By Jove, that's the first decent cup of tea I've had in ten years!' Yes, just that! 'By Jove, that's the first decent cup of tea I've had in ten years!' I looked at the buck, but he hadn't moved, and then I looked at the squaw, and she was still squatting and sipping her tea, and then I said, very quietly, for I knew my nerves were still ragged, 'Did any one speak?' and the buck turned slowly and looked me up and down, and I saw the nose I was talking about—the nose like a Norman king's. I was rattled, I admit; I forgot my manners. 'You're English!' I gasped out; and the buck said very sweetly: 'That's none of your damned business.'"

Burnaby paused and looked about the circle of attentive faces. "That's all. But it's enough, isn't it? To come out of nothing, going nowheres, and run into a dirty Indian who says: 'By Jove, that's the first decent cup of tea I've had in ten years!' And then along comes this Terhune and says that he knows the man."

Mrs. Malcolm raised her chin from the hand that had been supporting it. "I don't blame you," she said, "for being late."

"And this man," interrupted Sir John's sonorous voice, "this squaw-man, did he tell you anything about himself?"

Burnaby shook his head. "Not likely," he answered. "I tried to draw him out, but he wasn't drawable. Finally he said: 'If you'll shut your damned mouth I'll give you two dirty blankets to sleep on. If you won't, I'll kick you out of here.' The next morning I pulled out, leaving him crouched over the little teepee fire nursing his knees. But I hadn't gone twenty yards when he came to the flap and called out after me: 'I say!' I turned about sullenly. His dirty face had a queer, cracked smile on it. 'Look here! Do you—where did you get that tea from, anyway? I—there's a lot of skins I've got; I don't suppose you'd care to trade, would you?' I took the tea out of the air-tight box and put it on the ground. Then I set off down river. Henderson, the factor at Lower Post, told me a little about him: his name—it wasn't assumed, it seems; and that he'd been in the country about fifteen years, going from bad to worse. He was certainly at 'worse' when I saw him." Burnaby paused and stared across the table again with his curious, far-away look. "Beastly, isn't it?" he said, as if to himself. "Cold up there now, too! The snow must be deep." He came back to the present. "And I suppose, you know," he said, smiling deprecatingly at Mrs. Selden, "he's just as fond of flowers and lights and things as we are."

Mrs. Selden shivered.

"Fonder!" said Sir John. "Probably fonder. That sort is. It's the poets of the world who can't write poetry who go to smash that way. They ought to take a term at business, and"—he reflected—"the business men, of course, at poetry." He regarded Burnaby with his inscrutable eyes, in the depths of which danced little flecks of light.

"What did you say this man's name was?" asked Lady Masters, in her soft voice. She had an extraordinary way of advancing, with a timid rush, as it were, into the foreground, and then receding again, melting back into the shadows. She rarely ever spoke without a sensation of astonishment making itself felt. "She is like a mist," thought Mrs. Malcolm.

"Bewsher," said Burnaby—"Geoffrey Boisselier Bewsher. Quite a name, isn't it? He was in the cavalry. His family are rather swells in an old-fashioned way. He is the fifth son—or seventh, or whatever it is—of a baronet and, Terhune says, was very much in evidence about London twenty-odd years ago. Terhune used to see him in clubs, and every now and then dining out. Although he himself, of course, was a much younger man. Very handsome he was, too, Terhune said, and a favorite. And then one day he just disappeared—got out—no one knows exactly why. Terhune doesn't. Lost his money, or a woman, or something like that. The usual thing, I suppose. I—You didn't hurt yourself, did you?"…

He had paused abruptly and was looking across the table; for there had been a little tinkle and a crash of breaking glass, and now a pool of champagne was forming beside Lady Masters's plate, and finding its way in a thin thread of gold along the cloth. There was a moment's silence, and then she advanced again out of the shadows with her curious soft rush. "How clumsy I am!" she murmured. "My arm—My bracelet! I—I'm so sorry!" She looked swiftly about her, and then at Burnaby. "Oh, no! I'm not cut, thanks!" Her eyes held a pained embarrassment. He caught the look, and her eyelids flickered and fell before his gaze, and then, as the footman repaired the damage, she sank back once more into the half-light beyond the radiance of the candles. "How shy she is!" thought Burnaby. "So many of these English women are. She's an important woman in her own right, too." He studied her furtively.

Into the soft silence came Sir John's carefully modulated voice. "Barbara and I," he explained, "will feel this very much. We both knew Bewsher." His eyes became somber. "This is very distressing," he said abruptly.

"By Jove!" ejaculated Burnaby, and raised his head like an alert hound.

"How odd it all is!" said Mrs. Malcolm. But she was wondering why men are so queer with their wives—resent so much the slightest social clumsiness on their part, while in other women—provided the offense is not too great—it merely amuses them. Even the guarded manners of Sir John had been disturbed. For a moment he had been very angry with the shadow that bore his name; one could tell by the swift glance he had cast in her direction. After all, upsetting a glass of champagne was a very natural sequel to a story such as Burnaby had told, a story about a former acquaintance—perhaps friend.

Sir John thoughtfully helped himself to a spoonful of his dessert before he looked up; when he did so he laid down his spoon and sat back in his chair with the manner of a man who has made a sudden decision. "No," he said, and an unexpected little smile hovered about his lips, "it isn't so odd. Bewsher was rather a figure of a man twenty years ago. Shall I tell you his history?"

To Mrs. Malcolm, watching with alert, humorous eyes, there came a curious impression, faint but distinct, like wind touching her hair; as if, that is, a door into the room had opened and shut. She leaned forward, supporting her chin in her hand.

"Of course," she said.

Sir John twisted between his fingers the stem of his champagne-glass and studied thoughtfully the motes of at the heart of the amber wine. "You see," he began thoughtfully, "it's such a difficult story to tell—difficult because it took twenty-five—and, now that Mr. Burnaby has furnished the sequel, forty-five years—to live; and difficult because it is largely a matter of psychology. I can only give you the high lights, as it were. You must fill in the rest for yourselves. You must imagine, that is, Bewsher and this other fellow—this Morton. I can't give you his real name—it is too important; you would know it. No, it isn't obviously dramatic. And yet—" his voice suddenly became vibrant—"such things compose, as a matter of fact, the real drama of the world. It—" he looked about the table swiftly and leaned forward, and then, as if interrupting himself, "but what was obviously dramatic," he said—and the little dancing sparks in the depths of his eyes were peculiarly noticeable—"was the way I, of all people, heard it. Yes. You see, I heard it at a dinner party like this, in London; and Morton—the man himself—told the story." He paused, and with half-closed eyes studied the effect of his announcement.

"You mean—?" asked Burnaby.

"Exactly." Sir John spoke with a certain cool eagerness. "He sat up before all those people and told the inner secrets of his life; and of them all I was the only one who suspected the truth. Of course, he was comparatively safe, none of them knew him well except myself, but think of it! The bravado—the audacity! Rather magnificent, wasn't it?" He sank back once more in his chair.

Mrs. Malcolm agreed. "Yes," she said. "Magnificent and insulting."

Sir John smiled. "My dear lady," he asked, "doesn't life consist largely of insults from the strong to the weak?"

"And were all these people so weak, then?"

"No, in their own way they were fairly important, I suppose, but compared to Morton they were weak—very weak—Ah, yes! I like this custom of smoking at table. Thanks!" He selected a cigarette deliberately, and stooped toward the proffered match. The flame illumined the swarthy curve of his beard and the heavy lines of his dark face. "You see," he began, straightening up in his chair, "the whole thing—that part of it, and the part I'm to tell—is really, if you choose, an allegory of strength, of strength and weakness. On the one side Morton—there's strength, sheer, undiluted power, the thing that runs the world; and on the other Bewsher, the ordinary man, with all his mixed-up ideas of right and wrong and the impossible, confused thing he calls a 'code'—Bewsher, and later on the girl. She too is part of the allegory. She represents—what shall I say? A composite portrait of the ordinary young woman? Religion, I suppose. Worldly religion. The religion of most of my good friends in England. A vague but none the less passionate belief in a heaven populated by ladies and gentlemen who dine out with a God who resembles royalty. And coupled with this religion the girl had, of course, as have most of her class, a very distinct sense of her own importance in the world; not that exactly—personally she was over-modest; a sense rather of her importance as a unit of an important family, and a deep-rooted conviction of the fundamental necessity of unimportant things: parties, and class-worship, and the whole jumbled-up order as it is. The usual young woman, that is, if you lay aside her unusual beauty. And, you see, people like Bewsher and the girl haven't much chance against a man like Morton, have they? Do you remember the girl, my dear?" he asked, turning to his wife.