Ruins of Ancient Cities (Vol. 2 of 2)

It is time to bring our champions to blows, and to run over the different kinds of combats in which they exercised themselves.

Wrestling is one of the most ancient exercises of which we have any knowledge, having been practised in the time of the patriarchs, as the wrestling of the angel with Jacob proves39.

Wrestling among the Greeks, as well as other nations, was practised at first with simplicity, little art, and in a natural manner; the weight of the body, and the strength of the muscles, having more share of it, than address or skill.

The wrestlers, before they began their combats, were rubbed all over in a rough manner, and afterwards anointed with oils, which added to the strength and flexibility of their limbs. But as this unction, in making the skin too slippery, rendered it difficult for them to take hold of each other, they remedied that inconvenience, sometimes by rolling themselves in the dust of the palæstræ, sometimes by throwing a fine sand upon each other, kept for that purpose in the porticoes of the gymnasia.

Thus prepared, the wrestlers began their combat. They were matched two against two, and sometimes several couples contended at the same time.

Of Boxing, or the Cestus. – The combatants covered their fists with a kind of offensive arms called cestus, and their heads with a sort of leather cap, to defend their temples and ears, which were most exposed to blows, and to deaden their violence. The cestus was a kind of gauntlet or glove, made of straps of leather, and plated with brass, lead, or iron, inside. Their use was to strengthen the hands of the combatants, and to add violence to their blows.

Boxing was one of the rudest and most dangerous of the gymnastic combats; because, besides the danger of being crippled, the combatants ran the hazard of losing their lives. They sometimes fell down dead, or dying, upon the sand; though that seldom happened, except the vanquished person persisted too long in not acknowledging his defeat: yet it was common for them to quit the fight with a countenance so disfigured, that it was not easy to know them afterwards.

Of the Pancratium. – The Pancratium was so called from two Greek words40 which signify that the whole force of the body was necessary for succeeding in it. It united boxing and wrestling in the same fight, borrowing from one its manner of struggling and throwing, and from the other, the art of dealing blows, and of avoiding them with success.

Of the Discus, or quoit. – The discus was a kind of quoit of a round form, made sometimes of wood, but more frequently of stone, lead, or other metal, as iron or brass. Those who used this exercise were called Discoboli; that is, flingers of the discus.

The athletæ, in hurling the discus, put themselves into the best posture they could, to add force to their cast. He that flung the discus farthest was the victor.

The most famous painters and sculptors of antiquity, in their endeavours to represent naturally the attitudes of the discoboli, have left posterity many masterpieces in their several arts. Quintilian exceedingly extols a statue of this kind, which had been finished with infinite care and application by the celebrated Myron41.

Of the Pentathlum. – The Greeks gave this name to an exercise composed of five others: – wrestling, running, leaping, throwing the dart, and the discus. It is believed that this sort of combat was decided in one day, and sometimes the same morning; and that the prize, which was single, could not be given but to the victor in all those exercises.

Of Races. – Of all the exercises which the athletæ cultivated with so much pains and industry, for their appearance in the public games, running was in the highest estimation, and held the foremost rank.

The place where the athletæ exercised themselves in running, was generally called the Stadium by the Greeks; as was that wherein they disputed in earnest for the prize. Under that denomination was included not only the space in which the athletæ ran, but also that which contained the spectators of the gymnastic games.

The middle of the Stadium was remarkable only by the circumstance of having the prizes allotted to the victors set up there. St. Chrysostom draws a fine comparison from this custom. “As the judges,” says he, “in the races and other games, expose in the midst of the Stadium, to the view of the champions, the crowns which they are to receive; in like manner the Lord, by the mouth of his prophets, has placed the prizes in the midst of the course, which he designs for those who have the courage to contend for them.”

There were three kinds of races, the chariot, the horse, and the foot-race.

1. Of the Foot-race. – The runners, of whatever number they were, ranged themselves in a line, after having drawn lots for their places. Whilst they waited the signal to start, they practised, by way of prelude, various motions to awaken their activity, and to keep their limbs pliable and in a right temper. They kept themselves breathing by small leaps, and making little excursions, which were a kind of trial of their speed and agility. Upon the signal’s being given, they flew towards the goal, with a rapidity scarcely to be followed by the eye, which was solely to decide the victory; for the Agnostic laws prohibited, upon the penalty of infamy, the attaining it by any foul method.

2. Of the Horse-races. – The race of a single horse with a rider was less celebrated by the ancients; yet it had its favourers amongst the most considerable persons, even kings themselves, and was attended with uncommon glory to the victor.

3. Of the Chariot-races. – This kind of race was the most renowned of all the exercises used in the games of the ancients, and that from whence most honour redounded to the victors. It is plain they were derived from the constant custom of princes, heroes and great men, of fighting in battle upon chariots. Homer has an infinity of examples of this kind. All those, who presented themselves in the Olympic games to dispute the prize in the chariot races, were persons considerable either for their riches, their birth, their employments, or great actions. Kings themselves aspired passionately to this glory, from the belief that the title of victor in these games was scarcely inferior to that of conqueror, and that the Olympic palm added new dignity to the splendours of a throne.

The chariots were generally drawn by two or four horses. Sometimes mules supplied the place of horses. These chariots, upon a signal given, started together. Their places were regulated by lot, which was not an indifferent circumstance as to the victory; for being to turn round a boundary, the chariot on the left was nearer than those on the right, which in consequence had a greater compass to take. They ran twelve times round the Stadium. He that came in first the twelfth round was victor. The chief art consisted in taking the best ground at the turning of the boundary; for if the charioteer drove too near it, he was in danger of dashing the chariot to pieces; and if he kept too wide of it, his nearest antagonist might get foremost.

To avoid such danger, Nestor gave the following directions to his son Antilochus, who was going to dispute the prize in the chariot races. “My son,” says he, “drive your horses as near as possible to the turning; for which reason, always inclining your body over your chariot, get the left of your competitors; and encouraging the horse on the right, give him the rein, whilst the near-horse, hard held, turns the boundary so close to it, that the nave of the wheel seems to graze upon it; but have a care of running against the stone, lest you wound your horses, and dash the chariot in pieces.”

It was not required, that those who disputed the victory should enter the lists, and drive their chariots in person. Their being spectators of the games, or sending their horses thither, was sufficient.

No one ever carried the ambition of making a great figure in the public games of Greece so far as Alcibiades, in which he distinguished himself in the most splendid manner, by the great number of horses and chariots, which he kept only for the races. It is not easy to comprehend, how the wealth of a private person should suffice to so enormous an expense: but Antisthenes, the scholar of Socrates, who relates what he saw, informs us, that many cities of the allies, in a kind of emulation with each other, supplied Alcibiades with all things necessary for the support of such magnificence. Equipages, horses, tents, sacrifices, the most exquisite provisions, the most delicate wines; in a word, all that was necessary to the support of his table or train.

We must not omit, in speaking of the Olympic games, to notice that ladies were admitted to dispute the prize in them as well as the men, which many of them obtained. Cynisca, sister of Agesilaus, king of Sparta, first opened this new path of glory to her sex, and was proclaimed victrix in the race of chariots with four horses. This victory, which till then had no example, did not fail of being celebrated with all possible splendour. – A magnificent monument was erected in Sparta in honour of Cynisca; and the Lacedæmonians, though otherwise very little sensible to the charms of poetry, appointed a poet to transmit this new triumph to posterity, and to immortalize its memory by an inscription in verse.

Of the honours and rewards granted to the victors. – These honours and rewards were of several kinds. The spectators’ acclamations in honour of the victors were only a prelude to the rewards designed them. These rewards were different wreaths of wild olive, pine, parsley, or laurel, according to the different places where the games were celebrated. Those crowns were always attended with branches of palm, that the victors carried in their right hands. As he might be victor more than once in the same games, and sometimes on the same day, he might also receive several crowns and palms.

When the victor had received the crown and palm, a herald, preceded by a trumpeter, conducted him through the Stadium, and proclaimed aloud his name and country.

When he returned to his own country, the people came out in a body to meet him, and conducted him into the city, adorned with all the marks of his victory, and riding upon a chariot drawn by four horses. He made his entry not through the gates, but through a breach purposely made in the walls. Lighted torches were carried before him, and a numerous train followed, to do honour to the procession.

One of the most honourable privileges granted to the athletic victors, was the right of taking place at the public games. At Sparta it was a custom for the king to take them with him in military expeditions, to fight near his person, and to be his guard; which, with reason, was judged very honourable. Another privilege, in which the useful united with the honourable, was that of being maintained for the rest of their lives at the expense of their country. They were also exempted from all civil offices and employments.

The praises of the victorious athlete were, amongst the Greeks, one of the principal subjects of their lyric poetry. We find, that all the odes of the four books of Pindar turn upon it, each of which takes its title from the games, in which the combatants signalised themselves, whose victories those poems celebrate.

Sculpture united with poetry to perpetuate the fame of the champions. Statues were erected to the victors, in the very place where they had been crowned, and sometimes in that of their birth also, which was commonly done at the expense of their country. Amongst the statues which adorned Olympia, were those of several children of ten or twelve years old, who had obtained the prize at that age in the Olympic games. They did not only raise such monuments to the champions, but to the very horses to whose swiftness they were indebted for the Agonistic crown: and Pausanias mentions one, which was erected in honour of a mare, called Aura, whose history is worth repeating. Phidolas, her rider, having fallen off in the beginning of the race, the mare continued to run in the same manner as if he had been upon her back. She outstripped all the rest, and upon the sound of the trumpets, which was usual toward the end of the race to animate the competitors, she redoubled her vigour and courage, turned round the goal, and, as if she had been sensible of the victory, presented herself before the judges of the games.

Nor did the entertainments finish here. There was another kind of competition; and that, too, which does not at all depend upon the strength, activity, and address of the body, and may be called, with reason, the combat of the mind; wherein the orators, historians, and poets, made trial of their capacities, and submitted their productions to the judgment of the public.

It was a great honour, and, at the same time, a most sensible pleasure for writers, who are generally fond of fame and applause, to have known how to reconcile the voices in their favour of so numerous and select an assembly as that of the Olympic games, in which were present all the finest geniuses of Greece, and all the best judges of the excellence of a work. This theatre was equally open to history, eloquence, and poetry.

Herodotus read his history in the Olympic games to all Greece, assembled at them, and was heard with such applause, that the names of the nine Muses were given to the nine books which compose his work, and the people cried out wherever he passed, “That is he, who has written our history, and celebrated our glorious successes against the Barbarians.”

Anciently, Olympia was surrounded by walls; it had two temples, – one dedicated to Jupiter, and another to Juno; a senate-house, a theatre, and many other beautiful edifices, and also an innumerable multitude of statues.

The temple of Jupiter was built with the spoils, taken from certain states which had revolted; it was of the Doric order; sixty-eight feet high, two hundred and thirty long, and ninety-five broad. This edifice was built by an able architect, named Libon; and it was adorned by two sculptors of equal skill, who enriched the pediments of the principal front with elaborate and elegant ornaments. The statue of the god, the work of Phidias, was of gold and ivory, fifty cubits high. On the one pediment, [Oe]nomaus and Peleus were disputing the prize of the race in the presence of Jupiter; on the other was the battle of the Centaurs and the Lapithæ. On the summit of each pediment was a Victory, of gilt brass; and at each angle a large vase of the same metal.

This statue was the finest the world ever saw. “Indeed,” says Mr. Dodwell; and he is borne out by the authorities of all those ancient writers who have written of it, “it appears to have united all the beauty of form, and all the splendour of effect, that are produced by the highest excellence of the statuary and the painter.”

The altar in this temple42 was composed of ashes from the thighs of the victims, which were carried up and consumed on the top with wood of the white poplar-tree. The ashes, also, of the Prytanæum, in which a perpetual fire was kept on a hearth, were removed annually, on a fixed day, and spread on it, being first mingled with water from the Alpheus. The people of Elis sacrificed daily, and private persons as often as they chose.

Olympia43 preserved, much longer than Delphi, and with less diminution, the sacred property, of which it was a similar repository. Some images were removed by Tiberius Nero. His successor, Caius Caligula, who honoured Jupiter with the familiar appellation of brother, commanded that his image should be transported to Rome; but the architects declared it was impossible, without destroying the work.

The god, in the time of Pausanias, retained his original splendour. The native offerings of crowns and chariots, and of charioteers, and horses, and oxen, in brass, the precious images of gold, ivory, or amber, and the curiosities consecrated in the temples, the treasuries, and other edifices, could not be viewed without astonishment. The number of statues within the grove, was itself an amazing spectacle. Many were the works of Myron, Lysippus, and the prime artists of Greece. Here kings and emperors were assembled; and Jupiter towered in brass from twelve to thirty feet high! Let the reader peruse the detail given by Pausanias, and imagine, if he can, the entertainment which Olympia must then have afforded to the antiquary, the connoisseur, and historian.

Of all splendour, the temple of Juno alone can be ascertained with any degree of certainty. The soil, which has been considerably elevated, covers the greater part of the ruin. The walls of the cella rise only two feet from the ground. “We employed,” says Mr. Dodwell, “some Turks to excavate; and we discovered some frusta of the Doric order, of which the flutings were thirteen inches wide, and the diameter of the whole column seven feet three inches. We found, also, part of a small column of Parian marble, which the intervals of the flutings show to have been of the Ionic or the Corinthian order. The work of ruin, however, is constantly going on; and lately the people of Lalla (a town in the neighbourhood) have even rooted up some of the foundations of this once celebrated sanctuary, in order to use the materials in the construction of their houses44”.

NO. IX. – PUTEOLI

A maritime city of Campania, between Baiæ and Naples. It was founded by a colony from Cumæ. It was, in the first instance, called Dicæarchia, (“Just Power45,”) and afterwards Puteoli, from the great number of wells that were in the neighbourhood.

It was delightfully situated on a point projecting into the sea, nearly in the centre of the bay of Puzzuoli. It was the sea-port of the inhabitants of Cannæ; and a rendezvous for merchants from Greece, Sicily, and all parts of Italy. The attractions of the town, also, on account of its hot baths and mineral waters, allured the more opulent citizens of Rome to its vicinity.

In the square of the town stands a beautiful marble pedestal, covered with bas-reliefs, representing the fourteen towns of Asia Minor, destroyed by an earthquake, and rebuilt by Tiberius. It supported a statue of that emperor, erected by the same cities as a monument of gratitude. The cathedral stands on the ruins of a temple, and is built chiefly of ancient materials.

A temple of Serapis offers many subjects of observation. Half of its buildings, however, are still buried under the earth thrown upon it by volcanic commotions, or accumulated by the windings of the hill. The inclosure is square, environed by buildings for priests, and baths for votaries; in the centre remains a circular platform, with four flights of steps up to it; vases for fire, a central altar, rings for victims, and other appendages of sacrifice, entire and not displaced; but the columns that held its roof have been removed to the new palace of Caserta. The temple itself was not discovered till A. D. 1750, on the removal of some rubbish and bushes, which had, till then, partly concealed it from observation.

Behind this place of worship, stand three pillars without capitals, part of the pronaos of a large temple. These are of Cipoline marble, and at the middle of their height, are full of holes eaten in them by the file-fish46.

In the neighbourhood of Puteoli are many relics of ancient grandeur, of which none deserves more attention than the Campanian Way, paved with lava, and lined on each side with venerable tombs, the repositories of the dead, which are richly adorned with stucco in the inside. This road was made in the most solid, expensive manner, by order of Domitian, and is frequently the subject of encomium in the poems of Statius.

One of the most striking monuments of the city is the remains of the mole that formed the ancient part. Several of its piers still stand unbroken; they are sunk in the water, and once supported arches (to the number of twenty-five,) part of which remain above the water.

At the end of this mole began the bridge of Caligula, which extended across part of the bay to Baiæ, no less than half a mile in length in a straight line. This structure has long since been swept away.

On the hill behind the town are the remains of an amphitheatre, called, after that at Rome, the Coliseum. It was of considerable magnitude. The gates, and a large portion of the vault and under apartments, remain. One of these apartments, or rather dungeons, in which St. Januarius, the patron saint of Naples, was confined, is now turned into a damp and gloomy chapel; the arena is a garden; vines, fig-trees, and pomegranates, have gradually crept up the circumference, and now cover the slope, and run over the ruin47.

It is easy to guess what the animation and splendour of Puteoli must have been, at the time when the riches of the East were poured into its bosom; and when its climate, wit, and beauty, allured the most opulent Romans to its vicinity.

Cicero had a marine villa here, called Puteolanum. Pliny relates that it was on the shore, and adorned with a portico, which seems to have been remarkable for its beauty. He adds that Cicero erected here a monument, and that, shortly after his death, a fountain of warm water, very wholesome for the eyes, burst forth, and gave occasion to an epigram, which the philosopher quotes with applause48. The portico is fallen, the groves are withered, the fountain dried up, and not a vestige of the retreat left behind to mark its situation. The verses remain, and perpetuate the glory of the orator, the fame of the fountain, the beauty of the villa, and what is more honourable than all united, the gratitude of Cicero’s freed-man, Tullius.

St. Paul landed here in his way from Rhegium to Rome; and found Christians even in that early age. In the museum of Portici is a picture presenting a view of ancient Puteoli, supposed to have been painted before St. Paul landed there. “The picture,” says Mr. Williams, “is of course very different from the present state of the city; but still a likeness may be traced, if we keep in view the site of the various temples, and other objects, the foundations of which are still visible.”

On the sea shore, near Puzzuoli, are also found seals, coins, cornelians, and agates; bearing impressions of corn, grapes, and vine-branches, ants, eagles, and other animals. These are thrown up by the waves, after violent storms; and commemorate the magnificence of a city, now forming part of the Mediterranean bed49.

NO. X. – PALMYRA. (TADMOR.)

“As patience is the greatest of friends to the unfortunate, so is time the greatest of friends to the lovers of landscape. It resolves the noblest works of art into the most affecting ornaments of created things. The fall of empires, with which the death of great characters is so immediately associated, possesses a prescriptive title, as it were, to all our sympathy; forming at once a magnificent, yet melancholy spectacle; and awakening in the mind all the grandeur of solitude. Who would not be delighted to make a pilgrimage to the East to see the columns of Persepolis, and the still more magnificent ruins of Palmyra? Where awe springs, as it were, personified from the fragments, and proclaims instructive lessons from the vicissitudes of fortune. Palmyra, once a paradise in the centre of inhospitable deserts, the pride of Solomon, the capital of Zenobia, and the wonder and admiration of all the East, now lies ‘majestic though in ruins!’ Its glory withered, time has cast over it a sacred grandeur, softened into grace. History, by its silence, mourns its melancholy destiny; while immense masses and stupendous columns denote the spot, where once the splendid city of the desert reared her proud and matchless towers. Ruins are the only legacy the destroyer left to posterity.” – Harmonies of Nature.

This city was the capital of Palmyrene, a country on the eastern boundaries of Syria. Its origin is uncertain; but a portion of its history is exceedingly interesting; and its vast assemblage of ruins are beheld with astonishment and rapture by the curious, the learned, and the elegant.

It was situated in the midst of a large plain, surrounded on three sides by a long chain of mountains. It stands in a desert, in the pachalic of Damascus, about forty-eight leagues from Aleppo, and about the same distance from Damascus, eighty-five miles west from the Euphrates, and about one hundred and seventeen from the shores of the Mediterranean.

History is, for the most part, silent in regard to the early history of this city. It is said to have been built by Solomon, after he had conquered the king of Hamathzoba, within whose dominion the country lay, in which the city was afterwards erected. He called it Tadmor50, which some have construed as the place of Palms51; and sometimes “Tadmor in the Wilderness.”