Leonora

Tell me, my dear mother, that you are no longer in anxiety about the consequences of my attachment to Olivia.

Your affectionate daughter,Leonora.

Letter vi

The Duchess of – to her daughter

You lament, my dear child, that such an affectionate heart, such great abilities as Olivia's should be lost to society. Before I sympathise in your pity, my judgment must be convinced that it is reasonable.

What proofs has Lady Olivia given of her affectionate heart? She is at variance with both her parents; she is separated from her husband; and she leaves her child in a foreign country, to be educated by strangers. Am I to understand, that her ladyship's neglecting to perform the duties of a daughter, a wife, and a mother, are proofs of an affectionate heart? As to her superior talents, do they contribute to her own happiness, or to the happiness of others? Evidently not to her own; for by her account of herself, she is one of the most miserable wretches alive! She tells you that "she went to foreign climes in search of balm for a wounded heart, and wandered from place to place, looking for what no place could afford." She talks of "indescribable sadness – an aching void – an impenetrable prison – darkness visible – dead bodies chained to living ones;" and she exhibits all the disordered furniture of a "diseased mind." But you say, that though her powers are thus insufficient to make herself happy, they may amuse or instruct the world; and of this I am to judge by the letters which you have sent me. You admire fine writing; so do I. I class eloquence high amongst the fine arts. But by eloquence I mean something more than Dr Johnson defines it to be, "the art of speaking with fluency and elegance." This is an art which is now possessed to a certain degree by every boarding-school miss. Every scribbling young lady can now string sentences and sentiments together, and can turn a period harmoniously. Upon the strength of these accomplishments they commence heroines, and claim the privileges of the order; privileges which go to an indefinite and most alarming extent. Every heroine may have her own code of morality for her private use, and she is to be tried by no other; she may rail as loudly as she pleases "at the barbarous institutions of society," and may deplore "the inexorable tyranny of the English laws." If she find herself involved in delicate entanglements of crossing duties, she may break through any one, or all of them, to extricate herself with a noble contempt of prejudice.

I have promised to reason calmly; but I cannot repress the terror which I feel at the idea of my daughter's becoming the friend of one of these women. Olivia's letters are, I think, in the true heroine style; and they might make a brilliant figure in a certain class of novels. She begins with a bold exclamation on "the misfortune of being born a woman! —the slave or the outcast of society, condemned to incessant hypocrisy!" Does she mean modesty? Her manly soul feels it "the most degrading punishment that omnipotent cruelty could devise, to be imprisoned in a female form." From such a masculine spirit some fortitude and magnanimity might be expected; but presently she begs to be pitied, for a broken spirit, and more than female tenderness of heart. I have observed that the ladies who wish to be men are usually those who have not sufficient strength of mind to be women.

Olivia proceeds in an ironical strain to envy, as "the happiest of their sex, those who submit to be swathed by custom." These persons she stigmatizes with the epithet of tideless-blooded. It is the common trick of unprincipled women to affect to despise those who conduct themselves with propriety. Prudence they term coldness; fortitude, insensibility; and regard to the rights of others, prejudice. By this perversion of terms they would laugh or sneer virtue out of countenance; and, by robbing her of all praise, they would deprive her of all immediate motive. Conscious of their own degradation, they would lower everything, and everybody, to their own standard: they would make you believe, that those who have not yielded to their passions are destitute of sensibility; that the love which is not blazoned forth in glaring colours is not entitled to our sympathy. The sacrifice of the strongest feelings of the human heart to a sense of duty is to be called mean, or absurd; but the shameless phrensy of passion, exposing itself to public gaze, is to be an object of admiration. These heroines talk of strength of mind; but they forget that strength of mind is to be shown in resisting their passions, not in yielding to them. Without being absolutely of an opinion, which I have heard maintained, that all virtue is sacrifice, I am convinced that the essential characteristic of virtue is to bear and forbear. These sentimentalists can do neither. They talk of sacrifices and generosity; but they are the veriest egotists – the most selfish creatures alive.

Open your eyes, my dear Leonora, and see things as they really are. Lady Olivia thinks it a sufficient excuse for abandoning her husband, to say, that she found "his soul was not in unison with hers." She thinks it an adequate apology for a criminal attachment, to tell you that "the net was thrown over her heart before she felt her danger: that all its struggles were to no purpose, but to exhaust her strength."

If she did not feel her danger, she prepared it. The course of reading which her ladyship followed was the certain preparation for her consequent conduct. She tells us that she could not endure "the commonplace of morality, but metaphysics promised her some relief." In these days a heroine need not be a moralist, but she must be a metaphysician. She must "wander in the not inelegant labyrinth;" and if in the midst of it she comes unawares upon the monster vice, she must not start, though she have no clue to secure her retreat.

From metaphysics Lady Olivia went on to German novels. "For her largest portions of bliss, for those rapt moments which consigned vulgar realities to oblivion," she owns herself indebted to those writers, who promise an ideal world of pleasure, which, like the mirage in the desert, bewilders the feverish imagination. I always suspected the imagination of these women of feeling to be more susceptible than their hearts. They want excitation for their morbid sensibility, and they care not at what expense it is procured. If they could make all the pleasures of life into one cordial they would swallow it at a draught in a fit of sentimental spleen. The mental intemperance that they indulge in promiscuous novel-reading destroys all vigour and clearness of judgment; everything dances in the varying medium of their imagination. Sophistry passes for reasoning; nothing appears profound but what is obscure; nothing sublime but what is beyond the reach of mortal comprehension. To their vitiated taste the simple pathos, which o'ersteps not the modesty of nature, appears cold, tame, and insipid; they must have scènes and a coup de théâtre; and ranting, and raving, and stabbing, and drowning, and poisoning; for with them there is no love without murder. Love, in their representations, is indeed a distorted, ridiculous, horrid monster, from whom common sense, taste, decency, and nature recoil.

But I will be calm. – You say, my dear Leonora, that your judgment has not been blinded by Lady Olivia's fascinating manners; but that you are strongly influenced in her favour by that candour, with which she has revealed to you all her faults. The value of candour in individuals should be measured by their sensibility to shame. When a woman throws off all restraint, and then desires me to admire her candour, I am astonished only at her assurance. Do not be the dupe of such candour. Lady Olivia avows a criminal passion, yet you say that you have no doubts of her innocence. The persuasion of your unsuspecting heart is no argument: when you give me any proofs in her favour, I shall pay them all due attention. In the meantime I have given you my opinion of those ladies who place themselves in the most perilous situations, and then expect you to believe them safe.

Olivia's professions of regard for you are indeed enthusiastic. She tells you, that "your power is unlimited over her heart and understanding, that your friendship would be to her one of the greatest of earthly blessings." May be so – but I cannot wish you to be her friend. With whatever confidence she makes the assertion, do not believe that she has a heart capable of feeling the value of yours. These sentimental, unprincipled women make the worst friends in the world. We are often told that, "poor creatures! they do nobody any harm but themselves;" but in society it is scarcely possible for a woman to do harm to herself without doing harm to others; all her connexions must be involved in the consequences of her imprudence. Besides, what confidence can you repose in them? If you should happen to be an obstacle in the way of any of their fancies, do you think that they will respect you or your interest, when they have not scrupled to sacrifice their own to the gratification of their passions? Do you think that the gossamer of sentiment will restrain those whom the strong chains of prudence could not hold?

O! my dearest child, forcibly as these arguments carry conviction to my mind, I dread lest your compassionate, generous temper should prevent their reaching your understanding. Then let me conjure you, by all the respect which you have ever shown for your mother's opinions, by all that you hold dear or sacred, beware of forming an intimacy with an unprincipled woman. Believe me to be

Your truly affectionate mother.

Letter vij

Leonora to her mother

No daughter ever felt more respect for the opinions of a parent than I do for yours, my dearest mother; but you have never, even from childhood, required from me a blind submission – you have always encouraged me to desire conviction. And now, when the happiness of another is at stake, you will forgive me if I am less disposed to yield than I should be, I hope, if my own interest or taste were alone concerned.

You ask me what proofs I have of Lady Olivia's innocence. Believe me, I have such as are convincing to my unbiassed judgment, and such as would be sufficient to satisfy all your doubts, were I at liberty to lay the whole truth before you. But even to exculpate herself, Olivia will not ruin in your opinion her husband, of whom you imagine that she has no reason to complain. I, who know how anxious she is to obtain your esteem, can appreciate the sacrifice that she makes; and in this instance, as in many others, I admire her magnanimity; it is equal to her candour, for which she is entitled to praise even by your own principles, dear mother: since, far from having thrown off all restraint, she is exquisitely susceptible of shame.

As to her understanding – have no persons of great talents ever been unfortunate? Frequently we see that they have not been able, by all their efforts and all their powers, to remedy the defects in the characters and tempers of those with whom they have unhappily been connected. Olivia married very young, and was unfortunately mistaken in her choice of a husband: on that subject I can only deplore her error and its consequences: but as to her disagreements with her own family, I do not think her to blame. For the mistakes we make in the choice of lovers or friends we may be answerable, but we cannot be responsible for the faults of the relations who are given to us by nature. If we do not please them, it may be our misfortune; it is not necessarily our fault. I cannot be more explicit, without betraying Lady Olivia's confidence, and implicating others in defending her.

With respect to that attachment of which you speak with so much just severity, she has given me the strongest assurances that she will do everything in her power to conquer it. Absence, you know, is the first and the most difficult step, and this she has taken. Her course of reading displeases you: I cannot defend it: but I am persuaded that it is not a proof of her taste being vitiated. Many people read ordinary novels as others take snuff, merely from habit, from the want of petty excitation; and not, as you suppose, from the want of exorbitant or improper stimulus. Those who are unhappy have recourse to any trifling amusement that can change the course of their thoughts. I do not justify Olivia for having chosen such comforters as certain novels, but I pity her and impute this choice to want of fortitude, not to depravity of taste. Before she married, a strict injunction was laid upon her not to read any book that was called a novel: this raised in her mind a sort of perverse curiosity. By making any books or opinions contraband, the desire to read and circulate them is increased; bad principles are consequently smuggled into families, and being kept secret, can never be subject to fair examination. I think it must be advantageous to the right side of any question, that all which can be said against it should be openly heard, that it may be answered. I do not for I know that virtue has a tongue to answer her. The more vice repeats her assertions, the better; because when familiarized, their boldness will not astound the understanding, and the charm of novelty will not be mistaken for the power of truth. We may observe, that the admiration for the class of writers to whom you allude, though violent in its commencement, has abated since they have been more known; and numbers, who began with rapture, have ended with disgust. Person of vivacious imaginations, like Olivia, may be caught at first view by whatever has the appearance of grandeur or sublimity; but if time be allowed for examination, they will infallibly detect the disproportions, and these will ever afterwards shock their taste: if you will not allow leisure for comparison – if you say, do not look at such strange objects, the obedient eyes may turn aside, but the rebel imagination pictures something a thousand times more wonderful and charming than the reality. I will venture to predict, that Olivia will soon be tired of the species of novels which she now admires, and that, once surfeited with these books, and convinced of their pernicious effects, she will never relapse into the practice of novel reading.

"Hate when vice can bolt her arguments;"

As to her taste for metaphysical books – Dear mother, I am very daring to differ with you in so many points; but permit me to say, that I do not agree with you in detesting metaphysics. People may lose themselves in that labyrinth; but why should they meet with vice in the midst of it? The characters of a moralist, a practical moralist, and a metaphysician, are not incompatible, as we may see in many amiable and illustrious examples. To examine human motives, and the nature of the human mind, is not to destroy the power of virtue, or to increase the influence of vice. The chemist, after analysing certain substances, and after discovering their constituent parts, can lay aside all that is heterogeneous, and recompound the substance in a purer state. From analogy we might infer, that the motives of metaphysicians ought to be purer than those of the vulgar and ignorant. To discover the art of converting base into noble passions, or to obtain a universal remedy for all mental diseases, is perhaps beyond the power of metaphysicians; but in the pursuit useful discoveries may be made.

As to Olivia's letters – I am sorry I sent them to you; for I see that they have lowered, instead of raising her in your opinion. But if you criticise letters, written in openness and confidence of heart to a private friend, as if they were set before the tribunal of the public, you are – may I say it? – not only severe, but unjust; for you try and condemn the subjects of one country by the laws of another.

Dearest mother, be half as indulgent to Olivia as you are to me: indeed you are prejudiced against her, and because you see some faults, you think her whole character vicious. But would you cut down a fine tree because a leaf is withered, or because the canker-worm has eaten into the bud? Even if a main branch were decayed, are there not remedies which, skilfully applied, can save the tree from destruction, and perhaps restore it to its pristine beauty?

And now, having exhausted all my allusions, all my arguments, and all my little stock of eloquence, I must come to a plain matter of fact —

Before I received your letter I had invited Lady Olivia to spend some time at L – Castle. I fear that you will blame my precipitation, and I reproach myself for it, because I know it will give you pain. However, though you will think me imprudent, I am certain you would rather that I were imprudent than unjust. I have defended Olivia from what I believe to be unmerited censure; I have invited her to my house; she has accepted my proffered kindness; to withdraw it afterwards would be doing her irreparable injury: it would confirm all that the world can suspect: it would be saying to the censorious – I am convinced that you are right, and I deliver your victim up to you.

Thus I should betray the person whom I undertook to defend: her confidence in me, her having but for a moment accepted my protection, would be her ruin. I could not act in so base a manner.

Fear nothing for me, my best, but too anxious friend. I may do Lady Olivia some good; she can do me no harm. She may learn the principles which you have taught me; I can never catch from her any tastes or habits which you would disapprove. As to the rest, I hazard little or nothing. The hereditary credit which I enjoy in my maternal right enables me to assist others without injuring myself.

Your affectionate daughter,Leonora.

Letter viij

The Duchess of – to her daughter

My dearest Child,

I hope that you are in the right, and that I am in the wrong.

Your affectionate mother.

Letter ix

Olivia to Madame de P –

Prepare yourself, my ever dear and charming Gabrielle, for all the torments of jealousy. Know, that since I came to England I have formed a new friendship with a woman who is interesting in the extreme, who has charmed me by the simplicity of her manners and the generous sensibility of her heart. Her character is certainly too reserved: yet even this defect has perhaps increased her power over my imagination, and consequently over my affections. I know not by what magic she has obtained it, but she has already an ascendency over me, which would quite astonish you, who know my wayward fancies and independent spirit.

Alas! I confess my heart is weak indeed; and I fear that all the power of friendship and philosophy combined will never strengthen it sufficiently. O, Gabrielle! how can I hope to obliterate from my soul that attachment which has marked the colour of my destiny for years? Yet such courage, such cruel courage is required of me, and of such I have boasted myself capable. Lady Leonora L – , my new friend, has, by all the English eloquence of virtue, obtained from me a promise, which, I fear, I shall not have the fortitude to keep – but I must make the attempt – Forbid R*** to write to me – Yes! I have written the words – Forbid R*** to write to me – Forbid him to think of me – I will do more – if possible I will forbid myself henceforward to think of him – to think of love – Adieu, my Gabrielle – All the illusions of life are over, and a dreary blank of future existence lies before me, terminated only by the grave. To-morrow I go to L – Castle, with feelings which I can compare only to those of the unfortunate la Vallière when she renounced her lover, and resolved to bury herself in a cloister. – Alas! why have not I the resource of devotion?

Your unhappyOlivia.

Letter x

General B – to Mr L –

Publish my travels! – Not I, my dear friend. The world shall never have the pleasure of laughing at General B – 's trip to Paris. Before a man sets about to inform others, he should have seen, not only the surface but the bottom of things; he should have had, not only a vue d'oiseau, but (to use a celebrated naval commander's expression) a vue de poisson of his subject. By this time you must have heard enough of the Louvre and the Tuilleries, and Versailles, and la petit Trianon, and St Cloud – and you have had enough of pictures and statues; and you know all that can be known of Bonaparté, by seeing him at a review or a levee; and the fashionable beauties and celebrated characters of the hour have all passed and repassed through the magic lantern. A fresh showman might make his figures a little more correct, or a little more in laughable caricature, but he could produce nothing new. Alas! there is nothing new under the sun. Nothing remains for the moderns, but to practise the oldest follies and newest ways. Would you, for the sake of your female friends, know the fashionable dress of a Parisian elegante, see Seneca on the transparent vestments of the Roman ladies, who, like these modern belles, were generous in the display of their charms to the public. No doubt these French republicanists act upon the true Spartan principle of modesty: they take the most efficacious method to prevent their influence from being too great over the imaginations of men, by renouncing all that insidious reserve which alone can render even beauty permanently dangerous.

Of the cruelties of the revolution I can tell you nothing new. The public have been steeped up to the lips in blood, and have surely had their fill of horrors.

But, my dear friend, you say that I must be able to give a just view of the present state of French society, and of the best parts of it, because I have not, like some of my countrymen, hurried about Paris from one spectacle to another, seen the opera, and the play-houses, and the masked balls, and the gaming-houses, and the women of the Palais Royale, and the lions of all sorts; gone through the usual routine of presentation and public dinners, drunk French wine, damned French cookery, and "come home content." I have certainly endeavoured to employ my time better, and have had the good fortune to be admitted into the best private societies in Paris. These were composed of the remains of the French nobility, of men of letters and science, and of families, who, without interfering in politics, devote themselves to domestic duties, to literary and social pleasures. The happy hours I have passed in this society can never be forgotten, and the kindness I have received has made its full impression upon an honest English heart. I will never disgrace the confidence of my friends by drawing their characters for the public.

Cæsar, in all his glory, and all his despotism, could not, with impunity, force a Roman knight1 to go upon the stage: but modern anecdote-mongers, more cruel and insolent than Cæsar, force their friends of all ages and sexes to appear, and speak, and act, for the amusement or derision of the public.

My dear friend, is not my resolution, never to favour the world with my tour, well grounded? I hope that I have proved to your satisfaction, that I could tell people nothing but what I do not understand, or what is not worth telling them, or what has been told them a hundred times, or what, as a gentleman, I am bound not to publish.

Yours truly,J. B.

Letter xi

Olivia to Madame de P –

L – Castle.

Friendship, my amiable and interesting Gabrielle, is more an affair of the heart than of the head, more the instinct of taste than the choice of reason. With me the heart is no longer touched, when the imagination ceases to be charmed. Explain to me this metaphysical phenomenon of my nature, and, for your reward, I will quiet your jealousy, by confessing without compunction what now weighs on my conscience terribly. I begin to feel that I can never love this English friend as I ought. She is too English– far too English for one who has known the charms of French ease, vivacity, and sentiment; for one who has seen the bewitching Gabrielle's infinite variety.

Leonora has just the figure and face that you would picture to yourself for une belle Angloise; and if our Milton comes into your memory, you might repeat, for the quotation is not too trite for a foreigner —