The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3)

Philip Morin Freneau

The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3)

PREFACE

The present edition of the poetical works of Philip Freneau was begun at the advice of the late lamented Moses Coit Tyler. In his opinion there were few fields in American history that needed exploring more, and few that would require on the part of the explorer more of the Columbus spirit.

It would be almost impossible for a poet to pass more completely into the shadow than has Freneau during the century since his activities closed. His poems are, almost all of them in their earliest editions, exceedingly rare and costly and only to be read by those who can have access to the largest libraries, his letters and papers have almost entirely disappeared, and his biography in almost every book of reference has been so distorted by misstatement and omission as to be really grotesque.

This neglect has resulted not from lack of real worth in the man, but from prejudices born during one of the most bitter and stormy eras of partisan politics that America has ever known. What Sidney Smith said of Scotland at this period was true here: "The principles of the French Revolution were fully afloat and it is impossible to conceive a more violent and agitated state of society." Freneau was a victim of this intense era. New England rejected him with scorn and all admirers of Washington echoed his epithet, "that rascal Freneau." Thus it has become the tradition to belittle his work, to vilify his character, and to sum up his whole career, as a prominent New Englander has recently done, by alluding to him as a "creature of the opposition."

Unprejudiced criticism, however, has always exalted Freneau's work. The great Scotch dictator Jeffrey, with all his scorn for American literature, could say that "the time would arrive when his poetry, like that of Hudibras, would command a commentator like Gray;" and Sir Walter Scott once declared that "Eutaw Springs [was] as fine a thing as there is of the kind in the language." E. A. Duyckinck did not hesitate to group him as one of "four of the most original writers whom the country has produced," and S. G. W. Benjamin could say in 1887: "In all the history of American letters, or of the United States press, there is no figure more interesting or remarkable, no career more versatile and varied than that of Philip Freneau." Such testimony might be multiplied. Surely had the poet been an ordinary man, Jefferson would never have said "his paper has saved our Constitution," Madison would not have pronounced him a man of genius, and Adams would hardly have admitted that he was a leading element in his defeat.

I have endeavored not only to rescue the most significant of Freneau's poems, but to arrange them as far as possible in their order of composition, or at least in the order in which they first appeared in print. It has seemed to me highly important to do this since such an arrangement, especially with a poet like Freneau, who drew his themes almost wholly from the range of his own observation, would be virtually an autobiography, and since it would also furnish a running commentary upon the history of a stirring period in our annals. The task has been no slight one. It has necessitated a search through the files of a large proportion of the early newspapers and periodicals and a minute investigation of every other source of possible information.

Much material has been rescued that, as far as the public was concerned, had practically become extinct. I have introduced the unique fragment of an unpublished drama, "The Spy," which I was the first to explore. I have taken pains to reproduce the poet's early poetical pamphlets dealing with the first year of the Revolution, not one of which has ever been republished. The revisions of many of these used by Freneau in his later collections were so thoroughgoing as to be in reality entirely new poems. "The Voyage to Boston," for instance, published during the siege of Boston, was cut down for the 1786 edition from six hundred and five lines to three hundred and six lines, and of these more than half were entirely changed. From the standpoint of the historian, at least, the original version is much more valuable than that made several years after the war was over. This is true of all the earlier pamphlet poems. Aside from their value as specimens of Freneau's earlier muse they are valuable commentaries on the history of the stormy times that called them forth, and I have not hesitated to reprint them verbatim in connection with the revised versions. The pamphlet poems "American Liberty" and "General Gage's Confession," (until recently supposed to have been lost) exist only in unique copies. Freneau never attempted to revise them. Some of the other early poems, notably "The House of Night," I have annotated with care, showing the evolution of the poem from its first nucleus to its final fragmentary form. In the case of a few of the more important poems, especially those dealing with the Revolution, I have given variorum readings.

Aside from this early material, which has a real historical value, I have introduced very few poems not included in Freneau's collected editions of 1786, 1788, 1795, 1809 and 1815. Previous to 1795 the poet reprinted with miserly care almost all the verses which he had contributed to the press. In his later years he was more prodigal of his creations. I have, however, reprinted from newspapers very few poems not found elsewhere, and these few only on the best evidence that they were genuine, for it has been my experience that when a poem is not to be found in the collected editions of the poet it is almost certain that it is not genuine. In justice to Freneau, who had the welfare of his writings much at heart, and who cut and pruned and remodeled with tireless hand, I have usually given the latest version.

I wish to acknowledge here my great indebtedness to the descendants of Philip Freneau, especially Miss Adele M. Sweeney, Mr. Weymer J. Mills, Mrs. Helen K. Vreeland, and Mrs. Eleanor F. Noël, who have allowed me to consult freely all the papers and literary remains of the poet and have supplied me with all possible information. I would also express my great obligation to many librarians, collectors, and scholars, who have cheerfully aided me, especially to Mr. Wilberforce Eames, of the New York Public Library, the late Paul Leicester Ford, Mr. Robert H. Kelby, of the New York Historical Society, Mr. John W. Jordan, of the Pennsylvania Historical Society, Mr. A. S. Salley, Jr., of Charleston, S. C., Mr. E. M. Barton, of the American Antiquarian Society, and Dr. E. C. Richardson, of Princeton University, who with their courteous helpfulness have made possible the work. I wish also to express my thanks to Professor A. Howry Espenshade, and Mr. John Rogers Williams, to whose careful and patient work upon the proofs the accuracy of the text depends.

F. L. P.

State College, Pa., Sept. 19, 1902.

LIFE OF PHILIP FRENEAU

1752-1832

LIFE OF PHILIP FRENEAU

I

In the possession of the Freneau descendants there is an old French Bible, printed in Geneva, Switzerland, in 1587, which preserves an unbroken roll of the heads of the family back to the original owner of the book, Philip Fresneau, who on his death-bed in La Chapelle, France, in 1590, gave it into the hands of his eldest son. For five generations the book remained in the little suburban village, its possessors sturdy, industrious tradesmen, who stood high in the esteem of their community and yet who on account of their Protestant faith were often imposed upon and at times even persecuted. It was doubtless this feeling of insecurity, if not positive persecution, which compelled André Fresneau, like so many of his fellow Huguenots, to leave his native village and to seek a home in a more tolerant land.

He landed in New York in 1707. He was in his thirty-sixth year, an active, handsome man, almost brilliant in certain directions, of pleasing address, and skilled from his youth in the handling of affairs. He became at once a leader in the little Huguenot Colony whose center was the quaint old church "du St. Esprit" on Pine street. He was soon in the midst of a thriving shipping business, dealing largely in imported wines, and in 1710, three years after his arrival, he was able to furnish a beautiful home on Pearl street, near Hanover Square, for his young bride, Mary Morin, a daughter of Pierre Morin, of the French Congregation. Of the comfort and hospitality of this home there are many contemporary references. John Fontaine, the French traveller, was entertained here in 1716 and he speaks highly of his host and his entertainment.1

In 1721 Mrs. Fresneau died at the early age of twenty-seven, leaving behind a family of five children, the oldest only nine years of age. Four years later the father followed. But the young family was far from destitute. The business house in New York had grown to be very profitable and there was a large landed estate in eastern New Jersey, a part of which was sold in 1740. Soon the two eldest sons, Andrew, born 1712, and Pierre, born January 22, 1718, were able to continue their father's business. For years their firm name was familiar in New York.

Pierre Freneau (the family seem to have dropped the "s" about 1725) was married in 1748 to Agnes Watson, daughter of Richard Watson, of Freehold, whose property bordered upon the Freneau estate. They made their home in Frankfort street, New York, and here on January 2 (O. S.), 1752, was born their eldest child, Philip Morin Freneau, the subject of our sketch. Four other children came from their union, of whom only one, Peter, born April 5, 1757, who in later years became a prominent figure in Charleston, S. C., need be mentioned.

The home of the Freneau's was one of comfort and even refinement. There was a large and well selected library, the pride of its owner. "There," he would say to his visitors, pointing to his books, "use them freely, for among them you will find your truest friends." He delighted in men of refinement, and his home became a social center for the lovers of books and of culture. He looked carefully after the education of his children; and all of them early became omnivorous readers. In such an environment the young poet passed his first ten years.

In 1762 the family decided to leave New York and to make their home permanently on their estate, "Mount Pleasant," near Middletown Point, N. J. The estate at this time contained nearly a thousand acres, and with its large buildings, its slaves and its broad area under cultivation, was in many respects like a southern plantation. Heretofore the elder Freneau had made it of secondary importance. He had used it as a summer resort, and as a pleasant relief to the monotony of his city business, but now, perhaps on account of failing health, he determined to devote to it all of his energies. Philip was left behind in New York. For the next three years he lived at a boarding school in the city, going home only during the long vacations. At the age of thirteen he was sent to the Latin school at Penolopen, then presided over by the Rev. Alexander Mitchell, to prepare for college.

The father of the family died Oct. 17, 1767. This, however, did not disturb the plans of the eldest son, and on Nov. 7, 1768, he entered the sophomore class at Princeton so well prepared that President Witherspoon is said to have sent a letter of congratulation to his mother.

II

Of the college life of Philip Freneau we have only fragmentary records. He was in his sixteenth year when he entered, a somewhat dreamy youth who had read very widely, especially in the English poets and the Latin classics, and who already commanded a facile pen, especially in the field of heroic verse. During the year in which he entered Princeton he composed two long poems, "The History of the Prophet Jonah," and "The Village Merchant," – surely notable work for the pen of a college sophomore. During the following year he wrote "The Pyramids of Egypt," and before his graduation he had completed several other pieces, some of them full of real poetic inspiration.

The period during which Freneau resided at Princeton was a most significant one. In the same class with him were James Madison, H. H. Brackenridge, the author of "Modern Chivalry" and a conspicuous figure in later Pennsylvania history, and Samuel Spring, who was to become widely influential in religious circles. In the class below him were the refined and scholarly William Bradford and the brilliant Aaron Burr. The shadow of the coming struggle with Great Britain was already lengthening over the Colonies and nowhere was its presence more manifest than in the colleges, always the most sensitive areas in times of tyranny and oppression. On August 6, 1770, the senior class at Princeton voted unanimously to appear at commencement dressed in American manufactures.

Another circumstance made the period a notable one. On June 24, 1769, a little band of students, headed by Madison, Brackenridge, Bradford and Freneau, organized an undergraduate fraternity to be called the American Whig Society. One year later The Well Meaning Club, a rival literary organization founded in 1765, became the Cliosophic Society. The act was the signal for a war, the echoes of which have even yet not died away at Princeton. There exists a manuscript book,2 rescued from the papers of William Bradford, in which are preserved the poetic tirades, called forth in this first onset. Its title page is as follows:

"Satires | against the Tories. | Written in the last War between the Whigs & Cliosophians | in which | the former obtained a compleat Victory.

– Arm'd for virtue now we point the penBrand the bold front of shameless, guilty menDash the proud Tory in his gilded CarBare the mean heart that hides beneath a star."

It opens with ten "pastorals" by Brackenridge, of which the ninth begins thus:

"Spring's Soliloquy that morning before he hung himself.O World adieu! the doleful time draws nighI cannot live and yet I fear to dieWarford is dead! and in his turn FreneauWill send me headlong to the shades below.What raging fury or what baleful StarDid find – ingulph me in the whiggish warThe deeds of darkness which my soul hath doneAre now apparent as the noon-day sunA Thousand things as yet remain untoldMy secret practice and my sins of old."

Then follow several satires by Freneau, full of fire and invective, but like the work of all the others, not always refined or quotable in print. His satire, "McSwiggen," printed in 1775, contains nearly half of the poems, – the only lines indeed which are of any real merit. The three concluding poems of the collection, and these by all means the worst of the lot, are from no less a pen than Madison's. No patriotic citizen will ever venture to resurrect them.

There is a tradition very widely current that Freneau was for a time the room-mate of Madison. However this may be, there is no question as to who was his most intimate friend. With Brackenridge he had much in common. Both had dreams of a literary life, both had read largely in polite literature, both scribbled constantly in prose and verse. In the same manuscript volume with the Clio-Whig satires there is an extensive fragment of a novel written alternately by Brackenridge and Freneau, between September 20th and October 22d, 1770. Its manuscript title page is as follows:

"Father Bombo's | Pilgrimage to Mecca in Arabia. | Vol. II. | Wherein is given a true account of the innumerable and | surprizing adventures which befell him in the course of that | long and tedious Journey, | Till he once more returned safe to his native Land, as related | by his own mouth. | Written By B. H. and P. F. – 1770.

Mutato nomineFabula de te narratur —Hor.Change but the nameThe story's told of you.MDVIILXX."

The adventures of the hero read like chapters from the "Arabian Nights." He has been for seven days a close captive on a French man-of-war, but he is rescued by an Irish privateer, only to be taken for a wizard and thrown overboard in a cask which is finally washed ashore on the north coast of Ireland. It would be useless to recount all of his adventures both afloat and ashore. He finally succeeds in reaching Mecca, and in returning safely home to America. The final chapter recounts the details of his death and moralizes on his life and character.

The work is crude and hasty. Whole chapters of it were evidently written at one sitting. The part signed H. B. is unquestionably the best; the prose is vigorous and the movement rapid. The only merit in Freneau's section lies in its lyric lament at the close of one of the chapters. The hero suddenly bursts into minor song, the opening stanzas of which are:

Sweet are the flow'rs that crown the ValeAnd sweet the spicy breathing GaleThat murmurs o'er the hills:See how the distant lowing throngThro' verdant pastures move along,Or drink the Limpid Streams and crystal rills.Ah see in yonder gloomy GroveThe Shepherd tells his tale of LoveAnd clasps the wanton fair:While winds and trees and shades conspireTo fann with Love the Gentle Fire,And banish every black and boding care.But what has Love to do with meUnknown ashore, distress'd by sea,Now hast'ning to the Tomb:Whilst here I rove, and pine and weep,Sav'd from the fury of the deepTo find alas on shore a harder doom.

The nature of the undergraduate work done by Princeton in Freneau's time was thus summed up by President Witherspoon in his "Address to the Inhabitants of Jamaica," published in Philadelphia in 1772:

"In the first year they read Latin and Greek, with the Roman and Grecian antiquities, and Rhetoric. In the second, continuing the study of the languages, they learn a compleat system of Geography, with the use of the globes, the first principles of Philosophy, and the elements of mathematical knowledge. The third, though the languages are not wholly omitted, is chiefly employed in Mathematics and Natural Philosophy. And the senior year is employed in reading the higher classics, proceeding in the Mathematics and Natural Philosophy and going through a course of Moral Philosophy. In addition to these, the President gives lectures to the juniors and seniors, which consequently every Student hears twice over in his course, first, upon Chronology and History, and afterwards upon Composition and Criticism. He has also taught the French language last winter, and it will continue to be taught to all who desire to learn it. * * *

"As we have never yet been obliged to omit or alter it for want of scholars, there is a fixed Annual Commencement on the last Wednesday of September, when, after a variety of public exercises, always attended by a vast concourse of the politest company, from the different parts of this province and the cities of New York and Philadelphia. * * *"

Of Freneau's proficiency as a student we have no record. Of the details of the Commencement of September 25, 1771, when he received his degree, we have but a brief account. Brackenridge opened the exercises with a salutatory, and following came four other exercises which completed the morning's programme.

The audience assembled again at three, and after singing by the students there came:

"6. An English forensic dispute on this question, 'Does ancient poetry excel the modern?' Mr. Freneau, the respondent, his arguments in favor of the ancients were read. Mr. Williamson answered him and Mr. McKnight replied."

"7. A poem on 'The Rising Glory of America,' by Mr. Brackenridge, was received with great applause by the audience."

Madison on account of ill health did not appear.

The "Rising Glory" had been written conjointly by Brackenridge and Freneau. Although the former was given on the Commencement programme full credit for the exercise, it was surely Freneau who conceived the work and who gave it its strength and high literary value. Brackenridge in later years confessed to his son that "on his part it was a task of labor, while the verse of his associate flowed spontaneously." The poem was printed in Philadelphia the following year, and in 1786 Freneau isolated his own portion for publication in the first edition of his works.

This detaching of Freneau's portion from the complete work destroyed at the outset the original unity of the piece. The changes and omissions made necessary by the process of separating the part from the whole, the deliberate readjustment of perspective to bring the poem up to the historical conditions of the later date, and the careful editing which strove to remove blemishes and weaknesses due to inexperience, combine to make the 1786 version practically a new poem.

The first glimpse of Freneau after his graduation from Princeton is furnished by a letter to Madison, dated Somerset County, in Maryland, November 22, 1772:3

"If I am not wrongly informed by my memory, I have not seen you since last April, you may recollect I was then undertaking a School at Flatbush on Long Island. I did not enter upon the business it is certain and continued in it thirteen days – but – 'Long Island I have bid adieu, With all its bruitish, brainless crew. The youth of that detested place, Are void of reason and of grace. From Flushing hills to Flatbush plains, Deep ignorance unrivalld reigns.' I'm very poetical, but excuse it. 'Si fama non venit ad aures,' – if you have not heard the rumour of this story (which, by the by is told in various taverns and eating houses) you must allow me to be a little prolix with it. Those who employed me were some gentlemen of New York, some of them are bullies, some merchants, and others Scoundrels: They sent me eight children, the eldest of whom was 10 years. Some could read, others spell and a few stammer over a chapter of the Bible – these were my pupils and over these was I to preside. My salary moreover was £40, – there is something else relating to that I shall not at present mention – after I forsook them they proscribed me for four days and swore that if I was caught in New York they would either Trounce or Maim me: but I luckily escaped with my goods to Princetown – where I remained till commencement – so much for this affair.

"I have printed a poem in New York called the American Village, containing about 450 Lines, also a few short pieces added; I would send you one if I had a proper opportunity – the additional poems are – A Poem to the Nymph I never saw – The miserable Life of a Pedagogue – and Stanzas on an ancient Dutch house on Long Island – As to the main poem it is damned by all good and judicious judges – my name is in the title page, this is called vanity by some – but 'who so fond as youthful bards of fame?'

"I arrived at this Somerset Academy the 18th of October, and intend to remain here till next October. I am assistant to Mr. Brakenridge. This is the last time I shall enter into such a business; it worries me to death and by no means suits my 'giddy, wandring brain.' I would go over for the gown this time two years, but the old hag Necessity has got such a prodigious gripe of me that I fear I shall never be able to accomplish it. I believe if I cannot make this out I must turn quack, and indeed I am now reading Physic at my leisure hours, that is, when I am neither sleeping, hearing classes, or writing Poetry – for these three take up all my time.

"It is now late at night, not an hour ago I finished a little poem of about 400 lines, entitled a Journey to Maryland – being the Sum of my adventures – it begins 'From that fam'd town where Hudson's flood – unites with Stream perhaps as good; Muse has your bard begun to roam – & I intend to write a terrible Satire upon certain vicious persons of quality in New York – who have also used me ill – and print it next fall it shall contain 5 or 600 lines. Sometimes I write pastorals to shew my Wit.

'Deep to the woods I sing a Shepherd's care,Deep to the woods, Cyllenus calls me there,The last retreat of Love and Verse I go,Verse made me mad at first and – will keep me so.'

"I should have been glad to have heard from you before now; while I was in college I had but a short participation of your agreeable friendship, and the few persons I converse with and yet fewer, whose conversation I delight in, make me regret the Loss of it. I have met with a variety of rebuffs this year, which I forbear to mention, I look like an unmeaning Teague just turn'd out of the hold of an irish Ship coming down hither I met with a rare adventure at Annapolis. I was destitute even of a brass farthing. I got clear very handsomely.