Synthesis of Architectural Form. From Meaning to Concept

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Примечания

1

State Budget-Funded Cultural Institution of Moscow "The Losev House – Scientific Library and Memorial Museum"

2

Dubai Expo 2021.

3

See the works of S. O. Khan–Magomedov: "Architecture of the Soviet Avant-Garde", Book 1 [23]; volume "Rationalism" from the trilogy devoted to the main trends of the Soviet architectural and artistic avant–garde [25].

4

About the heterogeneity of the world's space: "Coordinated separation in space will obviously require 1. the heterogeneity of space itself and 2. a certain system of these heterogeneous spaces. So, the synthesis of infinity and finiteness of world space is the figurativeness of this space." [3, 253]

5

"Newton's mechanics is based on the hypothesis of homogeneous and infinite space. The world has no boundaries, i.e. it has no form. For me, this means that it is formless. The world is absolutely homogeneous space. For me, this means that he is absolutely flat, inexpressive, and unpresentable. Such a world exudes incredible boredom." [3, 67]

6

"In classical art (from Antiquity to the 20th century), we can generally trace the dialectic of the beautiful and the ugly, the creation of harmony based on the dynamic unity of dissonances, and only from the second part of the 19th century and especially in the 20th century, from the avant-garde art, the weight of the ugly increases, and it transforms into a new aesthetic quality. Adorno sees the reasons for this in the thoughtless development of technology based on violence against nature and man. The "lack of freedom" of a new level – dependence on technology – is one of the main reasons for the triumph of the ugly in twentieth-century art. Relishing anatomical abominations, physical deformity, disgusting and absurd relationships between people (theater of the absurd, etc.) is the evidence of the impotence of the "law of form" in the face of ugly reality, but also an internal protest against it" [55, 69]. A.F. Losev's words about "the machine and machinism" are also in tune with this idea [3, 334-335].

7

See Guggenheim Virtual Museum Project, New York, USA, 1999-2002 [39, 289]

8

See [45, 81,85]. See also Parametricist Manifesto by P. Schumacher [68].

9

"Man is a verbal animated being" [13].