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Thus, for the titanic struggle recorded in the Mahabharata, we already have three dates: 3102 BC, C1400 BC and C950 BC. A couple of millennia one way or the other is a long time even in prehistoric terms. India’s history, though undoubtedly ancient, leaves much room for manoeuvre. A mistranslated word from one of the many voluminous, difficult and defective texts wherein, long after their composition, the Vedic verses were eventually written down, can create havoc. Similarly a chance discovery of no obvious provenance can prompt major revisions.

Another flood, later than the Sumerian one but much earlier than that at Hastinapura and so perhaps a serious contender for the one which Manu survived, is thought by some to have once inundated the plains of the lower Indus in what is now Pakistan. Geologists date it to some time soon after 2000 BC, and believe that it may in fact have been a succession of inundations. Whether they were the result of climate change, of tectonic action lower down the river resulting in damming and the formation of inland lakes, or simply the cumulative effect of annual siltation is not clear. But whatever the cause, the floods were bad news for those agriculturalists who had pioneered a highly productive economy based on growing cereals in the fine soil alongside the river. Managing the river’s seasonal rise so as to enrich and irrigate their fields was the key to their success. An annual surplus had generated wealth, encouraged craft industries and fostered trade. Settlements had become cities. Along the lower Indus and its tributaries had grown up one of the world’s first urban societies, a contemporary of those on the Nile and the Euphrates and a rival for the tag of ‘the cradle of civilisation’.

Then, soon after 2000 BC according to the archaeologists, came the floods. If they did not actually overwhelm this precocious civilisation, they certainly obliterated it. In time, layer after layer of Indus mud, possibly wind-blown as well as water-borne, choked the streets, rotted the timbers, and piled high above the rooftops. The ground level rose by ten metres and the water table followed it. Meanwhile the river resumed its regular flow and found new channels down which to flood. On top of the cities, now consigned to oblivion beneath tons of alluvium, other peoples grazed their goats, sowed their seeds and spun their myths. A great civilisation was lost to memory.

Not until nearly four thousand years later, in fact in the early 1920s, was its existence even suspected. It was pure chance that Indian and British archaeologists, while investigating later more visible ruins at Mohenjo-daro in Sind and at Harappa in the Panjab, made the prehistoric discovery of the twentieth century. They called their find the ‘Indus valley civilisation’, and drew the obvious comparisons with those of Egypt and Sumeria. Indeed they thought that it might be an offshoot of the latter. Later, as its sophisticated and surprisingly uniform culture became more apparent, the Indus valley civilisation was accorded distinct status. And when the extent of its cultural reach was found to embrace a host of other sites, many of them well beyond the valley of the Indus, it was renamed after one of these sites as the Harappan civilisation.

Suddenly India’s history had acquired a rich prehistoric pedigree of archaeologically verifiable antiquity. Here, it seemed, was a worthy companion to that Sanskrit literary heritage of equally impressive, though maddeningly uncertain, antiquity as comprised by the Vedas and associated texts – the Brahmanas and Puranas as well as epics such as the Mahabharata. Perhaps these two very different sources, the one purely archaeological and the other purely literary, would complement one another. An ancient and immensely distinguished civilisation would thus be revealed in multidimensional detail.

The Harappan finds included buildings, tools, artefacts, jewellery and some sculpture. Intimate details about Harappan housing, diet, dentistry and waste disposal came to light. Maritime trade with Sumeria was attested and led to some cross-dating. The Carbon 14 process produced comparative dates accurate to plus or minus a century or so. Amongst the Harappans there was even what looked like a system of writing: some four hundred characters were identified, each, it was deduced, representing a single word; and they read from right to left. Sanskritists were soon clear that this was not Sanskrit, the language of the Vedic heritage. But it might be some kind of proto-Dravidian, the parent of south India’s languages, while the script did suggest similarities with Brahmi, the earliest Indian script hitherto identified and read. It seemed only a matter of painstaking study before the Harappan language would be understood and the secrets of its civilisation revealed.

Unfortunately this script, despite the best endeavours of international scholarship and despite the code-cracking potential of computers, remains undeciphered. Totally lacking, therefore, is any intelligible record of the Harappans written by themselves. Who were they? What did they worship? Had they established a recognisable state or states? They tell us nothing. How did they come to be there? And what became of them in the end? We don’t know. Here was history complete with approximate dates, cities, industries and arts, but absolutely no recorded events. Here too was a society with a distinct and extensive culture but, barring some not very helpful bones, no people, indeed without a single name.

Names, on the other hand, were precisely what that Sanskrit literary tradition of the Vedas provided – in mind-boggling abundance. Kings and heroes, gods and demons, places and peoples, tumble from the Vedas, Brahmanas, Puranas and epics as if ready-made for the compilation of a historical index. Although no single site, no potsherd or artefact, can certainly be identified with the people who composed these verses, and although their chronology remains shrouded in that maddening uncertainty, we know that they called themselves arya – hence ‘Aryan’ – and we know of their lifestyle, their social organisation, their beliefs and their innumerable antecedents and descendants. Here, in short, was a people proudly obsessed with the past, who defined themselves in terms of lineages reaching back through the generations to Manu, and whose records might therefore provide for the enigmatic Harappan civilisation precisely the human detail that it so notably lacked.

Would that it were so. In fact, as will be seen, though the two civilisations – the Harappan and the Aryan – overlapped in geography and possibly also in chronology, no shred of coincidence certainly connects them. India’s history starts with the apparently irreconcilable. Only in the last few years have sustainable connections between its Harappan and Aryan constituents been tentatively proposed. These connections, though tantalising, remain few and far from conclusive. India’s history as currently understood must be seen as beginning with two woefully unconnected cultures.

This state of affairs may, however, serve as a warning. Despite the pick-and-preach approach of many nationalist historians, geographical India is not now, and never has been, a single politico-cultural entity. In fact, its current three-way division between Pakistan, India and Bangladesh, far from denying some intrinsic unity, is a notable simplification of its traditional plurality. Analogies should be drawn, if at all, not with Egypt or with Greece but with regional constructs of a similar size like the Middle East or Europe. And just as in the Middle East those early civilisations in Egypt and Mesopotamia flourished simultaneously yet quite independently, or just as later in Europe the Byzantine and Carolingian empires could both claim pre-eminence without necessarily coming into conflict, so it is in India.

Sadly, though, this is not a situation which makes for fluent narrative history. In a global landmass as vast and varied as the South Asian subcontinent an orderly linear progression from one cultural flowering to another, one dynasty to another, or one empire-builder to another will prove elusive. Only a still far from certain chronology, and not any sequential progression, demands that the Harappans and their archaeology take precedence ahead of the Aryans and their literature.

A VERITABLE EMPIRE

To anyone familiar with the Egypt of the Pharaohs, the warren of dun diggings which is an excavated Harappan site may seem unimpressive. It is hard not to sympathise with the first archaeologist to survey Mohenjo-daro. ‘I was greatly disappointed,’ wrote Mr D.R. Bhandarkar in his report. He was visiting the largely desert province of Sind in the winter of 1911–12 as Superintending Archaeologist of the Western Circle of the Archaeological Survey of India. ‘Mohenjo-daro’, he noted, meant ‘the Mound of the Dead Men’. There was one big mound and six smaller ones. And in words that must subsequently have haunted him, the Superintending Archaeologist dismissed the lot as ‘not representing the remains of … any ancient monument’.

According to local tradition, these are the ruins of a town only two hundred years old … This seems not incorrect, because the bricks here found are of the modern type, and there is a total lack of carved terra-cottas amidst the whole ruins.3

Wrong in every detail, this statement must rank amongst archaeology’s greatest gaffes.

Today’s less qualified visitors, though willing to forgive the absence of ‘carved terra-cottas’, tend to bemoan that of more obvious features. For at Mohenjo-daro no pyramids or ziggurats, no sculpted towers or mighty henges frown over the deep and dusty thoroughfares. On first acquaintance it is as if the most extensive of the Harappan sites was never really a city at all, merely the footings and foundations of one.

This, though, is decidedly not the case. Deep in ‘the Mound of the Dead Men’ there was once activity and industry. Behind the extant façades of blank featureless wall families lived, craftsmen plied their trades and vendors sold their wares. If there was an absence of eye-catching memorials it was not, as will appear, through any lack of civic pride or direction. It may tell us something about the nature of authority in the Harappan state and the organisation of its society; more certainly it indicates the limited materials available to the city’s builders.

Four thousand years ago stone was as scarce in the lower Indus region as it is today. Even the local timber, though more plentiful than now, and possibly able to meet the need for roof joists, seems not to have been sufficiently well-grown for major construction purposes. Instead, it was used as fuel to fire brick kilns. The Harappans built almost entirely in brick, both sun-baked and kiln-fired, and the excellence of their firing is well attested by the survival, albeit underground, of so many structures in such a comparatively friable material. In assuming their bricks to be ‘of a modern type’, Bhandarkar was unwittingly paying the Harappan brickmakers a generous compliment.

Brickwork, however, has its limitations, as the Harappans were no doubt aware. Large areas can be easily enclosed and conveniently partitioned; groundplans of some of the Mohenjo-daro houses compare favourably with those of today, while larger individual structures, presumably public buildings, cover areas equivalent to half a football pitch; some walls, obviously for defence, are as thick as thirteen metres. On the other hand bricks, unlike dressed stone, must be kept small for good firing and are therefore less suitable for towering elevations and long-lasting monuments. Sun, salt and wind play havoc with a mortar of mud; weight stresses cause bowing and buckling. Few if any buildings at Mohenjo-daro were of more than two storeys. Even supposing the Harappans had aspired to the monumental extravagances of their Egyptian contemporaries, it is hard to see how they could have achieved them.

Of unremarkable profile, then, the mud-and-rubble mounds of the Harappan cities and settlements nevertheless made an impression on Bhandarkar’s successors in the Archaeological Survey. Happily ignoring his report, R.D. Banerji and Sir John Marshall resumed explorations at Mohenjo-daro in the late 1920s. Ernest Mackay and Sir Mortimer Wheeler continued their work and also re-examined Harappa, a collection of mounds in the Panjab whence in the nineteenth century bricks similar to those at Mohenjo-daro had been removed by the wagonload as ballast for a 160-kilometre section of the Lahore – Multan railway line. After Independence and the Partition of the subcontinent in 1947 B.B. Lal, J.P. Joshi, S.R. Rao, M. Rafique Mughal and a host of others extended operations to numerous other sites with outstanding results. What amazed all these pioneers, and what remains the distinctive characteristic of the several hundred Harappan sites now known, is their apparent similarity: ‘Our overwhelming impression is of cultural uniformity, both throughout the several centuries during which the Harappan civilisation flourished, and over the vast area it occupied.’4

The ubiquitous bricks, for instance, are all of standardised dimensions, just as the stone cubes used by the Harappans to measure weights are also standard and based on a modular system. Road widths conform to a similar module; thus streets are typically twice the width of side lanes, while the main arteries are twice or one and a half times the width of streets. Most of the streets so far excavated are straight and run either north – south or east – west. City plans therefore conform to a regular grid pattern and appear to have retained this layout through several phases of rebuilding. In most cases the ground plan consists of two quite separate settlements, one apparently residential and commercial (‘the lower town’), and the other elevated on a massive brick platform (‘the citadel’) and endowed with more ambitious structures. ‘The citadel’ invariably lay to the west of ‘the lower town’. Clearly Harappan settlements were not just India’s first cities and townships but its first, indeed the world’s first, planned cities and townships. Town-planning not being conspicuous in the subcontinent’s subsequent urban development, they have been hailed as the only such examples until, in the eighteenth century AD, Maharajah Jai Singh decided to lay out his ‘pink city’ of Jaipur in Rajasthan.

Harappan tools, utensils and materials confirm this impression of obsessive uniformity. Unfamiliar with iron – which was nowhere known in the third millennium BC – the Harappans sliced, scraped, bevelled and bored with ‘effortless competence’ using a standardised kit of tools made from chert, a kind of quartz, or from copper and bronze. These last, along with gold and silver, were the only metals available. They were also used for casting vessels and statuettes and for fashioning a variety of knives, fish-hooks, arrowheads, saws, chisels, sickles, pins and bangles. As for the potters’ production of dishes, bowls, jars, flasks and figurines, it was all that one would expect of master brickmakers – well made, competent if restrained as to decoration, and predictably uniform as to design. In short, the uniformity in technology ‘is as strong as in the town-planning, and so marked that it is possible to typify each craft with a single set of examples drawn from one site alone’.5

What made all this consistency even more remarkable was the area throughout which the Harappans sustained it. With Mohenjo-daro and Harappa nearly six hundred kilometres apart, it was immediately obvious that the ‘Indus valley’ civilisation was more extensive than its contemporaries – Egypt’s Old Kingdom and Mesopotamia’s Sumeria. The Indus valley, however, has proved to be only the core area. Subsequent to the discovery of its two principal sites (Mohenjo-daro in Sind and Harappa in the Panjab) the Harappan civilisation has been steadily expanding by more than a province a decade. In Pakistan further sites have been found, not only in Sind and Panjab (where at Fort Derawar on the desert frontier with India a third major city stood), but as far away as the Iranian frontier in Baluchistan and in the North-West Frontier Province. India itself, not to be outdone, now boasts an important cluster of sites in Gujarat, another in Rajasthan, and more scattered settlements in the states of Panjab, Haryana, Uttar Pradesh, and Jammu and Kashmir. Subsequently, hundreds of kilometres away to the north-west, what seems to be a Harappan settlement, or ‘colony’, was identified at Shortughai near the river Oxus (Amu Darya) on Afghanistan’s Russian frontier. From Lothal, a small but important settlement in Gujarat which may have been a port, to Shortughai in the mountains of Badakshan, where the Harappans probably obtained supplies of lapis lazuli, is a distance of over sixteen hundred kilometres; and east – west from Alamgirpur on the upper Ganga to Sutkagen-dor on the Makran coast is hardly less.

Naturally such a bonanza of new sites has prompted some revisionism. The uniformity of Harappan culture, necessarily dented by local adaptations to the desert, upland and maritime extremities of such a vast area, is no longer taken for granted. Theories based upon it about the existence of a strong central authority, a pervasive administration and a heavily regulated and stratified society have also suffered. The easy assumptions made on the basis of a few partially and imperfectly excavated sites are dubbed ‘old platitudes’ as a new generation of scholars and field workers gingerly sifts the incontrovertible from the fanciful.


One mystery has certainly been solved. Pioneers like Marshall were puzzled how such a sophisticated culture could have sprung up from nowhere. Unaware of any other Bronze Age cultures in the region, not impressed by the Indian characteristics of Harappan architecture and artefacts, and wrongly assuming dates of about 3500–3000 BC, they duly looked to the west for an explanation, and suggested that the Indus valley civilisation must be a colony or offshoot of Mesopotamian or even Mycenaean civilisation. This idea is now quite untenable. At numerous sites to the west of the Indus in Baluchistan and Afghanistan, as well as in the Indus valley itself, sufficient pre-Harappan and Early Harappan settlements have been found to establish a local progression from hunter-gatherer to urban dweller by way of all the various stages of pastoralism, agricultural settlement, technological advance and cultural refinement. No such consensus exists about the Late Harappan and post-Harappan periods, but it is now possible to assign most Chalcolithic (Bronze/Stone) Age sites in the region to one of these categories and to give approximate dates for each.

Designated by their find sites and principally distinguished by their pottery styles, the pre-Harappan peoples of C3000 BC had already progressed to building houses and tilling the land. They had some knowledge of metals and had access, through trading links, to other precious materials and manufactures. Some time around 2600 BC – the dating varies from site to site – the appearance of typically Harappan styles in pottery and tools announces the Early Harappan phase. Brick-built houses assume a regular design with a courtyard and rooms off it. Figurines anticipate later Harappan styles. Towards the end of the millennium, say 2300 BC, this Early Harappan style gives way to the Mature Harappan phase, in which appears the full inventory of Harappan artefacts – standardised bricks and pots; regular streets above a network of well-made sewerage ducts; typical terracottas; a notable production of decorative artefacts including beads, faïence and shell work; more copper and bronze hardware; and a plenitude of the mysterious seals (as well as the impressions made by them) whereon that enigmatic script features prominently. In some cases, to produce the typical grid layout of streets, sites were apparently cleared and then rebuilt. Other sites were briefly deserted before being rebuilt. Still others suggest a continuance of non-Harappan or pre-Harappan styles, particularly in ceramics, side by side with the Mature Harappan. It is thus far from clear what relationships – of tribute, migration, conquest, intermarriage or cultural attraction – underlay the transition to greater standardisation.

Even worse inconsistency characterises the Late Harappan phase. Around 1900 BC Mohenjo-daro was gradually abandoned, possibly because of those floods and the associated salination of the soil. Kalibangan, an important town in Rajasthan, suffered a similar fate, but probably from desertification and the drying-up of the Ghaggar river. Elsewhere there is evidence of declining authority and of population decrease, possibly as a result of migration from the central settlements. Yet in some peripheral areas like Gujarat, Haryana and the Panjab, the decline is less marked and there may even have been an increase in activity and population.

Dispersal or dilution are evident from the prevalence of non-Harappan pottery styles, impoverishment and disruption from the gradual disuse of the script and from the disappearance of the more fanciful manifestations of Harappan culture, including that obsessive standardisation. On the other hand, craft skills and agricultural expertise survived. The spinning and weaving of cotton, for instance, in which the Harappans seem to have been the world’s pioneers, must have been gradually disseminated throughout India, since by the mid-first millennium BC it was commonplace. The finer textiles were by then an important item of trade and would remain so ever after, enticing to India Roman, Arab and eventually European merchants.

A similar case might be made for the ox-drawn wagon, which was as much a cliché of the Harappan world as it is of the Indian subcontinent today. Again, the Harappans may have been the first in the world to use wheeled transport. Numerous toy carts in terracotta and bronze testify to their pride in this technological breakthrough, and the generous street widths of their cities were presumably dictated by the consequent traffic.

Provisioning cities the size of Mohenjo-daro, with its estimated thirty to fifty thousand inhabitants, necessitated not only effective transport, both by river and road, but also a reliable rural surplus, a large labour force, and some means of crop storage. It has been conjectured that the largest structures at Mohenjo-daro, Harappa, Kalibangan and possibly Lothal may have been granaries, although their internal arrangements, consisting of carefully aligned brick plinths, await a satisfactory explanation.

The only public building whose function is beyond dispute is the great bath at Mohenjo-daro. The size of a modest municipal swimming pool, carefully sealed with bitumen, and with steps down at each end, it was clearly designed to hold water and to be used for bathing. Quite probably the ablutions, or immersion, were of some ritual significance. The bath forms the inner sanctum of an elaborate building, although there is no clear evidence that, as with later temple tanks, it was a place of worship. In fact, we have no idea what part religion played in the lives of the Harappan people. No site has certainly been identified as a temple, and most suppositions about sacrificial fires, cult objects and deities rest on doubtful retrospective reference from the Hindu practices of many centuries later. Such inferences may be as futile as, say, looking to Islamic astronomy for an explanation of the orientation of the pyramids. In short, ‘these theories are all fanciful and do not bear scrutiny.’6

A much-cited example, depicted on some of the Harappan seals, is that of a big-nosed gentleman wearing a horned head-dress who sits in the lotus position with an erect penis, an air of abstraction and an audience of animals. He may indeed be an early manifestation of Lord Shiva as Pashupati, ‘Lord of the Beasts’. But myth, as has been noted, is subject to frequent revision. The chances of a deity remaining closely associated with the same specific powers – in this case, fertility, asceticism and familiarity with the animal kingdom – for all of two thousand years must raise serious doubts, especially since, during the interval, there is little evidence for the currency of this myth. Rudra, a Vedic deity later identified with Shiva, is indeed referred to as pasupati because of his association with cattle; but asceticism and meditation were not Rudra’s specialities, nor is he usually credited with an empathy for animals other than kine. More plausibly, it has been suggested that the Harappan figure’s heavily horned headgear bespeaks a bull cult, to which numerous other representations of bulls lend substance.

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