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The Stillwater Tragedy
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The Stillwater Tragedy

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"But I have been listening, Margaret. Every word!"

"Where did I leave off?"

"It was where–where the"–and Richard knitted his brows in the vain effort to remember–"where the young daguerreotypist, what's-his-name, took up his residence in the House of the Seven Gables."

"No, sir! You stand convicted. It was ten pages further on. The last words were,"–and Margaret read from the book,–

"'Good-night, cousin,' said Phoebe, strangely affected by Hepsibah's manner. 'If you being to love me, I am glad.'"

"There, sir! what do you say to that?"

Richard did not say anything, but he gave a guilty start, and shot a rapid glance at Margaret coolly enjoying her triumph.

"In the next place," she continued soberly, after a pause, "I think it very odd in you not to reply to me,–oh, not now, for of course you are without a word of justification; but at other times. Frequently, when I speak to you, you look at me so," making a vacant little face, "and then suddenly disappear,–I don't mean bodily, but mentally."

"I am no great talker at best," said Richard with a helpless air. "I seldom speak unless I have something to say."

"But other people do. I, for instance."

"Oh, you, Margaret; that is different. When you talk I don't much mind what you are talking about."

"I like a neat, delicate compliment like that!"

"What a perverse girl you are to-day!" cried Richard. "You won't understand me. I mean that your words and your voice are so pleasant they make anything interesting, whether it's important or not."

"If no one were to speak until he had something important to communicate," observed Margaret, "conversation in this world would come to a general stop." Then she added, with a little ironical smile, "Even you, Richard, wouldn't be talking all the time."

Formerly Margaret's light sarcasms, even when the struck him point-blank, used to amuse Richard, but now he winced at being merely grazed.

Margaret went on: "But it's not a bit necessary to be circular or instructive–with me. I am interested in trivial matters,–in the weather, in my spring hat, in what you are going to do next, and the like. One must occupy one's self with something. But you, Richard, nowadays you seem interested in nothing, and have nothing whatever to say."

Poor Richard! He had a great deal to say, but he did not know how, nor if it were wise to breathe it. Just three little words, murmured or whispered, and the whole conditions would be changed. With those fateful words uttered, what would be Margaret's probable attitude, and what Mr. Slocum's? Though the line which formerly drew itself between employer and employee had grown faint with time, it still existed in Richard's mind, and now came to the surface with great distinctness, like a word written in sympathetic ink. If he spoke, and Margaret was startled or offended, then there was an end to their free, unembarrassed intercourse,–perhaps an end to all intercourse. By keeping his secret in his breast he at least secured the present. But that was to risk everything. Any day somebody might come and carry Margaret off under his very eyes. As he reflected on this, the shadow of John Dana, the son of the rich iron-manufacturer, etched itself sharply upon Richard's imagination. Within the week young Dana had declared in the presence of Richard that "Margaret Slocum was an awfully nice little thing," and the Othello in Richard's blood had been set seething. Then his thought glanced from John Dana to Mr. Pinkham and the Rev. Arthur Langly, both of whom were assiduous visitors at the house. The former had lately taken to accompanying Margaret on the piano with his dismal little flute, and the latter was perpetually making a moth of himself about her class at Sunday-school.

Richard stood with the edge of his chisel resting idly upon the plaster mold in front of him, pondering these things. Presently he heard Margaret's voice, as if somewhere in the distance, saying,–

"I have not finished yet, Richard."

"Go on," said Richard, falling to work again with a kind of galvanic action. "Go on, please."

"I have a serious grievance. Frankly, I am hurt by your preoccupation and indifference, your want of openness or cordiality,–I don't know how to name it. You are the only person who seems to be unaware that I escaped a great danger a month ago. I am obliged to remember all the agreeable hours I have spent in the studio to keep off the impression that during my illness you got used to not seeing me, and that now my presence somehow obstructs your work and annoys you."

Richard threw his chisel on the bench, and crossed over to the window where Margaret was.

"You are as wrong as you can be," he said, looking down on her half-lifted face, from which a quick wave of color was subsiding; for the abruptness of Richard's movement had startled her.

"I am glad if I am wrong."

"It is nearly an unforgivable thing to be as wide of the mark as you are. Oh, Margaret, if you had died that time!"

"You would have been very sorry?"

"Sorry? No. That doesn't express it; one outlives mere sorrow. If anything had happened to you, I should never have got over it. You don't know what those five weeks were to me. It was a kind of death to come to this room day after day, and not find you."

Margaret rested her eyes thoughtfully on the space occupied by Richard rather than on Richard himself, seeming to look through and beyond him, as if he were incorporeal.

"You missed me like that?" she said slowly.

"I missed you like that."

Margaret meditated a moment. "In the first days of my illness I wondered if you didn't miss me a little; afterwards everything was confused in my mind. When I tried to think, I seemed to be somebody else,–I seemed to be you waiting for me here in the studio. Wasn't that singular? But when I recovered, and returned to my old place, I began to suspect I had been bearing your anxiety,–that I had been distressed by the absence to which you had grown accustomed."

"I never got used to it, Margaret. It became more and more unendurable. This workshop was full of–of your absence. There wasn't a sketch or a cast or an object in the room that didn't remind me of you, and seem to mock at me for having let the most precious moments of my life slip away unheeded. That bit of geranium in the glass yonder seemed to say with its dying breath, 'You have cared for neither of us as you ought to have cared; my scent and her goodness have been all one to you,–things to take or to leave. It was for no merit of yours that she was always planning something to make life smoother and brighter for you. What had you done to deserve it? How unselfish and generous and good she has been to you for years and years! What would have become of you without her? She left me here on purpose'–it's the geranium leaf that is speaking all the while, Margaret–'to say this to you, and to tell you that she was not half appreciated; but now you have lost her.'"

As she leaned forward listening, with her lips slightly parted, Margaret gave an unconscious little approbative nod of the head. Richard's fanciful accusation of himself caused her a singular thrill of pleasure. He had never before spoken to her in just this fashion; the subterfuge which his tenderness had employed, the little detour it had made in order to get at her, was a novel species of flattery. She recognized the ring of a distinctly new note in his voice; but, strangely enough, the note lost its unfamiliarity in an instant. Margaret recognized that fact also, and as she swiftly speculate on the phenomenon her pulse went one or two strokes faster.

"Oh, you poor boy!" she said, looking up with a laugh, and a flush so interfused that they seemed one, "that geranium took a great deal upon itself. It went quite beyond its instructions, which were simply to remind you of me now and then. One day, while you were out,–the day before I was taken ill,–I placed the flowers on the desk there, perhaps with a kind of premonition that I was going away from you for a time."

"What if you had never come back?"

"I wouldn't think of that if I were you," said Margaret softly.

"But it haunts me,–that thought. Sometimes of a morning, after I unlock the workshop door, I stand hesitating, with my hand on the latch, as one might hesitate a few seconds before stepping into a tomb. There were days last month, Margaret, when this chamber did appear to me like a tomb. All that was happy in my past seemed to lie buried here; it was something visible and tangible; I used to steal in and look upon it."

"Oh, Richard!"

"If you only knew what a life I led as a boy in my cousin's house, and what a doleful existence for years afterwards, until I found you, perhaps you would understand my despair when I saw everything suddenly slipping away from me. Margaret! the day your father brought you in here, I had all I could do not to kneel down at your feet"–Richard stopped short. "I didn't mean to tell you that," he added, turning towards the work-table. Then he checked himself, and came and stood in front of her again. He had gone too far not to go further. "While you were ill I made a great discovery."

"What was that, Richard?"

"I discovered that I had been blind for two or three years."

"Blind?" repeated Margaret.

"Stone-blind. I discovered it by suddenly seeing–by seeing that I had loved you all the while, Margaret! Are you offended?"

"No," said Margaret, slowly; she was a moment finding her voice to say it. "I–ought I to be offended?"

"Not if you are not!" said Richard.

"Then I am not. I–I've made little discoveries myself," murmured Margaret, going into full mourning with her eyelashes.

But it was only for an instant. She refused to take her happiness shyly or insincerely; it was something too sacred. She was a trifle appalled by it, if the truth must be told. If Richard had scattered his love-making through the month of her convalescence, or if he had made his avowal in a different mood, perhaps Margaret might have met him with some natural coquetry. But Richard's tone and manner had been such as to suppress any instinct of the kind. His declaration, moreover, had amazed her. Margaret's own feelings had been more or less plain to her that past month, and she had diligently disciplined herself to accept Richard's friendship, since it seemed all he had to give. Indeed, it had seemed at times as if he had not even that.

When Margaret lifted her eyes to him, a second after her confession, they were full of a sweet seriousness, and she had no thought of withdrawing the hands which Richard had taken, and was holding lightly, that she might withdraw them if she willed. She felt no impulse to do so, though as Margaret looked up she saw her father standing a few paces behind Richard.

With an occult sense of another presence in the room, Richard, turned at the same instant.

Mr. Slocum had advanced two steps into the apartment, and had been brought to a dead halt by the surprising tableau in the embrasure of the window. He stood motionless, with an account-book under his arm, while a dozen expressions chased each other over his countenance.

"Mr. Slocum," said Richard, who saw that only one course lay open to him, "I love Margaret, and I have been telling her."

At that the flitting shadows on Mr. Slocum's face settled into one grave look. He did not reply immediately, but let his glance wander from Margaret to Richard, and back again to Margaret, slowly digesting the fact. It was evident he had not relished it. Meanwhile the girl had risen from the chair and was moving towards her father.

"This strikes me as very extraordinary," he said at last. "You have never given any intimation that such a feeling existed. How long has this been going on?"

"I have always been fond of Margaret, sir; but I was not aware of the strength of the attachment until the time of her illness, when I–that is, we–came near to losing her."

"And you, Margaret?"

As Mr. Slocum spoke he instinctively put one arm around Margaret, who had crept closely to his side.

"I don't know when I began to love Richard," said Margaret simply.

"You don't know!"

"Perhaps it was while I was ill; perhaps it was long before that; may be my liking for him commenced as far back as the time he made the cast of my hand. How can I tell, papa? I don't know."

"There appears to be an amazing diffusion of ignorance here!"

Margaret bit her lip, and kept still. Her father was taking it a great deal more seriously than she had expected. A long, awkward silence ensued. Richard broke it at last by remarking uneasily, "Nothing has been or was to be concealed from you. Before going to sleep to-night, Margaret would have told you all I've said to her."

"You should have consulted with me before saying anything."

"I intended to do so, but my words got away from me. I hope you will overlook it, sir, and not oppose my loving Margaret, though I see as plainly as you do that I am not worthy of her."

"I have not said that. I base my disapproval on entirely different ground. Margaret is too young. A girl of seventeen or eighteen"–

"Nineteen," said Margaret, parenthetically.

"Of nineteen, then,–has no business to bother her head with such matters. Only yesterday she was a child!"

Richard glanced across at Margaret, and endeavored to recall her as she impressed him that first afternoon, when she knocked defiantly at the workshop door to inquire if he wanted any pans and pails; but he was totally unable to reconstruct that crude little figure with the glossy black head, all eyes and beak, like a young hawk's.

"My objection is impersonal," continued Mr. Slocum. "I object to the idea. I wish this had not happened. I might not have disliked it–years hence; I don't say; but I dislike it now."

Richard's face brightened. "It will be years hence in a few years!"

Mr. Slocum replied with a slow, grave smile, "I am not going to be unreasonable in a matter where I find Margaret's happiness concerned; and yours, Richard, I care for that, too; but I'll have no entanglements. You and she are to be good friends, and nothing beyond. I prefer that Margaret should not come to the studio so often; you shall see her whenever you like at our fireside, of an evening. I don't think the conditions hard."

Mr. Slocum had dictated terms, but it was virtually a surrender. Margaret listened to him with her cheek resting against his arm, and a warm light nestled down deep under her eyelids.

Mr. Slocum drew a half-pathetic sigh. "I presume I have not done wisely. Every one bullies me. The Marble Workers' Association ruins my yard for me, and now my daughter is taken off my hands. By the way, Richard," he said, interrupting himself brusquely, and with an air of dismissing the subject, "I forgot what I came for. I've been thinking over Torrini's case, and have concluded that you had better make up his account and discharge him."

"Certainly, sir," replied Richard, with a shadow of dissent in his manner, "if you wish it."

"He causes a deal of trouble in the yard."

"I am afraid he does. Such a clean workman when he's sober!"

"But he is never sober."

"He has been in a bad way lately, I admit."

"His example demoralizes the men. I can see it day by day."

"I wish he were not so necessary at this moment," observed Richard. "I don't know who else could be trusted with the frieze for the Soldiers' Monument. I'd like to keep him on a week or ten days longer. Suppose I have a plain talk with Torrini?"

"Surely we have enough good hands to stand the loss of one."

"For a special kind of work there is nobody in the yard like Torrini. That is one reason why I want to hold on to him for a while, and there are other reasons."

"Such as what?"

"Well, I think it would not be wholly politic to break with him just now."

"Why not now as well as any time?"

"He has lately been elected secretary of the Association."

"What of that?"

"He has a great deal of influence there."

"If we put him out of the works it seems to me he would lose his importance, if he really has any to speak of."

"You are mistaken if you doubt it. His position gives him a chance to do much mischief, and he would avail himself of it very adroitly, if he had a personal grievance."

"I believe you are actually afraid of the fellow."

Richard smiled. "No, I am not afraid of him, but I don't underrate him. The men look up to Torrini as a sort of leader; he's an effective speaker, and knows very well how to fan a dissatisfaction. Either he or some other disturbing element has recently been at work among the men. There's considerable grumbling in the yard."

"They are always grumbling, aren't they?"

"Most always, but this is more serious than usual; there appears to be a general stir among the trades in the village. I don't understand it clearly. The marble workers have been holding secret meetings."

"They mean business, you think?"

"They mean increased wages, perhaps."

"But we are now paying from five to ten per cent more than any trade in the place. What are they after?"

"So far as I can gather, sir, the finishers and the slab-sawers want an advance,–I don't know how much. Then there's some talk about having the yard closed an hour earlier on Saturdays. All this is merely rumor; but I am sure there is something in it."

"Confound the whole lot! If we can't discharge a drunken hand without raising the pay of all the rest, we had better turn over the entire business to the Association. But do as you like, Richard. You see how I am bullied, Margaret. He runs everything! Come, dear."

And Mr. Slocum quitted the workshop, taking Margaret with him. Richard remained standing awhile by the table, in a deep study, with his eyes fixed on the floor. He thought of his early days in the sepulchral house in Welch's Court, of his wanderings abroad, his long years of toil since then, and this sudden blissful love that had come to him, and Mr. Slocum's generosity. Then he thought of Torrini, and went down into the yard gently to admonish the man, for Richard's heart that hour was full of kindness for all the world.

XI

In spite of Mr. Slocum's stipulations respecting the frequency of Margaret's visits to the studio, she was free to come and go as she liked. It was easy for him to say, Be good friends, and nothing beyond; but after that day in the workshop it was impossible for Richard and Margaret to be anything but lovers. The hollowness of pretending otherwise was clear even to Mr. Slocum. In the love of a father for a daughter there is always a vague jealousy which refuses to render a coherent explanation of itself. Mr. Slocum did not escape this, but he managed, nevertheless, to accept the inevitable with very fair grace, and presently to confess to himself that the occurrence which had at first taken him aback was the most natural in the world. That Margaret and Richard, thrown together as they had been, should end by falling in love with each other was not a result to justify much surprise. Indeed, there was a special propriety in their doing so. The Shackfords had always been reputable people in the village,–down to Lemuel Shackford, who of course as an old musk-rat. The family attributes of amiability and honesty had skipped him, but they had reappeared in Richard. It was through his foresight and personal energy that the most lucrative branch of the trade had been established. His services entitled him to a future interest in the business, and Mr. Slocum had intended he should have it. Mr. Slocum had not dreamed of throwing in Margaret also; but since that addition had suggested itself, it seemed to him one of the happy features of the arrangement. Richard would thus be doubly identified with the yard, to which, in fact, he had become more necessary than Mr. Slocum himself.

"He has more backbone with the men than I have," acknowledged Mr. Slocum. "He knows how to manage them, and I don't."

As soft as Slocum was a Stillwater proverb. Richard certainly had plenty of backbone; it was his only capital. In Mr. Slocum's estimation it was sufficient capital. But Lemuel Shackford was a very rich man, and Mr. Slocum could not avoid seeing that it would be decent in Richard's only surviving relative if, at this juncture, he were to display a little interest in the young fellow's welfare.

"If he would only offer to advance a few thousand dollars for Richard," said Mr. Slocum, one evening, to Margaret, with whom he had been talking over the future–"the property must all come to him some time,–it would be a vast satisfaction to me to tell the old man that we can get along without any of his ill-gotten gains. He made the bulk of his fortune during the war, you know. The old sea-serpent," continued Mr. Slocum, with hopeless confusion of metaphor, "had a hand in fitting out more than one blockade-runner. They used to talk of a ship that got away from Charleston with a cargo of cotton that netted the share-holders upwards of two hundred thousand dollars. He denies it now, but everybody knows Shackford. He'd betray his country for fifty cents in postage-stamps."

"Oh, papa! you are too hard on him."

In words dropped cursorily from time to time, Margaret imparted to Richard the substance of her father's speech, and it set Richard reflecting. It was not among the probabilities that Lemuel Shackford would advance a dollar to establish Richard, but if he could induce his cousin even to take the matter into consideration, Richard felt that it would be a kind of moral support to him circumstanced as he was. His pride revolted at the idea of coming quite unbacked and disowned, as well as empty-handed, to Mr. Slocum.

For the last twelve months there had been a cessation of ordinary courtesies between the two cousins. They now passed each other on the street without recognition. A year previously Mr. Shackford had fallen ill, and Richard, aware of the inefficient domestic arrangements in Welch's Court, had gone to the house out of sheer pity. The old man was in bed, and weak with fever, but at seeing Richard he managed to raise himself on one elbow.

"Oh, it's you!" he exclaimed, mockingly. "When a rich man is sick the anxious heirs crowd around him; but they're twice as honestly anxious when he is perfectly well."

"I came to see if I could do anything for you!" cried Richard, with a ferocious glare, and in a tone that went curiously with his words, and shook to the foundations his character of Good Samaritan.

"The only thing you can do for me is to go away."

"I'll do that with pleasure," retorted Richard bitterly.

And Richard went, vowing he would never set foot across the threshold again. He could not help having ugly thoughts. Why should all the efforts to bring about a reconciliation and all the forbearance be on his side? Thenceforth the crabbed old man might go to perdition if he wanted to.

And now here was Richard meditating a visit to that same house to beg a favor!

Nothing but his love for Margaret could have dragged him to such a banquet of humble-pie as he knew was spread for his delectation, the morning he passed up the main street of Stillwater and turned into Welch's Court.

As Richard laid his hand on the latch of the gate, Mr. Shackford, who was digging in the front garden, looked up and saw him. Without paying any heed to Richard's amicable salutation, the old man left the shovel sticking in the sod, and walked stiffly into the house. At another moment this would have amused Richard, but now he gravely followed his kinsman, and overtook him at the foot of the staircase.

"Cousin Shackford, can you spare me five or ten minutes?"

"Don't know as I can," said Mr. Shackford, with one foot on the lower stair. "Time is valuable. What do you want? You want something."

"Certainly, or I wouldn't think of trespassing on your time."

"Has Slocum thrown you over?" inquired the old man, turning quickly. A straw which he held between his thin lips helped to give him a singularly alert expression.

"No; Mr. Slocum and I agree the best in the world. I want to talk with you briefly on certain matters; I want to be on decent terms with you, if you will let me."

"Decent terms means money, doesn't it?" asked Mr. Shackford, with a face as wary and lean as a shark's.

"I do wish to talk about money, among other things," returned Richard, whom this brutal directness disconcerted a little,–"money on satisfactory security."

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