A Great Man: A Frolic

'Yes,' she said. 'But it's been used before;' and she gave him particulars of Stendhal's novel, of which he had never heard.

'Oh, well!' he exclaimed, somewhat dashed. 'As Stendhal was a Frenchman, and his book doesn't deal with gambling at all, I think I may stick to my title. I thought of it myself, you know.'

'Oh yes, dearest. I know you did,' Geraldine said eagerly.

'You think I'd better alter it?'

Geraldine glanced at the floor. 'You see,' she murmured, 'Stendhal was a really great writer.'

He started, shocked. She had spoken in such a way that he could not be sure whether she meant, 'Stendhal was a really great writer,' or, 'Stendhal was a really great writer.' If the former, he did not mind, much. But if the latter – well, he thought uncomfortably of what Tom had said to him in the train. And he perceived again, and more clearly than ever before, that there was something in Geraldine which baffled him – something which he could not penetrate, and never would penetrate.

'Suppose I call it Black and Red? Will that do?' he asked forlornly.

'It would do,' she answered; 'but it doesn't sound so well.'

'I've got it!' he cried exultantly. 'I've got it! The Plague-Spot. Monte Carlo the plague-spot of Europe, you know.'

'Splendid!' she said with enthusiasm. 'You are always magnificent at titles.'

And it was universally admitted that he was.

The book had been triumphantly finished, and the manuscript delivered to Macalistairs viâ Mark Snyder, and the huge cheque received under cover of a letter full of compliments on Henry's achievement. Macalistairs announced that their Magazine would shortly contain the opening chapters of Mr. Henry Shakspere Knight's great romance, The Plague-Spot, which would run for one year, and which combined a tremendous indictment of certain phases of modern life with an original love-story by turns idyllic and dramatic. Gordon's Monthly was serializing the novel in America. About this time, an interview with Henry, suggested by Sir Hugh Macalistair himself, appeared in an important daily paper. 'It is quite true,' said Henry in the interview, 'that I went to Monte Carlo to obtain first-hand material for my book. The stories of my breaking the bank there, however, are wildly exaggerated. Of course, I played a little, in order to be able to put myself in the place of my hero. I should explain that I was in Monte Carlo with my cousin, Mr. Dolbiac, the well-known sculptor and painter, who was painting portraits there. Mr. Dolbiac is very much at home in Parisian artistic society, and he happened to introduce me to a famous French lady singer who was in Monte Carlo at the time. This lady and I found ourselves playing at the same table. From time to time I put down her stakes for her; that was all. She certainly had an extraordinary run of luck, but the bank was actually broken at last by the united bets of a number of people. That is the whole story, and I'm afraid it is much less exciting and picturesque than the rumours which have been flying about. I have never seen the lady since that day.'

Then his marriage had filled the air.

At an early stage in the preparations for that event his mother and Aunt Annie became passive – ceased all activity. Perfect peace was maintained, but they withdrew. Fundamentally and absolutely, Geraldine's ideas were not theirs, and Geraldine did as she liked with Henry. Geraldine and Henry interrogated Mark Snyder as to the future. 'Shall we be justified in living at the rate of two thousand a year?' they asked him. 'Yes,' he said, 'and four times that!' He had just perused The Plague-Spot in manuscript. 'Let's make it three thousand, then,' said Geraldine to Henry. And she had planned the establishment of their home on that scale. Henry did not tell the ladies at Dawes Road that the rent of the flat was three hundred a year, and that the furniture had cost over a thousand, and that he was going to give Geraldine two hundred a year for dress. He feared apoplexy in his mother, and a nervous crisis in Aunt Annie.

The marriage took place in a church. It was not this that secretly pained Mrs. Knight and Aunt Annie; all good Wesleyan Methodists marry themselves in church. What secretly pained them was the fact that Henry would not divulge, even to his own mother, the locality of the honeymoon. He did say that Geraldine had been bent upon Paris, and that he had completely barred Paris ('Quite right,' Aunt Annie remarked), but he would say no more. And so after the ceremony the self-conscious pair had disappeared for a fortnight into the unknown and the unknowable.

And now they had reappeared out of the unknown and the unknowable, and, with the help of four servants, meant to sustain life in Mrs. Knight and Aunt Annie for a period of some five hours.

They heard a ring in the distance of the flat.

'Prepare to receive cavalry,' said Geraldine, sitting erect in her blue dress on the green settee in the middle of the immense drawing-room.

Then, seeing Henry's face, she jumped up, crossed over to her husband, and gave him a smacking kiss between the eyes. 'Dearest, I didn't mean it!' she whispered enchantingly. He smiled. She flew back to her seat just as the door opened.

'Mr. Doxey,' said a new parlourmaid, intensely white and black, and intensely aware of the eminence of her young employers. And little Doxey of the P.A. came in, rather shabby and insinuating as usual, and obviously impressed by the magnificence of his surroundings.

'My good Doxey,' exclaimed the chatelaine. 'How delicious of you to have found us out so soon!'

'How d'you do, Doxey?' said Henry, rising.

'Awfully good of you to see me!' began Doxey, depositing his well-preserved hat on a chair. 'Hope I don't interrupt.' He smiled. 'Can't stop a minute. Got a most infernal bazaar on at the Cecil. Look here, old man,' he addressed Henry: 'I've been reading your Love in Babylon again, and I fancied I could make a little curtain-raiser out of it – out of the picture incident, you know. I mentioned the idea to Pilgrim, of the Prince's Theatre, and he's fearfully stuck on it.'

'You mean, you think he is,' Geraldine put in.

'Well, he is,' Doxey pursued, after a brief pause. 'I'm sure he is. I've sketched out a bit of a scenario. Now, if you'd give permission and go shares, I'd do it, old chap.'

'A play, eh?' was all that Henry said.

Doxey nodded. 'There's nothing like the theatre, you know.'

'What do you mean – there's nothing like the theatre?'

'For money, old chap. Not short pieces, of course, but long ones; only, short ones lead to long ones.'

'I tell you what you'd better do,' said Henry, when they had discussed the matter. 'You'd better write the thing, and I'll have a look at it, and then decide.'

'Very well, if you like,' said Doxey slowly. 'What about shares?'

'If it comes to anything, I don't mind halving it,' Henry replied.

'I see,' said Doxey. 'Of course, I've had some little experience of the stage,' he added.

His name was one of those names which appear from time to time in the theatrical gossip of the newspapers as having adapted, or as being about to adapt, something or other for the stage which was not meant for the stage. It had never, however, appeared on the playbills of the theatres; except once, when, at a benefit matinée, the great John Pilgrim, whom to mention is to worship, had recited verses specially composed for the occasion by Alfred Doxey.

'And the signature, dear?' Geraldine glanced up at her husband, offering him a suggestion humbly, as a wife should in the presence of third parties.

'Oh!' said Henry. 'Of course, Mr. Doxey's name must go with mine, as one of the authors of the piece. Certainly.'

'Dearest,' Geraldine murmured when Doxey had gone, 'you are perfect. You don't really need an agent.'

He laughed. 'There's rather too much "old chap" about Doxey,' he said. 'Who's Doxey?'

'He's quite harmless, the little creature,' said Geraldine good-naturedly.

They sat silent for a time.

'Miles Robinson makes fifteen thousand a year out of plays,' Geraldine murmured reflectively.

'Does he?' Henry murmured reflectively.

The cavalry arrived, in full panoply of war.

'I am thankful Sarah stays with us,' said Mrs. Knight. 'Servants are so much more difficult to get now than they were in my time.'

Tea was nearly over; the cake-stand in four storeys had been depleted from attic to basement, and, after admiring the daintiness and taste displayed throughout Mrs. Henry's drawing-room, the ladies from Dawes Road had reached the most fascinating of all topics.

'When you keep several,' said Geraldine, 'they are not so hard to get. It's loneliness they object to.'

'How many shall you have, dear?' Aunt Annie asked.

'Forty,' said Henry, looking up from a paper.

'Don't be silly, dearest!' Geraldine protested. (She seemed so young and interesting and bright and precious, and so competent, as she sat there, behind the teapot, between her mature visitors in their black and their grey: this was what Henry thought.) 'No, Aunt Annie; I have four at present.'

'Four!' repeated Aunt Annie, aghast. 'But – '

'But, my dear!' exclaimed Mrs. Knight. 'Surely – '

Geraldine glanced with respectful interest at Mrs. Knight.

'Surely you'll find it a great trial to manage them all?' said Aunt Annie.

'No,' said Geraldine. 'At least, I hope not. I never allow myself to be bothered by servants. I just tell them what they are to do. If they do it, well and good. If they don't, they must leave. I give an hour a day to domestic affairs. My time is too occupied to give more.'

'She likes to spend her time going up and down in the lift,' Henry explained.

Geraldine put her hand over her husband's mouth and silenced him. It was a pretty spectacle, and reconciled the visitors to much.

Aunt Annie examined Henry's face. 'Are you quite well, Henry?' she inquired.

'I'm all right,' he said, yawning. 'But I want a little exercise. I haven't been out much to-day. I think I'll go for a short walk.'

'Yes, do, dearest.'

'Do, my dear.'

As he approached the door, having kissed his wife, his mother, without looking at him, remarked in a peculiarly dry tone, which she employed only at the rarest intervals: 'You haven't told me anything about your honeymoon yet, Henry.'

'You forget, sister,' said Aunt Annie stiffly, 'it's a secret.'

'Not now – not now!' cried Geraldine brightly. 'Well, we'll tell you. Where do you think we drove after leaving you? To the Savoy Hotel.'

'But why?' asked Mrs. Knight ingenuously.

'We spent our honeymoon there, right in the middle of London. We pretended we were strangers to London, and we saw all the sights that Londoners never do see. Wasn't it a good idea?'

'I – I don't know,' said Mrs. Knight.

'It seems rather queer – for a honeymoon,' Aunt Annie observed.

'Oh, but it was splendid!' continued Geraldine. 'We went to the theatre or the opera every night, and lived on the fat of the land in the best hotel in Europe, and saw everything – even the Tower and the Mint and the Thames Tunnel and the Tate Gallery. We enjoyed every moment.'

'And think of the saving in fares!' Henry put in, swinging the door to and fro.

'Yes, there was that, certainly,' Aunt Annie agreed.

'And we went everywhere that omnibuses go,' Henry proceeded. 'Once even we got as far as the Salisbury, Fulham.'

'Well, dear,' Mrs. Knight said sharply, 'I do think you might have popped in.'

'But, mamma,' Geraldine tried to explain, 'that would have spoilt it.'

'Spoilt what?' asked Mrs. Knight. 'The Salisbury isn't three minutes off our house. I do think you might have popped in. There I was – and me thinking you were gone abroad!'

'See you later,' said Henry, and disappeared.

'He doesn't look quite well, does he, Annie?' said Mrs. Knight.

'I know how it used to be,' Aunt Annie said. 'Whenever he began to make little jokes, we knew he was in for a bilious attack.'

'My dear people,' Geraldine endeavoured to cheer them, 'I assure you he's perfectly well – perfectly.'

'I've decided not to go out, after all,' said Henry, returning surprisingly to the room. 'I don't feel like it.' And he settled into an ear-flap chair that had cost sixteen pounds ten.

'Have one?' said Geraldine, offering him the coloured box from which she had just helped herself.

'No, thanks,' said he, shutting his eyes.

'I beg your pardon, I'm sure;' Geraldine turned to her visitors and extended the box. 'Won't you have a marron glacé?'

And the visitors gazed at each other in startled, affrighted silence.

'Has Henry eaten some?' Mrs. Knight asked, shaken.

'He had one or two before tea,' Geraldine answered. 'Why?'

'I knew he was going to be ill!' said Aunt Annie.

'But he's been eating marrons glacés every day for a fortnight. Haven't you, sweetest?' said Geraldine.

'I can believe it,' Aunt Annie murmured, 'from his face.'

'Oh dear! Women! Women!' Henry whispered facetiously.

'He's only saving his appetite for dinner,' said Geraldine, with intrepid calm.

'My dear girl,' Mrs. Knight observed, again in that peculiar dry tone, 'if I know anything about your husband, and I've had him under my care for between twenty and thirty years, he will eat nothing more to-day.'

'Now, mater,' said Henry, 'don't get excited. By the way, we haven't told you that I'm going to write a play.'

'A play, Henry?'

'Yes. So you'll have to begin going to theatres in your old age, after all.'

There was a pause.

'Shan't you?' Henry persisted.

'I don't know, dear. What place of worship are you attending?'

There was another pause.

'St. Philip's, Regent Street, I think we shall choose,' said Geraldine.

'But surely that's a church?'

'Yes,' said Geraldine. 'It is a very good one. I have belonged to the Church of England all my life.'

'Not High, I hope,' said Aunt Annie.

'Certainly, High.'

The beneficent Providence which always watched over Henry, watched over him then. A gong resounded through the flat, and stopped the conversation. Geraldine put her lips together.

'There's the dressing-bell, dearest,' said she, controlling herself.

'I won't dress to-night,' Henry replied feebly. 'I'm not equal to it. You go. I'll stop with mother and auntie.'

'Don't you fret yourself, mater,' he said as soon as the chatelaine had left them. 'Sir George has gone to live at Redhill, and given up his pew at Great Queen Street. I shall return to the old place and take it.'

'I am very glad,' said Mrs. Knight. 'Very glad.'

'And Geraldine?' Aunt Annie asked.

'Leave me to look after the little girl,' said Henry. He then dozed for a few moments.

The dinner, with the Arctic lamps dotted about the table, and two servants to wait, began in the most stately and effective fashion imaginable. But it had got no further than the host's first spoonful of soupe aux moules, when the host rose abruptly, and without a word departed from the room.

The sisters nodded to each other with the cheerful gloom of prophetesses who find themselves in the midst of a disaster which they have predicted.

'You poor, foolish boy!' exclaimed Geraldine, running after Henry. She was adorably attired in white.

*****

The clash of creeds was stilled in the darkened and sumptuous chamber, as the three women bent with murmurous affection over the bed on which lay, swathed in a redolent apparatus of eau-de-Cologne and fine linen, their hope and the hope of English literature. Towards midnight, when the agony had somewhat abated, Mrs. Knight and Aunt Annie reluctantly retired in a coupé which Geraldine had ordered for them by telephone.

And in the early June dawn Henry awoke, refreshed and renewed, full of that languid but genuine interest in mortal things which is at once the compensation and the sole charm of a dyspepsy. By reaching out an arm he could just touch the hand of his wife as she slept in her twin couch. He touched it; she awoke, and they exchanged the morning smile.

'I'm glad that's over,' he said.

But whether he meant the marrons glacés or the first visit of his beloved elders to the glorious flat cannot be decided.

Certain it is, however, that deep in the minds of both the spouses was the idea that the new life, the new heaven on the new earth, had now fairly begun.

CHAPTER XXVII

HE IS NOT NERVOUS

'Yes,' said Henry with judicial calm, after he had read Mr. Doxey's stage version of Love in Babylon, 'it makes a nice little piece.'

'I'm glad you like it, old chap,' said Doxey. 'I thought you would.'

They were in Henry's study, seated almost side by side at Henry's great American roll-top desk.

'You've got it a bit hard in places,' Henry pursued. 'But I'll soon put that right.'

'Can you do it to-day?' asked the adapter.

'Why?'

'Because I know old Johnny Pilgrim wants to shove a new curtain-raiser into the bill at once. If I could take him this to-morrow – '

'I'll post it to you to-night,' said Henry. 'But I shall want to see Mr. Pilgrim myself before anything is definitely arranged.'

'Oh, of course,' Mr. Doxey agreed. 'Of course. I'll tell him.'

Henry softened the rigour of his collaborator's pen in something like half an hour. The perusal of this trifling essay in the dramatic form (it certainly did not exceed four thousand words, and could be played in twenty-five minutes) filled his mind with a fresh set of ideas. He suspected that he could write for the stage rather better than Mr. Doxey, and he saw, with the eye of faith, new plumes waving in his cap. He was aware, because he had read it in the papers, that the English drama needed immediate assistance, and he determined to render that assistance. The first instalment of The Plague-Spot had just come out in the July number of Macalistair's Magazine, and the extraordinary warmth of its reception had done nothing to impair Henry's belief in his gift for pleasing the public. Hence he stretched out a hand to the West End stage with a magnanimous gesture of rescuing the fallen.

And yet, curiously enough, when he entered the stage-door of Prince's Theatre one afternoon, to see John Pilgrim, he was as meek as if the world had never heard of him.

He informed the doorkeeper that he had an appointment with Mr. Pilgrim, whereupon the doorkeeper looked him over, took a pull at a glass of rum-and-milk, and said he would presently inquire whether Mr. Pilgrim could see anyone. The passage from the portals of the theatre to Mr. Pilgrim's private room occupied exactly a quarter of an hour.

Then, upon beholding the figure of John Pilgrim, he seemed suddenly to perceive what fame and celebrity and renown really were. Here was the man whose figure and voice were known to every theatre-goer in England and America, and to every idler who had once glanced at a photograph-window; the man who for five-and-twenty years had stilled unruly crowds by a gesture, conquered the most beautiful women with a single smile, died for the fatherland, and lived for love, before a nightly audience of two thousand persons; who existed absolutely in the eye of the public, and who long ago had formed a settled, honest, serious conviction that he was the most interesting and remarkable phenomenon in the world. In the ingenuous mind of Mr. Pilgrim the universe was the frame, and John Pilgrim was the picture: his countless admirers had forced him to think so.

Mr. Pilgrim greeted Henry as though in a dream.

'What name?' he whispered, glancing round, apparently not quite sure whether they were alone and unobserved.

He seemed to be trying to awake from his dream, to recall the mundane and the actual, without success.

He said, still whispering, that the little play pleased him.

'Let me see,' he reflected. 'Didn't Doxey say that you had written other things?'

'Several books,' Henry informed him.

'Books? Ah!' Mr. Pilgrim had the air of trying to imagine what sort of thing books were. 'That's very interesting. Novels?'

'Yes,' said Henry.

Mr. Pilgrim, opening his magnificent chest and passing a hand through his brown hair, grew impressively humble. 'You must excuse my ignorance,' he explained. 'I am afraid I'm not quite abreast of modern literature. I never read.' And he repeated firmly: 'I never read. Not even the newspapers. What time have I for reading?' he whispered sadly. 'In my brougham, I snatch a glance at the contents-bills of the evening papers. No more.'

Henry had the idea that even to be ignored by John Pilgrim was more flattering than to be admired by the rest of mankind.

Mr. Pilgrim rose and walked several times across the room; then addressed Henry mysteriously and imposingly:

'I've got the finest theatre in London.'

'Yes?' said Henry.

'In the world,' Mr. Pilgrim corrected himself.

Then he walked again, and again stopped.

'I'll produce your piece,' he whispered. 'Yes, I'll produce it.'

He spoke as if saying also: 'You will have a difficulty in crediting this extraordinary and generous decision: nevertheless you must endeavour to do so.'

Henry thanked him lamely.

'Of course I shan't play in it myself,' added Mr. Pilgrim, laughing as one laughs at a fantastic conceit.

'No, naturally not,' said Henry.

'Nor will Jane,' said Mr. Pilgrim.

Jane Map was Mr. Pilgrim's leading lady, for the time being.

'And about terms, young man?' Mr. Pilgrim demanded, folding his arms. 'What is your notion of terms?'

Now, Henry had taken the precaution of seeking advice concerning fair terms.

'One pound a performance is my notion,' he answered.

'I never give more than ten shillings a night for a curtain-raiser,' said Mr. Pilgrim ultimatively, 'Never. I can't afford to.'

'I'm afraid that settles it, then, Mr. Pilgrim,' said Henry.

'You'll take ten shillings?'

'I'll take a pound. I can't take less. I'm like you, I can't afford to.'

John Pilgrim showed a faint interest in Henry's singular – indeed, incredible – attitude.

'You don't mean to say,' he mournfully murmured, 'that you'll miss the chance of having your play produced in my theatre for the sake of half a sovereign?'

Before Henry could reply to this grieved question, Jane Map burst into the room. She was twenty-five, tall, dark, and arresting. John Pilgrim had found her somewhere.

'Jane,' said Mr. Pilgrim sadly, 'this is Mr. Knight.'

'Not the author of The Plague-Spot?' asked Jane Map, clasping her jewelled fingers.

'Are you the author of The Plague-Spot?' Mr. Pilgrim whispered – 'whatever The Plague-Spot is.'

The next moment Jane Map was shaking hands effusively with Henry. 'I just adore you!' she told him. 'And your Love in Babylon– oh, Mr. Knight, how do you think of such beautiful stories?'

John Pilgrim sank into a chair and closed his eyes.

'Oh, you must take it! you must take it!' cried Jane to John, as soon as she learnt that a piece based on Love in Babylon was under discussion. 'I shall play Enid Anstruther myself. Don't you see me in it, Mr. Knight?'

'Mr. Knight's terms are twice mine,' John Pilgrim intoned, without opening his eyes. 'He wants a pound a night.'

'He must have it,' said Jane Map. 'If I'm in the piece – '

'But, Jane – '

'I insist!' said Jane, with fire.

'Very well, Mr. Knight,' John Pilgrim continued to intone, his eyes still shut, his legs stretched out, his feet resting perpendicularly on the heels. 'Jane insists. You understand – Jane insists. Take your pound, I call the first rehearsal for Monday.'

Thenceforward Henry lived largely in the world of the theatre, a pariah's life, the life almost of a poor relation. Doxey appeared to enjoy the existence; it was Doxey's brief hour of bliss. But Henry, spoilt by editors, publishers, and the reading public, could not easily reconcile himself to the classical position of an author in the world of the theatre. It hurt him to encounter the prevalent opinion that, just as you cannot have a dog without a tail or a stump, so you cannot have a play without an author. The actors and actresses were the play, and when they were pleased with themselves the author was expected to fulfil his sole function of wagging.