Appearances: Being Notes of Travel

And this system, it is admitted, still prevails after the Revolution. Clearly, indeed, it cannot be extirpated until officials are properly paid; and China is not in a position to pay for any reform while the Powers are drawing away an enormous percentage of her resources by that particular form of robbery called by diplomatists "indemnity." The new officials, then, are "corrupt" as the old ones were; and they are something more. They are Jacobins. Educated abroad, they are as full of ideas as was Robespierre or St. Just; and their ideas are even more divorced from sentiment and tradition. A foreign education seems to make a cut right across a Chinaman's life. He returns with a new head; and this head never gets into normal relations with his heart. That, I believe, is the essence of Jacobinism, ideas working with enormous rapidity and freedom unchecked by the fly-wheel of traditional feelings. And it is Jacobinism that accounts for the extraordinary vigour of the campaign against opium. Many Europeans still endeavour to maintain that this campaign is not serious. But that is because Europeans simply cannot conceive that any body of men should be in as deadly earnest about a moral issue as are the representatives of Young China. The anti-opium campaign is not only serious, it is ruthless. Smokers are flogged and executed; poppy is rooted up; and farmers who resist are shot down. The other day in Hunan, it is credibly reported, some seventy farmers who had protested against the destruction of their crops were locked into a temple and burnt alive. An old man of seventy-six, falsely accused of growing poppy, was fined 500 dollars, and when he refused to pay was flogged to death by the orders of a young official of twenty-two. Stories of this kind come in from every part of the country; and though this or that story may be untrue or exaggerated, there can be no doubt about the general state of affairs. The officials are putting down opium with a vigour and a determination which it is inconceivable should ever be applied in the West to the traffic in alcohol. But in doing so they are showing a ruthlessness which does not seem to be native to the Chinese, and which perhaps is to be accounted for by what I have called Jacobinism, resulting from the effects of a Western education that has been unable to penetrate harmoniously the complicated structure of Chinese character.

The anti-opium campaign is one example of the way in which the Revolution has elicited and intensified violence in this peace-loving people. Another example is the use of assassination. This has been an accompaniment of all great revolutions. It took the form of "proscriptions" in Rome, of the revolutionary tribunals in France. In China it is by comparison a negligible factor; but it exists. Two months ago a prominent leader of the southern party was assassinated; and popular suspicion traces the murder to high Government officials, and even to the President himself. The other day a southern general was killed by a bomb. For the manufacture of bombs is one of the things China has learned from the Christian West; and the President lives in constant terror of this form of murder. China, it will be seen, does not altogether escape the violence that accompanies all revolutions. Nor does she altogether escape the anarchy. Anarchy, indeed, that is a simple strike against authority, may be said to be part of the Chinese system. It is the way they have always enforced their notions of justice. A curious example has been recently offered by the students of the Pekin University. For various reasons – good or bad – they have objected to the conduct of their Chancellor. After ineffectual protests, they called upon him in large numbers with his resignation written out, and requested him to sign it. He refused; whereupon they remarked that they would call again the next day with revolvers; and in the interval he saw wisdom and signed. Last week there was a similar episode. The new Chancellor proved as unpalatable as his predecessor. The students once more presented themselves with his resignation written out. He refused to resign, and, as the students aver, scurrilously abused them. They proceeded to the Minister of Education, who refused to see them. Thereupon they camped out in his courtyard, and stayed all day and all night, sending a message to the professors dated "from under the trees of the Education Office" to explain that they were unfortunately unable to attend lectures. This Chancellor, too, it would seem, has seen wisdom and resigned.

How strange it all seems to Western eyes! A country, we should suppose, where such things occur, is incapable of organisation. But it is certain that we are wrong. Our notion is that everything must be done by authority, and that unless authority is maintained there will be anarchy. The Chinese notion is that authority is there to carry out what the people recognise to be common sense and justice; if it does otherwise, it must be resisted; and if it disappears life will still go on – as it is going on now in the greater part of China – on the basis of the traditional and essentially reasonable routine. Almost certainly the students of the University had justice on their side; otherwise such action would not be taken; and when they get justice they will be more docile and orderly than our own undergraduates at home.

Another thing surprising to European observers is the apparent belief of the Chinese in verbal remonstrance. Under the present régime officials and public men are allowed the free use of the telegraph. The consequence is that telegrams of advice, admonition, approval, blame, fear, hope, doubt pour in daily to the Government from civil and military governors, from members of Parliament and party leaders. In the paper to-day, for example, is a telegram from the Governors of seventeen provinces addressed to the National Assembly. It begins as follows:

"To the President, the Cabinet, the Tsan Yi Yuan, the Chung Yi Yuan, and the Press Association, – When the revolution took place at Wuchang, the various societies and groups responded, and when the Republic was inaugurated the troops raised among these bodies were gradually disbanded. For fear that, being driven by hunger, these disbanded soldiers would become a menace to the place, the various societies and groups have established a society at Shanghai called the Citizens' Progressive Society, to promote the means of livelihood for the people, and the advancement of society, and the establishment has been registered in the offices of the Tutuhs of the provinces."

Then follows a statement of the "six dangers" to which the country is exposed, an appeal to the Assembly to act more reasonably and competently, and then the following peroration:

"The declarations of us, Yuan-hung and others, are still there, our wounds have not yet been fully recovered, and should the sea and ocean be dried up, our original hearts will not be changed. We will protect the Republic with our sinews and blood of brass and iron, we will take the lead of the province, and be their backbone, and we will not allow the revival of the monarchy and the suppression of the powers of the people. Let Heaven and earth be witness to our words. You gentlemen are pillars of the political parties, or the representatives of the people, and you should unite together and not become inconsistent. You first determined that the Loan is necessary, but such opinion is now changed, and you now reject the Loan. Can the ice be changed into red coal in your hearts? Thus even those who love and admire you will not be able to defend your position. However, if you have any extraordinary plan or suggestion to save the present situation, you can show it to us."

Some of the strange effect produced by this document is due, no doubt, to translation. But it, like the many others of the kind I have read, seems to indicate what is at the root of the Chinese attitude to life – a belief in the power of reason and persuasion. I have said enough to show that this attitude does not exclude the use of violence; but I feel sure that it limits it far more than it has ever been limited in Europe. Even in time of revolution the Chinese are peaceable and orderly to an extent unknown and almost unbelievable in the West. And the one thing the West is teaching them and priding itself on teaching them is the absurdity of this attitude. Well, one day it is the West that will repent because China has learnt the lesson too well.

VII

A SACRED MOUNTAIN

It was midnight when the train set us down at Tai-an-fu. The moon was full. We passed across fields, through deserted alleys where sleepers lay naked on the ground, under a great gate in a great wall, by halls and pavilions, by shimmering tree-shadowed spaces, up and down steps, and into a court where cypresses grew. We set up our beds in a verandah, and woke to see leaves against the morning sky. We explored the vast temple and its monuments – iron vessels of the Tang age, a great tablet of the Sungs, trees said to date from before the Christian era, stones inscribed with drawings of these by the Emperor Chien Lung, hall after hall, court after court, ruinous, overgrown, and the great crumbling walls and gates and towers. Then in the afternoon we began the ascent of Tai Shan, the most sacred mountain in China, the most frequented, perhaps, in the world. There, according to tradition, legendary emperors worshipped God. Confucius climbed it six centuries before Christ, and sighed, we are told, to find his native State so small. The great Chin-Shih-Huang was there in the third century B.C. Chien Lung in the eighteenth century covered it with inscriptions. And millions of humble pilgrims for thirty centuries at least have toiled up the steep and narrow way. Steep it is, for it makes no détours, but follows straight up the bed of a stream, and the greater part of the five thousand feet is ascended by stone steps. A great ladder of eighteen flights climbs the last ravine, and to see it from below, sinuously mounting the precipitous face to the great arch that leads on to the summit, is enough to daunt the most ardent walker. We at least were glad to be chaired some part of the way. A wonderful way! On the lower slopes it passes from portal to portal, from temple to temple. Meadows shaded with aspen and willow border the stream as it falls from green pool to green pool. Higher up are scattered pines Else the rocks are bare – bare, but very beautiful, with that significance of form which I have found everywhere in the mountains in China.

To such beauty the Chinese are peculiarly sensitive. All the way up the rocks are carved with inscriptions recording the charm and the sanctity of the place. Some of them were written by emperors; many, especially, by Chien Lung, the great patron of art in the eighteenth century. They are models, one is told, of caligraphy as well as of literary composition. Indeed, according to Chinese standards, they could not be the one without the other. The very names of favourite spots are poems in themselves. One is "the pavilion of the phœnixes"; another "the fountain of the white cranes." A rock is called "the tower of the quickening spirit"; the gate on the summit is "the portal of the clouds." More prosaic, but not less charming, is an inscription on a rock in the plain, "the place of the three smiles," because there some mandarins, meeting to drink and converse, told three peculiarly funny stories. Is not that delightful? It seems so to me. And so peculiarly Chinese!

It was dark before we reached the summit. We put up in the temple that crowns it, dedicated to Yü Huang, the "Jade Emperor" of the Taoists; and his image and those of his attendant deities watched our slumbers. But we did not sleep till we had seen the moon rise, a great orange disc, straight from the plain, and swiftly mount till she made the river, five thousand feet below, a silver streak in the dim grey levels.

Next morning, at sunrise, we saw that, north and east, range after range of lower hills stretched to the horizon, while south lay the plain, with half a hundred streams gleaming down to the river from the valleys. Full in view was the hill where, more than a thousand years ago, the great Tang poet Li-tai-po retired with five companions to drink and make verses. They are still known to tradition as the "six idlers of the bamboo grove"; and the morning sun, I half thought, still shines upon their symposium. We spent the day on the mountain; and as the hours passed by, more and more it showed itself to be a sacred place. Sacred to what god? No question is harder to answer of any sacred place, for there are as many ideas of the god as there are worshippers. There are temples here to various gods: to the mountain himself; to the Lady of the mountain, Pi-hsia-yüen, who is at once the Venus of Lucretius – "goddess of procreation, gold as the clouds, blue as the sky," one inscription calls her – and the kindly mother who gives children to women and heals the little ones of their ailments; to the Great Bear; to the Green Emperor, who clothes the trees with leaves; to the Cloud-compeller; to many others. And in all this, is there no room for God? It is a poor imagination that would think so. When men worship the mountain, do they worship a rock, or the spirit of the place, or the spirit that has no place? It is the latter, we may be sure, that some men adored, standing at sunrise on this spot. And the Jade Emperor – is he a mere idol? In the temple where we slept were three inscriptions set up by the Emperor Chien Lung. They run as follows: —

"Without labour, oh Lord, Thou bringest forth the greatest things.""Thou leadest Thy company of spirits to guard the whole world.""In the company of Thy spirits Thou art wise as a mighty Lord to achieve great works."

These might be sentences from the Psalms; they are as religious as anything Hebraic. And if it be retorted that the mass of the worshippers on Tai Shan are superstitious, so are, and always have been, the mass of worshippers anywhere. Those who rise to religion in any country are few. India, I suspect, is the great exception. But I do not know that they are fewer in China than elsewhere. For that form of religion, indeed, which consists in the worship of natural beauty and what lies behind it – for the religion of a Wordsworth – they seem to be pre-eminently gifted. The cult of this mountain, and of the many others like it in China, the choice of sites for temples and monasteries, the inscriptions, the little pavilions set up where the view is loveliest – all goes to prove this. In England we have lovelier hills, perhaps, than any in China. But where is our sacred mountain? Where, in all the country, that charming mythology which once in Greece and Italy, as now in China, was the outward expression of the love of nature?

"Great God, I'd rather beA pagan suckled in a creed outwornSo might I, standing on this pleasant lea,Have glimpses that would make me less forlorn."

That passionate cry of a poet born into a naked world would never have been wrung from him had he been born in China.

And that leads me to one closing reflection. When lovers of China – "pro-Chinese," as they are contemptuously called in the East – assert that China is more civilised than the modern West, even the candid Westerner, who is imperfectly acquainted with the facts, is apt to suspect insincere paradox. Perhaps these few notes on Tai Shan may help to make the matter clearer. A people that can so consecrate a place of natural beauty is a people of fine feeling for the essential values of life. That they should also be dirty, disorganised, corrupt, incompetent, even if it were true – and it is far from being true in any unqualified sense – would be irrelevant to this issue. On a foundation of inadequate material prosperity they reared, centuries ago, the superstructure of a great culture. The West, in rebuilding its foundations, has gone far to destroy the superstructure. Western civilisation, wherever it penetrates, brings with it water-taps, sewers, and police; but it brings also an ugliness, an insincerity, a vulgarity never before known to history, unless it be under the Roman Empire. It is terrible to see in China the first wave of this Western flood flinging along the coasts and rivers and railway lines its scrofulous foam of advertisements, of corrugated iron roofs, of vulgar, meaningless architectural forms. In China, as in all old civilisations I have seen, all the building of man harmonises with and adorns nature. In the West everything now built is a blot. Many men, I know, sincerely think that this destruction of beauty is a small matter, and that only decadent æsthetes would pay any attention to it in a world so much in need of sewers and hospitals. I believe this view to be profoundly mistaken. The ugliness of the West is a symptom of a disease of the Soul. It implies that the end has been lost sight of in the means. In China the opposite is the case. The end is clear, though the means be inadequate. Consider what the Chinese have done to Tai Shan, and what the West will shortly do, once the stream of Western tourists begins to flow strongly. Where the Chinese have constructed a winding stairway of stone, beautiful from all points of view, Europeans or Americans will run up a funicular railway, a staring scar that will never heal. Where the Chinese have written poems in exquisite caligraphy, they will cover the rocks with advertisements. Where the Chinese have built a series of temples, each so designed and placed as to be a new beauty in the landscape, they will run up restaurants and hotels like so many scabs on the face of nature. I say with confidence that they will, because they have done it wherever there is any chance of a paying investment. Well, the Chinese need, I agree, our science, our organisation, our medicine. But is it affectation to think they may have to pay too high a price for it, and to suggest that in acquiring our material advantages they may lose what we have gone near to lose, that fine and sensitive culture which is one of the forms of spiritual life? The West talks of civilising China. Would that China could civilise the West!

PART III

JAPAN

I

FIRST IMPRESSIONS OF JAPAN

Japan, surely, must be a mirage created by enchantment. Nothing so beautiful could be real. Take the west coast of Scotland, bathe it in Mediterranean light and sun, and let its waves be those of the Pacific. Take the best of Devonshire, enlarge the hills, extend the plains, and dominate all with the only perfect mountain in the world – a mountain that catches at your breath like a masterpiece of art. Make the copses woods, and the woods forests. For our fields with their hedgerows substitute the vivid green of rice, shining across the gleam of flooded plains. Everywhere let water flow; and at every waterfall and cave erect a little shrine to hallow the spot. Over the whole pour a flood of pure white light, and you have a faint image of Japan. Perhaps it is not, naturally, more beautiful than the British Isles – few countries are. But it is unspoilt by man, or almost so. Osaka, indeed, is as ugly as Manchester, Yokohama as Liverpool. But these are small blots. For the rest, Japan is Japan of the Middle Ages, and lovely as England may have been, when England could still be called merry.

And the people are lovely, too. I do not speak of facial beauty. Some may think, in that respect, the English or the Americans handsomer. But these people have the beauty of life. Instead of the tombstone masques that pass for faces among Anglo-Saxons, they have human features, quick, responsive, mobile. Instead of the slow, long limbs creaking in stiff integuments, they have active members, for the most bare or moving freely in loose robes. Instead of a mumbled, monotonous, machine-like emission of sound they have real speech, vivacious, varied, musical. Their children are the loveliest in the world; so gay, so sturdy, so cheeky, yet never rude. It is a pure happiness merely to walk in the streets and look at them. It is a pure happiness, I might almost say, to look at anyone, so gay is their greeting, so radiant their smile, so full of vitality their gestures. I do not know what they think of the foreigner, but at least they betray no animosity. They let his stiff, ungainly presence move among them unchallenged. Perhaps they are sorry for him; but I think they are never rude. I am speaking, of course, of Old Japan, of the Japan that is all in evidence, if one lands, as I did, in the south, avoids Osaka, and postpones Yokohama and Tokio. It is still the Japan of feudalism; a system in which I, for my part, do not believe; which, in its essence, in Japan as in Europe, was harsh, unjust, and cruel; but which had the art of fostering, or at least of not destroying beauty.

And in this point feudalism in Japan was finer and more sensitive, if it was less grandiose, than feudalism in Europe. There is nothing in Japan to compare with the churches and cathedrals of the West, for there is no stone architecture at all. But there is nothing in the West to compare with the living-rooms of Japan. Suites of these dating from the sixteenth and seventeenth centuries are to be seen in Kyoto and elsewhere. And till I saw them I had no idea how exquisite human life might be made. The Japanese, as is well known, discovered the secret of emptiness. Their rooms consist of a floor of spotless matting, paper walls, and a wooden roof. But the paper walls, in these old palatial rooms, are masterpieces by great artists. From a background of gold-leaf emerge and fade away suggestions of river and coast and hill, of peonies, chrysanthemums, lotuses, of wild geese and swans, of reeds and pools, of all that is elusive and choice in nature; decorations that are also lyric poems, hints of landscape that yet never pretend to be a substitute for the real thing. The real thing is outside, and perhaps it will not intrude; for where we should have glass windows the Japanese have white paper screens. But draw back, if you choose, one of these screens, and you will see a little landscape garden, a little lake, a little bridge, a tiny rockery, a few goldfish, a cluster of irises, a bed of lotus, and, above and beyond, the great woods. These are royal apartments; but all the cost, it will be seen, is lavished on the work of art. The principle is the same in humbler homes.

People who could so devise life, we may be sure, are people with a fineness of perception unknown to the West, unless it were once in ancient Greece. The Japanese indeed, I suspect, are the Greeks of the East. In the theatre at Kyoto this was curiously borne in upon me. On the floor of the house reclined figures in loose robes, bare-necked and barefooted. On the narrow stage were one or two actors, chanting in measured speech, and moving slowly from pose to pose. From boxes on either side of the stage intoned a kind of chorus; and a flute and pizzicato strings accompanied the whole in the solemn strains of some ancient mode. I have seen nothing so like what a Greek play may have been, though doubtless even this was far enough away. And still more was I struck by the resemblance when a comedy succeeded to the tragedy, and I found the young and old Japan confronting one another exactly as the young and old Athens met in debate, two thousand years ago, in the Frogs of Aristophanes. The theme was an ascent of Mount Fuji; the actors two groups of young girls, one costumed as virgin priestesses of the Shinto cult, the other in modern European dress. The one set were climbing the mountain as a pilgrimage, the other as a lark; and they meet and exchange sharp dialectics (unintelligible to me, but not unguessable) on the lower slopes. The sympathies of the author, like those of Aristophanes, were with the old school. It is the pilgrims who reach the top and the modern young women who collapse. And the modern young man fares no better; he is beaten by a coolie and frightened by a ghost. The playwright had at least Aristophanes' gift of lampoon, though I doubt whether he had a touch of his genius. Perhaps, however, he had a better cause. For, I doubt, modern Japan may deserve lampooning more than the Athens of Aristophanes. For modern Japan is the modern West. And that – well, it seemed to be symbolised to me yesterday in the train. In my carriage were two Japanese. One was loosely wrapt in a kimono, bare throat and feet, fine features, fine gestures, everything aristocratic and distinguished. The other was clad in European dress, sprigged waistcoat, gold watch-chain, a coarse, thick-lipped face, a podgy figure. It was a hot July day, and we were passing through some of the loveliest scenery in the world. He first closed all doors and windows, and then extended himself at full length and went to sleep. There he lay, his great paunch sagging – prosperity exuding from every pore – an emblem and type of what in the West we call a "successful" man. And the other? The other, no doubt, was going downhill. Both, of course, were Japanese types; but the civilisation of the West chose the one and rejected the other. And if civilisation is to be judged, as it fairly may be, by the kind of men it brings to the top, there is much to be said for the point of view of my Tory playwright.