A History of Inventions, Discoveries, and Origins, Volume II (of 2)

When one compares this short description with what Dioscorides says of a plant which he calls ereuthodanon, it will be readily seen that he meant our madder. He even compares its long square stem, armed with a great many hooks, to that of the asperugo; and he tells us that the leaves stand in the form of a star around the joints. The fruit was at first green, then red, and lastly black. The thin long roots, adds he, which are red, serve for dyeing; and on that account the cultivated kind (he must therefore have been acquainted with the wild sort) is reared with much benefit in Galilee, around Ravenna in Italy and in Caria, where it is planted either among the olive-trees, or in fields destined for that purpose. It is remarked in some manuscripts, that this plant had a name given it by the Romans, which, as Marcellus Virgil observes, meant the same thing as Rubia sativa, and that it was called in Etruria Lappa minor, doubtless because, like the bur, it adhered to other bodies. On account of the colour which it communicated, it was called also sometimes cinnabaris274.

In opposition to this asserted identity I find only one doubt; namely, that among those plants which, on account of the position of their leaves, were called stellatæ, and which were all so like that we must reduce them to one natural order, there are more sorts, the roots of which dye red, and which on that account are very improperly called wild madder. Why, therefore, should the plant of Dioscorides be our madder, and not some other plant of the like nature? For this reason, in my opinion: because the ancients, who were acquainted with all these plants, which grew wild in their lands, were equally prudent as the moderns, and cultivated that kind only which was the most productive or beneficial, viz. our Rubia tinctorum.

This opinion will be strengthened by comparing the accounts given of that plant by other ancient writers. Theophrastus agrees almost perfectly with Dioscorides; and adds, that it did not grow upright, but was fond of reclining. The comparison, therefore, with the leaves of ivy cannot be just; but that I shall leave to the critics. Pliny says expressly, that the erythrodanum or ereuthodanum was in his mother-tongue called rubia; and that its red roots were used to dye wool and leather red275.

In the middle ages this plant was called varantia, a name which must have arisen from verantia. The latter means the real, genuine dye; as aurantia signified a golden yellow. Till the year 1736, this plant was little regarded, except among dyers, farmers and merchants, who purchased it from the farmers, in order to sell it to the dyers with profit; and among a few herb-dealers and physicians, who, on the authority of the ancients, ascribed to it eminent virtues, which others doubted or altogether denied. In the above year, however, a property of it was discovered by accident, as usual, which rendered it an object of more attention. John Belchier, an English surgeon, having dined with a cotton-printer, observed that the bones of the pork which was brought to the table were red. As he seemed surprised at this circumstance, his host assured him that the redness was occasioned by the swine feeding on the water mixed with bran in which the cotton cloth was boiled, and which was coloured by the madder used in printing it. Belchier276, to whom this effect was new, convinced himself by experiments that the red colour of the bones had arisen from the madder employed in printing the cotton, and from no other cause; and he communicated his discovery to the Royal Society, in a paper which was printed in their Transactions.

This singularity was now soon known to all the naturalists, several of whom made new experiments, the result of which brought to light many truths useful to physiology. Besides the roots of madder, those of the Galium (yellow ladies-bed-straw) and other plants which have an affinity to madder, produce the like effects; but this is the case neither with saffron nor woad, nor with many others much used in dyeing. The colouring takes place soonest in young animals; and is strongest where the bones are hardest and thickest. On the other hand, it does not reach the soft parts; appears only a little in the milk; and in general is not perceptible in the animal juices277.

As the English calico-printers were acquainted with this effect of madder before it was known to naturalists, it is not improbable that it was known much sooner in other places, where the plant has been much cultivated and used since the earliest periods. From what J. E. Stief says, we have reason to believe that the people in the neighbourhood of Breslau, his native city, who gave the stalks of the madder plant to their cows instead of straw, must have first discovered that it possessed the property of communicating a red colour to the bones278.

As many truths not yet investigated by means of new experiments, and which on that account have not yet been acknowledged, are concealed among the evidently false assertions to be found in the works of the ancients, and as these works were thrown aside too early, before their contents were properly examined, I was induced to suspect that some hints of this colouring property might also be mentioned in them, which indeed is the case.

We learn from the works of Galen and Dioscorides, that the ancient physicians remarked that the use of certain roots, which they administered to their patients, communicated a colour to their urine and excrements; and this observation has been repeated by Cardan, Thurneisser, Porta, Castor, Durantes, and others. Had those ancient physicians, who often prescribed these roots, and paid attention to the colour of the excrements of their patients, been accustomed to open their bodies when they died under their hands, they would have perhaps remarked, in human bones, what was observed long after in the bones of animals, when the roots were no longer used in medicine; and what, if I am not mistaken, was never yet observed in the bones of the human species279.

Böhmer, who made researches respecting the antiquity of this observation, found it neither in Rombert. Dodonæus, Mich. Ettmuller, Morin, Will. Salmon, nor others, who, however, speak of coloured urine. In his opinion the oldest writer who speaks of coloured bones is Mizaldus; but what he relates is all taken from the treatise of Lemnius De Miraculis Occultis Naturæ; and the latter therefore is the oldest writer that I at present can mention as acquainted with this property. He was a physician in Zealand, where madder has been cultivated since the earliest ages, and where he had an opportunity of remarking it. He says that the bones of animals became red, as had been observed when the flesh was dressed, by their eating only the leaves, and not the roots. In the first edition of the above work, printed in octavo, in the year 1559, which consists of two books, this information will not be found; but it may be contained in the second of 1564, which comprehends four books.

[The madder plant is much cultivated in Holland, but Macquei observes that the Dutch were first indebted to the Flemish refugees for their knowledge of the method of preparing this plant. Its culture has often been attempted in England, but always without success280. It is also largely cultivated in Alsace and Provence in France, especially near Avignon, in Asiatic Turkey, and in Italy; from which places it is largely exported. The Turkey and Provence madder is procured from Rubia peregrina; the remainder from R. tinctorum. To prepare the root, which is the part used in dyeing, it is removed from the ground, picked, dried and ground.

Madder contains three distinct colouring principles; two of these are red, viz. alizarine and purpurine, and one, xanthine, is yellow.

Since 1836, two new products have been introduced into commerce, which are destined to replace madder in the operations of dyeing and calico-printing; one is called garancine, the other colorine. Garancine is prepared by washing and macerating madder, and filtering through linen. The grounds are then crushed and mixed with sulphuric acid, equal to half the amount of madder first employed; the acid should be somewhat dilute. It is then poured hot upon the madder, agitated, and when the mixture appears intimate, the temperature is raised to 212°, and maintained for about an hour. It is then again mixed with water, filtered, and thoroughly washed. It is finally pressed, dried and passed through the sieve. This is the process patented by MM. Lagier, Robiquet and Colin, in 1828.

It was first introduced into commerce by the house of Lagier and Thomas, at Avignon, in 1829.

The great advantage of garancine over madder is that it does not change the white, and that the bleaching of the stuffs dyed with it is reduced to a mere nothing. Hot water or bran are the only means used for clearing them. Madder is an adjective colour, that is to say, one which requires to be combined with some basic substance or mordant to render its fixture upon the dye-stuff permanent.]

JUGGLERS, ROPE-DANCERS, AUTOMATA, ETC

Under this title I comprehend not only those properly called jugglers, who, for the sake of money, by quick and artful motions of their hands, bodies, and limbs, and by various preparations, delude the senses in an agreeable manner, or practise an innocent deception on the spectators, so that they think they hear and see what they do not really hear and see, but also rope-dancers; people who place their bodies in positions according to all appearance dangerous; and those who for pay exhibit animals taught to perform uncommon tricks, as well as automata, which by their concealed construction seem to produce wonderful effects.

But is it worth while to inquire into the antiquity of all these arts, unprofitable to the public, which form the favourite amusements of the populace? The selfish question cui bono, which is often thrown out by way of reproach to men of letters, but oftener to naturalists, and even to jurists, when, in their researches, they advance beyond the beaten track, I might easily get rid of by civilly telling the querists to pass over this article if they think they are not likely to derive benefit from it. I might also apologise for employing my time and labour on this subject, by using the words of a certain historian: “Frivola hæc fortassis cuipiam et nimis levia esse videantur, sed curiositas nihil recusat.” I shall however adopt neither of these methods; as I flatter myself that this essay may afford as much amusement as many that are read daily; and that therefore it may not only be excused, but even justified.

Those arts and employments which are most necessary in life were undoubtedly the earliest, and they have still continued to be the most important; but when these were sufficiently occupied, or carried on by as many persons as could live by them, the rest, who were excluded from them, conceived the idea of amusing the former when tired with their labour, that by these means they might obtain from them a part of the fruits of their industry. I request my readers to reflect how many occupations have been devised for no other purpose. They will find that several of these have acquired a pre-eminence over the necessary or useful arts; and to the same class belong jugglers.

All political writers tell us, as a fundamental principle of government, that population ought to be increased. This maxim however is just only under certain circumstances; that is, when employment can be procured to a greater number of inhabitants than a country already possesses. Of beggars we have to maintain too many. All our trades and occupations are not only filled up with workmen, but overflow. Our farmers can employ no more labourers, and our manufacturers no more hands than they have at present; our regiments are full; and in every employment there are more candidates and more supernumeraries than is consistent with the good of the public. Must it not therefore give us pleasure, when necessity invents new means of acquiring a livelihood, although they could be dispensed with? It is much better that those who have learned no useful art; who have lost their youth in the service of others; or who are destitute, through any other cause, should gain their bread by amusing their fellow-citizens, than that they should either beg or steal.

These arts are indeed not unprofitable, for they afford a comfortable subsistence to those who practise them; but their gain is acquired by too little labour to be hoarded up; and, in general, these roving people spend on the spot the fruits of their ingenuity; which is an additional reason why their stay in a place should be encouraged. I have however known some who saved so much from their earnings, that, in their old age, they were enabled to enter into some business more certain as well as more profitable.

People of this description will never want encouragement and support while they exhibit with confidence anything uncommon, and know how to suit the nature of their amusements to the taste of the spectators. The greater part of mankind love deception so much, that they reward liberally those who impose on their senses, as is proved by the ready sale of gilt articles, artificial gems, and a thousand other things which are not in reality what they appear to be. I do not know whether Montagne is right in considering it as a sign of the weakness of our judgement, that we take a pleasure in beholding objects on account of their rarity, novelty, or the difficulty that attends them, though they may be subservient to no useful purpose281. This appears to me to proceed from that innate curiosity which serves as a spur to incite us to enlarge our knowledge, and to engage in researches and undertakings that often lead to discoveries of greater importance.

Jugglers indeed seldom exhibit anything that can appear wonderful to those acquainted with natural philosophy and mathematics; but these even often find satisfaction in seeing truths already known to them applied in a new manner; and they readily embrace every opportunity of having them further illustrated by experiments. Many however are too precipitate, and attempt to explain before they have sufficiently examined, of which the golden tooth at the end of the sixteenth century, the conjuring-rod at the end of the seventeenth, and the chess-player and speaking-machine at the end of the eighteenth, may serve as instances. But it often happens, that what ignorant persons first employ, merely as a show, for amusement or deception, is afterwards ennobled by being applied to a more important purpose. The machine with which a Savoyard, by means of shadows, amused children and the populace, was by Lieberkühn converted into a solar microscope; and to give one example more, which may convince female readers, if I can hope for such, the art of making ice in summer, or in a heated oven, enables guests, much to the credit of their hostess, to cool the most expensive dishes. The Indian discovers precious stones, and the European, by polishing, gives them a lustre.

But if the arts of juggling served no other end than to amuse the most ignorant of our citizens, it is proper that they should be encouraged for the sake of those who cannot enjoy the more expensive deceptions of an opera. They answer other purposes however than that of merely amusing; they convey instruction in the most acceptable manner, and serve as a most agreeable antidote to superstition, and to that popular belief in miracles, exorcism, conjuration, sorcery, and witchcraft, from which our ancestors suffered so severely. Wherever the vulgar were astonished at the effects of shadows, electricity, mirrors, and the magnet, interested persons endeavoured by these to frighten them; and thus misapplied the powers of nature to promote their own advantage. The pontiffs and their clergy ought, undoubtedly, to be detested for discouraging experimental philosophy. That science they considered as a formidable enemy; and they thought they gained no small advantage when they induced the house of Medici, by granting it the cardinalship, to suppress the Academy del Cimento. When Gasner exhibited his deceptions, some one proposed to him to try his art at Berlin or Göttingen, and to drive out there if it were only the smallest of all the devils; but these cities were not theatres where he was likely to succeed, and he never ventured to appear in them282. It is however better that the populace, if they will absolutely pay for being deceived, should be exposed to a momentary deception from jugglers than to a continual deception from priests. As the former are not covered with the sacred cloak of religion, their deceptions are more easily seen through and detected; and they consequently soon cease to be hurtful. So late as the year 1601, a horse, which had been taught to perform a number of tricks, was tried, as possessed by the devil, and condemned to be burnt283. At present horses of this kind are so often exhibited publicly in the heretical countries of Europe, that the Spanish Inquisition, perhaps, will soon be ashamed of considering such proofs of the docility of these animals, and of the patient dexterity of their teachers, as the work of the devil, as they did at the above period. Those who view the art of the juggler in the same light as I do, will, I hope, forgive me for introducing these observations, and allow me to continue them while I inquire into the antiquity of this employment; especially as I shall endeavour by these means to illustrate more fully my subject.

Had that book which Celsus wrote against the Magi been preserved, we should have been much better acquainted with the art of the ancient conjurors or jugglers. This Celsus, without doubt, is the same author whose virulent attack against the Christians was refuted by Origen; and we have, therefore, greater cause to regret that a work on the above subject, by so learned and acute a philosopher, should have been lost. He is mentioned with respect by Lucian, and even by Origen; and the former derived from him the account which he gives of Alexander the impostor284. More ancient authors also wrote upon the same subject. Some of them are mentioned by Diogenes Laërtius in his preface; and Suidas quotes the Magicon of Antisthenes, though neither of these speaks of Celsus; but of all those writings none are now extant.

The deception of breathing out flames, which at present excites in a particular manner the astonishment of the ignorant, is very ancient. When the slaves in Sicily, about a century and a half before our æra, made a formidable insurrection, and avenged themselves in a cruel manner for the severities which they had suffered, there was amongst them a Syrian named Eunus285, a man of great craft and courage, who, having passed through many scenes of life, had become acquainted with a variety of arts. He pretended to have immediate communication with the gods; was the oracle and leader of his fellow-slaves; and, as is usual on such occasions, confirmed his divine mission by miracles. When, heated by enthusiasm and desirous of inspiring his followers with courage, he breathed flames or sparks among them from his mouth while he was addressing them. We are told by historians, that for this purpose he pierced a nut-shell at both ends, and, having filled it with some burning substance, put it into his mouth and breathed through it. This deception, at present, is performed much better. The juggler rolls together some flax or hemp, so as to form a ball about the size of a walnut; sets it on fire; and suffers it to burn till it is nearly consumed; he then rolls round it, while burning, some more flax; and by these means the fire may be retained in it for a long time. When he wishes to exhibit, he slips the ball unperceived into his mouth and breathes through it; which again revives the fire, so that a number of weak sparks proceed from it; and the performer sustains no hurt, provided he inspire the air not through the mouth, but the nostrils286.

By this art the rabbi Bar-Cocheba, in the reign of the emperor Hadrian, made the credulous Jews believe that he was the hoped-for Messias287; and two centuries after, the emperor Constantius was thrown into great terror, when Valentinian informed him that he had seen one of the body-guards breathing out fire and flames in the evening288.

For deceptions with fire the ancients employed also naphtha, a liquid mineral oil, which kindles when it only approaches a flame. Galen informs us, that a person excited great astonishment by extinguishing a candle and again lighting it, without any other process than holding it immediately against a wall or a stone. The whole secret of this consisted in having previously rubbed over the wall or stone with sulphur. But as the author, a few lines before, speaks of a mixture of sulphur and naphtha, there is reason to think that he alludes to the same here. Plutarch289 relates how Alexander the Great was astonished and delighted with the secret effects of naphtha, which were exhibited to him at Ecbatana. The same author, as well as Pliny, Galen, and others, has already remarked, that the substance with which Medea destroyed Creusa, the daughter of Creon, was nothing else than this fine oil290. She sent to the unfortunate princess a dress besmeared with it, which burst into flames as soon as she approached the fire of the altar. The blood of Nessus, wherein the dress of Hercules, which took fire likewise, had been dipped, was undoubtedly naphtha also291; and this oil must have been always employed when offerings caught fire in an imperceptible manner292. In all periods of the world priests have acted as jugglers to simple and ignorant people.

In modern times, persons who could walk over burning coals or red-hot iron, or who could hold them in their hands and their teeth, have often excited wonder. In the end of the seventeenth century, an Englishman, named Richardson, who, as we are assured, could chew burning coals, pour melted lead upon his tongue, swallow melted glass, &c., rendered himself very famous by these extraordinary feats293. Laying aside the deception294 practised on the spectators, the whole of this secret consists in rendering the skin of the soles of the feet and hands so callous and insensible, that the nerves under them are secured from all hurt, in the same manner as by shoes and gloves. Such callosity will be produced if the skin is continually compressed, singed, pricked, or injured in any other manner. Thus do the fingers of the industrious sempstress become horny by being frequently pricked; and the case is the same with the hands of fire-workers, and the feet of those who walk bare-footed over scorching sand295.

In the month of September, 1765, when I visited the copper-works at Awestad, one of the workmen, for a little drink-money, took some of the melted copper in his hand, and after showing it to us, threw it against a wall296. He then squeezed the fingers of his horny hand close to each other; put it a few minutes under his armpit, to make it sweat, as he said; and, taking it again out, drew it over a ladle filled with melted copper, some of which he skimmed off, and moved his hand backwards and forwards, very quickly, by way of ostentation. While I was viewing this performance, I remarked a smell like that of singed horn or leather, though his hand was not burnt. The workmen at the Swedish melting-houses showed the same thing to some travellers in the seventeenth century; for Regnard saw it in 1681, at the copper-works in Lapland. It is highly probable that the people who hold in their hands red-hot iron, or who walk upon it, as I saw done at Amsterdam, but at a distance, make their skin callous before, in the like manner. This may be accomplished by frequently moistening it with oil of vitriol; according to some the juice of certain plants will produce the same effect; and we are assured by others that the skin must be very frequently rubbed, for a long time, with oil, by which means, indeed, leather also will become horny.

Of this art, traces may be found also in the works of the ancients. A festival was held annually on Mount Soracte, in Etruria, at which the Hirpi, who lived not far from Rome, jumped through burning coals; and on this account they were indulged with peculiar privileges by the Roman senate297. Women also, we are told, were accustomed to walk over burning coals at Castabala in Cappadocia, near the temple dedicated to Diana298. Servius remarks, from a work of Varro now lost, that the Hirpi trusted not so much to their own sanctity as to the care which they had taken to prepare their feet for that operation.