A Start in Life

“If they would only take themselves off!” he said to himself.

Instead of that, Amaury remarked to Georges, giving a tap with his cane to the heavy wheel of the coucou:

“And so, my friend, you are really going to trust your future to this fragile bark?”

“I must,” replied Georges, in a tone of fatalism.

Oscar gave a sigh as he remarked the jaunty manner in which his companion’s hat was stuck on one ear for the purpose of showing a magnificent head of blond hair beautifully brushed and curled; while he, by order of his step-father, had his black hair cut like a clothes-brush across the forehead, and clipped, like a soldier’s, close to the head. The face of the vain lad was round and chubby and bright with the hues of health, while that of his fellow-traveller was long, and delicate, and pale. The forehead of the latter was broad, and his chest filled out a waistcoat of cashmere pattern. As Oscar admired the tight-fitting iron-gray trousers and the overcoat with its frogs and olives clasping the waist, it seemed to him that this romantic-looking stranger, gifted with such advantages, insulted him by his superiority, just as an ugly woman feels injured by the mere sight of a pretty one. The click of the stranger’s boot-heels offended his taste and echoed in his heart. He felt as hampered by his own clothes (made no doubt at home out of those of his step-father) as that envied young man seemed at ease in his.

“That fellow must have heaps of francs in his trousers pocket,” thought Oscar.

The young man turned round. What were Oscar’s feelings on beholding a gold chain round his neck, at the end of which no doubt was a gold watch! From that moment the young man assumed, in Oscar’s eyes, the proportions of a personage.

Living in the rue de la Cerisaie since 1815, taken to and from school by his step-father, Oscar had no other points of comparison since his adolescence than the poverty-stricken household of his mother. Brought up strictly, by Moreau’s advice, he seldom went to the theatre, and then to nothing better than the Ambigu-Comique, where his eyes could see little elegance, if indeed the eyes of a child riveted on a melodrama were likely to examine the audience. His step-father still wore, after the fashion of the Empire, his watch in the fob of his trousers, from which there depended over his abdomen a heavy gold chain, ending in a bunch of heterogeneous ornaments, seals, and a watch-key with a round top and flat sides, on which was a landscape in mosaic. Oscar, who considered that old-fashioned finery as the “ne plus ultra” of adornment, was bewildered by the present revelation of superior and negligent elegance. The young man exhibited, offensively, a pair of spotless gloves, and seemed to wish to dazzle Oscar by twirling with much grace a gold-headed switch cane.

Oscar had reached that last quarter of adolescence when little things cause immense joys and immense miseries, – a period when youth prefers misfortune to a ridiculous suit of clothes, and caring nothing for the real interests of life, torments itself about frivolities, about neckcloths, and the passionate desire to appear a man. Then the young fellow swells himself out; his swagger is all the more portentous because it is exercised on nothings. Yet if he envies a fool who is elegantly dressed, he is also capable of enthusiasm over talent, and of genuine admiration for genius. Such defects as these, when they have no root in the heart, prove only the exuberance of sap, – the richness of the youthful imagination. That a lad of nineteen, an only child, kept severely at home by poverty, adored by a mother who put upon herself all privations for his sake, should be moved to envy by a young man of twenty-two in a frogged surtout-coat silk-lined, a waist-coat of fancy cashmere, and a cravat slipped through a ring of the worse taste, is nothing more than a peccadillo committed in all ranks of social life by inferiors who envy those that seem beyond them. Men of genius themselves succumb to this primitive passion. Did not Rousseau admire Ventura and Bacle?

But Oscar passed from peccadillo to evil feelings. He felt humiliated; he was angry with the youth he envied, and there rose in his heart a secret desire to show openly that he himself was as good as the object of his envy.

The two young fellows continued to walk up and own from the gate to the stables, and from the stables to the gate. Each time they turned they looked at Oscar curled up in his corner of the coucou. Oscar, persuaded that their jokes and laughter concerned himself, affected the utmost indifference. He began to hum the chorus of a song lately brought into vogue by the liberals, which ended with the words, “‘Tis Voltaire’s fault, ‘tis Rousseau’s fault.”

“Tiens! perhaps he is one of the chorus at the Opera,” said Amaury.

This exasperated Oscar, who bounded up, pulled out the wooden “back,” and called to Pierrotin: —

“When do we start?”

“Presently,” said that functionary, who was standing, whip in hand, and gazing toward the rue d’Enghien.

At this moment the scene was enlivened by the arrival of a young man accompanied by a true “gamin,” who was followed by a porter dragging a hand-cart. The young man came up to Pierrotin and spoke to him confidentially, on which the latter nodded his head, and called to his own porter. The man ran out and helped to unload the little hand-cart, which contained, besides two trunks, buckets, brushes, boxes of singular shape, and an infinity of packages and utensils which the youngest of the new-comers, who had climbed into the imperial, stowed away with such celerity that Oscar, who happened to be smiling at his mother, now standing on the other side of the street, saw none of the paraphernalia which might have revealed to him the profession of his new travelling companion.

The gamin, who must have been sixteen years of age, wore a gray blouse buckled round his waist by a polished leather belt. His cap, jauntily perched on the side of his head, seemed the sign of a merry nature, and so did the picturesque disorder of the curly brown hair which fell upon his shoulders. A black-silk cravat drew a line round his very white neck, and added to the vivacity of his bright gray eyes. The animation of his brown and rosy face, the moulding of his rather large lips, the ears detached from his head, his slightly turned-up nose, – in fact, all the details of his face proclaimed the lively spirit of a Figaro, and the careless gayety of youth, while the vivacity of his gesture and his mocking eye revealed an intellect already developed by the practice of a profession adopted very early in life. As he had already some claims to personal value, this child, made man by Art or by vocation, seemed indifferent to the question of costume; for he looked at his boots, which had not been polished, with a quizzical air, and searched for the spots on his brown Holland trousers less to remove them than to see their effect.

Конец ознакомительного фрагмента.

Текст предоставлен ООО «ЛитРес».

Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.

Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.