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The Best Short Stories of 1917, and the Yearbook of the American Short Story
"This is a long business, searching for gold," I went muttering.
"No man can say I have been unfaithful to him," she said to me, the fierce woman, breathing through her teeth. "I have been speaking to no man."
"This is certain," I said to her.
"If he dis not come according to my dream I am a lost woman, by this way of going on," she said to me.
How is this? There were tears flowing on the face, while she was telling me she was bewitched by the singing of Pal Yachy.
Oh, at first she would just lie listening there, but now the man with his sweet voice was drawing her from her bed, to come putting aside the scented bottles and leaning in the window.
Now I said, "My good woman, I am an old man with knowledge of the world. This man is a—what's this again—siren. He has a fatal voice. You must simply put wax in your ears not to hear it when he comes."
What next? Disn't she confess to me that she has listened to him too many times to be deaf to him. No, she must watch the valley when he comes singing his rich song; her cheeks were wet then, and the wind went shaking her. No, this was not a moment for wax. I was an old man. She prevailed upon me to sit outside her window in a chair, watching for him.
"Oh, I am afraid," she whispered to me, "being alone so high out of the valley."
There I sat by night, hearing sounds of thunder below this crag. Pebbles came rattling on the window, the rapid was choked with flying rock. They were growing rich, these madmen monkeying with powder. The government sent them gold in sacks, to pay those who were left for the lives that had been lost.
They were mad; they tumbled champagne out of bottles into tubs, frisking about in it. They had heard that this was done with money.
But Pal Yachy was more foolish. He came singing; oh my, this was a powerful song, ringing against the ledges. This was a fantastic Italian, singing like an angel to the deserted woman. Her eyes were dark; the breast heaved. Oh, these sweet notes were never lost on her.
Now at this time, too, Pal Yachy offered a great prize for the first child to be born on Mushrat. He came grinning under his red cap, saying to us, "There are so many dying, should there not be a prize offered for new life?"
He had learned what manner the woman had of surprising Rainbow Pete. It was a great prize he offered. When the child was born, he stopped the monkeying with powder in the valley for that day, though this too was a great loss in money. The woman pleased him.
Then, my friend, on the night of the day when this child was born, Rainbow Pete came back into the valley. Oh my, it's plain to us, looking at the man under the stars, he has been toughing it. Ay! His beard was tangled, the great bones were rising on his bare chest, his fingers twitched as he was drooping over us. Now I'm telling you his eyes were dim, and the sun had bleached his mustache the color of a lemon. There he stood before us, holding the bag over his shoulder, while he went scratching his bold nose like the picture of a pirate. Still he was gentle in the eye; he was mild in misfortune. Oh, this sailorman was just used to toughing it.
Look here, there he stopped, in the shadow of this great rock I'm speaking of, and these men of Mushrat came asking him if he had made the grade. They were fresh from dipping their carcasses in champagne. They were sparkling men, not accountable to themselves.
"Have you made the grade?" they went bawling to him. This is to say, had he struck gold?
"Oh, there's gold enough," Pete went rumbling at them, "but it's too far to the North, mate. There's no taickle made for getting purchase on it."
"So I am thinking," said the little medicine-man, McGregor. "It lies still at the foot of the rainbow."
"Ay," said Rainbow Pete; but with this word we went thinking of Pal Yachy. Still we did not speak the name of that Italian. No, this would be stronger in the ear of that sailorman than gunpowder in the valley.
"Look you here," said Rainbow Pete. "I am starving. I have not eaten in two days. This is the curse falling on me for hunting gold."
Then they laughed, these mad rockmen, mocking him with their eyes. Their eyes were twitching; there was powder in the corners of them.
"Are you not master of the eating-place?" they howled at him. "Look, there it stands; is not your wife alone in it?"
"Oh my, oh my, he stood looking at them with a ghastly face. Disn't he seem the casual man? It's as if he had forgotten that woman. He had no memories at all.
"My wife," said the rainbow-man.
"Look," said Shoepack Sam—oh, he remembered treason well—"he is forgetful that he has a wife on Mushrat."
This was so appearedly. There he stood in the blue star-shine, fingering his flute to bring her back to mind. Now, I thought, he will be asking what description of wife is this answering to my name on Mushrat? Oh, man is careless in appointing himself among various women.
Now, my friend, Rainbow Pete, blew a note on his flute to settle the thing clear in his mind. Oh, he was not too brisk in looking up at the black ledge, with the candle in the window. Now he was taken by the knees. This is not the convenient part of a marriage of convenience. No. But Shoepack Sam was waving a hand to us to be telling the man nothing of destiny at that moment.
"Come," he said, "the flute is nothing now. There must be more song than this, by what is going on."
Here he took Rainbow by the elbow, telling him to come and eat at Scarecrow Charlie's, for he will need his strength.
"I am in charge here for the day," said Shoepack.
"How is this?" said Rainbow, whispering.
They went laughing on all sides of him. Oh the demons, they were cackling while he sat devouring a great moose joint, until he was close to braining them with the yellow ball of the joint. He went eating like a timber-wolf from Great Bear.
"This is the palm-tree man," they sang in his ear. "Oh, why is it he grew no cocoanuts stumbling on that lost trail? Isn't it convenient for the man he is married this night?"
Oh, they were full of mischief with him, remembering the secret face he had for them in the days of his experiment.
"Drink this," said Shoepack Sam. There he put champagne in a glass before him. Oh, they were careful of the man.
"Here, take my hand, and let me see if strength is coming back," said Shoepack. "What is a rainbow without colors?"
Then the little medicine-man took his pulse, kneeling on the floor beside him. Oh, the great sailor was puzzled. Still he drank what was in the glass before him and after this he put his mustache into his mouth, sipping it by chance.
"What is this you are preparing?" he said, pointing his bold nose to them. Oh, the eyes were like a dreamer's: he was a child to appearances.
Then they went speaking to him of the stringed instrument they had heard humming on the ledge, speaking another language than his own.
"This is a wife to be defended," said Shoepack Sam, padding there with his yellow shoepacks bringing another drink. But still there was no word of Pal Yachy. That black Italian was not popular at Throat River.
"Now I see you are speaking of another man," said Rainbow Pete. Then Shoepack Sam went roaring, it was time for honest men to speak, when an honest woman was being taken by a voice.
"Wait," said Rainbow Pete, with his thumb in the foam, "this is unlikely she will want me cruising in, with another man singing in her ear."
Oh my, he was a considerate man, he was a natural husband, thinking of his wife's feelings.
"Are you a man?" said Smash McGregor. "Here she has fed you when you were starving—this is her food you have been eating. Will you pass this ledge, leaving her to fortune?"
Rainbow Pete went putting the edge of the cruiser's ax to his twisted thumb.
"I come to her in my shoes only," he said. "This is not what she will be wanting. I have no gold."
They were shouting to him to have no thought of that, those mad rockmen. There would be gold in plenty. There would be gold. Only go up on the ledge.
"Heard you nothing of the prize?" they bawled to him, the mischief makers. "Oh, there will be no lack of money."
"How is this?" said Rainbow Pete. But they would not be answering him. No! No! They went tumbling him out of Scarecrow Charlie's place, and making for the ledge with him. Oh my, the mystified man. This was a great shameface he had behind his mustache.
"I am much altered for the worse," he went muttering to us. "She will think nothing of me now."
"There is still time for constancy," said Shoepack Sam. "Do not lose hope."
Then he told them to be quiet, looking up at the dark ledge where the woman lay.
"Old Greyback," said Rainbow Pete, whispering to me, "I am mistrustful of this moment."
"Hist!" said McGregor, "that was the sound of his string. He will be beginning now."
Ay, the voice began. We were wooden men, in rows, listening to this Italian singing here a golden dream between his teeth.
"Who is this man?" said Rainbow Pete. Heh! Heh! Had he not heard this voice before? We were dumb. Oh, this was wild, this was sweet, the long cry of the man over the deep valley. He sang in his throat, saying to the woman there would be no returning. The night was blue. I'm telling you. He was a cunning beggar, Pal Yachy, for making the stars burn in their sockets.
Now I saw him lift his arm to his head, the wicked sailor, listening to the tune of his enemy. Ay, this was the man who had fashioned him in the form of a rainbow. Still he did not know it, dreaming on his feet. He went swaying like a poplar.
Look, I am an old man, but I stood thinking of my airly days. Yes, yes. My brain was heavy. Oh, it was a sweet dagger here twisting in the soul of man. I went picturing the deep snow to me, and the dark spruces of the North; oh, the roses are speaking to me again from this cheek that has been gone from me so long.
Heh! Heh! I should not be speaking of this. It was a sorrowful harp, the voice of that fiend. It was like the wind following the eddy into Lookout Cavern. Now it went choking that great sailor at the throat; look, he was mild, he was a simple man for crying. The tears rolled in his cheek, they sparkled there like the champagne.
Oh my, the song was done.
He was dumb, the great sailor, twisting his mustache.
"Come now," said McGregor, "quick, he will be going into the house."
They were gulls for diving at the ledge; but Rainbow Pete held out his arm, stopping them.
"Stand away," he said, "I will be going into my house with old Greyback here and no other."
This arm was not yet withered he had. No! They stayed in their tracks, as we were going up the ledge.
The door was open of that house; the stringed instrument was laid against it. Ay, the strings were humming still, the song was spinning round like a leaf in the cavern of it; but the black Italian was inside.
Yes, he had gone before into the chamber where she was lying, with his beautiful smile.
The door here was open. Look, by candle-light I saw her lying in a red blanket, staring at the notable singer. Yes, I saw the bottles containing odors standing in a row. There was scent in the room. Now she closed her eyes, this prairie woman, lying under him like death. My friend, there is no doubt she was beautiful upon the pillow without the aid of scented bottles.
Heh! I felt him quiver, this great sailor, when he saw Pal Yachy standing there, but I put my arms about him whispering to him to wait. It was dark where we were, there was a light from the stove only.
Oh my, there the dark Italian was glittering and heaving; he went holding in his fist a canvas sack stamped by the Government, containing the proper weight of gold.
"This is his weight in gold," he said, and there he laid it at her knees. Still her eyes were closed against that demon of a singer, as he went saying, "But now my dear one, there must be no more talk of husbands. Ha! ha! they are like smoke, these husbands. When it has drifted, there must be new fire. So they say in my country."
She lay, not speaking to him, with the sack of gold heavy against her knees.
"Is this plain?" said that Italian. Look now, Rainbow Pete is in his very shadow. Ay, in the shadow of this man who had fashioned him like a rainbow.
"This is a great sum," said Pal Yachy, never looking behind him. "To this must be added the silence of one day in the valley."
"The silence," she went whispering, "the silence."
Ha! ha! this was not so dangerous as song. She was leaning on her elbow, clutching the red blanket to her throat, with her long fingers twisting at the bag. Now my heart stumbled. Oh now, I thought, the gold is heavy against her; this is a misfortunate time to be forsaking her husband, isn't it? Look, the shadow was deeper in the cheek of this sailor. He saw nothing, I fancied, but the gold lying on the blanket.
What next I knew? Here was McGregor in his yellow skull, whispering,
"Is this the gold then at the foot of the rainbow? This is fool's gold where the heart is concerned."
Then, my friend, she threw it clear of the bed. Ay! I heard it falling on the ledge there, but at this time she did not know that Rainbow Pete was in the room.
When she had thrown it, then she saw him, standing behind that demon of a singer. Her eyes were strange then. By the expression of her eyes Pal Yachy saw that he was doomed. He was like a frozen man.
"Wait now," said Rainbow Pete, "am I in my house here?"
"Am I not your wife?" cried the dark woman from Regina.
Oh, the pleasant sailor. The song had touched him.
"Look now," he said to Pal Yachy, "you made a rainbow of me in the beginning. Do you bring gold here now to plant at my feet, generous man?"
My, my, this fantastic Italian knew that words were wasted now. He was like a snake with his sting. But Rainbow Pete was not an easy man. He broke the arm with one twist, look, the knife went spinning on the ledge. And at this moment the blasting in the rock began again below the ledge. They were at it again, monkeying with powder. Oh, it was death they were speaking to down there. It was like a battle between giants going on, there were thunders and red gleams in the black valley; and the candle-flame went shivering with the great noises.
"Here," said Rainbow Pete, "I will scatter you like the rocks of the valley."
Oh, the righteous man. Isn't it a strange consideration, the voice of Pal Yachy moving this crooked sailor to good deeds? Ay! He was a noble man, hurling the Italian from the house by his ears. Oh, it's a circumstance to be puzzling over. He threw the gold after him. Ay, the gold after—like dirt; and here the clothes hung loose on his own body where he had been starving in the search for bags like that.
Now, as he went kneeling by his wife, he discovered his son, by the crowing under the blanket.
"Look here at the little nipper, old Greyback," he said, "come a little way into the room. Look now, at the fat back for putting a little palm-tree on, while he is young. This is truth, old fellow, here is true gold lying at the foot of the rainbow, according to the prophecy."
Our old friend stopped to breathe and blink.
"He had staked this claim but he had never worked it," he said solemnly. But isn't it strange, the same man who had been fashioning him like a rainbow, should be pointing out the gold to him. Oh, there's no doubt Pal Yachy was defeated in the end by his own voice—
He went away that night, leaving all to the sub-contractors. Heh! He was not seen on Mushrat again. Still he had a remarkable voice. Many times afterward I have heard Rainbow Pete playing on his flute—this is in the evening when the ledge is quiet—but this is not the same thing. No, no, he could never bewitch her with his music, she must love him for his intention only, to be charming her. Ay! This is safer.
GET READY THE WREATHS 13
By FANNIE HURSTFrom The Cosmopolitan MagazineWhere St. Louis begins to peter out into brick-and limestone-kilns and great scars of unworked and overworked quarries, the first and more unpretentious of its suburbs take up—Benson, Maplehurst, and Ridgeway Heights intervening with one-story brick cottages and two-story packing-cases—between the smoke of the city and the carefully parked Queen Anne quietude of Glenwood and Croton Grove.
Over Benson hangs a white haze of limestone, gritty with train and foundry smoke. At night, the lime-kilns, spotted with white deposits, burn redly, showing through their open doors like great, inflamed diphtheretic throats, tongues of flame bursting and licking-out.
Winchester Road, which runs out from the heart of the city to string these towns together, is paved with brick, and its traffic, for the most part, is the great tin-tired dump-carts of the quarries and steel interurban electric cars, which hum so heavily that even the windows of outlying cottages titillate.
For blocks, from Benson to Maplehurst and from Maplehurst to Ridgeway Heights, Winchester Road repeats itself in terms of the butcher, the baker, the corner saloon. A feed store. A monument-and stone-cutter. A confectioner. A general-merchandise store, with a glass case of men's collars outside the entrance. The butcher, the baker, the corner saloon.
At Benson, where this highway cuts through, the city, wreathed in smoke, and a great oceanic stretch of roofs are in easy view, and at closer range, an outlying section of public asylums for the city's discard of its debility and its senility.
Jutting a story above the one-storied march of Winchester Road, The Convenience Merchandise Corner, Benson, overlooks, from the southeast up-stairs window, a remote view of the City Hospital, the Ferris wheel of an amusement-park, and on clear days, the oceanic waves of roof. Below, within the store, that view is entirely obliterated by a brace of shelves built across the corresponding window and brilliantly stacked with ribbons of a score of colors and as many widths. A considerable flow of daylight thus diverted, The Convenience Merchandise Corner, even of early afternoon, fades out into half-discernible corners; a rear-wall display of overalls and striped denim coats crowded back into indefinitude, the haberdashery counter, with a giant gilt shirt-stud suspended above, hardly more outstanding.
Even the notions and dry-goods, flanking the right wall in stacks and bolts, merge into blur, the outline of a white-sateen and corseted woman's torso surmounting the top-most of the shelves with bold curvature.
With spring sunshine even hot against the steel rails of Winchester Road, and awnings drawn against its inroads into the window display, Mrs. Shila Coblenz, routing gloom, reached up tiptoe across the haberdashery counter for the suspended chain of a cluster of bulbs, the red of exertion rising up the taut line of throat and lifted chin.
"A little light on the subject, Milt."
"Let me, Mrs. C."
Facing her from the outer side of the counter, Mr. Milton Bauer stretched also, his well-pressed, pin-checked coat crawling up.
All things swam out into the glow. The great suspended stud; the background of shelves and boxes; the scissors-like overalls against the wall; a clothes-line of children's factory-made print frocks; a center-bin of women's untrimmed hats; a headless dummy beside the door, enveloped in a long-sleeved gingham apron.
Beneath the dome of the wooden stud, Mrs. Shila Coblenz, of not too fulsome but the hour-glass proportions of two decades ago, smiled, her black eyes, ever so quick to dart, receding slightly as the cheeks lifted.
"Two twenty-five, Milt, for those ribbed assorted sizes and reenforced heels. Leave or take. Bergdorff & Sloan will quote me the whole mill at that price."
With his chest across the counter and legs out violently behind, Mr. Bauer flung up a glance from his order-pad.
"Have a heart, Mrs. C. I'm getting two forty for that stocking from every house in town. The factory can't turn out the orders fast enough at that price. An up-to-date woman like you mustn't make a noise like before the war."
"Leave or take."
"You could shave an egg," he said.
"And rush up those printed lawns. There was two in this morning, sniffing around for spring dimities."
"Any cotton goods? Next month this time, you'll be paying an advance of four cents on percales."
"Stocked."
"Can't tempt you with them wash silks, Mrs. C.? Neatest little article on the market to-day."
"No demand. They finger it up, and then buy the cotton stuffs. Every time I forget my trade hacks rock instead of clips bonds for its spending-money, I get stung."
"This here wash silk, Mrs. C., would—"
"Send me up a dress-pattern off this coral-pink sample for Selene."
"This here dark mulberry, Mrs. C., would suit you something immense."
"That'll be about all."
He flopped shut his book, snapping a rubber band about it and inserting it in an inner coat pocket.
"You ought to stick to them dark, winy shades, Mrs. C. With your coloring and black hair and eyes, they bring you out like a Gipsy. Never seen you look better than at the Y. M. H. A. entertainment."
Quick color flowed down her open throat and into her shirtwaist. It was as if the platitude merged with the very corpuscles of a blush that sank down into thirsty soil.
"You boys," she said, "come out here and throw in a jolly with every bill of goods. I'll take a good fat discount instead."
"Fact. Never seen you look better. When you got out on the floor in that stamp-your-foot kind of dance with old man Shulof, your hand on your hip and your head jerking it up, there wasn't a girl on the floor, your own daughter included, could touch you, and I'm giving it to you straight."
"That old thing! It's a Russian folk-dance my mother taught me the first year we were in this country. I was three years old then, and, when she got just crazy with homesickness, we used to dance it to each other evenings on the kitchen floor."
"Say, have you heard the news?"
"No."
"Guess."
"Can't."
"Hammerstein is bringing over the crowned heads of Europe for vaudeville."
Mrs. Coblenz moved back a step, her mouth falling open.
"Why—Milton Bauer—in the old country a man could be strung up for saying less than that!"
"That didn't get across. Try another. A Frenchman and his wife were traveling in Russia, and—"
"If—if you had an old mother like mine upstairs, Milton, eating out her heart and her days and her weeks and her months over a husband's grave somewhere in Siberia and a son's grave somewhere in Kishinef, you wouldn't see the joke, neither."
Mr. Bauer executed a self-administered pat sharply against the back of his hand.
"Keeper," he said, "put me in the brain-ward. I—I'm sorry, Mrs. C., so help me! Didn't mean to. How is your mother, Mrs. C.? Seems to me, at the dance the other night, Selene said she was fine and dandy."
"Selene ain't the best judge of her poor old grandmother. It's hard for a young girl to have patience for old age sitting and chewing all day over the past. It's right pitiful the way her grandmother knows it, too, and makes herself talk English all the time to please the child and tries to perk up for her. Selene, thank God, ain't suffered, and can't sympathize!"
"What's ailing her, Mrs. C.? I kinda miss seeing the old lady sitting down here in the store."
"It's the last year or so, Milt. Just like all of a sudden, a woman as active as mamma always was, her health and—her mind kind of went off with a pop."
"Thu! Thu!"
"Doctor says with care she can live for years, but—but it seems terrible the way her—poor mind keeps skipping back. Past all these thirty years in America to—even weeks before I was born. The night they—took my father off to Siberia, with his bare feet in the snow—for distributing papers they found on him—papers that used the word 'svoboda'—'freedom.' And the time, ten years later—they shot down my brother right in front of her for—the same reason. She keeps living it over—living it over till I—could die."
"Say, ain't that just a shame, though!"
"Living it, and living it, and living it! The night with me, a heavy three-year-old, in her arms that she got us to the border, dragging a pack of linens with her! The night my father's feet were bleeding in the snow, when they took him! How with me a kid in the crib, my—my brother's face was crushed in—with a heel and a spur—all night, sometimes, she cries in her sleep—begging to go back to find the graves. All day she sits making raffia wreaths to take back—making wreaths—making wreaths!"