The Diary of John Evelyn (Volume 1 of 2)

The inhabitants of the city are much affected to the Spanish mode and stately garb. From the narrowness of the streets, they use sedans and litters, and not coaches.

19th October, 1644. We embarked in a felucca for Livorno, or Leghorn; but the sea running very high, we put in at Porto Venere, which we made with peril, between two narrow horrid rocks, against which the sea dashed with great velocity; but we were soon delivered into as great a calm and a most ample harbor, being in the Golfo di Spetia. From hence, we could see Pliny's Delphini Promontorium, now called Capo fino. Here stood that famous city of Luna, whence the port was named Lunaris, being about two leagues over, more resembling a lake than a haven, but defended by castles and excessive high mountains. We landed at Lerici, where, being Sunday, was a great procession, carrying the Sacrament about the streets in solemn devotion. After dinner we took post-horses, passing through whole groves of olive trees, the way somewhat rugged and hilly at first, but afterward pleasant. Thus we passed through the towns of Sarzana and Massa, and the vast marble quarries of Carrara, and lodged in an obscure inn, at a place called Viregio. The next morning we arrived at Pisa, where I met my old friend, Mr. Thomas Henshaw, who was then newly come out of Spain, and from whose company I never parted till more than a year after.

The city of Pisa is as much worth seeing as any in Italy; it has contended with Rome, Florence, Sardinia, Sicily, and even Carthage. The palace and church of St. Stefano (where the order of knighthood called by that name was instituted) drew first our curiosity, the outside thereof being altogether of polished marble; within, it is full of tables relating to this Order; over which hang divers banners and pendants, with other trophies taken by them from the Turks, against whom they are particularly obliged to fight; though a religious order, they are permitted to marry. At the front of the palace stands a fountain, and the statue of the great Duke Cosmo. The Campanile, or Settezonio, built by John Venipont, a German, consists of several orders of pillars, thirty in a row, designed to be much higher. It stands alone on the right side of the cathedral, strangely remarkable for this, that the beholder would expect it to fall, being built exceedingly declining, by a rare address of the architect; and how it is supported from falling I think would puzzle a good geometrician. The Duomo, or Cathedral, standing near it, is a superb structure, beautified with six columns of great antiquity; the gates are of brass, of admirable workmanship. The cemetery called Campo Santo is made of divers galley ladings of earth formerly brought from Jerusalem, said to be of such a nature, as to consume dead bodies in forty hours. 'Tis cloistered with marble arches; and here lies buried the learned Philip Decius, who taught in this University. At one side of this church stands an ample and well-wrought marble vessel, which heretofore contained the tribute paid yearly by the city to Cæsar. It is placed, as I remember, on a pillar of opal stone, with divers other antique urns. Near this, and in the same field, is the Baptistery of San Giovanni, built of pure white marble, and covered with so artificial a cupola, that the voice uttered under it seems to break out of a cloud. The font and pulpit, supported by four lions, is of inestimable value for the preciousness of the materials. The place where these buildings stand they call the Area. Hence, we went to the College, to which joins a gallery so furnished with natural rarities, stones, minerals, shells, dried animals, skeletons, etc., as is hardly to be seen in Italy. To this the Physic Garden lies, where is a noble palm tree, and very fine waterworks. The river Arno runs through the middle of this stately city, whence the main street is named Lung 'Arno. It is so ample that the Duke's galleys, built in the arsenal here, are easily conveyed to Livorno; over the river is an arch, the like of which, for its flatness, and serving for a bridge, is nowhere in Europe. The Duke has a stately Palace, before which is placed the statue of Ferdinand the Third; over against it is the Exchange, built of marble. Since this city came to be under the Dukes of Tuscany, it has been much depopulated, though there is hardly in Italy any which exceeds it for stately edifices. The situation of it is low and flat; but the inhabitants have spacious gardens, and even fields within the walls.

LIVORNO

21st October, 1644. We took coach to Livorno, through the Great Duke's new park full of huge cork trees, the underwood all myrtles, among which were many buffaloes feeding, a kind of wild ox, short nose with horns reversed; those who work with them command them, as our bearwards do the bears, with a ring through the nose, and a cord. Much of this park, as well as a great part of the country about it, is very fenny, and the air very bad.

Leghorn is the prime port belonging to all the Duke's territories; heretofore a very obscure town, but since Duke Ferdinand has strongly fortified it (after the modern way), drained the marshes by cutting a channel thence to Pisa navigable sixteen miles, and has raised a Mole, emulating that at Genoa, to secure the shipping, it is become a place of great receipt; it has also a place for the galleys, where they lie safe. Before the sea is an ample piazza for the market, where are the statues in copper of the four slaves, much exceeding the life for proportion, and, in the judgment of most artists, one of the best pieces of modern work. Here, especially in this piazza, is such a concourse of slaves, Turks, Moors, and other nations, that the number and confusion is prodigious; some buying, others selling, others drinking, others playing, some working, others sleeping, fighting, singing, weeping, all nearly naked, and miserably chained. Here was a tent, where any idle fellow might stake his liberty against a few crowns, at dice, or other hazard; and, if he lost, he was immediately chained and led away to the galleys, where he was to serve a term of years, but from whence they seldom returned; many sottish persons, in a drunken bravado, would try their fortune in this way.

The houses of this neat town are very uniform, and excellently painted á fresco on the outer walls, with representations of many of their victories over the Turks. The houses, though low on account of the earthquakes which frequently happen here, (as did one during my being in Italy), are very well built; the piazza is very fair and commodious, and, with the church, whose four columns at the portico are of black marble polished, gave the first hint to the building both of the church and piazza in Covent Garden with us, though very imperfectly pursued.

FLORENCE

22d October, 1644. From Livorno, I took coach to Empoly, where we lay, and the next day arrived at Florence, being recommended to the house of Signor Baritiére, in the Piazza del Spirito Santo, where we were exceedingly well treated. Florence is at the foot of the Apennines, the west part full of stately groves and pleasant meadows, beautified with more than a thousand houses and country palaces of note, belonging to gentlemen of the town. The river Arno runs through the city, in a broad, but very shallow channel, dividing it, as it were, in the middle, and over it are four most sumptuous bridges of stone. On that nearest to our quarter are the four Seasons, in white marble; on another are the goldsmiths' shops; at the head of the former stands a column of ophite, upon which a statue of Justice, with her balance and sword, cut out of porphyry, and the more remarkable for being the first which had been carved out of that hard material, and brought to perfection, after the art had been utterly lost; they say this was done by hardening the tools in the juice of certain herbs. This statue was erected in that corner, because there Cosmo was first saluted with the news of Sienna being taken.

Near this is the famous Palazzo di Strozzi, a princely piece of architecture, in a rustic manner. The Palace of Pitti was built by that family, but of late greatly beautified by Cosmo with huge square stones of the Doric, Ionic, and the Corinthian orders, with a terrace at each side having rustic uncut balustrades, with a fountain that ends in a cascade seen from the great gate, and so forming a vista to the gardens. Nothing is more admirable than the vacant staircase, marbles, statues, urns, pictures, court, grotto, and waterworks. In the quadrangle is a huge jetto of water in a volto of four faces, with noble statues at each square, especially the Diana of porphyry above the grotto. We were here shown a prodigious great loadstone.

The garden has every variety, hills, dales, rocks, groves, aviaries, vivaries, fountains, especially one of five jettos, the middle basin being one of the longest stones I ever saw. Here is everything to make such a Paradise delightful. In the garden I saw a rose grafted on an orange tree. There was much topiary-work, and columns in architecture about the hedges. The Duke has added an ample laboratory, over against which stands a fort on a hill, where they told us his treasure is kept. In this Palace the Duke ordinarily resides, living with his Swiss guards, after the frugal Italian way, and even selling what he can spare of his wines, at the cellar under his very house, wicker bottles dangling over even the chief entrance into the palace, serving for a vintner's bush.

In the Church of Santo Spirito the altar and reliquary are most rich, and full of precious stones; there are four pillars of a kind of serpentine, and some of blue. Hence we went to another Palace of the Duke's, called Palazzo Vecchio, before which is a statue of David, by Michael Angelo, and one of Hercules, killing Cacus, the work of Baccio Bandinelli. The quadrangle about this is of the Corinthian order, and in the hall are many rare marbles, as those of Leo X. and Clement VII., both Popes of the Medicean family; also the acts of Cosmo, in rare painting. In the chapel is kept (as they would make one believe) the original Gospel of St. John, written with his own hand; and the famous Florentine Pandects, and divers precious stones. Near it is another pendent Tower like that of Pisa, always threatening ruin.

Under the Court of Justice is a stately arcade for men to walk in, and over that, the shops of divers rare artists who continually work for the great Duke. Above this is that renowned Ceimeliarcha, or repository, wherein are hundreds of admirable antiquities, statues of marble and metal, vases of porphyry, etc.; but among the statues none so famous as the Scipio, the Boar, the Idol of Apollo, brought from the Delphic Temple, and two triumphant columns. Over these hang the pictures of the most famous persons and illustrious men in arts or arms, to the number of 300, taken out of the museum of Paulus Jovius. They then led us into a large square room, in the middle of which stood a cabinet of an octangular form, so adorned and furnished with crystals, agates, and sculptures, as exceeds any description. This cabinet is called the Tribuna and in it is a pearl as big as an hazelnut. The cabinet is of ebony, lazuli, and jasper; over the door is a round of M. Angelo; on the cabinet, Leo X. with other paintings of Raphael, del Sarto, Perugino, and Correggio, viz, a St. John, a Virgin, a Boy, two Apostles, two heads of Durer, rarely carved. Over this cabinet is a globe of ivory, excellently carved; the Labors of Hercules, in massy silver, and many incomparable pictures in small. There is another, which had about it eight Oriental columns of alabaster, on each whereof was placed a head of a Cæsar, covered with a canopy so richly set with precious stones, that they resembled a firmament of stars. Within it was our Savior's Passion, and the twelve Apostles in amber. This cabinet was valued at two hundred thousand crowns. In another, with calcedon pillars, was a series of golden medals. Here is also another rich ebony cabinet cupolaed with a tortoise shell, and containing a collection of gold medals esteemed worth 50,000 crowns; a wreathed pillar of Oriental alabaster, divers paintings of Da Vinci, Pontorno, del Sarto, an Ecce Homo of Titian, a Boy of Bronzini, etc. They showed us a branch of coral fixed on the rock, which they affirm does still grow. In another room, is kept the Tabernacle appointed for the chapel of St. Laurence, about which are placed small statues of Saints, of precious material; a piece of such art and cost, that having been these forty years in perfecting, it is one of the most curious things in the world. Here were divers tables of Pietra Commesso, which is a marble ground inlaid with several sorts of marbles and stones of various colors representing flowers, trees, beasts, birds, and landscapes. In one is represented the town of Leghorn, by the same hand who inlaid the altar of St. Laurence, Domenico Benotti, of whom I purchased nineteen pieces of the same work for a cabinet. In a press near this they showed an iron nail, one half whereof being converted into gold by one Thurnheuser, a German chemist, is looked on as a great rarity; but it plainly appeared to have been soldered together. There is a curious watch, a monstrous turquoise as big as an egg, on which is carved an emperor's head.

In the armory are kept many antique habits, as those of Chinese kings; the sword of Charlemagne; Hannibal's headpiece; a loadstone of a yard long, which bears up 86 lbs. weight, in a chain of seventeen links, such as the slaves are tied to. In another room are such rare turneries in ivory, as are not to be described for their curiosity. There is a fair pillar of oriental alabaster; twelve vast and complete services of silver plate, and one of gold, all of excellent workmanship; a rich embroidered saddle of pearls sent by the Emperor to this Duke; and here is that embroidered chair set with precious stones in which he sits, when, on St. John's day, he receives the tribute of the cities.

25th October, 1644. We went to the Portico where the famous statue of Judith and Holofernes stands, also the Medusa, all of copper; but what is most admirable is the Rape of a Sabine, with another man under foot, the confusion and turning of whose limbs is most admirable. It is of one entire marble, the work of John di Bologna, and is most stupendous; this stands directly against the great piazza, where, to adorn one fountain, are erected four marble statues and eight of brass, representing Neptune and his family of sea gods, of a Colossean magnitude, with four sea horses, in Parian marble of Lamedrati, in the midst of a very great basin: a work, I think, hardly to be paralleled. Here is also the famous statue of David, by M. Angelo; Hercules and Cacus, by Baccio Bandinelli; the Perseus, in copper, by Benevento, and the Judith of Donatelli, which stand publicly before the old Palace with the Centaur of Bologna, huge Colossean figures. Near this stand Cosmo di Medicis on horseback, in brass on a pedestal of marble, and four copper bassorelievos by John di Bologna, with divers inscriptions; the Ferdinand the First, on horseback, is of Pietro Tacca. The brazen boar, which serves for another public fountain, is admirable.

After dinner, we went to the Church of the Annunciata, where the Duke and his Court were at their devotions, being a place of extraordinary repute for sanctity: for here is a shrine that does great miracles, [proved] by innumerable votive tablets, etc., covering almost the walls of the whole church. This is the image of Gabriel, who saluted the Blessed Virgin, and which the artist finished so well, that he was in despair of performing the Virgin's face so well; whereupon it was miraculously done for him while he slept; but others say it was painted by St. Luke himself. Whoever it was, infinite is the devotion of both sexes to it. The altar is set off with four columns of oriental alabaster, and lighted by thirty great silver lamps. There are innumerable other pictures by rare masters. Our Savior's Passion in brass tables inserted in marble, is the work of John di Bologna and Baccio Bandinelli.

To this church joins a convent, whose cloister is painted in fresco very rarely. There is also near it an hospital for 1,000 persons, with nurse-children, and several other charitable accommodations.

At the Duke's Cavalerizza, the Prince has a stable of the finest horses of all countries, Arabs, Turks, Barbs, Gennets, English, etc., which are continually exercised in the manège.

Near this is a place where are kept several wild beasts, as wolves, cats, bears, tigers, and lions. They are loose in a deep walled court, and therefore to be seen with more pleasure than those at the Tower of London, in their grates. One of the lions leaped to a surprising height, to catch a joint of mutton which I caused to be hung down.

SIENNA

20 There are many plain brick towers erected for defense, when this was a free state. The highest is called the Mangio, standing at the foot of the piazza which we went first to see after our arrival. At the entrance of this tower is a chapel open toward the piazza, of marble well adorned with sculpture.

On the other side is the Signoria, or Court of Justice, well built a la moderna, of brick; indeed the bricks of Sienna are so well made, that they look almost as well as porphyry itself, having a kind of natural polish.

In the Senate-house is a very fair Hall where they sometimes entertain the people with public shows and operas, as they call them. Toward the left are the statues of Romulus and Remus with the wolf, all of brass, placed on a column of ophite stone, which they report was brought from the renowned Ephesian Temple. These ensigns being the arms of the town, are set up in divers of the streets and public ways both within and far without the city.

The piazza compasses the facciáta of the court and chapel, and, being made with descending steps, much resembles the figure of an escalop shell. The white ranges of pavement, intermixed with the excellent bricks above mentioned, with which the town is generally well paved, render it very clean. About this market place (for so it is) are many fair palaces, though not built with excess of elegance. There stands an arch, the work of Baltazzar di Sienna, built with wonderful ingenuity, so that it is not easy to conceive how it is supported, yet it has some imperceptible contiguations, which do not betray themselves easily to the eye. On the edge of the piazza is a goodly fountain beautified with statues, the water issuing out of the wolves' mouths, being the work of Jacobo Quercei, a famous artist. There are divers other public fountains in the city, of good design.

After this we walked to the Sapienza, which is the University, or rather College, where the high Germans enjoy many particular privileges when they addict themselves to the civil law: and indeed this place has produced many excellent scholars, besides those three Popes, Alexander, Pius II., and III., of that name, the learned Æneas Sylvius; and both were of the ancient house of the Piccolomini.

The chief street is called Strada Romana, in which Pius II. has built a most stately palace of square stone, with an incomparable portico joining near to it. The town is commanded by a castle which hath four bastions and a garrison of soldiers. Near it is a list to ride horses in, much frequented by the gallants in summer.

Not far from hence is the Church and Convent of the Dominicans, where in the chapel of St. Catherine of Sienna they show her head, the rest of her body being translated to Rome. The Duomo, or Cathedral, both without and within, is of large square stones of black and white marble polished, of inexpressible beauty, as is the front adorned with sculpture and rare statues. In the middle is a stately cupola and two columns of sundry streaked colored marble. About the body of the church, on a cornice within, are inserted the heads of all the Popes. The pulpit is beautified with marble figures, a piece of exquisite work; but what exceeds all description is the pavement, where (besides the various emblems and other figures in the nave) the choir is wrought with the history of the Bible, so artificially expressed in the natural colors of the marbles, that few pictures exceed it. Here stands a Christo, rarely cut in marble, and on the large high altar is a brazen vessel of admirable invention and art. The organs are exceeding sweet and well tuned. On the left side of the altar is the library, where are painted the acts of Æneas Sylvius, and others by Raphael. They showed us an arm of St. John the Baptist, wherewith, they say, he baptized our Savior in Jordan; it was given by the King of Peloponnesus to one of the Popes, as an inscription testifies. They have also St. Peter's sword, with which he smote off the ear of Malchus.

Just against the cathedral, we went into the Hospital, where they entertain and refresh for three or four days, gratis, such pilgrims as go to Rome. In the chapel belonging to it lies the body of St. Susorius, their founder, as yet uncorrupted, though dead many hundreds of years. They show one of the nails which pierced our Savior, and Saint Chrysostom's "Comment on the Gospel," written by his own hand. Below the hill stands the pool called Fonte Brande, where fish are fed for pleasure more than food.

St. Francis's Church is a large pile, near which, yet a little without the city, grows a tree which they report in their legend grew from the Saint's staff, which, on going to sleep, he fixed in the ground, and at his waking found it had grown a large tree. They affirm that the wood of it in decoction cures sundry diseases.

2d November, 1644. We went from Sienna, desirous of being present at the cavalcade of the new Pope, Innocent X.,21 who had not yet made the grand procession to St. John di Laterano. We set out by Porto Romano, the country all about the town being rare for hunting and game. Wild boar and venison are frequently sold in the shops in many of the towns about it. We passed near Monte Oliveto, where the monastery of that Order is pleasantly situated, and worth seeing. Passing over a bridge, which, by the inscription, appears to have been built by Prince Matthias, we went through Buon-Convento, famous for the death of the Emperor, Henry VII., who was here poisoned with the Holy Eucharist.

TORRINIERI

Thence, we came to Torrinieri, where we dined. This village is in a sweet valley, in view of Montalcino, famous for the rare Muscatello.22 After three miles more, we go by St. Quirico, and lay at a private osteria near it, where, after we were provided of lodging, came in Cardinal Donghi, a Genoese by birth, now come from Rome; he was so civil as to entertain us with great respect, hearing we were English, for that, he told us he had been once in our country. Among other discourse, he related how a dove had been seen to sit on the chair in the Conclave at the election of Pope Innocent, which he magnified as a great good omen, with other particulars which we inquired of him, till our suppers parted us. He came in great state with his own bedstead and all the furniture, yet would by no means suffer us to resign the room we had taken up in the lodging before his arrival. Next morning, we rode by Monte Pientio, or, as vulgarly called, Monte Mantumiato, which is of an excessive height, ever and anon peeping above any clouds with its snowy head, till we had climbed to the inn at Radicofani, built by Ferdinand, the great Duke, for the necessary refreshment of travelers in so inhospitable a place. As we ascended, we entered a very thick, solid, and dark body of clouds, looking like rocks at a little distance, which lasted near a mile in going up; they were dry misty vapors, hanging undissolved for a vast thickness, and obscuring both the sun and earth, so that we seemed to be in the sea rather than in the clouds, till, having pierced through it, we came into a most serene heaven, as if we had been above all human conversation, the mountain appearing more like a great island than joined to any other hills; for we could perceive nothing but a sea of thick clouds rolling under our feet like huge waves, every now and then suffering the top of some other mountain to peep through, which we could discover many miles off: and between some breaches of the clouds we could see landscapes and villages of the subjacent country. This was one of the most pleasant, new, and altogether surprising objects that I had ever beheld.

On the summit of this horrid rock (for so it is) is built a very strong fort, garrisoned, and somewhat beneath it is a small town; the provisions are drawn up with ropes and engines, the precipice being otherwise inaccessible. At one end of the town lie heaps of rocks so strangely broken off from the ragged mountain, as would affright one with their horror and menacing postures. Just opposite to the inn gushed out a plentiful and most useful fountain which falls into a great trough of stone, bearing the Duke of Tuscany's arms. Here we dined, and I with my black lead pen took the prospect. It is one of the utmost confines of the Etrurian State toward St. Peter's Patrimony, since the gift of Matilda to Gregory VII., as is pretended.