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The Stillwater Tragedy
The Stillwater Tragedyполная версия

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The Stillwater Tragedy

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"I don't suppose I could annoy Shackford more," was Mr. Slocum's reflection, "than by doing something for this boy, whom he has always shamelessly neglected."

The motive was not a high one; but Richard would have been well satisfied with it, if he could have divined it. He did divine that Mr. Slocum was favorably inclined towards him, and stood watching that gentleman's face with hopeful anxiety.

"I have my regulation number of young men, Richard," said Mr. Slocum, "and there will be no vacancy until autumn. If you could wait a few months."

Richard's head drooped.

"Can't do that? You write a good hand, you say. Perhaps you could assist the book-keeper until there's a chance for you in the yard."

"I think I could, sir," said Richard eagerly.

"If you were only a draughtsman, now, I could do something much better for you. I intend to set up a shop for ornamental carving, and I want some one to draw patterns. If you had a knack at designing, if you could draw at all"–

Richard's face lighted up.

"Perhaps you have a turn that way. I remember the queer things you used to scratch in the mud in the court, when you were a little shaver. Can you draw?"

"Why, that is the one thing I can do!" cried Richard,–"in a rough fashion, of course," he added, fearing he had overstated it.

"It is a rough fashion that will serve. You must let me see some of your sketches."

"I haven't any, sir. I had a hundred in my sea-chest, but that was lost,–pencillings of old archways, cathedral spires, bits of frieze, and such odds and ends as took my fancy in the ports we touched at. I recollect one bit. I think I could do it for you now. Shall I?"

Mr. Slocum nodded assent, smiling at the young fellow's enthusiasm, and only partially suspecting his necessity. Richard picked up a pen and began scratching on a letter sheet which lay on the desk. He was five or six minutes at the work, during which the elder man watched him with an amused expression.

"It's a section of cornice on the façade of the Hindoo College at Calcutta," said Richard, handing him the paper,–"no, it's the custom-house. I forget which; but it doesn't matter."

The amused look gradually passed out of Mr. Slocum's countenance as he examined the sketch. It was roughly but clearly drawn, and full of facility. "Why, that's very clever!" he said, holding it at arms'-length; and then, with great gravity, "I hope you are not a genius, Richard; that would be too much of a fine thing. If you are not, you can be of service to me in my plans."

Richard laughingly made haste to declare that to the best of his knowledge and belief he was not a genius, and it was decided on the spot that Richard should assist Mr. Simms, the bookkeeper, and presently try his hand at designing ornamental patterns for the carvers, Mr. Slocum allowing him apprentice wages until the quality of his work should be ascertained.

"It is very little," said Mr. Slocum, "but it will pay your board, if you do not live at home."

"I shall not remain at my cousin's," Richard replied, "if you call that home."

"I can imagine it is not much of a home. Your cousin, not to put too fine a point on it, is a wretch."

"I am sorry to hear you say that, sir; he's my only living kinsman."

"You are fortunate in having but one, then. However, I am wrong to abuse him to you; but I cannot speak of him with moderation, he has just played me such a despicable trick. Look here."

Mr. Slocum led Richard to the door, and pointing to a row of new workshops which extended the entire length of one side of the marble yard, said,–

"I built these last spring. After the shingles were on we discovered that the rear partition, for a distance of seventy-five feet, overlapped two inches on Shackford's meadow. I was ready to drop when I saw it, your cousin is such an unmanageable old fiend. Of course I went to him immediately, and what do you think? He demanded five hundred dollars for that strip of land! Five hundred dollars for a few inches of swamp meadow not worth ten dollars the acre! 'Then take your disreputable old mill off my property!' says Shackford,–he called it a disreputable old mill! I was hasty, perhaps, and I told him to go to the devil. He said he would, and he did; for he went to Blandmann. When the lawyers got hold of it, they bothered the life out of me; so I just moved the building forward two inches, at an expense of seven hundred dollars. Then what does the demon do but board up all my windows opening on the meadow! Richard, I make it a condition that you shall not lodge at Shackford's."

"Nothing could induce me to live another day in the same house with him, sir," answered Richard, suppressing an inclination to smile; and then seriously, "His bread is bitter."

Richard went back with a light heart to Welch's Court. At the gate of the marble yard he met William Durgin returning to work. The steam-whistle had sounded the call, and there was no time for exchange of words; so Richard gave his comrade a bright nod and passed by. Durgin turned and stared after him.

"Looks as if Slocum had taken him on; but it never can be as apprentice; he wouldn't dare do it."

Mr. Shackford had nearly finished his frugal dinner when Richard entered. "If you can't hit it to be in at your meals," said Mr. Shackford, helping himself absently to the remaining chop, "perhaps you had better stop away altogether."

"I can do that now, cousin," replied Richard sunnily. "I have engaged with Slocum."

The old man laid down his knife and fork.

"With Slocum! A Shackford a miserable marble-chipper!"

There was so little hint of the aristocrat in Lemuel Shackford's sordid life and person that no one suspected him of even self-esteem. He went as meanly dressed as a tramp, and as careless of contemporary criticism; yet clear down in his liver, or somewhere in his anatomy, he nourished an odd abstract pride in the family Shackford. Heaven knows why! To be sure, it dated far back; its women had always been virtuous, and its men, if not always virtuous, had always been ship-captains. But beyond this the family had never amounted to anything, and now there was so very little left of it. For Richard as Richard Lemuel cared nothing; for Richard as a Shackford he had a chaotic feeling that defied analysis and had never before risen to the surface. It was therefore with a disgust entirely apart from the hatred of Slocum or regard for Richard that the old man exclaimed, "A Shackford a miserable marble-chipper!"

"That is better than hanging around the village with my hands in my pockets. Isn't it?"

"I don't know that anybody has demanded that you should hang around the village."

"I ought to go away, you mean? But I have found work here, and I might not find it elsewhere."

"Stillwater is not the place to begin life in. It's the place to go away from, and come back to."

"Well, I have come back."

"And how? With one shirt and a lot of bad sailor habits."

"My one shirt is my only very bad habit," said Richard, with a laugh,–he could laugh now,–"and I mean to get rid of that."

Mr. Shackford snapped his fingers disdainfully.

"You ought to have stuck to the sea; that's respectable. In ten years you might have risen to be master of a bark; that would have been honorable. You might have gone down in a gale,–you probably would,–and that would have been fortunate. But a stone-cutter! You can understand," growled Mr. Shackford, reaching out for his straw hat, which he put on and crushed over his brows, "I don't keep a boarding-house for Slocum's hands."

"Oh, I'm far from asking it!" cried Richard. "I am thankful for the two nights' shelter I have had."

"That's some of your sarcasm, I suppose," said Mr. Shackford, half turning, with his hands on the door-knob.

"No, it is some of my sincerity. I am really obliged to you. You weren't very cordial, to be sure, but I did not deserve cordiality."

"You have figured that out correctly."

"I want to begin over again, you see, and start fair."

"Then begin by dropping Slocum."

"You have not given me a chance to tell you what the arrangement is. However, it's irrevocable."

"I don't want to hear. I don't care a curse, so long as it is an arrangement," and Mr. Shackford hurried out of the room, slamming the door behind him.

Then Richard, quite undisturbed by his cousin's unreasonableness, sat himself down to eat the last meal he was ever to eat under that roof,–a feat which his cousin's appetite had rendered comparatively easy.

While engaged in this, Richard resolved in his mind several questions as to his future abode. He could not reconcile his thought to any of the workingmen's boarding-houses, of which there were five or six in the slums of the village, where the doorways were greasy, and women flitted about in the hottest weather with thick woolen shawls over their heads. Yet his finances did not permit him to aspire to lodgings much more decent. If he could only secure a small room somewhere in a quiet neighborhood. Possibly Mrs. Durgin would let him have a chamber in her cottage. He was beginning life over again, and it struck him as nearly an ideal plan to begin it on the identical spot where he had, in a manner, made his first start. Besides, there was William Durgin for company, when the long nights of the New England winter set in. The idea smiled so pleasantly in Richard's fancy that he pushed the plate away from him impatiently, and picked up his hat which lay on the floor beside the chair.

That evening he moved from the Shackford house to Mrs. Durgin's cottage in Cross Street. It was not an imposing ceremony. With a small brown-paper parcel under his arm, he walked from one threshold to the other, and the thing was done.

VIII

The six months which followed Richard's installment in the office at Slocum's Yard were so crowded with novel experience that he scarcely noted their flight. The room at the Durgins, as will presently appear, turned out an unfortunate arrangement; but everything else had prospered. Richard proved an efficient aid to Mr. Simms, who quietly shifted the pay-roll to the younger man's shoulders. This was a very complicated account to keep, involving as it did a separate record of each employee's time and special work. An ancient bookkeeper parts lightly with such trifles when he has a capable assistant. It also fell to Richard's lot to pay the hands on Saturdays. William Durgin blinked his surprise on the first occasion, as he filed in with the others and saw Richard posted at the desk, with the pay-roll in his hand and the pile of greenbacks lying in front of him.

"I suppose you'll be proprietor next," remarked Durgin, that evening, at the supper table.

"When I am, Will," answered Richard cheerily, "you will be on the road to foreman of the finishing shop."

"Thank you," said Durgin, not too graciously. It grated on him to play the part of foreman, even in imagination, with Dick Shackford as proprietor. Durgin could not disconnect his friend from that seedy, half-crestfallen figure to whom, a few months earlier, he had given elementary instruction on the Marble Workers' Association.

Richard did not find his old schoolmate so companionable as memory and anticipation had painted him. The two young men moved on different levels. Richard's sea life, now that he had got at a sufficient distance from it, was a perspective full of pleasant color; he had a taste for reading, a thirst to know things, and his world was not wholly shut in by the Stillwater horizon. It was still a pitifully narrow world, but wide compared with Durgin's, which extended no appreciable distance in any direction from the Stillwater hotel. He spent his evenings chiefly there, returning home late at night, and often in so noisy a mood as to disturb Richard, who slept in an adjoining apartment. This was an annoyance; and it was an annoyance to have Mrs. Durgin coming to him with complaints of William. Other matters irritated Richard. He had contrived to replenish his wardrobe, and the sunburn was disappearing from his hands, which the nature of his occupation left soft and unscarred. Durgin was disposed at times to be sarcastic on these changes, but always stopped short of actual offense; for he remembered that Shackford when a boy, amiable and patient as he was, had had a tiger's temper at bottom. Durgin had seen it roused once or twice, and even received a chance sweep of the paw. Richard liked Durgin's rough wit as little as Durgin relished Richard's good-natured bluntness. It was a mistake, that trying to pick up the dropped thread of old acquaintance.

As soon as the permanency of his position was assured, and his means warranted the step, Richard transported himself and his effects to a comfortable chamber in the same house with Mr. Pinkham, the school-master, the perpetual falsetto of whose flute was positively soothing after four months of William Durgin's bass. Mr. Pinkham having but one lung, and that defective, played on the flute.

"You see what you've gone and done, William," remarked Mrs. Durgin plaintively, "with your ways. There goes the quietest young man in Stillwater, and four dollars a week!"

"There goes a swell, you'd better say. He was always a proud beggar; nobody was ever good enough for him."

"You shouldn't say that, William. I could cry, to lose him and his cheerfulness out of the house," and Mrs. Durgin began to whimper.

"Wait till he's out of luck again, and he'll come back to us fast enough. That's when his kind remembers their friends. Blast him! he can't even take a drop of beer with a chum at the tavern."

"And right, too. There's beer enough taken at the tavern without him."

"If you mean me, mother, I'll get drunk tonight."

"No, no!" cried Mrs. Durgin, pleadingly, "I didn't mean you, William, but Peters and that set."

"I thought you couldn't mean me," said William, thrusting his hands into the pockets of his monkey-jacket, and sauntering off in the direction of the Stillwater hotel, where there was a choice company gathered, it being Saturday night, and the monthly meeting of the Union.

Mr. Slocum had wasted no time in organizing a shop for his experiment in ornamental carving. Five or six men, who had worked elsewhere at this branch, were turned over to the new department, with Stevens as foreman and Richard as designer. Very shortly Richard had as much as he could do to furnish the patterns required. These consisted mostly of scrolls, wreaths, and mortuary dove-wings for head-stones. Fortunately for Richard he had no genius, but plenty of a kind of talent just abreast with Mr. Slocum's purpose. As the carvers became interested in their work, they began to show Richard the respect and good-will which at first had been withheld, for they had not quite liked being under the supervision of one who had not served at the trade. His youth had also told against him; but Richard's pleasant, off-hand manner quickly won them. He had come in contact with rough men on shipboard; he had studied their ways, and he knew that with all their roughness there is no class so sensitive. This insight was of great service to him. Stevens, who had perhaps been the least disposed to accept Richard, was soon his warm ally.

"See what a smooth fist the lad has!" he said one day holding up a new drawing to the shop. "A man with a wreath of them acorns on his head-stone oughter be perfectly happy, damn him!"

It was, however, an anchor with a broken chain pendent–a design for a monument to the late Captain Septimius Salter, who had parted his cable at sea–which settled Richard's status with Stevens.

"Boys, that Shackford is what I call a born genei."

After all, is not the one-eyed man who is king among the blind the most fortunate of monarchs? Your little talent in a provincial village looms a great deal taller than your mighty genius in a city. Richard Shackford working for Rowland Slocum at Stillwater was happier than Michaelangelo in Rome with Pope Julius II. at his back. And Richard was the better paid, too!

One day he picked up a useful hint from a celebrated sculptor, who had come to the village in search of marble for the base of a soldiers' monument. Richard was laboriously copying a spray of fern, the delicacy of which eluded his pencil. The sculptor stood a moment silently observing him.

"Why do you spend an hour doing only passably well what you could do perfectly in ten minutes?"

"I suppose it is because I am stupid, sir," said Richard.

"No stupid man ever suspected himself of being anything but clever. You can draw capitally; but nature beats you out and out at designing ferns. Just ask her to make you a fac-simile in plaster, and see how handily she will lend herself to the job. Of course you must help her a little."

"Oh, I am not above giving nature a lift," said Richard modestly.

"Lay a cloth on your table, place the fern on the cloth, and pour a thin paste of plaster of Paris over the leaf,–do that gently, so as not to disarrange the spray. When the plaster is set, there's your mold; remove the leave, oil the matrix, and pour in fresh plaster. When that is set, cut away the mold carefully, and there's your spray of fern, as graceful and perfect as if nature had done it all by herself. You get the very texture of the leaf by this process."

After that, Richard made casts instead of drawings for the carvers, and fancied he was doing a new thing, until he visited some marble-works in the great city.

At this period, whatever change subsequently took place in his feeling, Richard was desirous of establishing friendly relations with his cousin. The young fellow's sense of kinship was singularly strong, and it was only after several repulses at the door of the Shackford house and on the street that he relinquished the hope of placating the sour old man. At times Richard was moved almost to pity him. Every day Mr. Shackford seemed to grow shabbier and more spectral. He was a grotesque figure now, in his napless hat and broken-down stock. The metal button-holes on his ancient waistcoat had worn their way through the satin coverings, leaving here and there a sparse fringe around the edges, and somehow suggesting little bald heads. Looking at him, you felt that the inner man was as threadbare and dilapidated as his outside; but in his lonely old age he asked for no human sympathy or companionship, and, in fact, stood in no need of either. With one devouring passion he set the world at defiance. He loved his gold,–the metal itself, the weight an color and touch of it. In his bedroom on the ground-floor Mr. Shackford kept a small iron-clamped box filled to the lid with bright yellow coins. Often, at the dead of night, with door bolted and curtain down, he would spread out the glittering pieces on the table, and bend over them with an amorous glow in his faded eyes. These were his blond mistresses; he took a fearful joy in listening to their rustling, muffle laughter as he drew them towards him with eager hands. If at that instant a blind chanced to slam, or a footfall to echo in the lonely court, then the withered old sultan would hurry his slaves back into their iron-bound seraglio, and extinguish the light. It would have been a wasted tenderness to pity him. He was very happy in his own way, that Lemuel Shackford.

IX

Towards the close of his second year with Mr. Slocum, Richard was assigned a work-room by himself, and relieved of his accountant's duties. His undivided energies were demanded by the carving department, which had proved a lucrative success.

The rear of the lot on which Mr. Slocum's house stood was shut off from the marble yard by a high brick wall pierced with a private door for Mr. Slocum's convenience. Over the kitchen in the extension, which reached within a few feet of the wall, was a disused chamber, approachable on the outside by a flight of steps leading to a veranda. To this room Richard and his traps were removed. With a round table standing in the center, with the plaster models arranged on shelves and sketches in pencil and crayon tacked against the whitewashed walls, the apartment was transformed into a delightful atelier. An open fire-place, with a brace of antiquated iron-dogs straddling the red brick hearth, gave the finishing touch. The occupant was in easy communication with the yard, from which the busy din of clinking chisels came musically to his ear, and was still beyond the reach of unnecessary interruption. Richard saw clearly all the advantages of this transfer, but he was far form having any intimation that he had made the most important move of his life.

The room had two doors: one opened on the veranda, and the other into a narrow hall connecting the extension with the main building. Frequently, that first week after taking possession, Richard detected the sweep of a broom and the rustle of drapery in this passage-way, the sound sometimes hushing itself quite close to the door, as if some one had paused a moment just outside. He wondered whether it was the servant-maid or Margaret Slocum, whom he knew very well by sight. It was, in fact, Margaret, who was dying with the curiosity of fourteen to peep into the studio, so carefully locked whenever the young man left it,–dying with curiosity to see the workshop, and standing in rather great awe of the workman.

In the home circle her father had a habit of speaking with deep respect of young Shackford's ability, and once she had seen him at their table,–at a Thanksgiving. On this occasion Richard had appalled her by the solemnity of his shyness,–poor Richard, who was so unused to the amenities of a handsomely served dinner, that the chill which came over him cooled the Thanksgiving turkey on his palate.

When it had been decided that he was to have the spare room for his workshop, Margaret, with womanly officiousness, had swept it and dusted it and demolished the cobwebs; but since then she had not been able to obtain so much as a glimpse of the interior. A ten minutes' sweeping had sufficed for the chamber, but the passage-way seemed in quite an irreclaimable state, judging by the number of times it was necessary to sweep it in the course of a few days. Now Margaret was not an unusual mixture of timidity and daring; so one morning, about a week after Richard was settled, she walked with quaking heart up to the door of the studio, and knocked as bold as brass.

Richard opened the door, and smiled pleasantly at Margaret standing on the threshold with an expression of demure defiance in her face. Did Mr. Shackford want anything more in the way of pans and pails for his plaster? No, Mr. Shackford had everything he required of the kind. But would not Miss Margaret walk in? Yes, she would step in for a moment, but with a good deal of indifference, though, giving an air of chance to her settled determination to examine that room from top to bottom.

Richard showed her his drawings and casts, and enlightened her on all the simple mysteries of the craft. Margaret, of whom he was a trifle afraid at first, amused him with her candor and sedateness, seeming now a mere child, and now an elderly person gravely inspecting matters. The frankness and simplicity were hers by nature, and the oldish ways–notably her self-possession, so quick to assert itself after an instant's forgetfulness–came perhaps of losing her mother in early childhood, and the premature duties which that misfortune entailed. She amused him, for she was only fourteen; but she impressed him also, for she was Mr. Slocum's daughter. Yet it was not her lightness, but her gravity, that made Richard smile to himself.

"I am not interrupting you?" she asked presently.

"Not in the least," said Richard. "I am waiting for these molds to harden. I cannot do anything until then."

"Papa says you are very clever," remarked Margaret, turning her wide black eyes full upon him. "Are you?"

"Far from it," replied Richard, laughing to veil his confusion, "but I am glad your father thinks so."

"You should not be glad to have him think so," returned Margaret reprovingly, "if you are not clever. I suppose you are, though. Tell the truth, now."

"It is not fair to force a fellow into praising himself."

"You are trying to creep out!"

"Well, then, there are many cleverer persons than I in the world, and a few not so clever."

"That won't do," said Margaret positively.

"I don't understand what you mean by cleverness, Miss Margaret. There are a great many kinds and degrees. I can make fairly honest patterns for the men to work by; but I am not an artist, if you mean that."

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