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While Rome beamed its civilisation into three continents, handsomely documenting its conquests in the process, Pataliputra retreated into insignificance and silence. In India no king or dynasty would either scale the heights of Ashoka’s lofty universalism or cast such long imperial shadows across the subcontinent. Inscriptions claiming otherwise are usually couched in bombastic phrases which should be treated with caution. Ideals of legitimacy and empire would remain: Ayodhya’s utopian Ram-raj (the rule of Lord Rama) would continue to exercise a fascination; so would inclusive concepts of a ‘one umbrella’ sovereignty as claimed by the Nandas and of a world-ruling Cakravartin (literally ‘wheel-turner’) as featured in Buddhist teaching. But the reality was of many jostling umbrellas, of no consensus on legitimacy, and of no universal sovereignty.

Worse still from the viewpoint of latter-day nationalists, many of the dynasties credited with contributing to this turbulence would be of non-Indian origin. In some histories this ‘Dark Age’ thus also becomes an ‘Age of Invasions’ characterised by foreign hordes from Bactria, Parthia, and the wilds of Turkestan pouring across the north-west frontier. They would overrun all of what is now Pakistan and strike deep into the Gangetic heartland and central India. To orthodox minds such disasters were no worse than was to be expected of the dreaded Kali Yug. Vedic values and brahmanic authority had been undermined by the pushy teachings of the Buddha and his rivals. An earlier spirit of metaphysical enquiry had given way to an unnatural and populist egalitarianism. Fickle sources of royal patronage had been diverted; the neglect of ritual obligations had necessarily prejudiced political legitimacy. A disrespectful age got the discredited history it deserved.

Yet, politics apart, the half-millennium which straddles the birth of Christ was not all petty doom and patriotic gloom. On closer inspection the ‘Dark Age’ proves to be softly illuminated by the steady glow of cultural integration, especially in peninsular India. There and elsewhere the gloom was also fitfully dispelled by dazzling shafts of artistic, scientific and commercial innovation. Indeed, if an age be judged in terms of art and literature, the tag of ‘classical’ belongs less to the much-studied decades of the great Mauryas and more to the quickly dismissed centuries of their less distinguished and often non-Indian successors.

The Mauryas, for instance, had done little for India’s artistic heritage. If one excludes his pillars and their Achaemenid-style capitals, Ashoka’s numerous endowments, principally stupas and viharas, seem to have been modest affairs of brick and timber. It was only under his successors that stone became established as the supreme medium of artistic expression. To the first two centuries BC and AD may be attributed the magnificent sculptural reliefs of the Bharhut, Sanchi and Amaravati stupas. Typically crammed with scenes of popular devotion and, judging by their inscriptions, often paid for by commercial and religious benefactors, these were not manifestations of royal prestige nor products of courtly largesse. Ascribing them to a particular dynasty is thus misleading. Rather should they be attributed to a pious merchant class, proud of its skills and increasingly interested in the security and patronage afforded by religious centres in an age of political uncertainty.

Much the same applies to the first of a long succession of ‘rock-cut cathedrals’, now more prosaically known as ‘cave temples’, which date from the last century BC onward. They are found principally in western India, inland from Bombay, where sudden folds and gashes at the edge of the Deccan plateau expose long, snaking strata of sheer rock. No doubt here were already natural caves which, affording secluded shelter and yielding readily to the sculptor’s chisel, inspired the idea of more elaborate excavations. There followed entire monastic establishments with prayer chambers, deep pillared halls, lofty stupas, finely fretted façades, and airy meditation cells, all connected by galleries and staircases and all cut and carved into the solid rock.

The skills involved appear to have derived from a contemporary tradition of working in the hard timbers of India. In the north, in the first centuries AD, similar skills and similar mainly Buddhist patronage gave birth to two distinctive schools of more portable sculpture. One, deeply indebted to the aesthetic of the Graeco-Roman world, depicts figures from Indian tradition as Apollo Belvederes attended by a ‘classical’ repertoire of cherubs and acanthus leaves. Fashioned in stucco or carved from a hard grey-black schist, these figures and motifs are particularly associated with Taxila and the north-west frontier region (hence the ‘Gandhara school’). The other school is very different. A gloriously voluptuous celebration of nature’s mainly female charms, it uses a fleshy pink sandstone flecked with white spots from the region around the city of Mathura where, on the tourist highway from Delhi to Agra, a fine collection of both Gandhara and Mathura figures now languishes largely unseen in the city’s museum.

As for literature, in the second century BC Patanjali, a Sanskrit grammarian who wrote a commentary on Panini, compiled the standard text on yoga. Mighty compendia of other important human activities followed, with the Manusmriti (‘Manu’s code’ of law), the Kamasutra of Vatsyana, and Kautilya’s Arthasastra all datable in their final form to the second century AD. Meanwhile a Buddhist writer, Asvaghosha of Magadha, may be credited with the first Indian drama; he was a contemporary and protégé of King Kanishka, who would be the age’s nearest equivalent to an Ashoka. Subsequently the great tradition of Sanskrit drama got off to a more certain start with Bhasa, whose prolific output of plays probably dates from the third century AD. A debt to his work would be acknowledged by Kalidasa, the Sanskrit Shakespeare, who may have been a near-contemporary although he is usually assigned to the cultural efflorescence that awaited the Guptas after 320. Perhaps the ‘dark’ centuries on either side of the year zero should be seen more as a sprightly preface to this ‘golden age of the Guptas’ than as a dire postscript to that of the Mauryas.

The ‘Dark Age’ looks to have been one of enlightenment and, even more paradoxically, the ‘Age of Invasions’ looks to have been one of expansion. For every incursion by non-Indians from central Asia, there is good evidence for an excursion by Indians into south-east Asia – or even back into central Asia. Hellenised kingdoms on the upper Indus are matched by Indianised kingdoms on the lower Mekong, Roman trading stations on the Indian coast by Indian trading stations on the Malay peninsula. Just as the archaeology of northern India is being invaded by uncompromising images of Greek adventurers and booted warlords from beyond the Oxus, so that of Sumatra and Sinkiang is invaded by serene Buddhas and handsome stupas. That first Indian drama by Asvaghosa came to light not in some Magadhan archive but in a horde of manuscripts found in the oasis city of Turfan, between the Takla Makan and the Gobi desert on China’s silk route. For every inscription in Greek or Sogdian script that is chiselled into India’s rocks another in Brahmi or Kharosthi is etched in the cliffs of Afghanistan or echoed in a stele on the coast of Vietnam.

In short, the diaspora of India’s culture began just as India itself apparently buckled before a succession of intruders. Both processes would continue, with intermissions, for the next two thousand years. Indeed the great paradox of political vulnerability in the midst of commercial and cultural dynamism may be considered one of Indian history’s distinctive features. If for no other reason than to explore the genesis of such a phenomenon, the underrated interlude between the glorious Mauryas and the golden Guptas merits attention.

IN THE DYNASTIC WILDERNESS

Of Ashoka’s Mauryan successors in the third to second centuries BC we know practically nothing except that they lost most of their inheritance. There were at least six of them, and they continued to rule, mostly from Pataliputra, for another fifty years. One, Dasaratha, may have been Ashoka’s grandson and immediate successor. In the only inscription certainly attributable to the later Mauryas, he dedicated some caves to the Ajivikas. Another, Brhadratha, was by common consent the last of the dynasty; a half-wit, he was murdered by his commander-in-chief. There is nothing to suggest that any of them ever exercised authority in the Deccan or in Orissa, and there is reason to suppose that many other Mauryan provinces, including those in Afghanistan, Gandhara, Kashmir, the Panjab and perhaps Malwa, all broke away at an early stage. Reasons suggested for this rapid decline include the economic crisis implied by an adulteration of the coinage, the reluctance to use force which was supposedly inherent in dhamma, and the vulnerability of Ashoka’s personalised authority to the presumed failings of his successors.

It is perhaps also worth reflecting on the nature of an empire which could so rapidly disintegrate. For instance, the scatter of Ashokan inscriptions in Karnataka (Mysore) and Andhra Pradesh (Hyderabad) should probably not be interpreted as evidence that Mauryan authority was ever effective throughout the Deccan. Instead, the empire should be seen as consisting of corridors of authority connecting pockets of agricultural, mineral (many of the southern inscriptions are in a gold-mining area), commercial or strategic importance. Beyond this carefully administered root-structure of nodes and conduits lay wild tracts of hill, forest and desert whose peoples produced no surplus of taxable significance. Here the Mauryan policy of containment, if they proved disruptive, or of neglect, if peaceable, may have been an early casualty of retrenchment. For all the evidence of an elaborate fiscal and judicial system under the Mauryas, we know remarkably little about the sanctions which enforced it. Along the highways, as well as rest houses and shade trees, one might expect some mention of garrisons, forts and escorts; but there is none. Mauryan authority, theoretically so extensive and invasive, may, in practice and beyond the confines of Magadha itself, have always been localised and vulnerable.

The last Maurya was murdered and supplanted by his commander-in-chief in about 180 BC. Pushyamitra, the assassin, was a brahman; his family came from Ujjain, where they had once served in the Mauryan administration. An inscription testifies to his performing two horse-sacrifices, and he is portrayed in Buddhist texts as no friend to the sangha (the monastic community). Perhaps, after a century of Mauryan patronage of the heterodox sects, Pushyamitra headed an orthodox brahmanical backlash. The dynasty he founded is known as the Shunga and his successors presided over a still disintegrating kingdom for about 110 years. The last Shunga, being reportedly ‘overfond of women’s company’,3 was assassinated by the daughter of one of his female companions. Vasudeva, his brahman minister, is said to have instigated the crime and it was he who duly founded a new dynasty. This was the Kanva, which lasted barely fifty years and of which almost nothing is known. Thereafter the kingdom of Magadha virtually disappears from the record for three centuries.

The Shungas and the Kanvas, like the later Mauryas, had been challenged on many fronts. An inscription in Orissa tells of the great king Kharavela of Kalinga who, though apparently a devout Jain, led his forces deep into the Deccan as well as invading Magadha and taking Pataliputra. Immense booty was accumulated, Kharavela’s horses and elephants were watered in the Ganga, and the king was styled a cakravartin, or world-ruler. Perhaps it was by way of a Kalingan revenge for Ashoka’s triumph of 260 BC. But Kharavela’s dates remain a mystery and his inscription is in ‘a rather flowery and pompous style and doubtless much of it was royal panegyric’.4 The only obvious inference is that Kalinga had long since broken away from Magadhan rule and now held its neighbour in contempt.

Amongst other adversaries over whom Kharavela was supposedly victorious, the inscription mentions the Shatavahana kings of the Deccan and a confederation of Tamil rulers in the extreme south, plus the Yavanas, or Greeks. As will be seen, the Deccan and the south begin to feature prominently in Indian history from about the last century BC. Slightly earlier the Yavanas had led the procession of intruders who now descended on India from the north-west. They originated in Bactria, or northern Afghanistan, where the Achaemenids had established a Greek colony. Alexander had augmented it, and over it Seleucus had briefly reasserted Macedonian authority before, some time during the reign of Ashoka, one Euthydemus had declared an independent kingdom. His successors, who were not necessarily his descendants, extended Bactrian rule to much of Afghanistan. Then, taking further advantage of the break-up of the Mauryan empire, some of them passed on down the Kabul river to the Indus and the Panjab.

Almost everything that is known of these Bactrian Greeks has been surmised from their splendid coins. Minted and die-cast in imitation of Greek practice, they are mostly circular, of silver, often large, and altogether a great advance on the punch-marked lumps of the Mauryas. Considerable hoards as well as individual examples have been found over a vast area; and coinage design being extraordinarily conservative, they provide somewhat the same information as a modern coin. Thus, we learn of the names of these kings, of their preferred titles, and often of the Greek deity with whom they wished to be associated. From the obverse, or ‘heads’ side of the coins, we also know what they looked like and what headgear they sported. Such personal insights are rare; knowing nothing of, for instance, Ashoka’s mien (other than that it was ‘gracious’), we feel personally acquainted with the bull-necked Eucratides and the big-nosed Heliocles. Some wear a curious cap, modelled on an elephant’s skull, with the trunk serving as a peak; others favoured the kausia, like a shallow upturned bowl, of faintly ecclesiastical look; the chinless Amyntas, whose long nose quests from beneath a sun helmet indistinguishable from the British solar topi, must surely have had knobbly knees and worn knee-length white socks. From such portraits information has been drawn about the likely age of a king when he ascended the throne; and blood relationships, indeed the succession, are sometimes premised on resemblances in their physiognomy and headgear. Lacking much in the way of corroborative sources, scholars have pored over every iota of numismatic detail to ingenious but seldom conclusive effect.

A fundamental problem seems to be that of there being rather too many kings for the, at most, 130 years of their involvement in India. It is as if all these Platos and Stratos, Demetriuses and Diodotuses had got wise to the idea that immortality was theirs provided they could but strike their own coins. Scholars meet this problem by proposing that there was usually more than one king and more than one kingdom. The Yavanas had a reputation for quarrelling amongst themselves, and their territories must therefore have frequently been divided and subdivided. As well as rival kings, it seems that sub-kings, joint-kings, expectant-kings and satraps or governors may all have minted their own coins. Where their various territories lay can be vaguely inferred from the find sites of a particular coin-type.

Many clearly never crossed the north-west frontier from Afghanistan, and those who did may not have come as invaders. Perhaps, like other Greeks in Asia, they came bearing gifts. Bactria had grown rich as a corridor of east – west trade and was also an important source of bloodstock. Indians, ever anxious for horses (but blissfully ignorant of the one gifted to Troy), may have welcomed them as both traders and mercenaries. It could be significant that three centuries later, when the Gandhara school of sculpture popularised Greek themes, the Trojan horse seems to have been a favourite.

First of these Indo-Greeks into India was a Demetrius, probably Demetrius II, who seems to have achieved success in the Panjab and to have established himself at Taxila. He may also have continued down the Indus to its mouth. This is thought to have happened some time soon after 180 BC and, from the fact that the legends on his coins are in Prakrit or Kharosthi as well as in Greek, it is clear that he acquired Indian subjects. A successor, Menander, fared even better with mid-century acquisitions to the north in Swat and possibly Kashmir, as well as to the east. How far east is uncertain. He probably extended his territory to the river Ravi, but may have raided much further afield. In Indian sources a Yavana force that was probably Menander’s is said to have joined the kings of Panchala and Mathura (both in the Ganga-Jamuna Doab) for a raid down the Ganga. Perhaps it was this combination of Greeks and Indians that the all-conquering Kharavela of Kalinga encountered. If so, he failed to stop them since, realising Alexander’s dream, they stormed Pataliputra and routed its presumably Shunga incumbent. Then, typically, they quarrelled; maybe Menander, like Alexander, faced a mutiny. ‘They came, they saw, but India conquered,’ writes one of their biographers.5

On his coins Menander does not have the look of a conqueror. His topi-style helmet appears much too big; protruding curls and delicate features suggest effeminacy; and he calls himself ‘Basileos’ and ‘Soter’, ‘King’ and ‘Saviour’, rather then ‘Conqueror’ or ‘Patriot’. With this gentler image his other legacy is more in keeping; for in Buddhist tradition he is remembered as ‘Milinda’, the great king who in a celebrated question-and-answer session with the philosopher Nagasena became the vehicle for an exposition of Buddhist doctrine; he may even himself have adopted Buddhism. The meeting took place in Menander’s capital of Sagala, whose whereabouts are uncertain but which may have been in the boulder-strewn valley of Swat. If this surmise is correct, it must be thanks to Menander that the gentle terraces beside the racing river Swat came to accommodate the pre-eminent centre of Buddhist teaching in the north-west.

Of Menander’s successors we know little. One, Antialcidas, is thought to have briefly reunited the Greeks’ territories on either side of the Hindu Kush in around 110 BC. He is mentioned in an inscription on a pillar erected by one Heliodorus in a village in central India hundreds of miles away to the south-east but just fields from Vidisha and the stupas of Sanchi. Heliodorus was Antialcidas’ emissary to a King Bhagabhadra who is otherwise unknown but who may have been one of the Shungas. Perhaps Antialcidas was seeking some kind of alliance against his ever quarrelsome rivals. The memorial is more revealing about ambassador Heliodorus who, though decidedly a Greek and the son of a certain Dion of Taxila, nevertheless describes himself as a devotee of the god Vasudeva. Accordingly he crowned his pillar with an image of the winged Garuda, Vasudeva’s ‘vehicle’. Already associated with both the Greek Heracles and the Yadavas’ Lord Krishna, the heroic Vasudeva was about to become absorbed into the multiple persona of the great Lord Vishnu. Heliodorus thus provides an early example of the adoption by a non-Indian, not of the generally more accessible and proselytising doctrines of the Buddha, but of an orthodox cult within the so-called ‘Great Tradition’ of what we now call Hinduism.

Such cross-cultural adoptions, for which the word ‘conversion’ is still too strong, become commonplace amongst those who in the first century BC supplanted the Bactrian Greeks. On their coins, modelled on those of the Bactrian Greeks, Greek gods are jumbled up with unmistakably Indian deities, amongst whom Lord Shiva and his consort Uma have been identified. Elephants also appear, and kings are often depicted mounted on horseback. The newcomers have unfamiliar names – Maues, Azes, Spalirises; each is typically designated a ‘king of kings’ and, less proud of their profiles, they eschew the close-up portraits so beloved of the Greeks.

Who these people were, when they reigned and where, is still debated. Most authorities believe that Maues, who first displaced the Greeks in the Taxila region, was a Shaka, others that he was a Pahlava. The Pahlavas, it appears, may or may not be the same as the Parthians of northern Iran, just as the Shakas may or may not be the same as the Scythians of the Caucasus. But if Maues and his immediate successors in the first century BC were Shakas, their immediate successors in the first century AD were probably Parthians.

Of one of these Parthians we know from a source other than his coins and the odd inscription. His name was ‘Gondophares’, which, as the French scholar M. Reinaud noticed in the 1860s, bears a more than coincidental resemblance to ‘Gudnaphar’, an Indian king mentioned in an early Christian text. This text was the Acts of St Thomas, wherein the self-same apostle is said to have actually attended the court of King Gudnaphar. Thomas, it seems, had reached the Panjab under protest. After the death of Christ, when the apostles drew lots as to their respective missions, Thomas had drawn India and, ever the ‘doubting Thomas’, immediately knew that the task was beyond him. ‘Whithersoever thou wilt, O Lord, send me,’ he prayed, ‘only to India I will not go.’ But the prayer was of no avail. Thomas, apparently a skilled carpenter, found himself indentured to a passing Indian merchant who took him back to work on Gondophares’ new palace. In the Panjab he was eventually rewarded with honours and converts. Later, he would undertake a second mission to peninsular India, where his misgivings would prove tragically well-founded.

Whether this Thomas was really Thomas the apostle, and whether he really reached the Panjab, is suitably open to doubt; likewise the ‘converts’ he is supposed to have made there. But at least the tradition implies that Gondophares must have ruled after the death of Christ. This may not seem a great point. It deserves, though, to be greeted as something of a milestone in what is otherwise a trackless wilderness of dynastic uncertainty.

Both Shakas and Parthians had originated beyond the Hindu Kush. There, along the desert routes from China and across the steppes of Turkestan, a major upheaval had been taking place. Chinese sources tell of the construction of the Great Wall in the third century BC and the repulse of various marauding tribes. Forced to head west and eventually south, these tribes displaced others in an ethnic knock-on effect which lasted many decades and spread right across central Asia. The Parthians from Iran and the Bactrian Greeks from Bactria had both been dislodged by the Shakas coming down from somewhere near the Aral Sea. But the Shakas had in turn been dislodged by the Yueh-chi who had themselves been driven west to Sinkiang by the Hiung-nu. The last, otherwise the Huns, would happily not reach India for a long time. But the Yueh-chi continued to press on the Shakas and, having forced them out of Bactria, it was sections or clans of these Yueh-chi who next began to move down into India in the second half of the first century AD.

Once again the ready assumption that the Yueh-chi, or Kushana as they are known in Indian history, actually invaded India should be treated with caution. Little is known either of the circumstances which accounted for the movements of these peoples or of the reception they received in India. They may have come as allies or mercenaries, invited by disaffected Indians like Alexander’s Ambhi; or they may have come as refugees fleeing invasion just like the Tibetans, Afghans and Bangladeshis of the twentieth century. India’s ancient history was first reconstructed largely by British scholars in the nineteenth century who, schooled on the invasions of Aryans, Macedonians and Muslims, readily detected a pattern of incursions. Their own presence conformed to it; indeed this pattern of constant invasion conveniently excused their presence.

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