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The Mysteries of Paris, Volume 2 of 6
Eugène Sue
The Mysteries of Paris, Volume 2 of 6
CHAPTER I
THE BALL
Belonging to one of the first families in France, still young, and with a face that would have been agreeable had it not been for the almost ridiculous and disproportionate length of his nose, M. de Lucenay joined to a restless love of constant motion the habit of talking and laughing fearfully loud upon subjects quite at variance with good taste or polished manners, and throwing himself into attitudes so abrupt and awkward that it was only by recalling who he was, that his being found in the midst of the most distinguished societies in Paris could be accounted for, or a reason assigned for tolerating his gestures and language; for both of which he had now, by dint of long practice and adherence, acquired a sort of free license or impunity. He was shunned like the plague, although not deficient in a certain description of wit, which told here and there amid the indescribable confusion of remarkable phraseology which he allowed himself the use of; in fact, he was one of those unintentional instruments of vengeance one would always like to employ in the wholesale chastisement of persons who have rendered themselves either ridiculous or abhorrent.
The Duchess de Lucenay, one of the most agreeable, and, at the same time, most fashionable women in Paris (spite of her having numbered thirty summers), had more than once furnished matter of conversation among the scandal-dealers of Paris; but her errors, whatever they were supposed to be, were pardoned, in consideration of the heavy drawback of such a partner as M. de Lucenay.
Another feature in the character of this latter-named individual was a singular affectation of the most absurd and unknown expressions, relative to imaginary complaints and ridiculous infirmities he amused himself in supposing you suffered from, and concerning which he would make earnest inquiries, in a loud voice, and in the immediate presence of a hundred persons. But possessed of first-rate courage, and always ready to take the consequences of his disagreeable jokes, M. de Lucenay had been concerned in various affairs of honour arising out of them, with varied success; coming off sometimes victor, sometimes vanquished, without being in any way cured of his unpleasant and annoying tricks.
All this premised, we will ask the reader to imagine the loud, harsh voice of the personage we have been describing, shouting from the distance at which he first recognised Madame d'Harville and Sarah:
"Holla! holla! who is that out there? Come, who is it? Let's see. What! the prettiest woman at the ball sitting out here, away from everybody! I can't have this; it is high time I returned from the other end of the world to put a stop to such doings as this. I tell you what, marquise, if you persist in thus concealing yourself from general view, and cheating people from looking at you, I will set up a cry of fire! fire! that shall bring every one out of the ballroom, around you."
And then, by way of terminating his discourse, M. de Lucenay threw himself almost on his back beside the two ladies, crossed his left leg over his right thigh, and held his foot in his hand.
"You have soon returned from Constantinople, my lord," observed Madame d'Harville, fancying it was necessary to say something, and, at the same time, drawing away from her unpleasant neighbour with ill-concealed impatience.
"Ah, that is just what my wife said! 'Already back, my lord?' exclaimed she, when she saw me alight from my travelling-carriage; 'Why, bless me, I did not expect you so soon!' And, do you know, instead of flying to my arms, as if the surprise had delighted her, she turned quite sulky, and refused to appear with me at this, my first ball since my return! And, upon my soul, I declare her staying away has caused a far greater sensation than my presence, – droll, isn't it? 'Pon my life, I declare I can't make it out. When she is with me, nobody pays the least attention to me; but when I entered the room alone to-night, such a crowd came humming and buzzing around me, all calling out at once, 'Where is Madame de Lucenay? Is not she coming this evening? Oh, dear, what a disappointment! How vexatious! How disagreeable!' etc., etc. And then, marquise, when I come where you are, and expect, after returning all the way from Constantinople, you will be overjoyed to see me, you look upon me as if I were a dog running amidst an interesting game of ninepins; and yet, for all I see, I am just as agreeable as other people."
"And it would have been so easy for you to have continued agreeable – in the East," added Madame d'Harville, slightly smiling.
"Stop abroad, you mean, I suppose; yes, I dare say. I tell you I could not, and I would not; and it is not quite what I like, to hear you say so!" exclaimed M. de Lucenay, uncrossing his legs, and beating the crown of his hat after the fashion of a tambourine.
"Well, for heaven's sake, my lord, be still, and do not call out so very loudly," said Madame d'Harville, angrily, "or really you will compel me to change my place."
"Change your place! Ah, to be sure! You want to take my arm, and walk about the gallery a little; come along, then, I'm ready."
"Walk with you! Certainly not! And pray let me beg of you not to meddle with that bouquet – and have the goodness not to touch the fan either; you will only break it, as you always do."
"Oh, bless you! talking of breaking fans, I am unlucky. Did my wife ever show you a magnificent Chinese fan, given to her by Madame de Vaudémont? Well, I broke that!" And, having delivered himself of these comforting words, M. de Lucenay again threw himself back on the divan he had been lounging on, but, with his accustomed gaucherie, contrived to pitch himself over the back of it, on to the ground, grasping in his hand a quantity of the floating wreaths of climbing plants which depended from the boughs of the trees under which the party was sitting, and which he had been, for some time, amusing himself with essaying to catch, as, moved by the light breeze admitted into the place, they undulated gracefully over his head. The suddenness of his fall brought down, not only those he held, but the parent stems belonging to them; and poor De Lucenay was so covered by the mass of foliage thus unexpectedly obtained, that, ere he could thoroughly disengage himself from their circling tendrils, he presented the appearance of some monarch of May-day crowned with his leafy diadem. So whimsical an appearance as he presented drew down roars of deafening, stunning laughter; much to the annoyance of Madame d'Harville, who would quickly have got out of the vicinity of so awkward and unpleasant a person had she not perceived M. Charles Robert (the commandant of Madame Pipelet's accounts) advancing from the other end of the gallery; and, unwilling to appear as though going to meet him, she once more resumed her seat beside M. de Lucenay.
"I say, Lady Macgregor," vociferated the incorrigible De Lucenay, "didn't I look preciously like a wild man of the woods, or the god Pan, or a sylvan, or a naiad, or some of those savage creatures, with that green wreath round my head? Oh, but talking of savages," added he, abruptly approaching Sarah, "Lady Macgregor, I must tell you a most outrageously indecent story. Just imagine that at Otaheite – "
"My lord duke – " interrupted Sarah, in a tone of freezing rebuke.
"Just as you like, – you are not obliged to hear my story if you don't like it; you are the loser, that's all. Ah! I see Madame de Fonbonne out there; I shall keep it for her; she is a dear, kind creature, and will be delighted to hear it; so I'll save it for her."
Madame de Fonbonne was a fat little woman, of about fifty years of age, very pretending, and very ridiculous. Her fat double chin rested on her equally fat throat; and she was continually talking, with upturned eyes, of her tender, her sensitive soul; the languor of her soul; the craving of her soul; the aspirations of her soul. To these disadvantages, she added the additional one of being particularly ill-dressed, upon the present occasion, in a horrible-looking copper-coloured turban, with a sprinkling of green flowers over it.
"Yes," again asserted De Lucenay, in his loudest voice, "that charming anecdote shall be told to Madame de Fonbonne."
"May I be permitted, my lord duke, to inquire the subject of your conversation?" said the lady thus apostrophised, who, hearing her name mentioned, immediately commenced her usual mincing, bridling attempts to draw up her chubby self, but, failing in the effort, fell back upon the easier manœuvre of "rolling up the whites of her eyes," as it is commonly called.
"It refers, madame, to a most horribly indecent, revolting, and strange story."
"Heaven bless me! and who dares – oh, dear me, who would venture – "
"I would, madame. I can answer for the truth of the anecdote, and that it would make a stick or a stone blush to hear it; but, as I am aware how dearly you love such stories, I will relate it to you. You must know, then, that in Otaheite – "
"My lord," exclaimed the indignant lady, turning up her eyes with indignant horror, "it really is surprising you can allow yourself to – "
"Now for those unkind looks you shall not hear my pretty story either, though I had been reserving it for you. And, now I look at you, I can but wonder that you, so celebrated for the taste and good style of your dress, should have put that wretched thing on your head for a turban, but which looks more like an old copper baking-dish spotted all over with verdigris." So saying, the duke, as if charmed with his own wit, burst into a loud and long peal of laughter.
"If, my lord," exclaimed the enraged lady, "you merely returned from the East to resume your offensive jokes, which are tolerated because you are supposed to be only half in your senses, all who know you are bound to hope you intend to return as quickly as you came;" saying which she arose, and majestically waddled away.
"I tell you what, Lady Macgregor, if I don't take devilish good care, I shall let fly at that stupid old prude and pull her old stew-pan off her head," said M. de Lucenay, thrusting his hands deep down into his pockets as if to prevent their committing the retaliating mischief he contemplated. "But no," said he, after a pause, "I won't hurt the 'sensitive soul,' poor innocent thing! Ha! ha! ha! Besides, think of her being an orphan at her tender age!" And renewed peals of laughter announced that the imagination of the duke had again found a fresh fund of amusement in some reminiscence of Madame de Fonbonne; which, however, soon gave place to an expression of surprise, as the figure of the commandant, sauntering towards them, caught his eye.
"Holla!" cried he, "there's M. Charles Robert. I met him last summer at the German baths; he is a deuced fine fellow, – sings like a swan. Now, marquise, I'll show you some fun, – just see how I'll bother him. Would you like me to introduce him to you?"
"Be quiet, if you can," said Sarah, turning her back most unceremoniously upon M. de Lucenay, "and let us alone, I beg."
As M. Charles Robert, while affecting to be solely occupied in admiring the rare plants on either side of him, continued to advance, M. de Lucenay had cleverly contrived to get possession of Sarah's flacon d'esprit, and was deeply and silently engaged in the interesting employment of demolishing the stopper of the trinket.
Still M. Charles Robert kept on his gradual approach to the party he was, in reality, making the object of his visit. His figure was tall and finely proportioned; his features boasted the most faultless regularity; his dress was in the first style of modern elegance; yet his countenance, his whole person, were destitute of grace, or that distingué air which is more to be coveted than mere beauty, whether of face or figure; his movements were stiff and constrained, and his hands and feet large and coarse. As he approached Madame d'Harville his insipid and insignificant countenance assumed, all at once, an expression of the deepest melancholy, too sudden to be genuine; nevertheless he acted the part as closely to nature as might be. M. Robert had the air of a man so thoroughly wretched, so oppressed by a multitude of sorrows, that as he came up to Madame d'Harville she could not help recalling to mind the fearful mention made by Sarah touching the violence to which grief such as his might drive him.
"How are you? How are you, my dear sir?" exclaimed the Duke de Lucenay, interrupting the further approach of the commandant. "I have not had the pleasure of seeing you since we met at the spas of – . But what the devil ails you, – are you ill?"
Hereupon M. Charles Robert assumed a languid and sentimental air, and, casting a melancholy look towards Madame d'Harville, replied, in a tone of deep depression:
"Indeed, my lord, I am very far from being well."
"God bless me! Why, what is the matter with you? Ah! I suppose that confounded plaguy cough still sticks to you," said M. de Lucenay, with an appearance of the most serious interest in the inquiry.
At this ridiculous question, M. Charles Robert stood for a moment as though struck dumb with astonishment, but, quickly recovering himself, said, while his face crimsoned, and his voice trembled with rage, in a short, firm voice, to M. de Lucenay:
"Since you express so much uneasiness respecting my health, my lord, I trust you will not fail calling to-morrow to know how I am."
"Upon my life and soul, my dear sir, I – but most certainly I will send," said the duke, with a haughty bow to M. Charles Robert, who, coolly returning it, walked away.
"The best of the joke is," said M. de Lucenay, throwing himself again by the side of Sarah, "that our tall friend there had no more of a spitting complaint than the great Turk himself, – unless, indeed, I stumbled upon the truth without knowing it. Well, he might have that complaint for anything I know or care. What do you think, Lady Macgregor, – did that great, tall fellow look, to you, as though he were suffering from la pituite?"1
Sarah's only reply was an indignant rising from her seat, and hasty removal from the vicinage of the annoying Duke de Lucenay.
All this had passed with the rapidity of thought. Sarah had experienced considerable difficulty in restraining her inclination to indulge in a hearty fit of laughter at the absurd question put by the Duke de Lucenay to the commandant; but Madame d'Harville had painfully sympathised with the feelings of a man so ridiculously interrogated in the presence of the woman he loved. Then, horror-struck as the probable consequences of the duke's jest rose to her mind, led away by her dread of the duel which might arise out of it, and still further instigated by a feeling of deep pity for one who seemed to her misled imagination as marked out for every venomed shaft of envy, malice, and revenge, Clémence rose abruptly from her seat, took the arm of Sarah, overtook M. Charles Robert, who was boiling over with rage, and whispered to him, as she passed:
"To-morrow, at one o'clock, I will be there."
Then, regaining the gallery with the countess, she immediately quitted the ball.
Rodolph, in appearing at this fête, besides fulfilling a duty imposed on him by his exalted rank and place in society, was further influenced by the earnest desire to ascertain how far his suspicions, as regarded Madame d'Harville, were well founded, and if she were, indeed, the heroine of Madame Pipelet's account. After quitting the winter garden with the Countess de – , he had, in vain, traversed the various salons in the hopes of meeting Madame d'Harville alone. He was returning to the hothouse when, being momentarily delayed at the top of the stairs, he was witness to the rapid scene between Madame d'Harville and M. Charles Robert after the joke played off by the Duke de Lucenay. The significant glances exchanged between Clémence and the commandant struck Rodolph powerfully, and impressed him with the firm conviction that this tall and prepossessing individual was the mysterious lodger of the Rue du Temple. Wishing for still further confirmation of the idea, he returned to the gallery. A waltz was about to commence, and in the course of a few minutes he saw M. Charles Robert standing in the doorway, evidently revelling in the satisfaction of his own ideas; enjoying, in the first place, the recollection of his own retort to M. de Lucenay (for M. Charles Robert, spite of his egregious folly and vanity, was by no means destitute of bravery), and, secondly, revelling in the triumph of thus obtaining a voluntary assignation with Madame d'Harville for the morrow; and something assured him that this time she would be punctual. Rodolph sought for Murphy.
"Do you see that fair young man," said he, "standing in the midst of that group out there?"
"You mean the tall individual who seems so much amused with his own thoughts, do you not? Yes, yes, I see him."
"Endeavour to get sufficiently near to him to be enabled to whisper, so that he alone can catch the words, while you carefully avoid allowing him to see the person who utters them, this sentence, 'You are late, my angel!'"
The squire gazed at Rodolph with a perplexed air.
"My lord, do you seriously wish me to do this?"
"Seriously, my dear Murphy, I do; and should he hastily turn around when you have spoken, assume that incomparable air of perfect nonchalance for which you are so justly celebrated, so as to prevent his being able to fix upon you as the person who has spoken."
"Depend upon my perfect obedience, my lord, although I am far from having the slightest idea of your intention in assigning to me such a task."
Before the conclusion of the waltz, the worthy Murphy had contrived to place himself immediately behind M. Charles Robert, while Rodolph, posted in a situation most advantageous for watching the effect of this experiment, carefully observed Murphy's movements. In a minute, M. Charles Robert turned suddenly around, as though struck with astonishment and wonder. The immovable squire stirred not a feature; and certainly Murphy's tall, portly figure, bald head, and grave, composed countenance, appeared the least likely of any in the room to be those of a man taking part in such a trick; and, indeed, it was evident, from the continued gaze of the commandant in every other part of the space they stood in, that M. Charles Robert was far from suspecting his respectable, middle-aged neighbour of giving utterance to a phrase so disagreeably recalling the quid pro quo of which Madame Pipelet had been alike the cause and the heroine. The waltz concluded, Murphy rejoined Rodolph.
"Well, my lord," said he, "that smart young gentleman jumped as though he had trodden on a hornet's nest. The words I uttered appeared to have the effect of magic on him."
"They were so far magical, my dear Murphy, as they assisted me to discover a circumstance I was most anxious to find out."
Conviction thus painfully obtained, Rodolph could only deplore the dangerous position in which Madame d'Harville had placed herself, and which seemed to him fraught with fresh evils, from a vague presentiment of Sarah's being either a sharer or a confidant in the transaction, and with this discovery came the fresh pain of believing that he had now found out the source of M. d'Harville's secret sorrow; the man he so highly esteemed, and for whom he felt a brother's regard, was pining in silence over the misconduct of a wife he so tenderly loved, yet who, in spite of her many charming qualities, could sacrifice her own and her husband's happiness for the sake of an object so every way unworthy. Master of so important a secret, yet incapable of betraying it, unable to devise any plan to open the eyes of Madame d'Harville, who seemed rather to yield to than resist her unlicensed passion for her lover, Rodolph found himself obliged to remain a passive witness to the utter ruin of a woman he had so passionately adored with as much silence as devotion; nay, whom, spite of his best efforts, he still loved. He was roused from these reflections by M. de Graün.
"If your royal highness," said the baron, bowing, "will deign to grant me a brief interview in one of the lower rooms, which is now quite devoid of company, I shall have the honour to lay before you the particulars you desired me to collect."
Rodolph signed to M. de Graün to conduct him to the place named, when the baron proceeded with his recital, as follows:
"The only duchess to whose name the initials 'N.' and 'L.' can possibly belong is Madame de Lucenay, whose maiden name was Normant. Her grace is not here this evening. I have just seen M. de Lucenay, her husband, who, it seems, left Paris five months ago, with the expressed intention of travelling in the East during the next year or two, but has unexpectedly returned within the last day or two."
It may be recollected that, during Rodolph's visit to the Rue du Temple, he picked up, on the landing-place adjoining the door of the charlatan dentist's apartments, a cambric handkerchief, richly embroidered and trimmed with costly lace, and bearing in the corner a ducal coronet with the initials "N. L." It will also be borne in mind that this elegant indication of high rank was wetted with the bitter tears of its noble owner. In pursuance of his instructions, but in total ignorance of the circumstances suggesting them, M. de Graün had inquired the name of every duchess then in Paris, and gleaned the information now repeated to Rodolph, and which the latter perfectly comprehended. He had no reason for interesting himself in the fate of Madame de Lucenay; but he could not reflect without a shudder that, if it were really she who visited the pretended doctor (but who, he felt assured, was no other than the infamous Polidori), this wretch, having possessed himself of her real name and address through the agency of Tortillard, might make a fearful use of a secret which placed the duchess so completely in his power.
"Chance is a strange thing, my lord, is it not?" resumed M. de Graün.
"It is; but how does it apply to the present case?"
"Why, at the very instant that M. de Grangeneuve was giving me these facts concerning M. and Madame de Lucenay, and was adding, rather ill-naturedly, that the unlooked-for return of the duke must have proved particularly disagreeable, not only to the duchess but to the Viscount de Saint-Remy, one of the most elegant and fashionable men in Paris, his excellency the ambassador came up and inquired whether your royal highness would permit him to present the viscount to you, as, having just been appointed on the legation to Gerolstein, he would be happy to avail himself of the present opportunity of paying his court to your highness."
An expression of impatience escaped Rodolph, who exclaimed:
"Nothing could have been less agreeable to me. However, it is impossible to refuse. Let the count know, therefore, that I am ready to receive M. de Saint-Remy."
Rodolph knew too well how to support his princely dignity to allow his feelings to interfere with the courtesy and affability required on the present occasion; added to which, the world gave M. de Saint-Remy as a favoured lover to the Duchess de Lucenay, and this circumstance greatly excited the curiosity of Rodolph.
The Viscount de Saint-Remy, conducted by the Count de – , now approached. He was an exceedingly handsome young man, of about twenty-five years of age, tall and slender, with the most distingué air and prepossessing physiognomy; his olive complexion had that rich, soft glow of amber cast over its transparent surface, so remarkable in the paintings of Murillo; his glossy black hair, parted over his left temple, was worn smooth over his forehead, and fell in light and easy curls down the sides of his face, almost concealing the pale, well-shaped ear. The deep, dark eyelash contrasted well with the clear eye it shaded, the crystal of which was tinged with that blue cast which bestows so much and such charming expression to the Indian eye. By a singular caprice of nature, the thick, silky moustache which graced his lip was the only ornament of a similar description visible on his countenance, the chin and cheeks being smooth as those of a young maiden. Perhaps it might be vanity which dictated the narrow black satin cravat placed so low as to reveal the perfect contour of a throat which, for whiteness and symmetrical roundness, might have furnished a model for the artist's studio. The long ends of his cravat were confined by a single pearl, inestimable for its size, the beauty of its shape, and the splendour of its colour, – so vivid, that an opal could scarcely have rivalled its continued prismatic changes. The perfect taste, and exquisite style of M. de Saint-Remy harmonised well with the magnificent simplicity of this jewel.