Practical Education, Volume I

For children who have had the misfortune to have heard the hundred foolish stories of a foolish maid, this apparition of the chimney-sweeper is well managed; though, perhaps, ridicule might not effect so sudden st cure in all cases as it did in that of Antonia. By children who have not acquired terrors of the black-faced goblin, and who have not the habit of frequenting the kitchen and the pantry, this story should never be read.

"The little miss deceived by her maid," who takes her mamma's keys out of her drawers, and who steals sugar and tea for her maid, that she may have the pleasure of playing with a cousin whom her mother had forbidden her to see, is not an example that need be introduced into any well regulated family. The picture of Amelia's misery, is drawn by the hand of a master. Terror and pity, we are told by the tragic poets, purify the mind; but there are minds that do not require this species of purification. Powerful antidotes are necessary to combat powerful poisons; but where no poison has been imbibed, are not antidotes more dangerous than useful?

The stories called "The Little Gamblers; Blind Man's Buff; and Honesty the best Policy," are stories which may do a great deal of good to bad children, but they should never be given to those of another description. The young gentlemen who cheat at cards, and who pocket silver fish, should have no admittance any where. It is not necessary to put children upon their guard against associates whom they are not likely to meet; nor need we introduce The Vulgar and Mischievous School-Boy, to any but school-boys. Martin, who throws squibs at people in the street, who fastens rabbits' tails behind their backs, who fishes for their wigs, who sticks up pins in his friends' chairs, who carries a hideous mask in his pocket to frighten little children, and who is himself frightened into repentance by a spectre with a speaking trumpet, is a very objectionable, though an excellent dramatic character. The part of the spectre is played by the groom; this is ill contrived in a drama for children; grooms should have nothing to do with their entertainments; and Cæsar, who is represented as a pleasing character, should not be supposed to make the postillion a party in his inventions.

"A good heart compensates for many indiscretions," is a dangerous title for a play for young people; because many is an indefinite term; and in settling how many, the calculations of parents and children may vary materially. This little play is so charmingly written, the character of the imprudent and generous Frederick is so likely to excite imitation, that we must doubly regret his intimacy with the coachman, his running away from school, and drinking beer at an ale-house in a fair. The coachman is an excellent old man; he is turned away for having let master Frederick mount his box, assume the whip, and overturn a handsome carriage. Frederick, touched with gratitude and compassion, gives the old man all his pocket money, and sells a watch and some books to buy clothes for him. The motives of Frederick's conduct are excellent, and, as they are misrepresented by a treacherous and hypocritical cousin, we sympathize more strongly with the hero of the piece; and all his indiscretions appear, at least, amiable defects. A nice observer102 of the human heart says, that we are never inclined to to cure ourselves of any defect which makes us agreeable. Frederick's real virtues will not, probably, excite imitation so much as his imaginary excellences. We should take the utmost care not to associate in the mind the ideas of imprudence and of generosity; of hypocrisy and of prudence: on the contrary, it should be shown that prudence is necessary to real benevolence; that no virtue is more useful, and consequently more respectable, than justice. These homely truths will never be attended to as the counter-check moral of an interesting story; stories which require such morals, should, therefore, be avoided.

It is to be hoped, that select parts of The Children's Friend,103 translated by some able hand, will be published hereafter for the use of private families. Many of the stories, to which we have ventured to object, are by no means unfit for school-boys, to whom the characters which are most exceptionable cannot be new. The vulgarity of language which we have noticed, is not to be attributed to M. Berquin, but to his wretched translator. L'Ami des Enfans, is, in French, remarkably elegantly written. The Little Canary Bird, Little George, The Talkative Little Girl, The Four Seasons, and many others, are excellent both in point of style and dramatic effect; they are exactly suited to the understandings of children; and they interest without any improbable events, or unnatural characters.

In fiction it is difficult to avoid giving children false ideas of virtue, and still more difficult to keep the different virtues in their due proportions. This should be attended to with care in all books for young people; nor should we sacrifice the understanding to the enthusiasm of eloquence, or the affectation of sensibility. Without the habit of reasoning, the best dispositions can give us no solid security for happiness; therefore, we should early cultivate the reasoning faculty, instead of always appealing to the imagination. By sentimental persuasives, a child may be successfully governed for a time, but that time will be of short duration, and no power can continue the delusion long.

In the dialogue upon this maxim, "that a competence is best," the reasoning of the father is not a match for that of the son; by using less eloquence, the father might have made out his case much better. The boy sees that many people are richer than his father, and perceiving that their riches procure a great number of conveniences and comforts for them, he asks why his father, who is as good as these opulent people, should not also be as rich. His father tells him, that he is rich, that he has a large garden, and a fine estate; the boy asks to see it, and his father takes him to the top of a high hill, and, showing him an extensive prospect, says to him, "All this is my estate." The boy cross questions his father, and finds out that it is not his estate, but that he may enjoy the pleasure of looking at it; that he can buy wood when he wants it for firing; venison, without hunting the deer himself; fish, without fishing; and butter, without possessing all the cows that graze in the valley; therefore he calls himself master of the woods, the deer, the herds, the huntsmen, and the labourers that he beholds. This is104 poetic philosophy, but it is not sufficiently accurate for a child; it would confound his ideas of property, and it would be immediately contradicted by his experience. The father's reasoning is perfectly good, and well adapted to his pupil's capacity, when he asks, "whether he should not require a superfluous appetite to enjoy superfluous dishes at his meals." In returning from his walk, the boy sees a mill that is out of repair, a meadow that is flooded, and a quantity of hay spoiled; he observes, that the owners of these things must be sadly vexed by such accidents, and his father congratulates himself upon their not being his property. Here is a direct contradiction; for a few minutes before he had asserted that they belonged to him. Property is often the cause of much anxiety to its possessor; but the question is, whether the pains, or the pleasures of possessing it, predominate; if this question could not be fully discussed, it should not be partially stated. To silence a child in argument is easy, to convince him is difficult; sophistry or wit should never be used to confound the understanding. Reason has equal force from the lips of the giant and of the dwarf.

These minute criticisms may appear invidious; but it is hoped that they will be considered only as illustrations of general principles; illustrations necessary to our subject. We have chosen M. Berquin's work because of its universal popularity; probably all the examples which have been selected, are in the recollection of most readers, or at least it is easy to refer to them, because "The Children's Friend" is to be found in every house where there are any children. The principles by which we have examined Berquin, may be applied to all books of the same class. Sandford and Merton, Madame de Silleri's Theatre of Education, and her Tales of the Castle, Madame de la Fite's Tales and Conversations, Mrs. Smith's Rural Walks, with a long list of other books for children, which have considerable merit, would deserve a separate analysis, if literary criticism were our object. A critic once, with indefatigable ill-nature, picked out all the faults of a beautiful poem, and presented them to Apollo. The god ordered a bushel of his best Parnassian wheat to be carefully winnowed, and he presented the critic with the chaff. Our wish is to separate the small portion of what is useless, from the excellent nutriment contained in the books we have mentioned.

With respect to sentimental stories,105 and books of mere entertainment, we must remark, that they should be sparingly used, especially in the education of girls. This species of reading, cultivates what is called the heart prematurely; lowers the tone of the mind, and induces indifference for those common pleasures and occupations which, however trivial in themselves, constitute by far the greatest portion of our daily happiness. Stories are the novels of childhood. We know, from common experience, the effects which are produced upon the female mind by immoderate novel reading. To those who acquire this taste, every object becomes disgusting which is not in an attitude for poetic painting; a species of moral picturesque is sought for in every scene of life, and this is not always compatible with sound sense, or with simple reality. Gainsborough's Country Girl, as it has been humorously106 remarked, "is a much more picturesque object, than a girl neatly dressed in a clean white frock; but for this reason, are all children to go in rags?" A tragedy heroine, weeping, swooning, dying, is a moral picturesque object; but the frantic passions, which have the best effect upon the stage, might, when exhibited in domestic life, appear to be drawn upon too large a scale to please. The difference between reality and fiction, is so great, that those who copy from any thing but nature, are continually disposed to make mistakes in their conduct, which appear ludicrous to the impartial spectator. Pathos depends on such nice circumstances, that domestic, sentimental distresses, are in a perilous situation; the sympathy of their audience, is not always in the power of the fair performers. Frenzy itself may be turned to farce.107 "Enter the princess mad in white satin, and her attendant mad in white linen."

Besides the danger of creating a romantic taste, there is reason to believe, that the species of reading to which we object, has an effect directly opposite to what it is intended to produce. It diminishes, instead of increasing, the sensibility of the heart; a combination of romantic imagery, is requisite to act upon the associations of sentimental people, and they are virtuous only when virtue is in perfectly good taste. An eloquent philosopher108 observes, that in the description of scenes of distress in romance and poetry, the distress is always made elegant; the imagination, which has been accustomed to this delicacy in fictitious narrations, revolts from the disgusting circumstances which attend real poverty, disease and misery; the emotions of pity, and the exertions of benevolence, are consequently repressed precisely at the time when they are necessary to humanity.

With respect to pity, it is a spontaneous, natural emotion, which is strongly felt by children, but they cannot properly be said to feel benevolence till they are capable of reasoning. Charity must, in them, be a very doubtful virtue; they cannot be competent judges as to the general utility of what they give. Persons of the most enlarged understanding, find it necessary to be extremely cautious in charitable donations, lest they should do more harm than good. Children cannot see beyond the first link in the chain which holds society together; at the best, then, their charity can be but a partial virtue. But in fact, children have nothing to give; they think that they give, when they dispose of property of their parents; they suffer no privation from this sort of generosity, and they learn ostentation, instead of practising self-denial. Berquin, in his excellent story of "The Little Needle Woman," has made the children give their own work; here the pleasure of employment is immediately connected with the gratification of benevolent feelings; their pity is not merely passive, it is active and useful.

In fictitious narratives, affection for parents, and for brothers and sisters, is often painted in agreeable colours, to excite the admiration and sympathy of children. Caroline, the charming little girl, who gets upon a chair to wipe away the tears that trickle down her eldest sister's cheek when her mother is displeased with her,109 forms a natural and beautiful picture; but the desire to imitate Caroline must produce affectation. All the simplicity of youth, is gone the moment children perceive that they are extolled for the expression of fine feelings, and fine sentiments. Gratitude, esteem and affection, do not depend upon the table of consanguinity; they are involuntary feelings, which cannot be raised at pleasure by the voice of authority; they will not obey the dictates of interest; they secretly despise the anathemas of sentiment. Esteem and affection, are the necessary consequences of a certain course of conduct, combined with certain external circumstances, which are, more or less, in the power of every individual. To arrange these circumstances prudently, and to pursue a proper course of conduct steadily, something more is necessary than the transitory impulse of sensibility, or of enthusiasm.

There is a class of books which amuse the imagination of children, without acting upon their feelings. We do not allude to fairy tales, for we apprehend that these are not now much read; but we mean voyages and travels; these interest young people universally. Robinson Crusoe, Gulliver, and the Three Russian Sailors, who were cast away upon the coast of Norway, are general favourites. No child ever read an account of a shipwreck, or even a storm, without pleasure. A desert island is a delightful place, to be equalled only by the skating land of the rein-deer, or by the valley of diamonds in the Arabian Tales. Savages, especially if they be cannibals, are sure to be admired, and the more hair-breadth escapes the hero of the tale has survived, and the more marvellous his adventures, the more sympathy he excites.110

Will it be thought to proceed from a spirit of contradiction, if we remark, that this species of reading should not early be chosen for boys of an enterprising temper, unless they are intended for a sea-faring life, or for the army? The taste for adventure, is absolutely incompatible with the sober perseverance necessary to success in any other liberal professions. To girls, this species of reading cannot be as dangerous as it is to boys; girls must very soon perceive the impossibility of their rambling about the world in quest of adventures; and where there appears an obvious impossibility in gratifying any wish, it is not likely to become, or at least to continue, a torment to the imagination. Boys, on the contrary, from the habits of their education, are prone to admire, and to imitate, every thing like enterprise and heroism. Courage and fortitude, are the virtues of men, and it is natural that boys should desire, if they believe that they possess these virtues, to be placed in those great and extraordinary situations which can display them to advantage. The taste for adventure, is not repressed in boys by the impossibility of its indulgence; the world is before them, and they think that fame promises the highest prize to those who will most boldly venture in the lottery of fortune. The rational probability of success, few young people are able, fewer still are willing, to calculate; and the calculations of prudent friends, have little power over their understandings, or at least, over their imagination, the part of the understanding which is most likely to decide their conduct. – From general maxims, we cannot expect that young people should learn much prudence; each individual admits the propriety of the rule, yet believes himself to be a privileged exception. Where any prize is supposed to be in the gift of fortune, every man, or every young man, takes it for granted that he is a favourite, and that it will be bestowed upon him. The profits of commerce and of agriculture, the profits of every art and profession, can be estimated with tolerable accuracy; the value of activity, application and abilities, can be respectively measured by some certain standard. Modest, or even prudent people, will scruple to rate themselves in all of these qualifications superior to their neighbours; but every man will allow that, in point of good fortune, at any game of chance, he thinks himself upon a fair level with every other competitor.

When a young man deliberates upon what course of life he shall follow, the patient drudgery of a trade, the laborious mental exertions requisite to prepare him for a profession, must appear to him in a formidable light, compared with the alluring prospects presented by an adventuring imagination. At this time of life, it will be too late suddenly to change the taste; it will be inconvenient, if not injurious, to restrain a young man's inclinations by force or authority; it will be imprudent, perhaps fatally imprudent, to leave them uncontroled. Precautions should therefore be taken long before this period, and the earlier they are taken, the better. It is not idle refinement to assert, that the first impressions which are made upon the imagination, though they may be changed by subsequent circumstances, yet are discernible in every change, and are seldom entirely effaced from the mind, though it may be difficult to trace them through all their various appearances. A boy, who at seven years old, longs to be Robinson Crusoe, or Sinbad the sailor, may at seventeen, retain the same taste for adventure and enterprise, though mixed so as to be less discernible, with the incipient passions of avarice and ambition; he has the same dispositions modified by a slight knowledge of real life, and guided by the manners and conversation of his friends and acquaintance. Robinson Crusoe and Sinbad, will no longer be his favourite heroes; but he will now admire the soldier of fortune, the commercial adventurer, or the nabob, who has discovered in the east the secret of Aladdin's wonderful lamp; and who has realized the treasures of Aboulcasem.

The history of realities, written in an entertaining manner, appears not only better suited to the purposes of education, but also more agreeable to young people than improbable fictions. We have seen the reasons why it is dangerous to pamper the taste early with mere books of entertainment; to voyages and travels, we have made some objections. Natural history, is a study particularly suited to children: it cultivates their talents for observation, applies to objects within their reach, and to objects which are every day interesting to them. The histories of the bee, the ant, the caterpillar, the butterfly, the silk-worm, are the first things that please the taste of children, and these are the histories of realities.

Amongst books of mere entertainment, no one can be so injudicious, or so unjust, as to class the excellent "Evenings at Home." Upon a close examination, it appears to be one of the best books for young people from seven to ten years old, that has yet appeared. We shall not pretend to enter into a minute examination of it; because, from what we have already said, parents can infer our sentiments, and we wish to avoid tedious, unnecessary detail. We shall, however, just observe, that the lessons on natural history, on metals, and on chemistry, are particularly useful, not so much from the quantity of knowledge which, they contain, as by the agreeable manner in which it is communicated: the mind is opened to extensive views, at the same time that nothing above the comprehension of children is introduced. The mixture of moral and, scientific lessons, is happily managed so as to relieve the attention; some of the moral lessons, contain sound argument, and some display just views of life. "Perseverance against Fortune;" "The Price of Victory;" "Eyes and no Eyes," have been generally admired as much by parents as by children.

There is a little book called "Leisure Hours," which contains a great deal of knowledge suited to young people; but they must observe, that the style is not elegant; perhaps, in a future edition, the style may be revised. The "Conversations d'Emile," are elegantly written, and the character of the mother and child admirably well preserved. White of Selborne's Naturalist's Calendar, we can recommend with entire approbation: it is written in a familiar, yet elegant style; and the journal form, gives it that air of reality which is so agreeable and interesting to the mind. Mr. White will make those who have observed, observe the more, and will excite the spirit of observation in those who never before observed.

Smellie's Natural History, is a useful, entertaining book; but it must be carefully looked over, and many pages and half pages must be entirely sacrificed. And here one general caution may be necessary. It is hazarding too much, to make children promise not to read parts of any book which is put into their hands; when the book is too valuable, in the parent's estimation, to be cut or blotted, let it not be given to children when they are alone; in a parent's presence, there is no danger, and the children will acquire the habit of reading the passages that are selected without feeling curiosity about the rest. As young people grow up, they will judge of the selections that have been made for them; they will perceive why such a passage was fit for their understanding at one period, which they could not have understood at another. If they are never forced to read what is tiresome, they will anxiously desire to have passages selected for them; and they will not imagine that their parents are capricious in these selections; but they will, we speak from experience, be sincerely grateful to them for the time and trouble bestowed in procuring their literary amusements.

When young people have established their character for truth and exact integrity, they should be entirely trusted with books as with every thing else. A slight pencil line at the side of a page, will then be all that is necessary to guide them to the best parts of any book. Suspicion would be as injurious, as too easy a faith is imprudent: confidence confirms integrity; but the habits of truth must be formed before dangerous temptations are presented. We intended to have given a list of books, and to have named the pages in several authors, which have been found interesting to children from seven to nine or ten years old. The Reviews; The Annual Registers; Enfield's Speaker; Elegant Extracts; The Papers of the Manchester Society; The French Academy of Sciences; Priestley's History of Vision; and parts of the Works of Franklin, of Chaptal, Lavoisier and Darwin, have supplied us with our best materials. Some periodical papers from the World, Rambler, Guardian, and Adventurer, have been chosen: these are books with which all libraries are furnished. But we forbear to offer any list; the passages we should have mentioned, have been found to please in one family; but we are sensible, that as circumstances vary, the choice of books for different families, ought to be different. Every parent must be capable of selecting those passages in books which are most suited to the age, temper, and taste of their children. Much of the success, both of literary and moral education, will depend upon our seizing the happy moments for instruction; moments when knowledge immediately applies to what children are intent upon themselves; the step which is to be taken by the understanding, should immediately follow that which has already been secured. By watching the turn of mind, and by attending to the conversation of children, we may perceive exactly what will suit them in books; and we may preserve the connection of their ideas without fatiguing their attention. A paragraph read aloud from the newspaper of the day, a passage from any book which parents happen to be reading themselves, will catch the attention of the young people in a family, and will, perhaps, excite more taste and more curiosity, than could be given by whole volumes read at times when the mind is indolent or intent upon other occupations.