The Three Cities Trilogy: Rome, Complete

Ernesta died of it. She had made a mistake. Her spoilt life – the life of a joyless wife – had culminated in this supreme maternal error. And the worst was that she alone had to bear all the responsibility of the disaster, for both her brother, the Cardinal, and her sister, Donna Serafina, overwhelmed her with reproaches. For consolation she had but the despair of Abbe Pisoni, whose patriotic hopes had been destroyed, and who was consumed with grief at having contributed to such a catastrophe. And one morning Ernesta was found, icy white and cold, in her bed. Folks talked of the rupture of a blood-vessel, but grief had been sufficient, for she had suffered frightfully, secretly, without a plaint, as indeed she had suffered all her life long.

At this time Benedetta had been married about a twelvemonth: still strong in her resistance to her husband, but remaining under the conjugal roof in order to spare her mother the terrible blow of a public scandal. However, her aunt Serafina had brought influence to bear on her, by opening to her the hope of a possible nullification of her marriage, should she throw herself at the feet of the Holy Father and entreat his intervention. And Serafina ended by persuading her of this, when, deferring to certain advice, she removed her from the spiritual control of Abbe Pisoni, and gave her the same confessor as herself. This was a Jesuit father named Lorenza, a man scarce five and thirty, with bright eyes, grave and amiable manners, and great persuasive powers. However, it was only on the morrow of her mother’s death that Benedetta made up her mind, and returned to the Palazzo Boccanera, to occupy the apartments where she had been born, and where her mother had just passed away.

Immediately afterwards proceedings for annulling the marriage were instituted, in the first instance, for inquiry, before the Cardinal Vicar charged with the diocese of Rome. It was related that the Contessina had only taken this step after a secret audience with his Holiness, who had shown her the most encouraging sympathy. Count Prada at first spoke of applying to the law courts to compel his wife to return to the conjugal domicile; but, yielding to the entreaties of his old father Orlando, whom the affair greatly grieved, he eventually consented to accept the ecclesiastical jurisdiction. He was infuriated, however, to find that the nullification of the marriage was solicited on the ground of its non-consummation through impotentia mariti; this being one of the most valid and decisive pleas on which the Church of Rome consents to part those whom she has joined. And far more unhappy marriages than might be imagined are severed on these grounds, though the world only gives attention to those cases in which people of title or renown are concerned, as it did, for instance, with the famous Martinez Campos suit.

In Benedetta’s case, her counsel, Consistorial-Advocate Morano, one of the leading authorities of the Roman bar, simply neglected to mention, in his memoir, that if she was still merely a wife in name, this was entirely due to herself. In addition to the evidence of friends and servants, showing on what terms the husband and wife had lived since their marriage, the advocate produced a certificate of a medical character, showing that the non-consummation of the union was certain. And the Cardinal Vicar, acting as Bishop of Rome, had thereupon remitted the case to the Congregation of the Council. This was a first success for Benedetta, and matters remained in this position. She was waiting for the Congregation to deliver its final pronouncement, hoping that the ecclesiastical dissolution of the marriage would prove an irresistible argument in favour of the divorce which she meant to solicit of the civil courts. And meantime, in the icy rooms where her mother Ernesta, submissive and desolate, had lately died, the Contessina resumed her girlish life, showing herself calm, yet very firm in her passion, having vowed that she would belong to none but Dario, and that she would not belong to him until the day when a priest should have joined them together in God’s holy name.

As it happened, some six months previously, Dario also had taken up his abode at the Boccanera palace in consequence of the death of his father and the catastrophe which had ruined him. Prince Onofrio, after adopting Prada’s advice and selling the Villa Montefiori to a financial company for ten million lire,13 had, instead of prudently keeping his money in his pockets, succumbed to the fever of speculation which was consuming Rome. He began to gamble, buying back his own land, and ending by losing everything in the formidable krach which was swallowing up the wealth of the entire city. Totally ruined, somewhat deeply in debt even, the Prince nevertheless continued to promenade the Corso, like the handsome, smiling, popular man he was, when he accidentally met his death through falling from his horse; and four months later his widow, the ever beautiful Flavia – who had managed to save a modern villa and a personal income of forty thousand lire14 from the disaster – was remarried to a man of magnificent presence, her junior by some ten years. This was a Swiss named Jules Laporte, originally a sergeant in the Papal Swiss Guard, then a traveller for a shady business in “relics,” and finally Marchese Montefiore, having secured that title in securing his wife, thanks to a special brief of the Holy Father. Thus the Princess Boccanera had again become the Marchioness Montefiori.

It was then that Cardinal Boccanera, feeling greatly hurt, insisted on his nephew Dario coming to live with him, in a small apartment on the first floor of the palazzo. In the heart of that holy man, who seemed dead to the world, there still lingered pride of name and lineage, with a feeling of affection for his young, slightly built nephew, the last of the race, the only one by whom the old stock might blossom anew. Moreover, he was not opposed to Dario’s marriage with Benedetta, whom he also loved with a paternal affection; and so proud was he of the family honour, and so convinced of the young people’s pious rectitude that, in taking them to live with him, he absolutely scorned the abominable rumours which Count Prada’s friends in the white world had begun to circulate ever since the two cousins had resided under the same roof. Donna Serafina guarded Benedetta, as he, the Cardinal, guarded Dario, and in the silence and the gloom of the vast deserted mansion, ensanguined of olden time by so many tragic deeds of violence, there now only remained these four with their restrained, stilled passions, last survivors of a crumbling world upon the threshold of a new one.

When Abbe Pierre Froment all at once awoke from sleep, his head heavy with painful dreams, he was worried to find that the daylight was already waning. His watch, which he hastened to consult, pointed to six o’clock. Intending to rest for an hour at the utmost, he had slept on for nearly seven hours, overcome beyond power of resistance. And even on awaking he remained on the bed, helpless, as though he were conquered before he had fought. Why, he wondered, did he experience this prostration, this unreasonable discouragement, this quiver of doubt which had come he knew not whence during his sleep, and which was annihilating his youthful enthusiasm of the morning? Had the Boccaneras any connection with this sudden weakening of his powers? He had espied dim disquieting figures in the black night of his dreams; and the anguish which they had brought him continued, and he again evoked them, scared as he was at thus awaking in a strange room, full of uneasiness in presence of the unknown. Things no longer seemed natural to him. He could not understand why Benedetta should have written to Viscount Philibert de la Choue to tell him that his, Pierre’s, book had been denounced to the Congregation of the Index. What interest too could she have had in his coming to Rome to defend himself; and with what object had she carried her amiability so far as to desire that he should take up his quarters in the mansion? Pierre’s stupefaction indeed arose from his being there, on that bed in that strange room, in that palace whose deep, death-like silence encompassed him. As he lay there, his limbs still overpowered and his brain seemingly empty, a flash of light suddenly came to him, and he realised that there must be certain circumstances that he knew nothing of that, simple though things appeared, they must really hide some complicated intrigue. However, it was only a fugitive gleam of enlightenment; his suspicions faded; and he rose up shaking himself and accusing the gloomy twilight of being the sole cause of the shivering and the despondency of which he felt ashamed.

In order to bestir himself, Pierre began to examine the two rooms. They were furnished simply, almost meagrely, in mahogany, there being scarcely any two articles alike, though all dated from the beginning of the century. Neither the bed nor the windows nor the doors had any hangings. On the floor of bare tiles, coloured red and polished, there were merely some little foot-mats in front of the various seats. And at sight of this middle-class bareness and coldness Pierre ended by remembering a room where he had slept in childhood – a room at Versailles, at the abode of his grandmother, who had kept a little grocer’s shop there in the days of Louis Philippe. However, he became interested in an old painting which hung in the bed-room, on the wall facing the bed, amidst some childish and valueless engravings. But partially discernible in the waning light, this painting represented a woman seated on some projecting stone-work, on the threshold of a great stern building, whence she seemed to have been driven forth. The folding doors of bronze had for ever closed behind her, yet she remained there in a mere drapery of white linen; whilst scattered articles of clothing, thrown forth chance-wise with a violent hand, lay upon the massive granite steps. Her feet were bare, her arms were bare, and her hands, distorted by bitter agony, were pressed to her face – a face which one saw not, veiled as it was by the tawny gold of her rippling, streaming hair. What nameless grief, what fearful shame, what hateful abandonment was thus being hidden by that rejected one, that lingering victim of love, of whose unknown story one might for ever dream with tortured heart? It could be divined that she was adorably young and beautiful in her wretchedness, in the shred of linen draped about her shoulders; but a mystery enveloped everything else – her passion, possibly her misfortune, perhaps even her transgression – unless, indeed, she were there merely as a symbol of all that shivers and that weeps visageless before the ever closed portals of the unknown. For a long time Pierre looked at her, and so intently that he at last imagined he could distinguish her profile, divine in its purity and expression of suffering. But this was only an illusion; the painting had greatly suffered, blackened by time and neglect; and he asked himself whose work it might be that it should move him so intensely. On the adjoining wall a picture of a Madonna, a bad copy of an eighteenth-century painting, irritated him by the banality of its smile.

Night was falling faster and faster, and, opening the sitting-room window, Pierre leant out. On the other bank of the Tiber facing him arose the Janiculum, the height whence he had gazed upon Rome that morning. But at this dim hour Rome was no longer the city of youth and dreamland soaring into the early sunshine. The night was raining down, grey and ashen; the horizon was becoming blurred, vague, and mournful. Yonder, to the left, beyond the sea of roofs, Pierre could still divine the presence of the Palatine; and yonder, to the right, there still arose the Dome of St. Peter’s, now grey like slate against the leaden sky; whilst behind him the Quirinal, which he could not see, must also be fading away into the misty night. A few minutes went by, and everything became yet more blurred; he realised that Rome was fading, departing in its immensity of which he knew nothing. Then his causeless doubt and disquietude again came on him so painfully that he could no longer remain at the window. He closed it and sat down, letting the darkness submerge him with its flood of infinite sadness. And his despairing reverie only ceased when the door gently opened and the glow of a lamp enlivened the room.

It was Victorine who came in quietly, bringing the light. “Ah! so you are up, Monsieur l’Abbe,” said she; “I came in at about four o’clock but I let you sleep on. You have done quite right to take all the rest you required.”

Then, as he complained of pains and shivering, she became anxious. “Don’t go catching their nasty fevers,” she said. “It isn’t at all healthy near their river, you know. Don Vigilio, his Eminence’s secretary, is always having the fever, and I assure you that it isn’t pleasant.”

She accordingly advised him to remain upstairs and lie down again. She would excuse his absence to the Princess and the Contessina. And he ended by letting her do as she desired, for he was in no state to have any will of his own. By her advice he dined, partaking of some soup, a wing of a chicken, and some preserves, which Giaccomo, the big lackey, brought up to him. And the food did him a great deal of good; he felt so restored that he refused to go to bed, desiring, said he, to thank the ladies that very evening for their kindly hospitality. As Donna Serafina received on Mondays he would present himself before her.

“Very good,” said Victorine approvingly. “As you are all right again it can do you no harm, it will even enliven you. The best thing will be for Don Vigilio to come for you at nine o’clock and accompany you. Wait for him here.”

Pierre had just washed and put on the new cassock he had brought with him, when, at nine o’clock precisely, he heard a discreet knock at his door. A little priest came in, a man scarcely thirty years of age, but thin and debile of build, with a long, seared, saffron-coloured face. For two years past attacks of fever, coming on every day at the same hour, had been consuming him. Nevertheless, whenever he forgot to control the black eyes which lighted his yellow face, they shone out ardently with the glow of his fiery soul. He bowed, and then in fluent French introduced himself in this simple fashion: “Don Vigilio, Monsieur l’Abbe, who is entirely at your service. If you are willing, we will go down.”

Pierre immediately followed him, expressing his thanks, and Don Vigilio, relapsing into silence, answered his remarks with a smile. Having descended the small staircase, they found themselves on the second floor, on the spacious landing of the grand staircase. And Pierre was surprised and saddened by the scanty illumination, which, as in some dingy lodging-house, was limited to a few gas-jets, placed far apart, their yellow splotches but faintly relieving the deep gloom of the lofty, endless corridors. All was gigantic and funereal. Even on the landing, where was the entrance to Donna Serafina’s apartments, facing those occupied by her niece, nothing indicated that a reception was being held that evening. The door remained closed, not a sound came from the rooms, a death-like silence arose from the whole palace. And Don Vigilio did not even ring, but, after a fresh bow, discreetly turned the door-handle.

A single petroleum lamp, placed on a table, lighted the ante-room, a large apartment with bare fresco-painted walls, simulating hangings of red and gold, draped regularly all around in the antique fashion. A few men’s overcoats and two ladies’ mantles lay on the chairs, whilst a pier table was littered with hats, and a servant sat there dozing, with his back to the wall.

However, as Don Vigilio stepped aside to allow Pierre to enter a first reception-room, hung with red brocatelle, a room but dimly lighted and which he imagined to be empty, the young priest found himself face to face with an apparition in black, a woman whose features he could not at first distinguish. Fortunately he heard his companion say, with a low bow, “Contessina, I have the honour to present to you Monsieur l’Abbe Pierre Froment, who arrived from France this morning.”

Then, for a moment, Pierre remained alone with Benedetta in that deserted salon, in the sleepy glimmer of two lace-veiled lamps. At present, however, a sound of voices came from a room beyond, a larger apartment whose doorway, with folding doors thrown wide open, described a parallelogram of brighter light.

The young woman at once showed herself very affable, with perfect simplicity of manner: “Ah! I am happy to see you, Monsieur l’Abbe. I was afraid that your indisposition might be serious. You are quite recovered now, are you not?”

Pierre listened to her, fascinated by her slow and rather thick voice, in which restrained passion seemed to mingle with much prudent good sense. And at last he saw her, with her hair so heavy and so dark, her skin so white, the whiteness of ivory. She had a round face, with somewhat full lips, a small refined nose, features as delicate as a child’s. But it was especially her eyes that lived, immense eyes, whose infinite depths none could fathom. Was she slumbering? Was she dreaming? Did her motionless face conceal the ardent tension of a great saint and a great amorosa? So white, so young, and so calm, her every movement was harmonious, her appearance at once very staid, very noble, and very rhythmical. In her ears she wore two large pearls of matchless purity, pearls which had come from a famous necklace of her mother’s, known throughout Rome.

Pierre apologised and thanked her. “You see me in confusion, madame,” said he; “I should have liked to express to you this morning my gratitude for your great kindness.”

He had hesitated to call her madame, remembering the plea brought forward in the suit for the dissolution of her marriage. But plainly enough everybody must call her madame. Moreover, her face had retained its calm and kindly expression.

“Consider yourself at home here, Monsieur l’Abbe,” she responded, wishing to put him at his ease. “It is sufficient that our relative, Monsieur de la Choue, should be fond of you, and take interest in your work. I have, you know, much affection for him.” Then her voice faltered slightly, for she realised that she ought to speak of the book, the one reason of Pierre’s journey and her proffered hospitality. “Yes,” she added, “the Viscount sent me your book. I read it and found it very beautiful. It disturbed me. But I am only an ignoramus, and certainly failed to understand everything in it. We must talk it over together; you will explain your ideas to me, won’t you, Monsieur l’Abbe?”

In her large clear eyes, which did not know how to lie, Pierre then read the surprise and emotion of a child’s soul when confronted by disquieting and undreamt-of problems. So it was not she who had become impassioned and had desired to have him near her that she might sustain him and assist his victory. Once again, and this time very keenly, he suspected a secret influence, a hidden hand which was directing everything towards some unknown goal. However, he was charmed by so much simplicity and frankness in so beautiful, young, and noble a creature; and he gave himself to her after the exchange of those few words, and was about to tell her that she might absolutely dispose of him, when he was interrupted by the advent of another woman, whose tall, slight figure, also clad in black, stood out strongly against the luminous background of the further reception-room as seen through the open doorway.

“Well, Benedetta, have you sent Giaccomo up to see?” asked the newcomer. “Don Vigilio has just come down and he is quite alone. It is improper.”

“No, no, aunt. Monsieur l’Abbe is here,” was the reply of Benedetta, hastening to introduce the young priest. “Monsieur l’Abbe Pierre Froment – The Princess Boccanera.”

Ceremonious salutations were exchanged. The Princess must have been nearly sixty, but she laced herself so tightly that from behind one might have taken her for a young woman. This tight lacing, however, was her last coquetry. Her hair, though still plentiful, was quite white, her eyebrows alone remaining black in her long, wrinkled face, from which projected the large obstinate nose of the family. She had never been beautiful, and had remained a spinster, wounded to the heart by the selection of Count Brandini, who had preferred her younger sister, Ernesta. From that moment she had resolved to seek consolation and satisfaction in family pride alone, the hereditary pride of the great name which she bore. The Boccaneras had already supplied two Popes to the Church, and she hoped that before she died her brother would become the third. She had transformed herself into his housekeeper, as it were, remaining with him, watching over him, and advising him, managing all the household affairs herself, and accomplishing miracles in order to conceal the slow ruin which was bringing the ceilings about their heads. If every Monday for thirty years past she had continued receiving a few intimates, all of them folks of the Vatican, it was from high political considerations, so that her drawing-room might remain a meeting-place of the black world, a power and a threat.

And Pierre divined by her greeting that she deemed him of little account, petty foreign priest that he was, not even a prelate. This too again surprised him, again brought the puzzling question to the fore: Why had he been invited, what was expected of him in this society from which the humble were usually excluded? Knowing the Princess to be austerely devout, he at last fancied that she received him solely out of regard for her kinsman, the Viscount, for in her turn she only found these words of welcome: “We are so pleased to receive good news of Monsieur de la Choue! He brought us such a beautiful pilgrimage two years ago.”

Passing the first through the doorway, she at last ushered the young priest into the adjoining reception-room. It was a spacious square apartment, hung with old yellow brocatelle of a flowery Louis XIV pattern. The lofty ceiling was adorned with a very fine panelling, carved and coloured, with gilded roses in each compartment. The furniture, however, was of all sorts. There were some high mirrors, a couple of superb gilded pier tables, and a few handsome seventeenth-century arm-chairs; but all the rest was wretched. A heavy round table of first-empire style, which had come nobody knew whence, caught the eye with a medley of anomalous articles picked up at some bazaar, and a quantity of cheap photographs littered the costly marble tops of the pier tables. No interesting article of virtu was to be seen. The old paintings on the walls were with two exceptions feebly executed. There was a delightful example of an unknown primitive master, a fourteenth-century Visitation, in which the Virgin had the stature and pure delicacy of a child of ten, whilst the Archangel, huge and superb, inundated her with a stream of dazzling, superhuman love; and in front of this hung an antique family portrait, depicting a very beautiful young girl in a turban, who was thought to be Cassia Boccanera, the amorosa and avengeress who had flung herself into the Tiber with her brother Ercole and the corpse of her lover, Flavio Corradini. Four lamps threw a broad, peaceful glow over the faded room, and, like a melancholy sunset, tinged it with yellow. It looked grave and bare, with not even a flower in a vase to brighten it.

In a few words Donna Serafina at once introduced Pierre to the company; and in the silence, the pause which ensued in the conversation, he felt that every eye was fixed upon him as upon a promised and expected curiosity. There were altogether some ten persons present, among them being Dario, who stood talking with little Princess Celia Buongiovanni, whilst the elderly relative who had brought the latter sat whispering to a prelate, Monsignor Nani, in a dim corner. Pierre, however, had been particularly struck by the name of Consistorial-Advocate Morano, of whose position in the house Viscount de la Choue had thought proper to inform him in order to avert any unpleasant blunder. For thirty years past Morano had been Donna Serafina’s amico. Their connection, formerly a guilty one, for the advocate had wife and children of his own, had in course of time, since he had been left a widower, become one of those liaisons which tolerant people excuse and except. Both parties were extremely devout and had certainly assured themselves of all needful “indulgences.” And thus Morano was there in the seat which he had always taken for a quarter of a century past, a seat beside the chimney-piece, though as yet the winter fire had not been lighted, and when Donna Serafina had discharged her duties as mistress of the house, she returned to her own place in front of him, on the other side of the chimney.