Critical and Historical Essays. Volume 2

The event was such as might have been foreseen. Congreve’s answer was a complete failure. He was angry, obscure, and dull. Even the Green Room and Will’s Coffee-House were compelled to acknowledge that in wit, as well as in argument, the parson had a decided advantage over the poet. Not only was Congreve unable to make any show of a case where he was in the wrong; but he succeeded in putting himself completely in the wrong where he was in the right. Collier had taxed him with profaneness for calling a clergyman Mr. Prig, and for introducing a coachman named Jehu, in allusion to the King of Israel, who was known at a distance by his furious driving. Had there been nothing worse in the Old Bachelor and Double Dealer, Congreve might pass for as pure a writer as Cowper himself, who, in poems revised by so austere a censor as John Newton, calls a fox-hunting squire Nimrod, and gives to a chaplain the disrespectful name of Smug. Congreve might with good effect have appealed to the public whether it might not be fairly presumed that, when such frivolous charges were made, there were no very serious charges to make. Instead of doing this, he pretended that he meant no allusion to the Bible by the name of Jehu, and no reflection by the name of Prig. Strange, that a man of such parts should, in order to defend himself against imputations which nobody could regard as important, tell untruths which it was certain that nobody would believe!

One of the pleas which Congreve set up for himself and his brethren was that, though they might be guilty of a little levity here and there, they were careful to inculcate a moral, packed close into two or three lines, at the end of every play. Had the fact been as he stated it, the defence would be worth very little. For no man acquainted with human nature could think that a sententious couplet would undo all the mischief that five profligate acts had done. But it would have been wise in Congreve to have looked again at his own comedies before he used this argument. Collier did so; and found that the moral of the Old Bachelor, the grave apophthegm which is to be a set-off against all the libertinism of the piece is contained in the following triplet:

“What rugged ways attend the noon of life!Our sun declines, and with what anxious strife,What pain, we tug that galling load—a wife.”

“Love for Love,” says Collier, “may have a somewhat better farewell, but it would do a man little service should he remember it to his dying day”:

“The miracle to-day is, that we findA lover true, not that a woman’s kind.”

Collier’s reply was severe and triumphant. One of his repartees we will quote, not as a favourable specimen of his manner, but because it was called forth by Congreve’s characteristic affectation. The poet spoke of the Old Bachelor as a trifle to which he attached no value, and which had become public by a sort of accident, “I wrote it,” he said, “to amuse myself in a slow recovery from a fit of sickness.” “What his disease was,” replied Collier, “I am not to inquire, but it must be a very ill one to be worse than the remedy.”

All that Congreve gained by coming forward on this occasion, was that he completely deprived himself of the excuse which he might with justice have pleaded for his early offences. “Why,” asked Collier, “should the man laugh at the mischief of the boy, and make the disorders of his nonage his own, by an after approbation?”

Congreve was not Collier’s only opponent. Vanbrugh, Dennis, and Settle took the field. And from a passage in a contemporary satire, we are inclined to think that among the answers to the Short View was one written, or supposed to be written, by Wycherley. The victory remained with Collier. A great and rapid reform in almost all the departments of our lighter literature was the effect of his labours. A new race of wits and poets arose, who generally treated with reverence the great ties which bind society together, and whose very indecencies were decent when compared with those of the school which flourished during the last forty years of the seventeenth century.

This controversy probably prevented Congreve from fulfilling the engagements into which he had entered with the actors. It was not till 1700 that he produced the Way of the World, the most deeply meditated and the most brilliantly written of all his works. It wants, perhaps, the constant movement, the effervescence of animal spirits, which we find in love for Love. But the hysterical rants of Lady Wishfort, the meeting of Witwould and his brother, the country knight’s courtship and his subsequent revel, and, above all, the chase and surrender of Millamant, are superior to anything that is to be found in the whole range of English comedy from the civil war downwards. It is quite inexplicable to us that this play should have failed on the stage. Yet so it was; and the author, already sore with the wounds which Collier had inflicted, was galled past endurance by this new stroke. He resolved never again to expose himself to the rudeness of a tasteless audience, and took leave of the theatre for ever.

He lived twenty-eight years longer, without adding to the high literary reputation which he had attained. He read much while he retained his eyesight, and now and then wrote a short essay, or put an idle tale into verse; but he appears never to have planned any considerable work. The miscellaneous pieces which he published in 1710 are of little value, and have long been forgotten.

The stock of fame which he had acquired by his comedies was sufficient, assisted by the graces of his manner and conversation, to secure for him a high place in the estimation of the world. During the winter, he lived among the most distinguished and agreeable people in London. His summers were passed at the splendid country-seats of ministers and peers. Literary envy and political faction, which in that age respected nothing else, respected his repose. He professed to be one of the party of which his patron Montagu, now Lord Halifax, was the head. But he had civil words and small good offices for men of every shade of opinion. And men of every shade of opinion spoke well of him in return.

His means were for a long time scanty. The place which he had in possession barely enabled him to live with comfort. And, when the Tories came into power, some thought that he would lose even this moderate provision. But Harley, who was by no means disposed to adopt the exterminating policy of the October club, and who, with all his faults of understanding and temper, had a sincere kindness for men of genius, reassured the anxious poet by quoting very gracefully and happily the lines of Virgil,

“Non obtusa adeo gestamus pectora Poeni,Nec tam aversus equos Tyria Sol jungit ab urbe.”

The indulgence with which Congreve was treated by the Tories was not purchased by any concession on his part which could justly offend the Whigs. It was his rare good fortune to share the triumph of his friends without having shared their proscription. When the House of Hanover came to the throne, he partook largely of the prosperity of those with whom he was connected. The reversion to which he had been nominated twenty years before fell in. He was made secretary to the island of Jamaica; and his whole income amounted to twelve hundred a year, a fortune which, for a single man, was in that age not only easy but splendid. He continued, however, to practise the frugality which he had learned when he could scarce spare, as Swift tells us, a shilling to pay the chairman who carried him to Lord Halifax’s. Though he had nobody to save for, he laid up at least as much as he spent.

The infirmities of age came early upon him. His habits had been intemperate; he suffered much from gout; and, when confined to his chamber, he had no longer the solace of literature. Blindness, the most cruel misfortune that can befall the lonely student, made his books useless to him. He was thrown on society for all his amusement; and in society his good breeding and vivacity made him always welcome.

By the rising men of letters he was considered not as a rival, but as a classic. He had left their arena; he never measured his strength with them; and he was always loud in applause of their exertions. They could, therefore, entertain no jealousy of him and thought no more of detracting from his fame than of carping at the great men who had been lying a hundred years in Poets’ Corner. Even the inmates of Grub Street, even the heroes of the Dunciad, were for once just to living merit. There can be no stronger illustration of the estimation in which Congreve was held than the fact that the English Iliad, a work which appeared with more splendid auspices than any other in our language, was dedicated to him. There was not a duke in the kingdom who would not have been proud of such a compliment. Dr. Johnson expresses great admiration for the independence of spirit which Pope showed on this occasion. “He passed over peers and statesmen to inscribe his Iliad to Congreve, with a magnanimity of which the praise had been complete, had his friend’s virtue been equal to his wit. Why he was chosen for so great an honour, it is not now possible to know.” It is certainly impossible to know; yet we think it is possible to guess. The translation of the Iliad had been zealously befriended by men of all political opinions. The poet who, at an early age, had been raised to affluence by the emulous liberality of Whigs and Tories, could not with propriety inscribe to a chief of either party a work which had been munificently patronised by both. It was necessary to find some person who was at once eminent and neutral. It was therefore necessary to pass over peers and statesmen. Congreve had a high name in letters. He had a high name in aristocratic circles. He lived on terms of civility with men of all parties. By a courtesy paid to him, neither the Ministers nor the leaders of the Opposition could be offended.

The singular affectation which had from the first been characteristic of Congreve grew stronger and stronger as he advanced in life. At last it became disagreeable to him to hear his own comedies praised. Voltaire, whose soul was burned up by the raging desire for literary renown, was half puzzled and half disgusted by what he saw, during his visit to England, of this extraordinary whim. Congreve disclaimed the character of a poet, declared that his plays were trifles produced in an idle hour, and begged that Voltaire would consider him merely as a gentleman. “If you had been merely a gentleman,” said Voltaire, “I should not have come to see you.”

Congreve was not a man of warm affections. Domestic ties he had none; and in the temporary connections which he formed with a succession of beauties from the green-room his heart does not appear to have been interested. Of all his attachments that to Mrs. Bracegirdle lasted the longest and was the most celebrated. This charming actress, who was, during many years, the idol of all London, whose face caused the fatal broil in which Mountfort fell, and for which Lord Mohun was tried by the Peers, and to whom the Earl of Scarsdale was said to have made honourable addresses, had conducted herself, in very trying circumstances, with extraordinary discretion. Congreve at length became her confidential friend. They constantly rode out together and dined together. Some people said that she was his mistress, and others that she would soon be his wife. He was at last drawn away from her by the influence of a wealthier and haughtier beauty. Henrietta, daughter of the great Marlborough, and Countess of Godolphin, had, on her father’s death, succeeded to his dukedom, and to the greater part of his immense property. Her husband was an insignificant man, of whom Lord Chesterfield said that he came to the House of Peers only to sleep, and that he might as well sleep on the right as on the left of the woolsack. Between the Duchess and Congreve sprang up a most eccentric friendship. He had a seat every day at her table, and assisted in the direction of her concerts. That malignant old beldame, the Dowager Duchess Sarah, who had quarrelled with her daughter as she had quarrelled with every body else, affected to suspect that there was something wrong. But the world in general appears to have thought that a great lady might, without any imputation on her character, pay marked attention to a man of eminent genius who was near sixty years old, who was still older in appearance and in constitution, who was confined to his chair by gout, and who was unable to read from blindness.

In the summer of 1728, Congreve was ordered to try the Bath waters. During his excursion he was overturned in his chariot, and received some severe internal injury from which he never recovered. He came back to London in a dangerous state, complained constantly of a pain in his side, and continued to sink, till in the following January he expired.

He left ten thousand pounds, saved out of the emoluments of his lucrative places. Johnson says that this money ought to have gone to the Congreve family, which was then in great distress. Doctor Young and Mr. Leigh Hunt, two gentlemen who seldom agree with each other, but with whom, on this occasion, we are happy to agree, think that it ought to have gone to Mrs. Bracegirdle. Congreve bequeathed two hundred pounds to Mrs. Bracegirdle, and an equal sum to a certain Mrs. Jellat; but the bulk of his accumulations went to the Duchess of Marlborough, in whose immense wealth such a legacy was as a drop in the bucket. It might have raised the fallen fortunes of a Staffordshire squire; it might have enabled a retired actress to enjoy every comfort, and, in her sense, every luxury: but it was hardly sufficient to defray the Duchess’s establishment for three months.

The great lady buried her friend with a pomp seldom seen at the funerals of poets. The corpse lay in state under the ancient roof of the Jerusalem Chamber, and was interred in Westminster Abbey. The pall was borne by the Duke of Bridgewater, Lord Cobham, the Earl of Wilmington, who had been Speaker, and was afterwards First Lord of the Treasury, and other men of high consideration. Her Grace laid out her friend’s bequest in a superb diamond necklace, which she wore in honour of him, and, if report is to be believed, showed her regard in ways much more extraordinary. It is said that a statue of him in ivory, which moved by clockwork, was placed daily at her table, and that she had a wax doll made in imitation of him, and that the feet of the doll were regularly blistered and anointed by the doctors, as poor Congreve’s feet had been when he suffered from the gout. A monument was erected to the poet in Westminster Abbey, with an inscription written by the Duchess; and Lord Cobham, honoured him with a cenotaph, which seems to us, though that is a bold word, the ugliest and most absurd of the buildings at Stowe.

We have said that Wycherley was a worse Congreve. There was, indeed, a remarkable analogy between the writings and lives of these two men. Both were gentlemen liberally educated. Both led town lives, and knew human nature only as it appears between Hyde Park and the Tower. Both were men of wit. Neither had much imagination. Both at an early age produced lively and profligate comedies. Both retired from the field while still in early manhood, and owed to their youthful achievements in literature whatever consideration they enjoyed in later life. Both, after they had ceased to write for the stage, published volumes of miscellanies which did little credit either to their talents or to their morals. Both, during their declining years, hung loose upon society; and both, in their last moments, made eccentric and unjustifiable dispositions of their estates.

But in every point Congreve maintained his superiority to Wycherley. Wycherley had wit; but the wit of Congreve far outshines that of every comic writer, except Sheridan, who has within the last two centuries. Congreve had not, in, a large measure, the poetical faculty; but compared with Wycherley he might be called a great poet. Wycherley had some knowledge of books; but Congreve was a man of real learning. Congreve’s offences against decorum, though highly culpable, were not so gross as those of Wycherley; nor did Congreve, like Wycherley, exhibit to the world the deplorable spectacle of a licentious dotage. Congreve died in the enjoyment of high consideration; Wycherley forgotten or despised. Congreve’s will was absurd and capricious; but Wycherley’s last actions appear to have been prompted by obdurate malignity.

Here, at least for the present, we must stop. Vanbrugh and Farquhar are not men to be hastily dismissed, and we have not left ourselves space to do them justice.

THE LIFE AND WRITINGS OF ADDISON

(July 1843) The Life of Joseph Addison. BY LUCY AIKIN. 2 vols. 8vo. London: 1843.

SOME reviewers are of opinion that a lady who dares to publish a book renounces by that act the franchises appertaining to her sex, and can claim no exemption from the utmost rigour of critical procedure. From that opinion we dissent. We admit, indeed, that in a country which boasts of many female writers, eminently qualified by their talents and acquirements to influence the public mind, it would be of most pernicious consequence that inaccurate history or unsound philosophy should be suffered to pass uncensured, merely because the offender chanced to be a lady. But we conceive that, on such occasions, a critic would do well to imitate the courteous Knight who found himself compelled by duty to keep the lists against Bradamante. He, we are told, defended successfully the cause of which he was the champion; but, before the fight began, exchanged Balisarda for a less deadly sword, of which he carefully blunted the point and edge. [Orlando Furioso, xiv. 68.]

Nor are the immunities of sex the only immunities which Miss Aikin may rightfully plead. Several of her works, and especially the very pleasing Memoirs of the Reign of James the First have fully entitled her to the privileges enjoyed by good writers. One of those privileges we hold to be this, that such writers, when, either from the unlucky choice of a subject, or from the indolence too often produced by success, they happen to fail, shall not be subjected to the severe discipline which it is sometimes necessary to inflict upon dunces and impostors, but shall merely be reminded by a gentle touch, like that which the Laputan flapper roused his dreaming lord, that it is high time to wake.

Our readers will probably infer from what we have said that Miss Aikin’s book has disappointed us. The truth is, that she is not well acquainted with her subject. No person who is not familiar with the political and literary history of England during the reigns of William the Third, of Anne, and of George the First, can possibly write a good life of Addison.

Now, we mean no reproach to Miss Aikin, and many will think that we pay her a compliment, when we say that her studies have taken a different direction. She is better acquainted with Shakspeare and Raleigh, than with Congreve and Prior; and is far more at home among the ruffs and peaked beards of Theobalds than among the Steenkirks and flowing periwigs which surrounded Queen Anne’s tea-table at Hampton. She seems to have written about the Elizabethan age, because she had read much about it; she seems, on the other hand, to have read a little about the age of Addison, because she had determined to write about it. The consequence is that she has had to describe men and things without having either a correct or a vivid idea of them, and that she has often fallen into errors of a very serious kind. The reputation which Miss Aikin has justly earned stands so high, and the charm of Addison’s letters is so great, that a second edition of this work may probably be required. If so, we hope that every paragraph will be revised, and that every date and fact about which there can be the smallest doubt will be carefully verified.

To Addison himself we are bound by a sentiment as much like affection as any sentiment can be which is inspired by one who has been sleeping a hundred and twenty years in Westminster Abbey. We trust, however, that this feeling will not betray us into that abject idolatry which we have often had occasion to reprehend in others, and which seldom fails to make both the idolater and the idol ridiculous. A man of genius and virtue is but a man. All his powers cannot be equally developed; nor can we expect from him perfect self-knowledge. We need not, therefore, hesitate to admit that Addison has left us some compositions which do not rise above mediocrity, some heroic poems hardly equal to Parnell’s, some criticism as superficial as Dr. Blair’s, and a tragedy not very much better than Dr. Johnson’s. It is praise enough to say of a writer that, in a high department of literature, in which many eminent writers have distinguished themselves, he has had no equal; and this may with strict justice be said of Addison.

As a man, he may not have deserved the adoration which he received from those who, bewitched by his fascinating society, and indebted for all the comforts of life to his generous and delicate friendship, worshipped him nightly, in his favourite temple at Button’s. But, after full inquiry and impartial reflection, we have long been convinced that he deserved as much love and esteem as can be justly claimed by any of our infirm and erring race. Some blemishes may undoubtedly be detected in his character; but the more carefully it is examined, the more will it appear, to use the phrase of the old anatomists, sound in the noble parts, free from all taint of perfidy, of cowardice, of cruelty, of ingratitude, of envy. Men may easily be named, in whom some particular good disposition has been more conspicuous than in Addison. But the just harmony of qualities, the exact temper between the stern and the humane virtues, the habitual observance of every law, not only of moral rectitude, but of moral grace and dignity, distinguish him from all men who have been tried by equally strong temptations, and about whose conduct we possess equally full information.

His father was the Reverend Lancelot Addison, who, though eclipsed by his more celebrated son, made some figure in the world, and occupies with credit, two folio pages in the Biographia Britannica. Lancelot was sent up, as a poor scholar, from Westmoreland to Queen’s College, Oxford, in the time of the Commonwealth, made some progress in learning, became, like most of his fellow-students, a violent Royalist, lampooned the heads of the University, and was forced to ask pardon on his bended knees. When he had left college, he earned a humble subsistence by reading the liturgy of the fallen Church to the families of those sturdy squires whose manor-houses were scattered over the Wild of Sussex. After the Restoration, his loyalty was rewarded with the post of chaplain to the garrison of Dunkirk. When Dunkirk was sold to France, he lost his employment. But Tangier had been ceded by Portugal to England as part of the marriage portion of the Infanta Catherine; and to Tangier Lancelot Addison was sent. A more miserable situation can hardly be conceived. It was difficult to say whether the unfortunate settlers were more tormented by the heats or by the rains, by the soldiers within the wall or by the Moors without it. One advantage the chaplain had. He enjoyed an excellent opportunity of studying the history and manners of Jews and Mahometans and of this opportunity he appears to have made excellent use. On his return to England, after some years of banishment, he published an interesting volume on the Polity and Religion of Barbary, and another on the Hebrew Customs and the State of Rabbinical Learning. He rose to eminence in his profession, and became one of the royal chaplains, a Doctor of Divinity, Archdeacon of Salisbury, and Dean of Lichfield. It is said that he would have been made a bishop after the Revolution, if he had not given offence to the Government by strenuously opposing, in the Convocation of 1689, the liberal policy of William and Tillotson.

In 1672, not long after Dr. Addison’s return from Tangier, his son Joseph was born. Of Joseph’s childhood we know little. He learned his rudiments at school in his father’s neighbourhood, and was then sent to the Charter House. The anecdotes which are popularly related about his boyish tricks do not harmonise very well with what we know of his riper years. There remains a tradition that he was the ringleader in a barring out, and another tradition that he ran away from school and hid himself in a wood, where he fed on berries and slept in a hollow tree, till after a long search he was discovered and brought home. If these stories be true, it would be curious to know by what moral discipline so mutinous and enterprising a lad was transformed into the gentlest and most modest of men.