Runnymede and Lincoln Fair: A Story of the Great Charter

But the blow was not destined to be struck. Unaccustomed to such treatment, rendered furious by the provocation of hours, and startled by the fierce aspect of the boar, the noble animal made one plunge, reared himself high in the air, and then fell prostrate on the ground, bearing his rider with him. It was a terrible moment. Sir Anthony was, indeed, little hurt by the fall, but his sword had dropped from his hand, and he lay at the boar’s mercy.

The knight in terror bawled out for St. Anthony and St. Hubert to come to his aid.

Only two moments did the boar lose ere making the rush; they were employed in freeing himself from the dogs, already blinded by the blood from the wounds he had inflicted; and then he made his final rush – a rush that brought his very snout in contact with the prostrate knight’s person. But ere that rush took place, and ere mischief could be done, from the branches of the oak dropped something which to the knight’s swimming eyes looked like a large ball. Next moment the sword of Bordeaux steel, driven by a sure hand, penetrated the boar’s throat; and, as the monster rolled back on the grass, writhing in the agonies of death, and Sir Anthony freed himself from the steed, and the steed sprang to his feet with a bound, he found standing before him, holding Ayoub’s bridle-rein in his left hand and the Bordeaux blade in the right, a dark-haired and rather swarthy youngster, in parti-coloured garments of an outlandish cut, with a smile on his countenance. The smile was meaningless, and the boy looked marvellously innocent; nevertheless, Sir Anthony was so enraged with his mishap that he almost felt inclined to kill his preserver on the spot for that meaningless smile and that innocent look.

“Who in the fiend’s name are you?” he asked with a frowning brow and in a voice of thunder.

The boy, who had not, as it happened, parted with the sword, replied with a smile which disarmed Sir Anthony’s anger; but the answer was in a language which the knight did not understand; so he muttered a slight imprecation to rid himself of the remnant of his wrath, and, having again loudly sounded his horn, began to look more kindly on the mysterious stranger who had come to his rescue at the very moment of his extreme need, and when otherwise he must have been torn to pieces.

“By my faith,” said he in a low tone and with a thrill of superstitious awe, “I firmly believe that St. Anthony or St. Hubert has sent this youth to my aid, and it behoves me, therefore, to treat him as one whom the saints account worthy of being their messenger. One thing is lucky,” continued he: “the youth cannot speak our tongue, and therefore cannot report the unworthy spectacle I have presented.”

As Sir Anthony thus soliloquised, the huntsmen and two squires, attracted by the repeated blasts of his horn, rode up to the spot, and the knight, having given a very inadequate description of the scene that had been enacted, and consigned the boar to the huntsmen to be cut up, ordered them to take care of the boy and bring him to the castle. He then attempted to remount, but he might as well have attempted to scale the heavens. Ayoub positively resisted, and, despising both threats and caresses, stood proudly upon the dignity which had been so recently and so deeply injured. The knight was finally under the necessity of mounting the horse of one of the huntsmen, and leaving Ayoub, and the mystic boy, and the dead boar under their care, rode slowly away through the trees towards Chas-Chateil.

“Cog’s wounds! friend Martin,” said one of the huntsmen to his fellow, after examining the boy as to his proficiency in the vernacular tongue, “I can make nothing of this jackanapes. Beshrew me if I do not think he is such a creature as was of late taken in the sea on the coast of Suffolk.”

“Hubert, lad, I fail to comprehend thee,” said Martin.

“Natheless, it is true as any story ever sung by minstrel,” continued Hubert. “It was a fish in the form of a man, and they kept it alive six months on land, feeding it the whilst on raw meat; but seeing they could get no speech out of it, they cast it back into the sea.”

“I doubt thee not, Hubert, lad – I doubt thee not,” said Martin cheerily; “but, credit me, this is no such creature, but a boy from some outlandish country beyond the seas. I have heard the like of him ere now singing glees on the great bridge at London. Mark how simple and innocent he is. Even that fiend of a horse, that wouldn’t so much as look at Sir Anthony, takes kindly to the child and licks his hand.”

CHAPTER XXX

A GRAND FEAT OF HORSEMANSHIP

AFTER reaching Chas-Chateil, and relating his adventure to Dame Waledger, Sir Anthony saw no reason to repent of the resolution he had expressed to befriend the mysterious entity whom, as he devoutly believed, the saints had sent to his succour in the hour of peril, and when, otherwise, nothing could have intervened between him and certain destruction. The dame encouraged his pious intent, and expressed unbounded curiosity to see the strange child but for whose timely appearance she would have been a weeping widow; and no sooner had the knight dined than he sent for the young stranger to the daïs of the great hall.

Apprehensive, however, that the whole business – the carouse of the previous night, the boar-hunt of the morning, and the danger to which her husband had been exposed, might be a device of Satan, and that the boar and the boy might be agents of his satanic majesty, Dame Waledger suggested the propriety of first handing over the child to be examined by the chaplain of the castle as to his origin and position in life; and Father Peter, though a little nervous, undertook the delicate investigation.

The result was, in the main, satisfactory. Father Peter was no great linguist, but he had been on the continent, and knew enough of continental tongues to comprehend that the boy’s name was Pedro; that he was a native of Burgos, the capital of Castile; that he had left his country as one of a band of musicians bound for London: that they had been shipwrecked on the coast, and that he, having escaped a watery grave, had wandered into the woods, not knowing whither he went; and on the approach of the boar, and the hounds, and the hunter, he had climbed a tree to escape observation; and, with an innocent smile, he confirmed his story by producing an instrument, and accompanying himself, while he sang the ballad of “The Captive Knight and the Merle;” and finally melted all hearts by bursting into tears, and deploring his plight as a helpless orphan in a strange land.

The victory was now complete. Dame Waledger insisted on young Pedro being handed over to her as a page; and in a day or two he was strutting about dressed in crimson, accompanying the ladies of the castle when they ventured into the chase to fly their hawks, singing to them his native ballads, and diverting them with his droll attempts to speak the language of the country in which he found himself, and of the people among whom he had been so strangely cast.

Sir Anthony’s liking for Pedro rather increased as weeks passed over, and he allowed the boy to come about him at times when he would not have been seen by any other mortal – even in a certain wainscoted chamber of the great hall, which was reserved for the use of the lord of the castle and the governor, and which none of the household – knights, squires, or grooms – were ever allowed to enter; not that there was anything very particular about the interior, except one tall panel, on which was depicted the battle of Hastings, with a very grim De Moreville bearing one of the conqueror’s standards. But this panel appeared to have much more interest for Pedro than even the pictorial embellishment would account for, and often his eye stole furtively towards it.

Ere long Pedro did something which, but for superstition and jealousy, ought to have won golden opinions among that part of De Moreville’s household attached to the stables, and devoted to the Norman baron’s stud. After being conducted to his stall, fresh from the horrors of the boar-hunt, Ayoub displayed a very haughty temper. For days he declined in the most distinct manner to be groomed, and refused all provender, and after his hunger got the better of him, and he began to feed, he took refuge in sullenness, and repelled every attempt to deal with him as an ordinary steed.

At length Sir Anthony’s peremptory command had such an effect that the grooms forcibly cast the refractory steed in his stall, bitted and bridled him, and led him forth to exercise. But a fresh difficulty now arose. Do what they would, he kicked against all attempts to mount him, and Clem the Bold Rider, a lad of seventeen, and one of those mediæval stable-boys who had hitherto had the credit of being able to deal successfully with the wildest and fiercest of chargers, in vain essayed to bring Ayoub to reason or reduce him to submission.

It was a November morning, but the sun was shining brightly for the time, when the grand struggle took place outside the great drawbridge leading into the courtyard, and all the officials connected with the stable, and the huntsmen, and most of the garrison, were present to witness the contest between the skilful equestrian and the refractory steed. Sir Anthony also was there, determined that – no matter how many necks might be broken – Ayoub should be mounted and ridden; and with him were Richard de Moreville, Hugh’s nephew, and Pedro, the lady’s page, who appeared to take a lively interest in the business, and clapped his hands in the excess of his innocent excitement, till the knight, smiling kindly on him, patted his head, and remarked to young De Moreville that of all urchins this urchin was the most diverting.

At length the critical moment arrived, and Clem the Bold Rider manned himself with dauntless air, and, coaxing and caressing the while, attempted quietly to mount. It was vain. Ayoub declined. Unable to accomplish his purpose by flattery, Clem had recourse to stratagem, and made a brave effort to take the charger unawares, vault on his back, and then trust to his skilful hand and strong arm. But it would not do. Ayoub was vigilant as a rabbit, and though his eyes were covered for the moment by the grooms who held him, he seemed instinctively to know what was intended, and baffled the stratagem by a sudden movement which left Clem sprawling on the ground. Still, the word of Sir Anthony being law, and his purpose continuing inflexible, force was resorted to, and a fierce struggle ensued, the men having the advantage at one moment and the horse at another. But in the long run, Ayoub, by plunging, and capering, and kicking furiously, gained the victory, and the knight’s rage knew no bounds.

“By the head of St. Anthony!” exclaimed he, drawing his dagger, “the accursed brute shall pay the penalty of its obstinacy by dying on the spot where he has defied our will.”

“Holy Woden, sir knight!” exclaimed Richard de Moreville in surprise, “you would not kill that noble horse, and he the property of another person? Master Icingla is a prisoner, but not taken in battle, and neither his steed nor his sword is forfeit. Credit me, the world, if it hears of this, will cry shame on us if we so flagrantly violate the laws of honour, which are binding on all chevaliers – especially on you and me, who are of Norman race, and therefore doubly bound to observe all usages.”

Sir Anthony was about to reply, but at that moment Pedro, who had been listening to the conversation, without, of course, understanding it, ran forward to the spot where the grooms were still holding Ayoub, and commenced earnest endeavours to communicate by signs something which he wished them to understand, now pointing to the sky, then to the ground, and then to the horse. Meanwhile Richard de Moreville resumed the conversation.

“By my faith, Sir Anthony,” said he, half laughing, as if thinking that he had spoken too strongly, and wishing to soothe the knight, “methinks, since this steed proves too much for the whole garrison, we could not do better than bring forth the captive, and let him try his powers of persuasion. Master Icingla, doubtless, could find some way of casting out the devil which seems to have entered into his charger.”

Sir Anthony laughed a hoarse laugh.

“Bring forth the captive!” said he – “bring forth the captive, and give him an opportunity of escape! That, forsooth, were blind policy, and you may call me Englishman when I do aught so foolish. No, by St. Anthony’s head, had I my will the young Saxon churl should be in the deepest dungeon of Chas-Chateil till he rotted, if it were only to avenge ourselves for the heart of pride which made the father who begot him look down, as from an elevation, on better men than himself. I myself forget not his insolence when he was on the eve of departing from Mount Moreville, where he was a guest, when last summoned to embark with Cœur-de-Lion for Normandy. ‘Good Norman,’ said he, ‘I pray thee hold my stirrup while I mount;’ and when I showed some disinclination, he added, calmly, ‘Nay, sir, it misbecomes you not; albeit you have lands and living, and wear golden spurs as well as myself, you are still the descendant of one of the adventurers who fought for hire at Hastings: I am still the heir of the Icinglas.’”

“Holy Woden!” exclaimed Richard de Moreville, with a sly laugh, which had its meaning, “and what answered you, sir knight? You drew your sword, or challenged him to mortal combat on the spot?”

Sir Anthony changed colour, and hesitated.

“No,” said he, at length, “I wished not to have the death of the husband of a de Moreville on my conscience, and I pardoned his insolence for his lady’s sake.”

“And held his stirrup?”

Sir Anthony did not reply, but turned away to avoid doing so; and a broad grin was on the Norman squire’s aquiline face.

Meanwhile Pedro, unable to make the grooms comprehend his meaning, advanced to the head of the stubborn charger, looked in his face, muttered in his ear, led him a few paces by the rein, then turned his head from the sun, jabbering to the grooms as he did so what to them was unintelligible. Then he made a sign that he would mount, and as they lifted the boy to the charger’s back, Ayoub not only stood still and quiet, but immediately obeyed the touch of his heel, and walked quietly down among the trees that grew on the slope that led from the castle, and then returned at a gentle canter. All present stood amazed, but none more than Sir Anthony and Richard de Moreville.

“By the saints!” cried the knight, forgetting in his wonder to mention his patron in particular, “this is marvellous to behold. I have ever deemed that boy more than mortal since he came so opportunely to my rescue.”

“On my faith,” said the squire, “I believe that never has the like been seen since Alexander of Macedon mounted Bucephalus in spite of his heels and horns.”

“It is magic,” exclaimed Hubert the Huntsman, in terror.

“Nay, nay, Hubert lad,” said old Martin; “bearest thou not in mind that I said the fierce steed took kindly to the simple child from the first?”

No sooner had Pedro alighted from Ayoub than he commenced jabbering and inviting Clem the Bold Rider to mount, and Clem, having done so, rode quietly down the acclivity. But it did not suit the Bold Rider to occupy the seat which he did “on sufferance,” and on reaching the level ground he took measures to convince Ayoub that the rider and not the horse was master. The experiment was not successful, and the result was not flattering to his vanity. A brief struggle took place. When it was over, the Bold Rider lay prostrate on the grassy sward, and Ayoub, the refractory steed, with his head reared aloft and his bridle-rein flying hither and thither, was snorting and rushing with the speed of the wind towards the banks of the Kennet.

Sir Anthony uttered a fierce oath as he saw Ayoub disappear among the trees, and watched Clem the Bold Rider rise from the ground.

“My curse on the braggart churl’s clumsiness!” said he. “The steed is gone beyond hope of recovery. Would that the fall had smashed every bone in his body!”

And the knight, having thus given vent to his disappointment, went with Richard de Moreville to see his dame and De Moreville’s daughter mount their palfreys and ride forth to fly their falcons, escorted by a body of horsemen, and attended by their maidens, and their spaniels, and Pedro the page.

“Sir Anthony,” said Richard de Moreville as they went, “you have excited my curiosity as to these Icinglas. I crave your permission to visit this captive squire, and hear the adventures in love and war which he had in Castile and Flanders.”

“Nay, nay,” replied the knight sternly; “ask anything in reason, but not that. By St. Anthony’s head! even the chaplain should not have gone near him, but that he pressed me hard. Let him pine in solitude; would that it were in chains and darkness!”

“But men say that he is fair, and brave, and high of spirit!”

“He is his father’s son,” replied Sir Anthony in a conclusive tone, “and the calf of a vicious bull is ever vicious. Besides,” continued the knight, his anger rising as he proceeded, “he is English by birth, and the eggs of the serpent hatch only serpents; and,” added he, staying his step to stamp on the ground, while he ground his teeth with vindictive rage, “it is ever safest for us when we have our armed heel on the viper’s brood.”

CHAPTER XXXI

PEDRO THE PAGE

THE position of Pedro the page at Chas-Chateil was much endangered by the feat of horsemanship which he had performed. A general impression prevailed in the castle that he was an emissary of the powers of darkness, and that the wild boar, the black steed, the outlandish boy, and the Devil were all in league to bring some misfortune on the inmates. Moreover, the lady, who was already tiring of the page, was inclined to take this view of the case; but Father Peter, having again subjected the suspected person to examination, gave it as his deliberate opinion that he was in reality what he professed to be – one of a band of musicians from Burgos.

The good chaplain had considered the matter gravely, and made use of the intelligence he drew from Oliver Icingla to test the youngster’s veracity. He asked Pedro the name of the King of Castile, and Pedro answered, King Alphonso. He asked who was Alphonso’s chief enemy, and Pedro answered, the Moorish King of Granada. He asked what great event had happened before he left his own country, and Pedro told him about the battle of Muradel, and how the king, in gratitude to the saints for his victory, was about to convert his palace in the gardens of La Huelgas into a convent. He asked what was the sin on King Alphonso’s part which had brought such dangers on the kingdom, and Pedro very innocently related the well-known story of the beautiful Jewess whom the royal Castilian loved too well. The holy man was satisfied. How could he be otherwise? And Sir Anthony was satisfied also, for he had taken a notion into his head that the page’s songs and musical instrument were necessary to his existence.

In fact, the nerves of the knight required music to soothe them. Since his encounter with the wild boar in the wood at Donnington, Sir Anthony Waledger had never been quite himself, and, as he continued his daily potations, and ran into excess oftener than of yore by day, his condition did not improve during the winter; and ere spring came strange stories were abroad as to his habits by night. Still matters went on about the castle as of old, and no particular notice was taken of the governor’s eccentricities till about Easter, when Richard de Moreville became so alarmed that he made some excuse for leaving, and embarked for Paris to intimate to his uncle that the knight who had the custody of Chas-Chateil was beside himself.

“My lord,” said the Norman squire when he presented himself to his astonished kinsman about a month before that May-day when Hugh de Moreville had persuaded Prince Louis to vow on the heron, “Sir Anthony is crazy – in truth, he is mad. He has got into a custom of rising in the night-time when he is asleep; of arming himself, drawing his sword, and beginning to fight as if he were in battle!”

“By St. Moden,” said De Moreville with a sneer, “I never knew the good knight so fond of fighting when blows were going. But, nephew, proceed, for this touches me nearly.”

“Well,” continued the squire, “the servants who sleep in his chamber to watch him on hearing him rise go to him, and next morning tell him what he has been doing, but he forgets all about it, and cries out that they lie. Sometimes they leave neither sword nor arms in his chamber, but when he rises and finds them gone he makes such a noise as if all the fiends were there. They therefore think it best to leave his sword and arms, and sometimes he remains quietly in his bed, but only sometimes. Seldom a night passes without a scene.”

“Ha!” exclaimed De Moreville, thoughtfully, “I little expected such tidings, and it behoves me to hasten my return to England and put matters on a better footing at Chas-Chateil. It is no time for a man who has lost his senses to be in command of a fortress.”

However, in the thirteenth century the time required to pass from the banks of the Seine to the banks of the Kennet was considerable, and April was speeding on without De Moreville having appeared at the castle or giving any intimation that he was likely to come; and Sir Anthony became worse rather than better, declaring that nothing soothed him but the music of Pedro the page, and insisting more strongly than ever that Pedro had been sent to him by St. Anthony and St. Hubert at the very instant he had cried out to them for protection.

By this time Pedro’s equestrian feat was all but forgotten. It had been a nine days’ wonder and nothing more. Yet one person had neither forgotten nor forgiven – namely, Clem the Bold Rider. In fact, Clem, feeling certain that there was some mystery in the business, and blaming Pedro for his mishap, had, under the influence of mortified vanity, vowed revenge, and continued to watch Pedro wherever he went when outside the castle as a cat watches a mouse it has destined as a victim. No matter at what hour he went forth or in what direction he turned, he was sure to meet Clem hanging about the courtyard, or the stable-yard, or the drawbridge talking the slang of the age to one person or another, but never without a sharp eye on Pedro’s movements. This was, doubtless, annoying. Pedro certainly looked much too innocent to have any evil intention. Still, one likes not to be watched every time he moves out to take the air.

Now Pedro, since his reception into Chas-Chateil, had been quite free to go about wherever he liked. But there was one place from which he was strictly excluded, and that place was “the ladies’ walk,” which was strictly guarded by a sentinel. It was wonderful, by-the-bye, how this fact used to slip out of Pedro’s memory, and how many efforts he made by hook or by crook to reach that battlement. But his efforts were unavailing.

At length he seemed to think that a view from a distance was better than no view at all, and after singing a Spanish song he clambered up a parapet, and strained his eyes towards the prohibited region. As he descended Clem stood before him, seized him by the collar, and administered a hearty buffet on the cheek. But he little calculated the consequences. Pedro’s frame shook with rage, his eyes flashed fire, and he turned savagely on his assailant.

“Son of a theorve!” said he in very good English, “hadst thou known how I can return that blow, thou hadst never had the courage to deal it. This is the way I requite such courtesy, as chevaliers phrase it.”

As the page spoke, his clenched fist avenged the wrong he had suffered, and the Bold Rider lay sprawling by the parapet. But he rose instantly from the ground, not, indeed, to renew the attack – of that he had had enough, and more than enough. But he retreated several paces, and then looked his adversary in the face.

“Master page,” said he, glowering with malice, “thy speech has betrayed thee. Ere half an hour passes the governor shall know that a spy is within the castle, and the dule tree is your sure doom;” and Clem ran off to take measures for insuring his revenge.

Pedro did not seem quite easy under the influence of this threat. But perhaps he had heard that to pause at the crisis of one’s fate is to lose all, and he did not hesitate. It was the hour when he was in the habit of singing to Sir Anthony Waledger in the chamber so vigilantly guarded against intrusion that the inmates of the castle believed it contained De Moreville’s treasury. Pedro entered, and found Sir Anthony seated at a table with his wine-cup before him. Pedro having purposely left the door half-open, sat down on a low footstool, and prepared to sing. Sir Anthony rose and moved slowly to close the door, and Pedro, quick as thought, drew forth a little bag, and shook some powder into the wine. Sir Anthony resumed his seat and drained the wine-cup, and Pedro began to sing. Sir Anthony gradually fell sound asleep, and Pedro, rising from the footstool, went to the panel on which the battle of Hastings was depicted, examined it minutely, and pressed his finger on a knob that caught his eye. As he did so it flew open with a spring, and Pedro, entering, closed it as gently as he could, and, descending a stair that lay before him, found himself in a dark but broad and high passage, along which he walked with what speed he could, not without stumbling as he went.