Appearances: Being Notes of Travel

It was too late now for me to reach my hotel that evening, and I was obliged to beg a night's rest. The yellow youth assented, with his air of elaborate indifference, and proceeded to make me as comfortable as he could. About sunset, the storm passed away over the plains. Behind its flying fringes shot the last rays of the sun; and for a moment the prairie sea was all bared to view, as wide as the sky, as calm and as profound, a thousand miles of grass where men and cattle crept like flies, and towns and houses were swallowed and lost in the infinite monotony. We had supper and then my host began to talk. He was a democrat, and we discussed the coming presidential election. From one newspaper topic to another we passed to the talk about signalling to Mars. Signalling interested the youth; he knew all about that; but he knew nothing about Mars, or the stars. These were now shining bright above us; and I told him what I knew of suns and planets, of double stars, of the moons, of Jupiter, of nebulae and the galaxy, and the infinity of space, and of worlds. He chewed and meditated, and presently remarked: "Gee! I guess then it doesn't matter two cents after all who gets elected president!" Whereupon we turned in, he to sleep and I to lie awake, for I was disturbed by the mystery of the stars. It is long since the notion of infinite space and infinite worlds has impressed my imagination with anything but discomfort and terror. The Ptolemaic scheme was better suited to human needs. Our religious sense demands not only order but significance; a world not merely great, but relevant to our destinies. Copernicus, it is true, gave us liberty and space; but he bereft us of security and intimacy. And I thought of the great vision of Dante, so terrible and yet so beautiful, so human through and through, – that vision which, if it contracts space, expands the fate of man, and relates him to the sun and the moon and the stars. I thought of him as he crossed the Apennines by night, or heard from the sea at sunset the tinkling of the curfew bell, or paced in storm the forest of Ravenna, always, beyond and behind the urgency of business, the chances of war, the bitterness of exile, aware of the march of the sun about the earth, of its station in the Zodiac, of the solemn and intricate wheeling of the spheres. Aware, too, of the inner life of those bright luminaries, the dance and song of spirits purged by fire, the glow of Mars, the milky crystal of the moon, and Jupiter's intolerable blaze; and beyond these, kindling these, setting them their orbits and their order, by attraction not of gravitation, but of love, the ultimate Essence, imaged by purest light and hottest fire, whereby all things and all creatures move in their courses and their fates, to whom they tend and in whom they rest.

And I recalled the passage:

"Frate, la nostra volontà quietaVirtù di carità, che fa volerneSol quel ch'avemo, e d'altro non ci asseta.Se disiassimo esser più superne,Fôran discordi gli nostri disiriDal voler di Colui che qui ne cerne;Che vedrai non capere in questi giri,S'essere in caritate è qui necesse,E se la sua natura ben rimiri;Anzi è formale ad esto beato esseTenersi dentro alia divina voglia,Perch'una fansi nostre voglie stesse.Si che, come noi siam di soglia in sogliaPer questo regno, a tutto il regno piace,Com'allo re, che in suo voler ne invoglia.E la sua volontade è nostra pace:Ella è quel mare al qual tutto si muoveCio ch' ella crea o che natura face."3

And then, with a leap, I was back to what we call reality – to the clicking needle, to the corner in wheat, to Chicago and Pittsburg and New York. In all this continent, I thought, in all the western world, there is not a human soul whose will seeks any peace at all, least of all the peace of God. All move, but about no centre; they move on, to more power, to more wealth, to more motion. There is not one of them who conceives that he has a place, if only he could find it, a rank and order fitted to his nature, higher than some, lower than others, but right, and the only right for him, his true position in the cosmic scheme, his ultimate relation to the Power whence it proceeds. Life, like astronomy, has become Copernican. It has no centre, no significance, or, if any, one beyond our ken. Gravitation drives us, not love. We are attracted and repelled by a force we cannot control, a force that resides in our muscles and our nerves, not in our will and spirit. "Click – click – click – tick – tick – tick," so goes the economic clock. And that clock, with its silly face, has shut us out from the stars. It tells us the time; but behind the dial of the hours is now for us no vision of the solemn wheeling spheres, of spirit flames and that ultimate point of light "pinnacled dim in the intense inane." "America is a clock," I said; and then I remembered the phrase, "America is Niagara." And like a flake of foam, dizzy and lost, I was swept away, out into the infinite, out into unconsciousness.

The sun was shining brightly when I woke, and I had slept away my mood of the night. I took leave of my host, and under his directions, after half a mile along the line, plunged down into a gorge, and followed for miles, crossing and re-crossing, a mountain brook, between cliffs of red rocks, by fields of mauve anemones, in the shadow and fragrance of pines; till suddenly, after hours of rough going, I was confronted by a notice, set up, apparently, in the desert:

"Keep out. Avoid trouble. This means you."

I laughed. "Keep out!" I said. "If only there were a chance of my getting in!" "Avoid trouble! Ah, what trouble would I not face, could I but get in!" And I went on, but not in, and met no trouble, and returned to the hotel, and had dinner, and watched for a solitary hour, in the hall, the shifting interminable array of vacant eyes and blank faces, and then retired to write this letter; "and so to bed."

VI

IN THE ADIRONDACKS

For the last few days I have been living in camp on a mountain lake in the Adirondacks. All about me are mountains and unlumbered forest. The tree lies where it falls; the undergrowth chokes the trails; and on the hottest day it is cool in the green, sun-chequered wilderness. Deer start in the thickets or steal down to drink in the lake. The only sounds are the wood-pecker's scream, the song of the hermit-thrush, the thrumming and drumming of bull-frogs in the water. My friend is a sportsman; I am not; and while he catches trout I have been reading Homer and Shelley. Shelley I have always understood; but now, for the first time, I seem to understand Homer. Our guide here, I feel, might have been Homer, if he had had imagination; but he could never have been Shelley. Homer, I conceive, had from the first the normal bent for action. What his fellows did he too wanted to do. He learned to hunt, to sail a boat, to build a house, to use a spear and bow. He had his initiation early, in conflict, in danger, and in death. He loved the feast, the dance, and the song. But also he had dreams. He used to sit alone and think. And, as he grew, these moods grew, till he came to live a second life, a kind of double of the first. The one was direct, unreflective, and purposeful. In it he hunted wild beasts that he might kill them, fought battles that he might win them, sailed boats that he might arrive somewhere. So far, he was like his fellows, and like our guide, with his quick observation, his varied experience, his practical skill. But then, on the other hand, he had imagination. This active life he reproduced; not by recapitulating it – that the guide can do; but by recreating it. He detached it, as it were, from himself as centre; ceased, indeed, to be a self; and became all that he contemplated – the victor and the vanquished, the hunter and the hunted, the house and its builder, Thersites and Achilles. He became the sun and the moon and the stars, the gods and the laughter of the gods. He took no sides, pronounced no judgment, espoused no cause. He became pure vision; but not passive vision. To see, he had to re-create; and the material his observation had amassed he offered up as a holocaust on the altar of his imagination. Fused in that fierce fire, like drew to like, parts ran together and formed a whole. Did he see a warrior fall? In a moment the image arose of "a stately poplar falling by the axe in a meadow by the riverside." Did a host move out to meet the foe? It recalled the ocean shore where "wave follows wave far out at sea until they break in thunder on the beach." Was battle engaged? "The clash of the weapons rang like the din of woodcutters in the mountain-glades." Did a wounded hero fall? The combatants gathered about him "like flies buzzing round the brimming milk-pails in the spring." All commonest things, redeemed from isolation and irrelevance, revealed the significance with which they were charged. The result was the actual made real, a reflexion which was a disclosure, a reproduction which was a recreation. And if experience, as we know it, is the last word of life, if there is nothing beyond and nothing behind, if there is no meaning, no explanation, no purpose or end, then the poetry of Homer is the highest reach of human achievement.

For, observe, Homer is not a critic. His vision transmutes life, but does not transcend it. Experience is ultimate; all the poet does is to experience fully. Common men live, but do not realise life; he realises it. But he does not question it; it is there and it is final; glorious, lovely, august, terrible, sordid, cruel, unjust. And the partial, smiling, unmoved, unaccountable Olympians are the symbol of its brute actuality. Not only is there no explanation, there is not even a question to be asked. So it is, so it has been, so it will be. Homer's outlook is that of the modern realist. That he wrote an epic, and they novels, is an accident of time and space. Turgeneff or Balzac writing 1000 years before Christ would have been Homer; and Homer, writing now, would have been Turgeneff or Balzac.

But Shelley could never have been Homer; for he was born a critic and a rebel. From the first dawn of consciousness he challenged and defied the works and ways of men and the apparent order of the universe. Never for a moment anywhere was he at home in the world. There was nothing attainable he cared to pursue, nothing actual he cared to represent. He could no more see what is called fact than he could act upon it. His eyes were dazzled by a different vision. Life and the world not only are intolerable to him, they are unreal. Beyond and behind lies Reality, and it is good. Now it is a Perfectibility lying in the future; now a Perfection existing eternally. In any case, whatever it be, however and wherever to be found, it is the sole object of his quest and of his song. Whatever of good or lovely or passionate gleams here and there, on the surface or in the depths of the actual, is a ray of that Sun, an image of that Beauty. His imagination is kindled by Appearance only to soar away from it. The landscape he depicts is all light, all fountains and caverns. The Beings with which it is peopled are discarnate Joys and Hopes; Justice and Liberty, Peace and Love and Truth. Among these only is he at home; in the world of men he is an alien captive; and Human Life presents itself as an "unquiet dream."

"'Tis we that, lost in stormy visions, keepWith phantoms an unprofitable strife,And in mad trance strike with our spirit's knifeInvulnerable nothings."

When we die, we awake into Reality – that Reality to which, from the beginning, Shelley was consecrated:

"I vowed that I would dedicate my powersTo thee and thine – have I not kept my vow?"

He calls it "intellectual Beauty"; he impersonates it as Asia, and sings it in verse that passes beyond sense into music:

"Life of Life! thy lips enkindleWith their love the breath between them;And thy smiles before they dwindleMake the cold air fire; then screen themIn those looks, where whoso gazesFaints, entangled in their mazes.Child of Light! thy limbs are burningThrough the vest which seems to hide them;As the radiant lines of morningThrough the clouds ere they divide them;And this atmosphere divinestShrouds thee wheresoe'er thou shinest.Fair are others; none beholds thee,But thy voice sounds low and tenderLike the fairest, for it folds theeFrom the sight, that liquid splendour,And all feel, yet see thee never,As I feel now, lost for ever!Lamp of Earth! where'er thou movestIts dim shapes are clad with brightness,And the souls of whom thou lovestWalk upon the winds with lightness,Till they fail, as I am failing,Dizzy, lost, yet unbewailing!"

This we call poetry; and we call the Iliad poetry. But the likeness is superficial, and the difference profound. Was it Homer or Shelley that grasped Reality? This is not a question of literary excellence; it is a question of the sense of life. And – oddly enough – it is a question to which the intellect has no answer. The life in each of us takes hold of it and answers it empirically. The normal man is Homeric, though he is not aware of the fact. Especially is the American Homeric; naïf, spontaneous, at home with fact, implicitly denying the Beyond. Is he right? This whole continent, the prairies, the mountains and the coast, the trams and trolleys, the sky-scrapers, the factories, elevators, automobiles, shout to that question one long deafening Yes. But there is another country that speaks a different tongue. Before America was, India is.

VII

THE RELIGION OF BUSINESS

In the house in which I am staying hangs an old coloured print, representing two couples, one young and lusty, the other decrepit, the woman carrying an hour-glass, the man leaning on a stick; and underneath, the following inscription:

"My father and mother that go so stuping to your grave,Pray tell me what good I may in this world expect to have?""My son, the good you can expect is all forlorn,Men doe not gather grapes from of a thorn."

This dialogue, I sometimes think, symbolises the attitude of the new world to the old, and the old to the new. Not seldom I feel among Americans as the Egyptian is said to have felt among the Greeks, that I am moving in a world of precocious and inexperienced children, bearing on my own shoulders the weight of the centuries. Yet it is not exactly that Americans strike one as young in spirit; rather they strike one as undeveloped. It is as though they had never faced life and asked themselves what it is; as though they were so occupied in running that it has never occurred to them to inquire where they started and whither they are going. They seem to be always doing and never experiencing. A dimension of life, one would say, is lacking, and they live in a plane instead of in a solid. That missing dimension I shall call religion. Not that Americans do not, for aught I know, "believe" as much as or more than Europeans; but they appear neither to believe nor to disbelieve religiously. That, I admit, is true almost everywhere of the mass of the people. But even in Europe – and far more in India – there has always been, and still is, a minority who open windows to the stars; and through these windows, in passing, the plain man sometimes looks. The impression America makes on me is that the windows are blocked up. It has become incredible that this continent was colonised by the Pilgrim Fathers. That intense, narrow, unlovely but genuine spiritual life has been transformed into industrial energy; and this energy, in its new form, the churches, oddly enough, are endeavouring to recapture and use to drive their machines. Religion is becoming a department of practical business. The Churches – orthodox and unorthodox, old and new, Christian, Christian-Scientific, theosophic, higher-thinking – vie with one another in advertising goods which are all material benefits: "Follow me, and you will get rich," "Follow me, and you will get well," "Follow me, and you will be cheerful, prosperous, successful." Religion in America is nothing if not practical. It does not concern itself with a life beyond; it gives you here and now what you want. "What do you want? Money? Come along! – Success? This is the shop! – Health? Here you are! Better than patent medicines!" The only part of the Gospels one would suppose that interests the modern American is the miracles; for the miracles really did do something. As for the Sermon on the Mount – well, no Westerner ever took that seriously.

This conversion of religion into business is interesting enough. But even more striking is what looks like a conversion of business into religion. Business is so serious that it sometimes assumes the shrill tone of a revivalist propaganda. There has recently been brought to my attention a circular addressed to the agents of an insurance society, urging them to rally round the firm, with a special effort, in what I can only call a "mission-month." I quote – with apologies to the unknown author – part of this production:

The Call to Action

"How about these beautiful spring days for hustling? Everything is on the move. New life and force is apparent everywhere. The man who can stand still when all creation is on the move is literally and hopelessly a dead one.

"These are ideal days for the insurance field-man. Weather like this has a tremendously favourable effect on business. In the city and small town alike there is a genuine revival of business. The farmer, the merchant, the manufacturer, are beginning to work overtime. Spring is in the footstep of the ambitious man as well as in the onward march of nature. This is the day of growth, expansion, creation, and re-creation.

"Consciously or unconsciously every one responds to the glad call to new life and vigour. Men who are cold and selfish, who are literally frozen up the winter through, yield to the warm, invigorating, energising touch of spring.

"Gentlemen of the field force, now is the psychological moment to force your prospects to action as indicated by the dotted line. As in nature, some plants and trees are harder to force than others, so in the nature of human prospects, some are more difficult than others. Sunshine and rain will produce results in the field of life-underwriting.

"Will it not be possible for you during these five remaining days not only to increase the production from regular sources, but to go out into the highways and hedges and compel others to sign their applications, if for only a small amount?

"Everything is now in full swing, and we are going to close up the month

"IN A BLAZE OF GLORY."

Might not this almost as well have been an address from the headquarters of the Salvation Army? And is not the following exactly parallel to a denunciation, from the mission-pulpit, of the unprofitable servant?

"A few days ago we heard of a general agent who has one of the largest and most prosperous territories in this country. He has been in the business for years, and yet that man, for some unknown reason, rather apologises for his vocation. He said he was a little ashamed of his calling. Such a condition is almost a crime, and I am sure that the men of the Eastern Department will say, that man ought to get out of the business.

"Instead of being ashamed of his calling, he should be mortally ashamed of his not calling.

"Are you happy in your work? If not, give it up and go into some business more to your liking."

Why Is It?

"So many times the question is asked, 'Why is it, and how is it, that Mr. So-and-so writes so much business? There is not a week but he procures new applications.' Gentlemen, there's but one answer to this question. There is a great gulf between the man who is in earnest and works persistently every day and the man who seems to be in earnest and makes believe he is working persistently every day.

"One of the most successful personal producers said to the writer the other day: 'No wonder certain agents do not write more business. I couldn't accomplish very much either if I did not work longer hours than they do. Some insurance agents live like millionaires and keep bankers' hours. You cannot expect much business from efforts like that.' This man speaks from practical knowledge of the business. He has written

$147,500 in personal business in the last six weeks

"It does seem rather strange, sometimes, that half of the men in the Eastern Department should be writing twice as much business as the other half. They are representing the same company; presenting the same propositions; are supposed to be talking to practically the same number of men; have the same rates, same guarantees, and the same twenty-four hours in each day, and yet are doing twice the business. In other words, making more money. What really makes this difference? I will tell you. They put heart into their work. There is an enthusiasm and earnestness about them that carries conviction. They are business through and through, and everybody knows it.

"Are you getting your share of applications? If some other agent is up early, wide-awake and alert, putting in from ten to fifteen hours per day, he is bound to do business, isn't he? This is a plain, every-day horse-sense business fact. No one has a patent on time or the use of it. To work and to succeed is common property. It is your capital, and the use of it will determine your worth."

I think, really, this is one of the most remarkable documents that could be produced in evidence of the character of American civilisation. There is all the push, initiative, and enterprise on which they justly pride themselves; there is also the reduction of all values to terms of business, the concentration of what, at other times, have been moral and religious forces upon the one aim of material progress. In such an atmosphere it is easy to see how those who care for spiritual values are led to protest that these are really material; to pack up their goods, so to speak, as if they were biscuits or pork, and palm them off in that guise on an unsuspecting public. In a world where every one is hustling, the Churches feel they must hustle too; when all the firms advertise, they must advertise too; when only one thing is valued, power, they must pretend they can offer power; they must go into business, because business is going into religion!

It is a curious spectacle! How long will it last? How real is it, even now? That withered couple, I half believe, hanging on the wall, descend at night and wander through the land, whispering to all the sleepers their disquieting warning; and all day long there hovers at the back of the minds of these active men a sense of discomfort which, if it became articulate, might express itself in the ancient words:

"My son, the good you can expect is all forlorn,Men doe not gather grapes from of a thorn."

VIII

RED-BLOODS AND "MOLLYCODDLES"

I am staying at a pleasant place in New Hampshire. The country is hilly and wooded, like a larger and wilder Surrey; and through it flows what, to an Englishman, seems a large river, the Connecticut. Charming villas are dotted about, well designed and secluded in pretty gardens. I mention this because, in my experience of America, it is unique. Almost everywhere the houses stare blankly at one another and at the public roads, ugly, unsheltered, and unashamed, as much as to say, "Every one is welcome to see what goes on here. We court publicity. See how we eat, drink, and sleep. Our private life is the property of the American people." It was not, however, to describe the country that I began this letter, but to elaborate a generalisation developed by my host and myself as a kind of self-protection against the gospel of "strenuousness."

We have divided men into Red-bloods and Mollycoddles. "A Red-blood man" is a phrase which explains itself, "Mollycoddle" is its opposite. We have adopted it from a famous speech of Mr. Roosevelt, and redeemed it – perverted it, if you will – to other uses. A few examples will make the notion clear. Shakespeare's Henry V. is a typical Red-blood; so was Bismarck; so was Palmerston; so is almost any business man. On the other hand, typical Mollycoddles were Socrates, Voltaire, and Shelley. The terms, you will observe, are comprehensive, and the types very broad. Generally speaking, men of action are Red-bloods. Not but what the Mollycoddle may act, and act efficiently. But, if so, he acts from principle, not from the instinct of action. The Red-blood, on the other hand, acts as the stone falls, and does indiscriminately anything that comes to hand. It is thus he that carries on the business of the world. He steps without reflection into the first place offered him and goes to work like a machine. The ideals and standards of his family, his class, his city, his country and his age, he swallows as naturally as he swallows food and drink. He is therefore always "in the swim"; and he is bound to "arrive," because he has set before himself the attainable. You will find him everywhere in all the prominent positions. In a military age he is a soldier, in a commercial age a business man. He hates his enemies, and he may love his friends; but he does not require friends to love. A wife and children he does require, for the instinct to propagate the race is as strong in him as all other instincts. His domestic life, however, is not always happy; for he can seldom understand his wife. This is part of his general incapacity to understand any point of view but his own. He is incapable of an idea and contemptuous of a principle. He is the Samson, the blind force, dearest to Nature of her children. He neither looks back nor looks ahead. He lives in present action. And when he can no longer act, he loses his reason for existence. The Red-blood is happiest if he dies in the prime of life; otherwise, he may easily end with suicide. For he has no inner life; and when the outer life fails, he can only fail with it. The instinct that animated him being dead, he dies too. Nature, who has blown through him, blows elsewhere. His stops are dumb; he is dead wood on the shore.