Kenelm Chillingly never swore, never raged. Where ruder beings of human mould swore or raged, he vented displeasure in an expression of countenance so pathetically melancholic and lugubrious that it would have melted the heart of an Hyrcanian tiger. He turned his countenance now on the boy, and murmuring "Cauliflower!—Starvation!" sank into one of the cane-bottomed chairs, and added quietly, "so much for human gratitude."

The boy was evidently smitten to the heart by the bitter sweetness of this reproach. There were almost tears in his Voice, as he said falteringly, "Pray forgive me, I /was/ ungrateful. I'll run down and see what there is;" and, suiting the action to the word, he disappeared.

Kenelm remained motionless; in fact he was plunged into one of those reveries, or rather absorptions of inward and spiritual being, into which it is said that the consciousness of the Indian dervish can be by prolonged fasting preternaturally resolved. The appetite of all men of powerful muscular development is of a nature far exceeding the properties of any reasonable number of cauliflowers and rice-puddings to satisfy. Witness Hercules himself, whose cravings for substantial nourishment were the standing joke of the classic poets. I don't know that Kenelm Chillingly would have beaten the Theban Hercules either in fighting or in eating; but, when he wanted to fight or when he wanted to eat, Hercules would have had to put forth all his strength not to be beaten.

After ten minutes' absence, the boy came back radiant. He tapped Kenelm on the shoulder, and said playfully, "I made them cut a whole loin into chops, besides the cauliflower; and such a big rice-pudding, and eggs and bacon too! Cheer up! it will be served in a minute."

"A-h!" said Kenelm.

"They are good people; they did not mean to stint you: but most of their customers, it seems, live upon vegetables and farinaceous food. There is a society here formed upon that principle; the landlady says they are philosophers!"

At the word "philosophers" Kenelm's crest rose as that of a practised hunter at the cry of "Yoiks! Tally-ho!" "Philosophers!" said he, "philosophers indeed! O ignoramuses, who do not even know the structure of the human tooth! Look you, little boy, if nothing were left on this earth of the present race of man, as we are assured upon great authority will be the case one of these days,—and a mighty good riddance it will be,—if nothing, I say, of man were left except fossils of his teeth and his thumbs, a philosopher of that superior race which will succeed to man would at once see in those relics all his characteristics and all his history; would say, comparing his thumb with the talons of an eagle, the claws of a tiger, the hoof of a horse, the owner of that thumb must have been lord over creatures with talons and claws and hoofs. You may say the monkey tribe has thumbs. True; but compare an ape's thumb with a man's: could the biggest ape's thumb have built Westminster Abbey? But even thumbs are trivial evidence of man as compared with his teeth. Look at his teeth!"—here Kenelm expanded his jaws from ear to ear and displayed semicircles of ivory, so perfect for the purposes of mastication that the most artistic dentist might have despaired of his power to imitate them,—"look, I say, at his teeth!" The boy involuntarily recoiled. "Are the teeth those of a miserable cauliflower-eater? or is it purely by farinaceous food that the proprietor of teeth like man's obtains the rank of the sovereign destroyer of creation? No, little boy, no," continued Kenelm, closing his jaws, but advancing upon the infant, who at each stride receded towards the aquarium,—"no; man is the master of the world, because of all created beings he devours the greatest variety and the greatest number of created things. His teeth evince that man can live upon every soil from the torrid to the frozen zone, because man can eat everything that other creatures cannot eat. And the formation of his teeth proves it. A tiger can eat a deer; so can man: but a tiger can't eat an eel; man can. An elephant can eat cauliflowers and rice-pudding; so can man! but an elephant can't eat a beefsteak; man can. In sum, man can live everywhere, because he can eat anything, thanks to his dental formation!" concluded Kenelm, making a prodigious stride towards the boy. "Man, when everything else fails him, eats his own species."

"Don't; you frighten me," said the boy. "Aha!" clapping his hands with a sensation of gleeful relief, "here come the mutton-chops!"

A wonderfully clean, well-washed, indeed well-washed-out, middle-aged parlour-maid now appeared, dish in hand. Putting the dish on the table and taking off the cover, the handmaiden said civilly, though frigidly, like one who lived upon salad and cold water, "Mistress is sorry to have kept you waiting, but she thought you were Vegetarians."

After helping his young friend to a mutton-chop, Kenelm helped himself, and replied gravely, "Tell your mistress that if she had only given us vegetables, I should have eaten you. Tell her that though man is partially graminivorous, he is principally carnivorous. Tell her that though a swine eats cabbages and such like, yet where a swine can get a baby, it eats the baby. Tell her," continued Kenelm (now at his third chop), "that there is no animal that in digestive organs more resembles man than a swine. Ask her if there is any baby in the house; if so, it would be safe for the baby to send up some more chops."

As the acutest observer could rarely be quite sure when Kenelm Chillingly was in jest or in earnest, the parlour-maid paused a moment and attempted a pale smile. Kenelm lifted his dark eyes, unspeakably sad and profound, and said mournfully, "I should be so sorry for the baby. Bring the chops!" The parlour-maid vanished. The boy laid down his knife and fork, and looked fixedly and inquisitively on Kenelm. Kenelm, unheeding the look, placed the last chop on the boy's plate.

"No more," cried the boy, impulsively, and returned the chop to the dish. "I have dined: I have had enough."

"Little boy, you lie," said Kenelm; "you have not had enough to keep body and soul together. Eat that chop or I shall thrash you: whatever I say I do."

Somehow or other the boy felt quelled; he ate the chop in silence, again looked at Kenelm's face, and said to himself, "I am afraid."

The parlour-maid here entered with a fresh supply of chops and a dish of bacon and eggs, soon followed by a rice-pudding baked in a tin dish, and of size sufficient to have nourished a charity school. When the repast was finished, Kenelm seemed to forget the dangerous properties of the carnivorous animal; and stretching himself indolently out, appeared to be as innocently ruminative as the most domestic of animals graminivorous.

Then said the boy, rather timidly, "May I ask you another favour?"

"Is it to knock down another uncle, or to steal another gig and cob?"

"No, it is very simple: it is merely to find out the address of a friend here; and when found to give him a note from me."

"Does the commission press? 'After dinner, rest a while,' saith the proverb; and proverbs are so wise that no one can guess the author of them. They are supposed to be fragments of the philosophy of the antediluvians: came to us packed up in the ark."

"Really, indeed," said the boy, seriously. "How interesting! No, my commission does not press for an hour or so. Do you think, sir, they had any drama before the Deluge?"

"Drama! not a doubt of it. Men who lived one or two thousand years had time to invent and improve everything; and a play could have had its natural length then. It would not have been necessary to crowd the whole history of Macbeth, from his youth to his old age, into an absurd epitome of three hours. One cannot trace a touch of real human nature in any actor's delineation of that very interesting Scotchman, because the actor always comes on the stage as if he were the same age when he murdered Duncan, and when, in his sear and yellow leaf, he was lopped off by Macduff."

"Do you think Macbeth was young when he murdered Duncan?"

"Certainly. No man ever commits a first crime of violent nature, such as murder, after thirty; if he begins before, he may go on up to any age. But youth is the season for commencing those wrong calculations which belong to irrational hope and the sense of physical power. You thus read in the newspapers that the persons who murder their sweethearts are generally from two to six and twenty; and persons who murder from other motives than love—that is, from revenge, avarice, or ambition—are generally about twenty-eight,—Iago's age. Twenty-eight is the usual close of the active season for getting rid of one's fellow-creatures; a prize-fighter falls off after that age. I take it that Macbeth was about twenty-eight when he murdered Duncan, and from about fifty-four to sixty when he began to whine about missing the comforts of old age. But can any audience understand that difference of years in seeing a three-hours' play? or does any actor ever pretend to impress it on the audience, and appear as twenty-eight in the first act and a sexagenarian in the fifth?"

"I never thought of that," said the boy, evidently interested. "But I never saw 'Macbeth.' I have seen 'Richard III.:' is not that nice? Don't you dote on the play? I do. What a glorious life an actor's must be!"

Kenelm, who had been hitherto rather talking to himself than to his youthful companion, here roused his attention, looked on the boy intently, and said,—

"I see you are stage-stricken. You have run away from home in order to turn player, and I should not wonder if this note you want me to give is for the manager of the theatre or one of his company."

The young face that encountered Kenelm's dark eye became very flushed, but set and defiant in its expression.

"And what if it were? would not you give it?"

"What! help a child of your age run away from his home, to go upon the stage against the consent of his relations? Certainly not."

"I am not a child; but that has nothing to do with it. I don't want to go on the stage, at all events without the consent of the person who has a right to dictate my actions. My note is not to the manager of the theatre, nor to one of his company; but it is to a gentleman who condescends to act here for a few nights; a thorough gentleman,—a great actor,—my friend, the only friend I have in the world. I say frankly I have run away from home so that he may have that note, and if you will not give it some one else will!"

The boy had risen while he spoke, and he stood erect beside the recumbent Kenelm, his lips quivering, his eyes suffused with suppressed tears, but his whole aspect resolute and determined. Evidently, if he did not get his own way in this world, it would not be for want of will.

"I will take your note," said Kenelm.

"There it is; give it into the hands of the person it is addressed to,—Mr. Herbert Compton."

CHAPTER IV

KENELM took his way to the theatre, and inquired of the door-keeper for Mr. Herbert Compton. That functionary replied, "Mr. Compton does not act to-night, and is not in the house."

"Where does he lodge?"

The door-keeper pointed to a grocer's shop on the other side of the way, and said tersely, "There, private door; knock and ring."

Kenelm did as he was directed. A slatternly maid-servant opened the door, and, in answer to his interrogatory, said that Mr. Compton was at home, but at supper.

"I am sorry to disturb him," said Kenelm, raising his voice, for he heard a clatter of knives and plates within a room hard by at his left, "but my business requires to see him forthwith;" and, pushing the maid aside, he entered at once the adjoining banquet-hall.

Before a savoury stew smelling strongly of onions sat a man very much at his ease, without coat or neckcloth,—a decidedly handsome man, his hair cut short and his face closely shaven, as befits an actor who has wigs and beards of all hues and forms at his command. The man was not alone; opposite to him sat a lady, who might be a few years younger, of a somewhat faded complexion, but still pretty, with good stage features and a profusion of blond ringlets.

"Mr. Compton, I presume," said Kenelm, with a solemn bow.

"My name is Compton: any message from the theatre? or what do you want with me?"

"I—nothing!" replied Kenelm; and then deepening his naturally mournful voice into tones ominous and tragic, continued, "By whom you are wanted let this explain;" therewith he placed in Mr. Compton's hand the letter with which he was charged, and stretching his arms and interlacing his fingers in the /pose/ of Talma as Julius Caesar, added, "'Qu'en dis-tu, Brute?'"

Whether it was from the sombre aspect and awe-inspiring delivery of the messenger, or the sight of the handwriting on the address of the missive, Mr. Compton's countenance suddenly fell, and his hand rested irresolute, as if not daring to open the letter.

"Never mind me, dear," said the lady with blond ringlets, in a tone of stinging affability: "read your /billet-doux/; don't keep the young man waiting, love!"

"Nonsense, Matilda, nonsense! /billet-doux/ indeed! more likely a bill from Duke the tailor. Excuse me for a moment, my dear. Follow me, sir," and rising, still with shirtsleeves uncovered, he quitted the room, closing the door after him, motioned Kenelm into a small parlour on the opposite side of the passage, and by the light of a suspended gas-lamp ran his eye hastily over the letter, which, though it seemed very short, drew from him sundry exclamations. "Good heavens, how very absurd! what's to be done?" Then, thrusting the letter into his trousers-pocket, he fixed upon Kenelm a very brilliant pair of dark eyes, which soon dropped before the steadfast look of that saturnine adventurer.

"Are you in the confidence of the writer of this letter?" asked Mr.

Compton, rather confusedly.

"I am not the confidant of the writer," answered Kenelm, "but for the time being I am the protector!"

"Protector!"

"Protector."

Mr. Compton again eyed the messenger, and this time fully realizing the gladiatorial development of that dark stranger's physical form, he grew many shades paler, and involuntarily retreated towards the bell-pull.

After a short pause, he said, "I am requested to call on the writer. If I do so, may I understand that the interview will be strictly private?"

"So far as I am concerned, yes: on the condition that no attempt be made to withdraw the writer from the house."

"Certainly not, certainly not; quite the contrary," exclaimed Mr.

Compton, with genuine animation. "Say I will call in half an hour."

"I will give your message," said Kenelm, with a polite inclination of his head; "and pray pardon me if I remind you that I styled myself the protector of your correspondent, and if the slightest advantage be taken of that correspondent's youth and inexperience or the smallest encouragement be given to plans of abduction from home and friends, the stage will lose an ornament and Herbert Compton vanish from the scene." With these words Kenelm left the player standing aghast. Gaining the street-door, a lad with a band-box ran against him and was nearly upset.

"Stupid," cried the lad, "can't you see where you are going? Give this to Mrs. Compton."

"I should deserve the title you give if I did for nothing the business for which you are paid," replied Kenelm, sententiously, and striding on.

CHAPTER V

"I HAVE fulfilled my mission," said Kenelm, on rejoining his travelling companion. "Mr. Compton said he would be here in half an hour."

"You saw him?"

"Of course: I promised to give your letter into his own hands."

"Was he alone?"

"No; at supper with his wife."

"His wife! what do you mean, sir?—wife! he has no wife."

"Appearances are deceitful. At least he was with a lady who called him 'dear' and 'love' in as spiteful a tone of voice as if she had been his wife; and as I was coming out of his street-door a lad who ran against me asked me to give a band-box to Mrs. Compton."

The boy turned as white as death, staggered back a few steps, and dropped into a chair.

A suspicion which during his absence had suggested itself to Kenelm's inquiring mind now took strong confirmation. He approached softly, drew a chair close to the companion whom fate had forced upon him, and said in a gentle whisper,—

"This is no boy's agitation. If you have been deceived or misled, and I can in any way advise or aid you, count on me as women under the circumstances count on men and gentlemen."

The boy started to his feet, and paced the room with disordered steps, and a countenance working with passions which he attempted vainly to suppress. Suddenly arresting his steps, he seized Kenelm's hand, pressed it convulsively, and said, in a voice struggling against a sob,—

"I thank you,—I bless you. Leave me now: I would be alone. Alone, too, I must face this man. There may be some mistake yet; go."

"You will promise not to leave the house till I return?"

"Yes, I promise that."

"And if it be as I fear, you will then let me counsel with and advise you?"

"Heaven help me, if so! Whom else should I trust to? Go, go!"

Kenelm once more found himself in the streets, beneath the mingled light of gas-lamps and the midsummer moon. He walked on mechanically till he reached the extremity of the town. There he halted, and seating himself on a milestone, indulged in these meditations:—

"Kenelm, my friend, you are in a still worse scrape than I thought you were an hour ago. You have evidently now got a woman on your hands. What on earth are you to do with her? A runaway woman, who, meaning to run off with somebody else—such are the crosses and contradictions in human destiny—has run off with you instead. What mortal can hope to be safe? The last thing I thought could befall me when I got up this morning was that I should have any trouble about the other sex before the day was over. If I were of an amatory temperament, the Fates might have some justification for leading me into this snare, but, as it is, those meddling old maids have none. Kenelm, my friend, do you think you ever can be in love? and, if you were in love, do you think you could be a greater fool than you are now?"

Kenelm had not decided this knotty question in the conference held with himself, when a light and soft strain of music came upon his ear. It was but from a stringed instrument, and might have sounded thin and tinkling but for the stillness of the night, and that peculiar addition of fulness which music acquires when it is borne along a tranquil air. Presently a voice in song was heard from the distance accompanying the instrument. It was a man's voice, a mellow and a rich voice, but Kenelm's ear could not catch the words. Mechanically he moved on towards the quarter from which the sounds came, for Kenelm Chillingly had music in his soul, though he was not quite aware of it himself. He saw before him a patch of greensward, on which grew a solitary elm with a seat for wayfarers beneath it. From this sward the ground receded in a wide semicircle bordered partly by shops, partly by the tea-gardens of a pretty cottage-like tavern. Round the tables scattered throughout the gardens were grouped quiet customers, evidently belonging to the class of small tradespeople or superior artisans. They had an appearance of decorous respectability, and were listening intently to the music. So were many persons at the shop-doors and at the windows of upper rooms. On the sward, a little in advance of the tree, but beneath its shadow, stood the musician, and in that musician Kenelm recognized the wanderer from whose talk he had conceived the idea of the pedestrian excursion which had already brought him into a very awkward position. The instrument on which the singer accompanied himself was a guitar, and his song was evidently a love-song, though, as it was now drawing near to its close, Kenelm could but imperfectly guess at its general meaning. He heard enough to perceive that its words were at least free from the vulgarity which generally characterizes street ballads, and were yet simple enough to please a very homely audience.

When the singer ended there was no applause; but there was evident sensation among the audience,—a feeling as if something that had given a common enjoyment had ceased. Presently the white Pomeranian dog, who had hitherto kept himself out of sight under the seat of the elm-tree, advanced, with a small metal tray between his teeth, and, after looking round him deliberately, as if to select whom of the audience should be honoured with the commencement of a general subscription, gravely approached Kenelm, stood on his hind legs, stared at him, and presented the tray.

Kenelm dropped a shilling into that depository, and the dog, looking gratified, took his way towards the tea-gardens. Lifting his hat, for he was, in his way, a very polite man, Kenelm approached the singer, and, trusting to the alteration in his dress for not being recognized by a stranger who had only once before encountered him he said,—

"Judging by the little I heard, you sing very well, sir. May I ask who composed the words?"

"They are mine," replied the singer.

"And the air?"

"Mine too."

"Accept my compliments. I hope you find these manifestations of genius lucrative?"

The singer, who had not hitherto vouchsafed more than a careless glance at the rustic garb of the questioner, now fixed his eyes full upon Kenelm, and said, with a smile, "Your voice betrays you, sir. We have met before."

"True; but I did not then notice your guitar, nor, though acquainted with your poetical gifts, suppose that you selected this primitive method of making them publicly known."

"Nor did I anticipate the pleasure of meeting you again in the character of Hobnail. Hist! let us keep each other's secret. I am known hereabouts by no other designation than that of the 'Wandering Minstrel.'"

"It is in the capacity of minstrel that I address you. If it be not an impertinent question, do you know any songs which take the other side of the case?"

"What case? I don't understand you, sir."

"The song I heard seemed in praise of that sham called love. Don't you think you could say something more new and more true, treating that aberration from reason with the contempt it deserves?"

"Not if I am to get my travelling expenses paid."

"What! the folly is so popular?"

"Does not your own heart tell you so?"

"Not a bit of it,—rather the contrary. Your audience at present seem folks who live by work, and can have little time for such idle phantasies; for, as it is well observed by Ovid, a poet who wrote much on that subject, and professed the most intimate acquaintance with it, 'Idleness is the parent of love.' Can't you sing something in praise of a good dinner? Everybody who works hard has an appetite for food."

The singer again fixed on Kenelm his inquiring eye, but not detecting a vestige of humour in the grave face he contemplated, was rather puzzled how to reply, and therefore remained silent.

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