Полная версия
The Enemies of Women (Los enemigos de la mujer)
The Duchess de Delille also came forward to meet him, taking both his hands and giving him a strange glance.
"Your mother loved me … really loved me. During these last years we saw each other very often."
Michael nodded assent. He knew that already. The Princess Lubimoff had been the one loyal friend of this passionate unscrupulous woman, who was gradually losing every one's respect. She had defended Alicia when other high society women declared open war and closed their doors to her, fearing for their husbands' fidelity. As she used to play every winter at Monte Carlo, she had been in the company of the Princess up to the last moments.
"She loved me more than my mother ever did… Perhaps she remembered that I might have been her daughter."
The Prince walked away, as though annoyed by this allusion. He had heard such things about her!.. But all during the ceremony he kept seeing her in his mind's eye. She was still beautiful, but so strangely beautiful. Her skin had lost the golden tinge of ripened fruit, and now was pale, the dull white of Japanese paper. Her large eyes, which gave off green and yellow glints, stared with disturbing fixity and seemed at the same time to have a blank expression, as though covered by an invisible spider web. Her least bitter enemies accused her of a certain propensity for spirits. She drank all sorts of American mixed drinks like an habitué of the bars. Other people attributed her pallor and the continual darkly bewildered look in her eyes to morphine, opium and all the various liquids and perfumes producing lethargy and creating "artificial paradise." The little Alicia of former years was drinking, draining it to the last drop from the cup of life in deep draughts.
Michael Fedor thought that he had seen the last of her, but a few days later he began to receive letters. He was alone, and must be feeling sad, so she was inviting him to come and eat with her, informally, of course, as was natural among close relatives. His evasions brought fresh invitations by telephone. The Prince, like a person fulfulling a tiresome social obligation, finally went one evening to her little palace in the Avenue du Bois, one of the numerous imitations of the Petit Trianon, which are to be found in various parts of the world.
The Duchess de Delille was proud of this edifice and the tiny garden with its sharp, gilded grating, in front of which all fashionable Paris passed. Michael was acquainted with the drawing rooms without ever having been inside them. The illustrated journals, which cover the styles of wealthy social life, had published photographs, in Europe and America, of the interior of her residence. Gossip had kept him informed of Alicia's strange life. She had suddenly been taken with the mad desire of seeing people, of being admired, and of astonishing every one by her prodigality. She gave a series of great fêtes, and publicly protested because the municipality of Paris would not allow her to illuminate the entire Champs Élysées and the Arch of Triumph so that her guests might ride up to her very door in a fiery apotheosis. She had given a garden party in the Bois de Boulogne, with water sports, and dances of sacred dancers, brought from Asia. The buffet supper had been prepared for three thousand guests. On another occasion, for a single costume ball, she spent a hundred thousand francs, to transform part of her residence into an interior of Persian style and the next day she began to have the rooms restored to their original state.
Suddenly she would disappear, and people would wink and make malicious comments because she left no address. Some new love affair! Hers were nearly always wandering fancies, that called for long trips and new horizons! Perhaps she was in Constantinople or in Egypt; perhaps she was in hiding in one of the large New York hotels. At times such guesses were right; and then again the most intimate friends of the Duchess could affirm that she had not left Paris. Was not her automobile standing in front of the door?
This was another of Alicia's eccentricities. At all hours of the day and night, one of her various expensive cars was kept in readiness in front of the stairway. Three chauffeurs divided the service between them. They stayed in the porter's quarters; and as soon as the bell was heard, they had only to put on their gloves, run to the machine, and start the motor. She often chose the most extraordinary hours for going out. Sometimes it would be just after returning from a ball, then again she would get up for a ride after she had gone to bed. Frequently she would select the early morning hours which were usually her time of soundest sleep.
At times the chauffeurs would succeed each other, week after week, without leaving the gate of the mansion. The Duchess did not care to go out. She no longer felt her sudden impulses to ride aimlessly about Paris, while the city slept, pay unseasonable calls, or glide through the woods on the outskirts of the capital at the height of some violent storm. Meantime, the autos seemed to age, as they stood there motionless, now with their wheels deep in the snow of the courtyard, and again with the glass of the wind shield flecked with the tear drops of the slanting rain, that swept under the glass covered porte-cochère. During all such periods, Alicia, in spite of her restless impulsive nature, would be spending whole days in bed, telling her intimate friends that to keep one's beauty one must take a "rest cure" from time to time. She would entertain her friends at dinner without getting out of bed. The table would be spread in luxurious fashion in her large bedroom, and lying between the sheets, with the dishes within reach on a tiny table, she would laugh and chat for hours with her guests. Months would go by without her seeing the outside of her house, while the costly objects in her rooms, amassed to indulge her whims, were quite forgotten. Her vanity was satisfied, at such times, by the mere fact of having constructed a costly jewel case to harbor her idleness.
The Prince met her in a little reception room on the ground floor. She was in truth receiving him with absolute lack of ceremony. She was dressed in a black tunic of her own invention, a combination of the Greek peplum and the Japanese kimono. Her bare arms floated free from the soft silk that almost seemed to live, it clung so closely to her body. Underneath it, half revealed, were the contours and perfumed warmth of her flesh, hidden by no inner veils. Michael glanced at his tuxedo and gleaming shirt-front as though his own costume were quite out of place.
As she took him to the elevator, which was white and quilted like a glove box, he caught a rapid glimpse of the drawing rooms of the lower floor, ostentatious, but left in a shadow almost as dark as night; of the large dining-hall, deserted, with the furniture covered; of the little dining-room in which there were no signs whatsoever of preparations… Where was she taking him?.. Was the table set in her bedroom?
The elevator passed the second floor without stopping? "We are going to my study," said Alicia. "I eat there when I am alone."
The Prince was amazed at the so-called "study," a large room which occupied a major portion of the third floor, and in which only one or two books in a small book-rack were to be seen. The place was decorated in imitation "Far East" style: plain black lacquer furniture, silk either of pale shades or of an intense dark purple, and an array of frightful idols. A diffused bluish light, like that used in night scenes on the stage, descended from the ceiling. A screen, embroidered with a design in gold, formed a sort of second more intimate room, the floor of which was covered with white rugs of fur, with long, silky hair. Heaped about were dozens of pillows of various colors adorned with winged reptiles and unheard of flowers.
An exotic, penetrating odor made Lubimoff wince. He knew that perfume. And there was a look of severity in his eyes as he glanced sharply at the Duchess.
"Sit down," she said. "They are going to serve us."
As the Prince looked about, without seeing any sort of a chair, Alicia set him an example, dropping on a heap of cushions. Michael sat down in the same fashion, beside a tiny mother of pearl table no bigger than a tabouret. On it a lamp with a dark shade let fall a circle of soft light. Inwardly the Prince began to feel a boiling of suppressed anger as he thought of his evening wasted.
"You must have eaten this way often," she continued, "you have traveled more than I. The style of decoration must be familiar to you."
Yes; he knew the style, the original and authentic style, and for that very reason he did not care to see it again in imitation. Besides obliging him to eat on the floor, there in a house on the Avenue de Bois… What an affectation!
But in a short time his opinion began to change. A poseur she undoubtedly was, but affectation had already become a more or less natural trait in her, a sort of second nature. He guessed that even in its slightest details none of this had been prepared especially for him. Alicia lived and ate there when she was alone just as she was doing then. She was prey to a desire to be different from other people even when no one was noticing her.
The servant in charge of the meal was a copper-colored man with a long down-curling mustache. He was dressed in a black tuxedo, with a white cloth wrapped around his legs like a skirt. He had long hair, done up on his head like a woman's and held in place by a tortoiseshell comb. The Asiatic was placing the huge trays containing the food on the floor: Some of the dishes were of ancient hammered silver, others of many colored lacquer, or of semi-transparent materials made in imitation of emerald, topaz, and red sealing wax.
For Michael the meal looked like something a great chef might have prepared if he had suddenly gone mad and made up the dishes in the midst of his ravings. There was not a single item that suggested the harmonious course of an ordinary dinner. The palate acted on the imagination, awakening memories of distant travels, visions of far off lands. Exotic preserves alternated with hot dishes. Pastry flavored with penetrating perfumes was served along with sharp, biting, or intensely bitter sauces.
Alicia, half reclining on the cushions, looking at the dishes without appetite, extended her hand carelessly toward the most unusual delicacies, and those with the most pungent and racy savors. Clearly the perversion of her palate was profound. She herself saw to it that Michael's glass was always filled. It was a drink of her own invention, having a champagne base. It burned and rasped his mouth, paralyzing all other sensation with its stinging coolness. It penetrated his nostrils with a lingering scent of the rarest flowers and of Asiatic spices.
Speaking of the dead Princess, Alicia came to mention her own mother. They were now on terms of open hostility. Her eyes began to gleam with defiance as she was reminded of Doña Mercedes, confined in the Champs-Élysée residence with her court of clericals, and showing herself in public only for the organizing of pious works. She was trying to starve her only daughter to death!.. And as Michael smiled at this explosion of anger, she explained her grievances.
"She gives me hardly anything; a mere nothing: half a million francs. And I have to hand two hundred and fifty thousand a year over to my husband: a rather expensive lover, whom I avoid seeing. You are really rich, my dear, and don't understand such things… Since the fortune is all in her name, she tries to starve me out and keeps her money to squander it with the priests… Poor Señora! She can't find any admirers now except that Monsignor and other sponges like him… And I, her own daughter, have to implore her like a beggar for the crumbs she gives me, seasoned with sermons… Oh, if it hadn't been for your mother! She really was a great lady: I never lamented my poverty to her in vain; she gave me even more than I asked for. You know of course that I owe you some money. A little… I don't know how much. Didn't you really know that?.. I shall pay you back when I get my inheritance."
And with brutal frankness she expounded her full thought.
"When will that bigot leave me in peace?.. Old people ought to make way for the young. What fun do they get out of going on living?"
They had finished eating. She went on filling both their glasses with her special drink. At first Michael had found it repugnant, but in the end he was attracted to its refreshing fragrance which gently troubled the senses, like an intoxication with perfumes.
"Of course you use the pipe," said Alicia simply.
He shook his head and thought of the odor which struck him on entering. He knew what sort of a "pipe" it was, and gazed about the study. The smoking den must be in some hidden corner!
"A man like you!" she went on. "A sailor! And I fooled myself into thinking we'd smoke together!"
She even gave him to understand that the hope of being able to give him that forbidden pleasure was the principal reason for her invitation. She became resigned when she learned that the Prince, vigorous as he was, suffered nausea every time he attempted to experiment with that Asiatic vice. And while he lighted a havana, Alicia took from a silver case the cigarettes which she smoked in the presence of the "uninitiated": Oriental tobacco, but heavily dosed with opium. Suddenly Michael was convinced of something of which he had a presentiment the moment he entered the place, or even earlier, the moment their glances had met in the cemetery. He saw her half rising from the cushions, with a panther-like contraction of her muscles, as though she were ready to spring at him. It was the concentrated impulse of the beast, beautiful and sure of its power, unable to wait, and not knowing how to feign.
Alicia had forgotten the demi-tasse she held in her hand, as she sat there, looking at him fixedly. The tiny blue electric spark dancing in her eyes was something well known to Michael.
It was the offering glance of female silence, inviting violence, and mastery. He had encountered that glance often along his path of triumph as a conquering millionaire… He felt he must say something at once to break the silent charm of the beautiful witch, who, sure of her final victory, was smiling and blowing puffs of cigarette smoke toward him. So Michael alluded to her amorous fame, to the great number of lovers she was supposed to have had. That might widen the distance between them.
"Ah! You too?" said Alicia laughing, with masculine frankness. "I don't suppose your morals are the same as Mamma's! You are not going to read me a sermon on my behavior. Although, after all, Mamma doesn't blame me for what I do. What makes her angry is the fact that I am not afraid of what people say, and that sometimes I am attracted to unknown men of low birth. Poor Señora! If I were to have an affair with a king or a crown prince, perhaps she'd even let us see each other in her house, and have her Monsignor mount guard into the bargain."
She remained silent for a moment. That disturbing glance was still fixed on Michael.
"It is true; I have had a lot of men. And how about you? Do you think I don't know about your wanderings all over the planet in quest of types of women unknown to the novels and capable of giving new sensations?.. We have both done the same: only it wasn't necessary for me to travel around so much to learn just what you have learned… And you are not so absurd as to imagine, as certain men do, that our cases are not to be compared because we are of different sexes."
The Prince listened silently as she expounded her ideas. She was deeply in love with life, and in return she demanded all that life could give her… The minds of other women were occupied with questions of a material nature: desire for wealth, longings for luxury, domestic cares… As for her, she possessed everything; to-morrow held no worries for her; not even in regard to her beauty, sustained as it was by wonderful health, and seeming to increase in spite of age and her prodigal waste of energies.
In her life, made up of caprices, always completely satisfied, even to the point of satiety, only one thing interested her, from its infinite variety and from its many phases, which might seem to vulgar people a monotonous repetition of one another, but which in reality were distinct for a mind attuned, as hers was, to exquisite sensations. That thing was love.
"Oh please understand me, Michael; don't sit there laughing to yourself. You know me too well ever to imagine that I believe in love as the majority of women do. I know that a certain amount of illusion is necessary to color the material aspect of love; we all lie about it a little, and we enjoy the lie even though we know it as such; but way down deep, I laugh at love as the world understands it, just as I laugh at so many things which people venerate… I don't want lovers, I want admirers. I am not looking for love; I care more for adoration."
She was proud of her beauty. She spoke of Venus as though the goddess were a real person. She admired the Olympic serenity with which the Deity of Passion gave herself to gods and men, never surrendering her superiority even at the moment when she was submitting to the domination of the stronger sex. Alicia considered herself a super-beauty, belonging to a sphere outside the ordinary limits of vice and virtue. She thought herself a living work of art; and art is neither moral nor immoral; its mission is fulfilled when it is beautiful.
"Poets, painters, and musicians seek to abandon themselves to the greatest number of admirers. They do their utmost to enlarge their circle of public worshipers and with feminine coquetry they try to attract new suitors. I am like them. I do not need to create beauty, for as they say, I have it in myself. I am my own work, but I love glory; I need admiration; and for that reason I give myself generously, content with the happiness which I apportion, but keeping my public at my feet, without allowing myself to be dominated by those whom I seek."
Michael was sure that many artists must have left their imprint on that woman's life. It was evident in the words and imagery with which she endeavored to express her enthusiasm for her own body. Her pride in her beauty was boundless. What were the ambitions of men, compared to the satisfaction of being lovely and desired? Only the glory of warriors, of blood-stained conquerors, whose names are known even in the remotest wilds of the earth, equals the glory that a woman feels in the sense of universal power over men.
"To me," continued Alicia, "the truest and most beautiful thing ever written is 'the old men on the wall.'"
The Prince looked at her questioningly; so she went on to explain. She referred to the old Trojan men in the Iliad, who were protesting against the long siege of their city, against the blood sacrifice of thousands of heroes, against poverty and hardship, all due to the fault of a woman… But Helen, majestic in her beauty, passed before the old men, trailing her golden tunic; and they all lapsed into silent contemplation, rapt in wonder, as though divine Aphrodite had descended upon earth; and they murmured like a prayer: "It is indeed fitting that we should suffer thus for her. So lovely she is!"
"I like to see men suffer on my account. How glorious if I might be the cause of a great slaughter, like that ancient immortal woman!.. I have an exultant feeling of pride when I notice that envy and spite are whispering behind my back, starting all that gossip that makes my mother so furious. Only extraordinary people stir up torrents of abuse… And afterwards, in the drawing rooms, the very same austere gentlemen who have seconded all that their wives and daughters have to say against me, look at me with sly admiring glances, as I pass; and some of them blush in confusion and others turn pale. It is easy to guess that I have only to beckon and their silent admiration would… I too have my 'old men on the wall.'"
Michael suddenly realized that while she was talking she had been coming gradually closer, from cushion to cushion as she lay resting on her elbows. She was almost at his feet, with head held high, endeavoring to envelop him in a wave of magnetism from her fixed and dominating eyes. She seemed like a black and white snake, twisting forward little by little among the cushions as though they were rocks of various colors.
"The only man of whom I have ever thought the least bit, the only one I ever considered at all different from other men," she continued in a half whisper, "is you… Don't be alarmed: it isn't love. I am not going to invert rôles, and propose to you. Perhaps it is because, as children, we used to hate each other; because you never wanted me. That is such an unheard of thing in my life, that it alone is enough to interest me."
She put her hands on his knees, as though she were about to rise.
"When I saw you in the cemetery, after so many years, I remembered all that I had heard about you. Many women whom I know have been sweethearts of yours, and I said to myself: Why not I, too? Then I thought of all the men who have come into my life, and I added: Why not he?" …
And now Alicia's elbows were resting on his knees, and as the Prince was seated on but two pillows, their lips and eyes were almost on a level. As she talked he could feel her breath on his face. It was like the breeze in an Asiatic forest, whispering beneath the moon. The spices and flowers with which the wine was saturated seemed to float in that volatile caress.
Michael tried to avoid her advance, but one of Alicia's hands was already on his shoulder. He merely shook his head.
"Don't be afraid," she added, exaggerating the caressing quality of her sigh. "There are no embarrassing obligations with me. You may leave me when you wish; perhaps I shall be the one to leave you first. I have wanted you for the last few days. You must surely desire me as the others do… Let us live this moment, like people who know the secret of life and all it can give… Then if we tire of each other, good-by, with no hard feeling and no pining!"
When from time to time in after years the Prince recalled that scene, he always felt a certain dissatisfaction with himself. He was sure he had seemed brutal as well as ridiculous. In his travels he had approached women frequently in the most matter of fact way, often remembering them afterwards with some repugnance; yet here he was, rebelling with a feeling of offended modesty at the advances of the Duchess. No! With her, never! Rising within him he felt the same displeasure that had once made him raise his whip in his youth.
He found himself on his feet in the middle of the study, looking anxiously toward the door and muttering stupid excuses. "No, I must go: it is late. Some friends are waiting for me…" She had gained control of herself. She too was standing looking at him with astonishment and wrath.
"You are the only one who could do a thing like this," she said, in a cutting tone, as they parted. "I see it all clearly now. I hate you as you hate me. My whim was a stupid one. You have permitted yourself a liberty which no one in the world will ever be able to take again. If I were younger than I am I would thrash you again as I did in the Bois; but instead, just consider that I am repeating everything I said then."
They did not see each other again.
When the Prince had set in order everything concerning the inheritance from his mother, he thought of resuming his voyages, but on a more magnificent scale. It was no longer necessary for him to ask the Princess for money. He was one of the great millionaires of the world. Those who were in charge of the administration of his affairs – an office with numerous clerks, almost equalling the government bureau of a small state – made the announcement that the fifteen million francs which the Princess had received annually would soon be twenty, through the development of Russian railways, which allowed more intensive working of his mines.
The Colonel was commissioned to have the heavy medieval walls of Villa Sirena torn down, and the place replanned according to the Prince's tastes. The latter hated architectural resuscitations. He could not bear modern buildings patterned to flatter the pride of the rich proprietors, after the Alhambra, the palaces of Florence, or the solemn and orderly constructions of Versailles.