Runnymede and Lincoln Fair: A Story of the Great Charter

John G. Edgar

Runnymede and Lincoln Fair: A Story of the Great Charter

INTRODUCTION

Runnymede and Lincoln Fair was the last story drawing upon the wars and great affairs of English history which its author was destined to write. Like Cressy and Poictiers, which is already included in “Everyman’s Library,” and which preceded it by some three years in its original issue, it first ran as a serial through the magazine particularly associated with Edgar – the Boys’ Own Magazine; it was first published as a separate book in 1866.

Some further particulars of the brief career of its writer may be added to what has already been told of him in the earlier volume. John George Edgar was the fourth son of the Rev. John Edgar of Hutton in Berwickshire, who was said to be a representative of the ancient family of Edgar of Wedderlie, settled for ages in the parish of Westruther in that county. There seems to be some disagreement as to the date of his birth. The Gentleman’s Magazine for 1864 and Cooper’s Biographical Dictionary give it as 1834, but James Hannay in Characters and Criticisms, published in 1865, says that Edgar was born in the year 1827. From Edgar’s literary record and subsequent career one is inclined to believe the latter version the more correct; and to further quote Hannay: “He was educated at Coldstream school under a man of good local reputation, Mr. Richard Henderson, and the Latin he acquired there proved of great value to him afterwards, in reading the old mediæval chronicles. He went to a commercial situation in Liverpool in 1843; and in 1846 left Liverpool for the West Indies, where he remained till 1848. Returning to Liverpool in the last-mentioned year, he resumed his Liverpool duties till 1852, when he settled in London.”

Thenceforward Edgar deserted commerce and devoted himself to literature, and in little more than ten years he wrote some sixteen volumes, intended mainly for the reading and entertainment of boys. He was the first editor of Every Boy’s Magazine, and its constant contributor. Nor was that the only periodical to which he contributed; we find his name in other journals, and he occasionally wrote political articles, from a typically conservative point of view; but, as Hannay says, Edgar was always “rather a writer of books than a journalist. He studied his subjects for their own sake, and then made what literary use he could of them; but he was little interested in the general pursuits of the literary world proper, and profoundly indifferent to the arts by which literary advancement is sometimes pursued there. Indeed, his appearance in the modern metropolitan world of wags and cynics and tale-writers had something about it that was not only picturesque but unique. He came in among those clever, amusing, and essentially modern men like one of Scott’s heroes. Profoundly attached to the feudal traditions, – a Tory of the purest Bolingbrokian School, as distinct from the Pittite Tory or modern Conservative, and supporting these doctrines with a fearless and eccentric eloquence, to which his fine person and frank and gallant address gave at once an easy and a stately charm, – he represented in London the Scot of a past age… He made serious preparation for a book on the barons’ war, in which he was to take the side of the English monarchy, and which would have certainly exhibited admirable knowledge, and talents for investigation and description, that must have commanded an attention which his previous performances had been too modest even to desire to invite.”

Edgar died of congestion of the brain on April 15, 1864, and his remains lie buried in Highgate Cemetery.

That an author of so much power and promise should have had to end there, half-way, at that comparatively early age, is the more to be lamented, because it was due to the physical carelessness which often wrecks men to whom nature has given a splendid constitution. According to Hannay, Edgar presumed too much on his strength: “He thought it would fight him through anything, so after a bout of solitary literary labour, during which he had lived more suo upon tea and tobacco, he was attacked with brain fever. He would not believe it serious, nor would he send for advice till it was too late.”

When Edgar wrote Runnymede and Lincoln Fair, he filled a gap in English historical fiction. Scott had left the period untouched, and Shakespeare, as a dramatist, had naturally preferred to dwell on the deeds and characters of individuals, rather than on the political controversies of John and his subjects.

Yet the thirteenth century is one of the most important and interesting periods in English history; but it was not an age of chivalry and romance, and this must be borne in mind when we are obliged to admit that Runnymede and Lincoln Fair does not rank so high as Cressy and Poictiers as a work of fiction. Moreover, there is no contemporary chronicler so vivacious and romantic as Froissart for the novelist to draw upon.

The historical literature of the time of Magna Charta is largely monastic, and Edgar follows pretty closely the chronicles of Roger of Wendover and his editor and continuator, Matthew Paris, who was the greatest of the thirteenth-century chroniclers. But he has drawn on various sources besides, among which are the Memoriale of Walter of Coventry, the annals of Waverly, Dunstable, and other monasteries, the chronicle of Ralph of Coggeshall, a full and important chronicle giving many details. For the description of London which Edgar made use of to such advantage he was indebted to The Life of Thomas à Becket by a twelfth-century writer, William Fitzstephen.

The hero of the tale, Oliver Icingla, in so far as being the descendant of Saxon chiefs, and of the house of De Moreville, gives us the keynote of the period – the amalgamation of the two races, Saxon and Norman, to form an English nation. Towards the close of the twelfth century a new language began to be formed, a blending of Anglo-Saxon and Norman; and by the end of the thirteenth century the last manifest difference of race, the distinctive peculiarities of dress, had passed away. But in character Icingla does not represent this fusion of the races. He does not join the united barons and English people in the struggle for national freedom, but appears as a champion of the royal cause; and later, of England against the foreigners.

One cannot help perceiving, as one reads the story, that the sympathy of the author is chiefly with the crown. Walter Merley is the only Norman noble of the king’s adversaries whom he would have us admire. This is also the tone of Roger of Wendover, who calls the leaders of the barons “the chief promoters of this pestilence.” Yet according to Matthew Paris, who is very fair and just, with all his enthusiasm, the barons were not all rogues. He gives the following incident which Edgar has omitted in connection with the siege of Rochester: – “One day during the siege of Rochester Castle, the king and Sauvery were riding round it to examine the weaker parts of it, when a crossbowman in the service of William d’Albini saw them, and said to his master, ‘Is it your will, my lord, that I should slay the king, with this arrow which I have ready?’ To this William replied, ‘No, no; far be it from us, villain, to cause the death of the Lord’s anointed.’ The crossbowman said, ‘He would not spare you in a like case.’ To which the knight replied, ‘The Lord’s will be done. The Lord disposes events, not he… This circumstance was afterwards known to the king, who, notwithstanding this, did not wish to spare William when his prisoner, but would have hung him had he been permitted.”

In the opening chapters of his story Edgar gives an idea of the turbulent state of the country just after the battle of Bouvines – the defeat to which, according to the historians, England owes its Magna Charta. The barons had now the upper hand. John was crestfallen, and “concealed his hatred of the barons under a calm countenance,” says Matthew Paris.

When describing the great day of Runnymede, Edgar shows that he did not consider the resistance to royal tyranny to be a constitutional and really national movement. The reader is frequently reminded that the barons were fighting for their own selfish ends.

The period of cruelty and ravage between Runnymede and the battle of Lincoln is enlivened by touches of romance, and exploits such as those of William de Collingham, which remind us of Robin Hood, but all the more interesting because Collingham is a historical character mentioned by the contemporary writers. Roger of Wendover says, “A young man named William, refusing to make his fealty to Louis, collected a company of a thousand crossbowmen, and taking to the woods and forests with which that part of the country1 abounded, he continued to harass the French during the whole war, and slew many thousands of them.”

Edgar’s description of the sea-fight between Hubert de Burgh and Eustace the Monk is much the same as that given by the chroniclers, but he omits the answer of the nobles who, when Hubert proposed that they should go to meet the French fleet, said: “We are not sailors, pirates, or fishermen, do you go therefore and die.”

So also in his account of Lincoln Fair, and of the rising of Fitzarnulph and the citizens of London, he still keeps close to the old chronicle of Wendover; especially is he in his element on Lincoln Fair day, and able to give full rein to his patriotic fire, the essential point of which, in his case, as in that of the chronicler, was loyalty to the king. But Edgar adds to Roger’s account when he introduces us to Nichola de Camville, whose story is given by Walter of Coventry.

Finally, when the temporary peace was established, Edgar concludes his tale in the conventional way, dear to novel readers in every age, with the rescue of the heroine by the hero, and the “living happy ever after.”

Hannay says of Edgar’s style: “It is not a showy style; but it is singularly clear, masculine, and free from every trace of literary impurity or fashionable affectation.” It is certain that he was at his best when describing boyish adventures or historic events. Beatrix de Moreville’s only essential place in the story is as an object of admiration for Oliver Icingla, thereby causing the former friends, Oliver and Fitzarnulph, to become romance-rivals as well as political opponents. It is not, in truth, of such as Beatrix de Moreville that the great heroines are made. With Wolf, the son of Styr, the author is, on the contrary, much more at home; and he makes us at last as interested as he was himself in the boy who was the loyal servant of his master.

Edgar, with his strong conservative instinct and his feeling for the old chroniclers, had much to aid him in his special service of making history into pure story. If he had gone on to write the major work he had planned on the subject of this last story of his, he might have left a more solid fame behind him. His story will help, as it is, to send other students and writers to review the turbulent reign of that John whom he over-estimated.

L. K. HUGHES.

April 1908.

The following are the published works of John George Edgar: —

Biography for Boys, 1853; The Boyhood of Great Men, 1853; History for Boys, 1855; Boy Princes, 1857; The Heroes of England, 1858; The Wars of the Roses, 1859; The Crusades and the Crusaders, 1860; Cavaliers and Roundheads, 1861; Sea Kings and Naval Heroes, 1861; Memorable Events of Modern History, 1862; Danes, Saxons, and Normans, 1863; Cressy and Poictiers (in Beeton’s Boys’ Own Magazine, 1863), 1865; Historical Anecdotes of Animals, 1865; Runnymede and Lincoln Fair, 1866.

CHAPTER I

A SQUIRE AND A CITIZEN

IT was the eve of Christmas in the year 1214, when John was King of England; and, albeit England was on the verge of a sanguinary civil war, which was to shake the kingdom to its centre, and cause infinite suffering to families and individuals, London – then a little city, containing some forty thousand inhabitants, and surrounded by an old Roman wall, said to have been built by the Emperor Constantine – wore quite a holiday aspect, when, as the shades of evening were closing over the banks of the Thames, a stripling of eighteen, or thereabouts, walked up one of the long, narrow streets – some of which, indeed, were so narrow that the inmates, when they ascended to the house-tops, could converse and even shake hands with their opposite neighbours – and knocked loudly at the gate of a high house. It had the appearance of being the abode either of some great noble in attendance on the court, or one of those mediæval merchants who called themselves “barons,” and boasted of such wealth as few of the feudal nobles could call their own. In fact, it was the residence of the Fitzarnulphs, the proudest, richest, and most influential of the citizens of London.

The stripling was of gallant bearing and fair to look upon. He was tall, though not so tall as to be in any way remarkable; and his person, well proportioned and compactly formed, indicated much strength, and promised much endurance. His countenance, which was set off with a profusion of fair hair and a growing moustache, was frank and open – so frank and open, indeed, that it seemed as if you might have read in his clear blue eye every working of the mind; and he had neither the aquiline features nor air of authority which distinguished the Norman warriors, young and old. His dress, however, was similar to that which a Norman squire – a De Vesci or a De Roos – would have worn; and he had the air, the manner, and the style of one who had been early apprenticed to arms, and trained in feudal castles to perform the feats of chivalry on which the age set so high a value. Nor was it clear that he had not been engaged in other than the mimic warfare of the tiltyard. More than one scar – none of them, fortunately, such as to mar his beauty – told of fields on which warriors had fought desperately for victory and for life.

Admitted after some delay into the courtyard, and, after passing through it, into the interior of the high house at the gate of which he had knocked, the squire was ceremoniously conducted through what might be called the great hall of the mansion, and received in a small comfortably matted and heated chamber by a person somewhat his senior, who wore the gabardine of a citizen, and on his dark countenance a look of abstraction and gloom, which contrasted remarkably with the lightness and gaiety of his visitor. Wholly unaffected by this difference, however, the squire held out his hand, grasped that of the young Londoner, and said in a voice, not musical indeed, but joyous and hearty —

“Constantine Fitzarnulph, I greet thee in the name of God and of good St. Edward.”

“Oliver Icingla!” exclaimed the citizen, taken by surprise. “Do I, in truth, see you, and in the body? Ere this I deemed you were food for worms.”

“By the Holy Cross, Constantine,” replied the squire, “you do see me in the body. I have, it is true, passed through many adventures and perils, seeing I am but a youth; but as for being food for worms, I have as yet no ambition to serve that purpose, being, as is well known to you, the last of my line, and in no haste, credit me, to sing ‘Nunc Dimittis’ till I have done something to employ the tongues of minstrels.”

“Of what adventures and perils speak you?” asked the citizen somewhat jealously; for he himself had passed through neither, save in his visions by day and his dreams by night.

“I would fain not appear vainglorious,” answered the squire, smiling, “and, therefore, I care not to recount my own exploits. But you know that, when I was withdrawn from your companionship, and from the lessons in grammar and letters, to which, be it confessed, I never took very kindly, I entered the castle of my mother’s remote kinsman, William Longsword, Earl of Salisbury, and there, not without profit, served my apprenticeship to chivalry. But no sooner did I attain the rank of squire than I began to sigh for real war, and such fields of fight as, for years, I had been dreaming of. And it chanced that about that time Don Diego Perez, a knight from Spain, reached the castle of Salisbury with tidings that Alphonso of Castille was hard pressed by the Moors, and like to lose his kingdom if not aided by the warriors of Christendom. On hearing Don Diego’s report I and others in my Lord of Salisbury’s household, with the noble earl’s sanction, accompanied the knight to Castille; and I fought at Muradel on that day when the Christian chivalry swept the Moorish host before them as the wind does leaves at Yule.”

“In good faith?”

“In good faith, Constantine,” continued the squire. “But it speedily appeared that we had done our work too well, and routed the Moors so thoroughly that there was no likelihood of reaping more honour or more profit under King Alphonso’s banners; and I was even thinking of going to the Holy Land to fight for the recovery of the Holy Sepulchre, when news reached the court of Castille that King John had allied himself with the Emperor of Germany and the Count of Flanders to oppose the King of France, and that my Lord of Salisbury was leading an English force to join them; and I and others resolved thereupon to hasten where blows were like to be going; and we made our way, through countless perils, to the great earl’s side on the very day when the two armies – one headed by the Emperor Otho, the other by King Philip – drew up in battle array between Lille and Tournay.”

“By St. Thomas!” exclaimed the citizen with a sneer, “you soon learned to your cost that you had better have gone elsewhere.”

“Nay, nay,” replied the squire sharply – for the sneer of the citizen had not been unobserved – “it is the fortune of warriors to know defeat as well as victory, and we did all that brave men could do on that August day – now four months since – when we came face to face with the French at the bridge of Bovines. It was a long and furious battle; but, from the first, fortune favoured the French, and, when all was lost, my Lord of Salisbury yielded his sword to the Bishop of Beauvais, a terrible warrior, who fought not with a sword, lest he should be accused of shedding men’s blood, but with a mighty club, with which he smashed at once head-piece and head. For my own part,” added the squire carelessly, as one who did not relish speaking of himself, “I fought till I was sore wounded in the face and beaten down; and I should have been trodden under foot but for the earl, who, like a noble warrior as he is, looked to my safety; so I accompanied him into captivity; and, when he covenanted for his own ransom, he, at the same time, paid mine for my mother’s sake, and here I am in England safe and sound; but, I almost grieve to add, hardly a free man.”

“Not a free man, Oliver Icingla? How cometh that?” asked the citizen.

“Even in this wise, Constantine,” answered the squire. “It seems that the king, in order to settle his disputes with the barons, has demanded some of the sons or kindred of each as hostages, and my kinsman, Hugh de Moreville, who scandalously withholds from my mother the castle and manors which she inherited, and which my father enjoyed in her right, albeit he has never before troubled himself much about my existence, suddenly bethinks him that I shall serve his purpose on this occasion, and has named me to the king.”

“And will you go, Oliver Icingla? Will you put yourself into the lion’s den?”

“Ay, man, as blithely as ever lover went to his lady’s bower.”

“And place yourself at the disposal of a tyrant – a cruel, remorseless, hateful tyrant, who murdered his own nephew, Arthur of Brittany, who hanged twenty-six Welsh boys, who poisoned the daughter of that noble man, Robert Fitzwalter, and who allowed the wife and children of William de Braose to perish of hunger in the dungeons of Windsor?”

The squire changed colour, and his lip quivered nervously.

“Fables, Constantine!” exclaimed he, recovering his serenity with an effort, and tossing his head disdainfully backwards – “fables devised by Philip of France and the barons of England to justify their own selfish and ambitious schemes, and such as ought never to gain credit with a person such as thou. But let French kings and Norman barons make dupes and tools of whom they may, I swear by the Holy Cross that never shall Oliver Icingla be either their dupe or their tool. So help me God and good St. Edward!”

And, as he spoke these words with flashing eye, the squire drew his sword and reverently kissed the cross on its hilt.

“Oliver Icingla,” said the citizen, after a pause, during which he eyed his visitor keenly, “if I comprehend thee aright, thou dreamest, as I believe thy fathers ever did, of the restoration of the Anglo-Saxon race to power in England?”

“And if I do, who has a better right? – I, an Icingla, with the blood of Cerdic in my veins?”

“Dreams, Oliver, vain dreams,” replied the citizen. “This is not the age of Hereward, and every chance is gone; and, but for being blinded by hereditary prejudices, you would see, as plainly as you now see me, that your race is vanquished once and for ever.”

“Constantine,” said the squire sadly and thoughtfully, “the words you have spoken, harsh as they may sound in the ear of an Icingla, are partly words of truth and soberness, but only in part. This is not, indeed, the age of Hereward; nor did I, even in my most enthusiastic moments, dream of raising the old cry, ‘Let every man that is not a nothing, whether in the town or in the country, leave his house and come!’ and attempting to make England what it was before Duke William prevailed at Hastings over the usurper Harold. But let me tell you, wise as you deem yourself, that, when you speak of the ancient race as vanquished for ever, you therein greatly err. A great race, like a great family, is never wholly done till it is extinct; and I tell you, for your instruction, ill as you may like to hear the truth, that this Anglo-Saxon race which you mention so contemptuously has been rising, is rising, and will continue to rise, and increase in influence, till Providence grants us a king under whose auspices will reappear, in more than its ancient vigour, the England that disappeared after the death of the Confessor.”

“The past cannot be recalled, and the future is with God and His saints,” said the citizen gravely; “and, for the present, the king and the barons are at daggers drawn, and may any day appeal to the sword; and, when the crisis comes – and I care not how soon – be it mine to persuade the citizens of London to take part against the king, who is a false tyrant, and with the barons, who are true men. Oliver Icingla, I would to God you were of our determination; for I perceive that, under a light and gay demeanour, you hide an ambitious soul and an imagination that can conjure up a future – mayhap, the ingenuity that could fashion a future in spite of fate.”

“Constantine,” interrupted the squire solemnly, “even now you remarked that the future was with God and His saints.”

“True,” replied the citizen; “but, be that as it may, ally yourself with me at this crisis, and give me your hand in token of good faith, and I will reveal projects which would make thee and me great, and bring both king and barons to our feet.”

The squire smiled at the citizen’s somewhat wild enthusiasm, and shook his head.

“Farewell, Constantine,” said he, stretching out his hand. “I know not how all this may end; but one thing I feel strongly: that there can be no alliance between you and me. However, as the shadows are falling, and the ways are somewhat perilous, I must mount and ride homeward, so as to reach our humble dwelling ere the night sets in; and so, Constantine, again I say farewell, and in whatever projects your ambition involves you, may God and the saints have you in their keeping!”

And thus closing an interview which neither of them regarded without a feeling of disappointment, the squire and the citizen parted, and soon after Oliver Icingla was riding on a black horse of high mettle through Ludgate, while Constantine Fitzarnulph, surrounded by his household, sat gloomily at his board, revolving schemes both dark and dangerous. Their next interview was to take place under circumstances infinitely more tragic.

CHAPTER II