The Enemies of Women (Los enemigos de la mujer)

"The furniture ought to correspond to the period," said Michael, "and people ought to live in such houses as they lived in in the century which produced that particular style. People living in an ancient house ought to dress and eat as in former times… What an absurdity to reconstruct those historic shells, with the interior arranged to suit the needs of modern men who are forced to commit an anachronism at every step!"

He recalled the project of a millionaire friend of his, a member of the Institute, who had built a Roman house on the Riviera, Roman in all the exactness of its details. At the house-warming the guests were obliged to sleep on corded beds and to eat reclining on couches; and even more intimate conveniences were modeled on the principle of hygiene known to the ancient Cæsars. Within twenty-four hours they all pretended they had received urgent telegrams calling them to Paris, and the owner himself after a few months, left his house in charge of a keeper to show to tourists as a museum.

Michael was fond of modern architecture, whose cathedrals are machine shops and large railway stations. Applied to dwellings it pleased him for its lack of style: white walls, a few moldings, rounded corners, with no angles whatsoever, so that the dust might be pursued to its remotest hiding places, wide openings letting in the breeze and the sunlight, double walls between which hot or cold air, and water at various temperatures, could circulate.

"Up to the present time," the Prince asserted, "man has lived in magnificent jewel cases of art and filth. Modern architects have done more in the last thirty years to make life pleasant than the artist-builders, so much admired by history, did in three thousand. They have declared running water and the bath-room as indispensable, things which were unknown to kings themselves half a century ago. They have invented the furnace and the water closet. Don't talk to me about the magnificent palaces of Versailles, where there was not a single toilet, and where every morning the lackeys were obliged to empty two hundred vessels for the king and his courtiers. Often to be through quicker, they threw their contents out of the majestic windows, and sometimes it would fall on the sedan chair and the retinue of a Dauphine or an ambassador."

Toledo applied himself to supervising the construction of Villa Sirena in accordance with the desires of the Prince, making it a plain white building, and without any definite style of architecture. Lubimoff himself, at the proper time, would take charge of the artistic touches, placing famous pictures, statues, tapestries, or rugs, just where they would be most pleasing to the eye. The house was to be a harmony of simple, pure lines. The walls were to have heating and cooling systems for the different seasons, and running water was to be available in abundance everywhere. Each room was to have its electric lights and its electric fan.

The Prince found it a much easier task to make over his wandering ocean residence. He simply sold the Gaviota, which reminded him of his youthful dependence on his family, and went to the United States to look into an advertisement. Three years before a certain multimillionaire had begun the construction of a yacht, designed to be more luxurious and of greater tonnage than that of any European sovereign. As the American was about to witness the consummation of this triumph of the democratic kings of industry over the historic kings of the Old World, he was killed in an automobile accident, and his heirs did not know what to do with the leviathan which would only be of use to an immensely rich, and, in their opinion, somewhat crazy traveler. They were thinking of selling it at a loss to the Kaiser, William II, having decided finally to endure his demands as a sharp business man, when Prince Lubimoff appeared. A week later on the white stern and bows of the yacht a new name in gold letters was displayed, a name that was repeated in addition on the life preservers and on the various tenders, the dingies, the steam launches, and the motor boats. The American yacht had become the Gaviota II.

It had the tonnage of a small trans-Atlantic liner and the speed of a torpedo boat. Each day the wealth of an ordinary man went up in smoke through the Gaviota II's double funnels. During a trip to some distant island, the supply of coal gave out. Immediately a collier chartered by the Prince, came to meet the Gaviota II in the farthest seas to fill the bunkers with fuel.

Quiet harbors came to be illuminated at night, as though the sun had risen. When the Prince gave a fête, the ship would be a blaze of glory from the water to the mastheads, its outline marked by electric bulbs of various colors, while powerful searchlights shot out movable streams of radiance and drew the waves, the shores, and rows of city houses from the depths of the darkness. At other times, the white fire of the Gaviota II's monstrous eyes would flash on walls of ice towering to the clouds, and seals, penguins, and polar bears would waken from sleep frightened by the strange luminous, puffing monster that darted off like lightning into the mystery of night.

To be the owner of a floating palace which, when anchoring off large cities, drew such crowds of sightseers as rare spectacles only attract, was not enough for Michael Fedor. So he created something more interesting even than the luxurious salons, and the refinements of comfort of the Gaviota II: he built up an orchestra.

Sensuous delight in music was for him the most exquisite of emotions. When his ears were satiated with the sweetness and melody of traditional music, he sought unknown and often bizarre composers, who aroused his curiosity; but he always came back to demanding as the pièces de résistance of his harmonic feasts, the masters who had been his first love, and above all, Beethoven.

Treated as though they were officers, paid to their liking, and with the added inducement of being able to see a great deal of the world, musicians from every country offered their services to the yacht's orchestra. Famous concert players and young composers came in as mere instrumentalists. Some were ill, and sought to regain their health in a voyage around the world in real luxury and without expense; others embarked through love of adventure, to see new lands in this floating castle, in which everything seemed organized for an eternal holiday. There were never less than fifty of them.

"My orchestra is the finest in the world," the Prince would proudly say when his guests complimented him after one of the concerts his musicians gave at rare intervals on land.

In tropical nights, beneath the enormous honey-colored moon changing the sea to a vast plain of quick-silver, the musicians, seated in evening clothes before the rows of music racks illuminated by tiny electric lights, would weave on the quiet air, which seemed to have retained the first faint cries of the planet at its birth, the most original melodies, the most subtle combination of sounds that the sublime rapture of artists in god-like inspiration ever created. The music floated out behind the boat in the mystery of the ocean, like a scarf unfolding, breaking and scattering in fragments, with the smoke of the funnels. When the orchestra paused one could hear the distant subdued beat of the propellers, churning the foam with a humming sound; and then from time to time the slow tolling of the bell calling the men on watch, or the cry of the lookout snuggled into the crow's nest on the mainmast, reporting his vigilance with the rhythmic intonation of a muezzin from a minaret. And the monotonous music of the sea gave an impression of night, and of immensity, to the music of man.

At the foot of the companionways, or on the outjutting parts of the lower decks, the various officers and officials of the Prince gathered to hear the concert in the night. On the prow the sailors squatted, listening to the music in religious silence, as is often the case with simple men when confronted with something they do not understand, but which inspires awe. Aft, the only listener would be Michael Fedor, standing at a distance from the music, and with his back toward the musicians, watching at his feet, the divided, foaming waters which rushed by like a double river far out and away from the boat. As occasionally he raised his cigar to his lips, his pensive features would appear for a moment in the darkness, lighted by the red glow.

The yacht held another more silent group. Those who succeeded in getting on board in the ports always obtained a distant glimpse of a woman or two with white shoes, blue skirts, jackets with rows of gold buttons, masculine collars and neckties, and officers' caps. No one knew for certain how many such women there may have been. The men of the crew were forbidden access to the central quarters of the boat, and to the upper deck. Some of them, chancing to break the rule through oversight, had met the Prince's companions attired in elegant naval uniforms, or more lightly clad, like dancers, in elaborate and exotic costumes. At the large ports, steam launches landed these mysterious and beautiful travelers for a few hours on shore. It was remarked that they dressed with modest elegance and that they would speak various languages.

When the Gaviota II returned and anchored in the same harbor she had visited the preceding year, those whose curiosity had been aroused found that the personnel of the wandering harem had been completely renewed. They might occasionally recognize one or two of the former ladies, but now their faces wore the placid expression of the odalisque who has been supplanted, but is nevertheless contented with luxury and oblivion.

Some years Michael Fedor suspended his travels, during the summer, to take up his abode at fashionable beaches. The women who accompanied him on his long voyages remained on board, with all the lavish comforts to which they were accustomed. At other times he parted with them, as one dismisses a crew when a ship goes out of commission, at the end of a trip.

Immediately he became interested in women living stay-at-home lives, in shore society, and in summer flirtations at famous watering places. He would take up his abode in a hotel on the coast, while his yacht was to be seen rising from the azure waters, motionless, like a palace of mystery and magnificence, the center of all feminine imaginings.

Living in Biarritz he came to know Atilio Castro intimately through learning that they were related on his father's side. The Spaniard admired the fascination exercised by the Prince, often without wishing to do so, on all women.

Never at any period had women been more strongly attracted by luxury or felt less scruples in the means of obtaining it than at present. This was the opinion of Castro. Lavish display, which in other centuries had been within reach of only the very few families, was now possible for every one. All one needed to indulge in it was money. Besides, it was necessary to take into account present-day progress in material things, which has made life easier, but at the same time has increased our needs.

"The motor car and the pearl necklace have made more victims than the wars of Napoleon," said Atilio.

"These two things are like the gala uniform of women, and those who are forced to go without them consider themselves unfortunate and ill treated by fate. This twin image has shattered the illusions of maidens and the fidelity of wives. Mothers in middle class society, with melancholy dejection written on their faces as though they had made stupid failures of their lives, advise their daughters: 'If you are going to get married, make sure you will get an auto and a pearl necklace.' And long after the modest marriage this desire still remains, strengthened by maternal advice. Luxury is the one thought, luxury at whatever cost. Luxury has been democratized. It is within reach of all, obtainable through money, which has no taint, no odor, no sign of its origin."

"You are the great provider of the expensive motor car of fashionable make and of the rope of pearls," continued Castro. "You are the great Sultan of magnificence. Your signature to a check is enough to sweep a woman off her feet in a torrent of gold. Make the most of your opportunity! The period in which you were born has left you an open field for your talents."

And the Prince, who was not at all in need of such advice, went his way as conqueror through a world in which the best accredited virtues collapsed before his attack. Even sincere resistance finally appeared to him to be a clever device for postponing surrender and increasing the market value of desire. The millions from Russia were scattered broadcast in smaller and smaller subdivisions, maintaining the well being and display of many homes, indulging the taste for luxury of numerous ladies, and keeping numberless factories busy producing elegant novelties of female luxury. A few women felt a sincere interest in Michael Fedor for his own sake, because of the mysterious prestige of his voyages in a boat which was talked about as though it were an enchanted palace; and also because of his adventures with celebrated actresses and women of high society, which made him more attractive. But once their vanity and curiosity were satisfied, they allowed their own self-interest to have a word. "Why should I be any more altruistic than the rest?"

They were not obliged to use cunning or round-about phrases in formulating their requests. Some at the second meeting, took on a melancholy air, and spoke of the sad realities of life. But the generous Prince anticipated their desires. He preferred to pay his mistresses and dazzle them with splendid gifts. Thus he could regard them as favored slaves covered with jewels. In this way also, it was easier to break with them: He could go away from them whenever he so desired, satisfied with his own behavior, and quite unmoved by their tears and laments. From his semi-oriental Russian ancestors he had inherited a great sensual capacity, which caused him to be attracted to women, and at the same time to feel an inalterable scorn for them. He indulged them but could not love them; he adored them, but was stirred to indignation when they presumed to be on terms of equality with him. He was capable of ruining himself, of braving death for them, but he was ready to thrust them aside with his foot if they tried in the least to govern his life. The ambitious ones who feigned deep, passionate love for him in the hope of marriage, the sentimental ones who tried to interest him with psychological subtleties, and those who kept their maternal enthusiasm even in adultery, and murmured in his ear how happy they would be to have a child who might resemble him, waited for him in vain the following day. "Neither deep passion, nor children!" … Two trails of smoke were soon rising from the yacht, carrying its owner to another port or perhaps to another continent: or if he wished to flee from a city in the interior, he gave orders that his private car should be coupled to the first train that was leaving.

These flights were never undertaken without a generous remembrance. Michael Fedor's munificence continued for those whom he had abandoned. Each year new names were added to his budget, like that of a reigning house which allots pensions to its forgotten servants. But the pensions of Prince Lubimoff were for the maintenance of luxury and not of life. The most modest were over thirty thousand francs a year. The average was double that amount.

"Your Excellency: there will have to be a revision," his administrator would say.

Michael would examine the list of names, hesitating at a few. He could not recall clearly the persons who bore them. Then suddenly he would smile, as certain visions were suddenly and attractively awakened in his mind. He was immensely wealthy: why not keep up the luxury which was the one dream of all of them?.. He was not disturbed by the jealous thought that his successors would be reaping the benefit of that luxury.

He felt a certain god-like pride in making his generosity felt at all times, without letting himself be seen. In Paris a jewelry shop managed by a Jew of Spanish origin limited its entire business to the production of the Prince's gifts. His gems of high intrinsic value, with no false artifices, had a certain family resemblance, a sort of imaginary perfume which enabled the women who displayed them to recognize each other. When it was least expected, at tea time, in the dining-room of a hotel, at an elegant watering place at a dance, two women who had just met would gaze at each other's ears and breast in silence, until the boldest, blushing imperceptibly under her rouge, would ask simply: "You knew Prince Lubimoff too?.."

Atilio Castro felt a deep admiration for his relative, less on account of his triumphs than of the iron constitution required to sustain them.

"What a Cossack! A regular Cossack!.. He is a true descendant of that lover of the Great Catherine!"

Nevertheless, frequently the yacht would hurriedly put out to sea on long voyages, without its master being forced to flee from any dangerous or entangling passion. He was running away from himself, from his perverse imagination and curiosity, which made him seek and allure different women, upsetting his peace of mind, without rousing in him any real desire. He undertook the most extraordinary voyages, for the sake of the bracing air and the sense of restfulness the sea brings. The orchestra accompanied him; but the "harem" remained on shore. He had gone completely around the globe, following the shortest route; then he had repeated this circumnavigation, but over a zig-zag course, to become acquainted with all the coasts of the earth. At present he was on going on whimsical trips; he was sailing from one hemisphere to another for the pleasure of visiting one or another of the small islands which seem lost in the Pacific, and are so tiny that on the maps they look like mere dots placed after long names traced on the blue colored surface.

Returning from one of these excursions on which he went around the world as though it were his personal property, he received by wireless the news that Germany had declared war against Russia and France.

He felt no great surprise. He knew William II personally. It was because of him that Prince Lubimoff avoided cruising off the coast of Norway in summer.

The year following his acquisition of the Gaviota II he had come across the Imperial yacht in those parts. The Kaiser, like an officious, all-knowing neighbor, came to see him in order to look over the yacht, examining it in all its details, giving advice, reviewing the men and materials, making a dissertation on the engines and interrupting himself to advise certain changes in the uniform of the crew. After a breakfast on his own yacht, and luncheon on the Emperor's, Prince Michael had had enough of this unexpected friendship. Lohengrin, with his winged helmet, white mantle, and both hands on the hilt of his sword, was less unbearable than this gentleman with turned up mustache, and wolfish teeth, dressed like a sailor, who laughed a false and brutal laugh, and (whenever he met on the seas a multimillionaire from America or Europe) played the rôle of a man of great simplicity and of an unconventional sovereign. Money inspired deep veneration in this story-book hero, this mystic with a mind fed on grandeur. Michael had never shared the enthusiasm of various snobs for the German Emperor. He smiled at the Hohenzollern's theatrical tastes, his war-like bravadoes, and his intellectual ambitions which pretended to embrace the whole knowable universe.

"He is a comedian," Michael said on receiving the news of the war, "a comedian who for a long time is going to make the whole world weep… And to think that the fate of mankind should depend on such a man!.."

Michael Fedor considered himself as a being set apart from the rest of mankind. He lamented the war as something terrible for the rest, but which could not influence his own particular fate. Since a madness for blood had descended upon Europe, he would go on sailing distant seas. Thanks to his wealth he could keep beyond the margins of the struggle.

But times changed rapidly; life was not the same: all old values had lost their significance. In spite of her Russian flag, the Gaviota II found herself halted by some English torpedo boats and was forced to submit to a minute inspection. They could not believe that any one should be cruising for pleasure when all the seas had been converted into a battlefield. In the latitude of the Azores it became necessary to force the yacht's engines to escape from a German corsair.

Besides, fuel was getting scarce. The various coaling stations located here and there on the coast were reserved exclusively for the warships. Important news kept coming by wireless from far-off Paris, where the chief agent of the Prince was located. Communication had been broken off between the Paris office and the administrators of the Lubimoff fortune in Russia. No money was coming from there, and the French banks, with their vaults closed by the moratorium, were willing secretly to lend money to a millionaire like the Prince, but not in quantities sufficient to meet his current needs.

The yacht came to anchor in the port of Monaco, and Michael Fedor, on arriving in Paris, almost laughed, as though witnessing some preposterous change in the laws of nature. The heir of the Lubimoffs in need of money, and compelled to make an effort to obtain it – something he had never done in all his life! Here he was having to ask for loans at frightfully usurious rates, on the security of his distant and famous wealth, which for the first time was regarded somewhat contemptuously!..

When communications were reëstablished in an intermittent fashion between Western Europe and Russia – which was practically isolated – the administrator of the Prince gave a look of despair. The collections had been reduced eighty per cent.

"According to that, I am going to be poor?" asked Lubimoff, laughing, the news seemed so unbelievable and absurd.

It was very difficult to send money as far as Paris. Besides the rouble was decreasing in value at a dizzy rate. Millions on reaching France became mere hundred thousands. Mobilization had left the mines without workmen; there was no outlet for the produce; the peasants, seeing their sons in the army, refused to pay any money, and even to work. The Russian government, to keep as much money as possible at home, limited to small amounts the money sent to citizens residing abroad.

"The Czar putting me on a pension!" said the Prince in amazement. "A thousand or two thousand francs a month!.. How absurd!"

But he did not laugh long. His anger against the Russian court, which had gradually been growing in his subconsciousness ever since his expulsion so long ago from Petersburg, now moved by a selfish impulse suddenly flared up. The Czar and his counselors, desirous of Russianizing all Eastern Europe, were responsible for the war. They certainly might have kept peace with Germany. Why disturb the peace of the world, for the sake of a little race of people in the Balkans?

He coolly made fun of certain of his friends who, by devious routes across Europe and the icy Northern seas, returned to Russia to regain their former commissions in the army. As for him, he had no desire to die for the Czar. It made little difference to him whether his country were governed by Germans. There were times when he even thought that would be preferable, so long as peace were restored rapidly, allowing him once more to reap the benefit of his wealth, and resume the life he had been leading a few months before, or, as it now seemed, a half century before.

The next two years went by for Lubimoff like a nightmare. What sort of a world was he living in?.. His former friends were disappearing. Some of the frivolous women who had made life pleasant for him were not moved in the least by the unfortunate events which were happening; but others showed themselves to be heroic and self-sacrificing, forgetting all they had done before, feeling a new soul developing within them.

The Prince suddenly found himself dragged along by the world happenings. A mysterious and irresistible force was pushing against him, causing him to lose his balance, just as he was reaching the pinnacle of his life, so pleasant, so vast, crowned with a halo of such glory. And now, once started, he was tumbling head over heels, of his own inertia, and each step he struck as he descended, gave him a harder blow, a more painful surprise. How far would this landslide take him?.. What would he strike at the end of this unheard-of fall?..