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A Great Man: A Frolic
'Why?' asked Henry.
'Why?' replied the cabman sourly. 'Look here, governor, do you know where we are?'
'No,' said Henry.
'No. And I'm jiggered if I do, either. You'd better take the other blessed lamp and ask. No, not me. I don't leave my horse. I ain't agoin' to lose my horse.'
So Henry got out of the cab, and took a lamp and moved forward into nothingness, and found a railing and some steps, and after climbing the steps saw a star, which proved ultimately to be a light over a swing-door. He pushed open the swing-door, and was confronted by a footman.
'Will you kindly tell me where I am? he asked the footman.
'This is Marlborough House,' said the footman.
'Oh, is it? Thanks,' said Henry.
'Well,' ejaculated the cabman when Henry had luckily regained the vehicle. 'I suppose that ain't good enough for you! Buckingham Palace is your doss, I suppose.'
They could now hear distant sounds, which indicated other vessels in distress.
The cabman said he would make an effort to reach Charing Cross, by leading his horse and sticking to the kerb; but not an inch further than Charing Cross would he undertake to go.
The passage over Trafalgar Square was so exciting that, when at length the aged cabman touched pavement – that is to say, when his horse had planted two forefeet firmly on the steps of the Golden Cross Hotel – he announced that that precise point would be the end of the voyage.
'You go in there and sleep it off,' he advised his passengers. 'Chenies Street won't see much of you to-night. And make it five bob, governor. I've done my best.'
'You must stop the night here,' said Henry in a low voice to Geraldine, before opening the doors of the hotel. 'And I,' he added quickly, 'will go to Morley's. It's round the corner, and so I can't lose my way.'
'Yes, dear,' she acquiesced. 'I dare say that will be best.'
'Your eyes are a little black with the fog,' he told her.
'Are they?' she said, wiping them. 'Thanks for telling me.'
And they entered.
'Nasty night, sir,' the hall-porter greeted them.
'Very,' said Henry. 'This lady wants a room. Have you one?'
'Certainly, sir.'
At the foot of the staircase they shook hands, and kissed in imagination.
'Good-night,' he said, and she said the same.
But when she had climbed three or four stairs, she gave a little start and returned to him, smiling, appealing.
'I've only got a shilling or two,' she whispered. 'Can you lend me some money to pay the bill with?'
He produced a sovereign. Since the last kiss in the cab, nothing had afforded him one hundredth part of the joy which he experienced in parting with that sovereign. The transfer of the coin, so natural, so right, so proper, seemed to set a seal on what had occurred, to make it real and effective. He wished to shower gold upon her.
As, bathed in joy and bliss, he watched her up the stairs, a little, obscure compartment of his brain was thinking: 'If anyone had told me two hours ago that before midnight I should be engaged to be married to the finest woman I ever saw, I should have said they were off their chumps. Curious, I've never mentioned her at home since she called! Rather awkward!'
He turned sharply and resolutely to go to Morley's, and collided with Mr. Dolbiac, who, strangely enough, was standing immediately behind him, and gazing up the stairs, too.
'Ah, my bold buccaneer!' said Mr. Dolbiac familiarly. 'Digested those marrons glacés? I've fairly caught you out this time, haven't I?'
Henry stared at him, startled, and blushed a deep crimson.
'You don't remember me. You've forgotten me,' said Mr. Dolbiac.
'It isn't Cousin Tom?' Henry guessed.
'Oh, isn't it?' said Mr. Dolbiac. 'That's just what it is.'
Henry shook his hand generously. 'I'm awfully glad to see you,' he began, and then, feeling that he must be a man of the world: 'Come and have a drink. Are you stopping here?'
The episode of Mrs. Ashton Portway's was, then, simply one of Cousin Tom's jokes, and he accepted it as such without the least demur or ill-will.
'It was you who sent that funny telegram, wasn't it?' he asked Cousin Tom.
In the smoking-room Tom explained how he had grown a beard in obedience to the dictates of nature, and changed his name in obedience to the dictates of art. And Henry, for his part, explained sundry things about himself, and about Geraldine.
The next morning, when Henry arrived at Dawes Road, decidedly late, Tom was already there. And more, he had already told the ladies, evidently in a highly-decorated narrative, of Henry's engagement! The situation for Henry was delicate in the extreme, but, anyhow, his mother and aunt had received the first shock. They knew the naked fact, and that was something. And of course Cousin Tom always made delicate situations: it was his privilege to do so. Cousin Tom's two aunts were delighted to see him again, and in a state so flourishing. He was asked no inconvenient questions, and he furnished no information. Bygones were bygones. Henry had never been told about the trifling incident of the ten pounds.
'She's coming down to-night,' Henry said, addressing his mother, after the mid-day meal.
'I'm very glad,' replied his mother.
'We shall be most pleased to welcome her,' Aunt Annie said. 'Well, Tom – '
CHAPTER XXIII
SEPARATION
Henry's astonishment at finding himself so suddenly betrothed to the finest woman in the world began to fade and perish in three days or so. As he looked into the past with that searching eye of his, he thought he could see that his relations with Geraldine had never ceased to develop since their commencement, even when they had not been precisely cordial and sincere. He remembered strange things that he had read about love in books, things which had previously struck him as being absurd, but which now became explanatory commentaries on the puzzling text of the episode in the cab. It was not long before he decided that the episode in the cab was almost a normal episode.
He was very proud and happy, and full of sad superior pity for all young men who, through incorrect views concerning women, had neglected to plight themselves.
He imagined that he was going to settle down and live for ever in a state of bliss with the finest woman in the world, rich, famous, honoured; and that life held for him no other experience, and especially no disconcerting, dismaying experience. But in this supposition he was mistaken.
One afternoon he had escorted Tom to Chenies Street, in order that Tom might formally meet Geraldine. It was rather nervous work, having regard to Tom's share in the disaster at Lowndes Square; and the more so because Geraldine's visit to Dawes Road had not been a dazzling success. Geraldine in Dawes Road had somehow the air, the brazen air, of an orchid in a clump of violets; the violets, by their mere quality of being violets, rebuked the orchid, and the orchid could not have flourished for any extended period in that temperature. Still, Mrs. Knight and Aunt Annie said to Henry afterwards that Geraldine was very clever and nice; and Geraldine said to Henry afterwards that his mother and aunt were delightful old ladies. The ordeal for Geraldine was now quite a different one. Henry hoped for the best. It did not follow, because Geraldine had not roused the enthusiasm of Dawes Road, that she would leave Tom cold. In fact, Henry could not see how Tom could fail to be enchanted.
A minor question which troubled Henry, as they ascended the stone stairs at Chenies Street, was this: Should he kiss Geraldine in front of Tom? He decided that it was not only his right, but his duty, to kiss her in the privacy of her own flat, with none but a relative present. 'Kiss her I will!' his thought ran. And kiss her he did. Nothing untoward occurred. 'Why, of course!' he reflected. 'What on earth was I worrying about?' He was conscious of glory. And he soon saw that Tom really was impressed by Geraldine. Tom's eyes said to him: 'You're not such a fool as you might have been.'
Geraldine scolded Tom for his behaviour at Mrs. Ashton Portway's, and Tom replied in Tom's manner; and then, when they were all at ease, she turned to Henry.
'My poor friend,' she said, 'I've got bad news.'
She handed him a letter from her brother in Leicester, from which it appeared that the brother's two elder children were down with scarlatina, while the youngest, three days old, and the mother, were in a condition to cause a certain anxiety … and could Geraldine come to the rescue?
'Shall you go?' Henry asked.
'Oh yes,' she said. 'I've arranged with Mr. Snyder, and wired Teddy that I'll arrive early to-morrow.'
She spoke in an extremely matter-of-fact tone, as though there were no such things as love and ecstasy in the world, as though to indicate that in her opinion life was no joke, after all.
'And what about me?' said Henry. He thought: 'My shrewd, capable girl has to sacrifice herself – and me – in order to look after incompetent persons who can't look after themselves!'
'You'll be all right,' said she, still in the same tone.
'Can't I run down and see you?' he suggested.
She laughed briefly, as at a pleasantry, and so Henry laughed too.
'With four sick people on my hands!' she exclaimed.
'How long shall you be away?' he inquired.
'My dear – can I tell?'
'You'd better come back to Paris with me for a week or so, my son,' said Tom. 'I shall leave the day after to-morrow.'
And now Henry laughed, as at a pleasantry. But, to his surprise, Geraldine said:
'Yes, do. What a good idea! I should like you to enjoy yourself, and Paris is so jolly. You've been, haven't you, dearest?'
'No,' Henry replied. 'I've never been abroad at all.'
'Never? Oh, that settles it. You must go.'
Henry had neither the slightest desire nor the slightest intention to go to Paris. The idea of him being in Paris, of all places, while Geraldine was nursing the sick night and day, was not a pleasant one.
'You really ought to go, you know,' Tom resumed. 'You, a novelist … can't see too much! The monuments of Paris, the genius of the French nation! And there's notepaper and envelopes and stamps, just the same as in London. Letters posted in Paris before six o'clock will arrive in Leicester on the following afternoon. Am I not right, Miss Foster?'
Geraldine smiled.
'No,' said Henry. 'I'm not going to Paris – not me!'
'But I wish it,' Geraldine remarked calmly.
And he saw, amazed, that she did wish it. Pursuing his researches into the nature of women, he perceived vaguely that she would find pleasure in martyrizing herself in Leicester while he was gadding about Paris; and pleasure also in the thought of his uncomfortable thought of her martyrizing herself in Leicester while he was gadding about Paris.
But he said to himself that he did not mean to yield to womanish whims – he, a man.
'And my work?' he questioned lightly.
'Your work will be all the better,' said Geraldine with a firm accent.
And then it seemed to be borne in upon him that womanish whims needed delicate handling. And why not yield this once? It would please her. And he could have been firm had he chosen.
Hence it was arranged.
'I'm only going to please you,' he said to her when he was mournfully seeing her off at St. Pancras the next morning.
'Yes, I know,' she answered, 'and it's sweet of you. But you want someone to make you move, dearest.'
'Oh, do I?' he thought; 'do I?'
His mother and Aunt Annie were politely surprised at the excursion. But they succeeded in conveying to him that they had decided to be prepared for anything now.
CHAPTER XXIV
COSETTE
Tom and Henry put up at the Grand Hotel, Paris. The idea was Tom's. He decried the hotel, its clients and its reputation, but he said that it had one advantage: when you were at the Grand Hotel you knew where you were. Tom, it appeared, had a studio and bedroom up in Montmartre. He postponed visiting this abode, however, until the morrow, partly because it would not be prepared for him, and partly in order to give Henry the full advantage of his society. They sat on the terrace of the Café de la Paix, after a very late dinner, and drank bock, and watched the nocturnal life of the boulevard, and talked. Henry gathered – not from any direct statement, but by inference – that Tom must have acquired a position in the art world of Paris. Tom mentioned the Salon as if the Salon were his pocket, and stated casually that there was work of his in the Luxembourg. Strange that the cosmopolitan quality of Tom's reputation – if, in comparison with Henry's, it might be called a reputation at all – roused the author's envy! He, too, wished to be famous in France, and to be at home in two capitals. Tom retired at what he considered an early hour – namely, midnight – the oceanic part of the journey having saddened him. Before they separated he borrowed a sovereign from Henry, and this simple monetary transaction had the singular effect of reducing Henry's envy.
The next morning Henry wished to begin a systematic course of the monuments of Paris and the artistic genius of the French nation. But Tom would not get up. At eleven o'clock Henry, armed with a map and the English talent for exploration, set forth alone to grasp the general outlines of the city, and came back successful at half-past one. At half-past two Tom was inclined to consider the question of getting up, and Henry strolled out again and lost himself between the Moulin Rouge and the Church of Sacré Cœur. It was turned four o'clock when he sighted the façade of the hotel, and by that time Tom had not only arisen, but departed, leaving a message that he should be back at six o'clock. So Henry wandered up and down the boulevard, from the Madeleine to Marguéry's Restaurant, had an automatic tea at the Express-Bar, and continued to wander up and down the boulevard.
He felt that he could have wandered up and down the boulevard for ever.
And then night fell; and all along the boulevard, high on seventh storeys and low as the street names, there flashed and flickered and winked, in red and yellow and a most voluptuous purple, electric invitations to drink inspiriting liqueurs and to go and amuse yourself in places where the last word of amusement was spoken. There was one name, a name almost revered by the average healthy Englishman, which wrote itself magically on the dark blue sky in yellow, then extinguished itself and wrote itself anew in red, and so on tirelessly: that name was 'Folies-Bergère.' It gave birth to the most extraordinary sensations in Henry's breast. And other names, such as 'Casino de Paris,' 'Eldorado,' 'Scala,' glittered, with their guiding arrows of light, from bronze columns full in the middle of the street. And what with these devices, and the splendid glowing windows of the shops, and the enlarged photographs of surpassingly beautiful women which hung in heavy frames from almost every lamp-post, and the jollity of the slowly-moving crowds, and the incredible illustrations displayed on the newspaper kiosks, and the moon creeping up the velvet sky, and the thousands of little tables at which the jolly crowds halted to drink liquids coloured like the rainbow – what with all that, and what with the curious gay feeling in the air, Henry felt that possibly Berlin, or Boston, or even Timbuctoo, might be a suitable and proper place for an engaged young man, but that decidedly Paris was not.
At six o'clock there was no sign of Tom. He arrived at half-past seven, admitted that he was a little late, and said that a friend had given him tickets for the first performance of the new 'revue' at the Folies-Bergère, that night.
'And now, since we are alone, we can talk,' said Cosette, adding, 'Mon petit.'
'Yes,' Henry agreed.
'Dolbiac has told me you are very rich —une vogue épatante… One would not say it… But how your ears are pretty!' Cosette glanced admiringly at the lobe of his left ear.
('Anyhow,' Henry reflected, 'she would insist on me coming to Paris. I didn't want to come.')
They were alone, and yet not alone. They occupied a 'loge' in the crammed, gorgeous, noisy Folies-Bergère. But it resembled a box in an English theatre less than an old-fashioned family pew at the Great Queen Street Wesleyan Chapel. It was divided from other boxes and from the stalls and from the jostling promenade by white partitions scarcely as high as a walking-stick. There were four enamelled chairs in it, and Henry and Cosette were seated on two of them; the other two were empty. Tom had led Henry like a sheep to the box, where they were evidently expected by two excessively stylish young women, whom Tom had introduced to the overcome Henry as Loulou and Cosette, two artistes of the Théâtre des Capucines. Loulou was short and fair and of a full habit, and spoke no English. Cosette was tall and slim and dark, and talked slowly, and with smiles, a language which was frequently a recognisable imitation of English. She had learnt it, she said, in Ireland, where she had been educated in a French convent. She had just finished a long engagement at the Capucines, and in a fortnight she was to commence at the Scala: this was an off-night for her. She protested a deep admiration for Tom.
Cosette and Loulou and Tom had held several colloquies, in incomprehensible French that raced like a mill-stream over a weir, with acquaintances who accosted them on the promenade or in the stalls, and at length Tom and Loulou had left the 'loge' for a few minutes in order to accept the hospitality of friends in the great hall at the back of the auditorium. The new 'revue' seemed to be the very last thing that they were interested in.
'Don't be afraid,' Tom, departing, had said to Henry. 'She won't eat you.'
'You leave me to take care of myself,' Henry had replied, lifting his chin.
Cosette transgressed the English code governing the externals of women in various particulars. And the principal result was to make the English code seem insular and antique. She had an extremely large white hat, with a very feathery feather in it, and some large white roses between the brim and her black hair. Her black hair was positively sable, and one single immense lock of it was drawn level across her forehead. With the large white hat she wore a low evening-dress, lace-covered, with loose sleeves to the elbow, and white gloves running up into the mystery of the sleeves. Round her neck was a tight string of pearls. The combination of the hat and the evening-dress startled Henry, but he saw in the theatre many other women similarly contemptuous of the English code, and came to the conclusion that, though queer and un-English, the French custom had its points. Cosette's complexion was even more audacious in its contempt of Henry's deepest English convictions. Her lips were most obviously painted, and her eyebrows had received some assistance, and once, in a manner absolutely ingenuous, she produced a little bag and gazed at herself in a little mirror, and patted her chin with a little puff, and then smiled happily at Henry. Yes, and Henry approved. He was forced to approve, forced to admit the artificial and decadent but indubitable charm of paint and powder. The contrast between Cosette's lips and her brilliant teeth was utterly bewitching.
She was not beautiful. In facial looks, she was simply not in the same class with Geraldine. And as to intellect, also, Geraldine was an easy first.
But in all other things, in the things that really mattered (such was the dim thought at the back of Henry's mind), she was to Geraldine what Geraldine was to Aunt Annie. Her gown was a miracle, her hat was another, and her coiffure a third. And when she removed a glove – her rings, and her finger-nails! And the glimpses of her shoes! She was so finished. And in the way of being frankly feminine, Geraldine might go to school to her. Geraldine had brains and did not hide them; Geraldine used the weapon of seriousness. But Cosette knew better than that. Cosette could surround you with a something, an emanation of all the woman in her, that was more efficient to enchant than the brains of a Georges Sand could have been.
And Paris, or that part of the city which constitutes Paris for the average healthy Englishman, was an open book to this woman of twenty-four. Nothing was hid from her. Nothing startled her, nothing seemed unusual to her. Nothing shocked her except Henry's ignorance of all the most interesting things in the world.
'Well, what do you think of a French "revue," my son?' asked Tom when he returned with Loulou.
'Don't know,' said Henry, with his gibus tipped a little backward. 'Haven't seen it. We've been talking. The music's a fearful din.' He felt nearly as Parisian as Tom looked.
'Tiens!' Cosette twittered to Loulou, making a gesture towards Henry's ears. 'Regarde-moi ces oreilles. Sont jolies. Pas?'
And she brought her teeth together with a click that seemed to render somewhat doubtful Tom's assurance that she would not eat Henry.
Soon afterwards Tom and Henry left the auditorium, and Henry parted from Cosette with mingled sensations of regret and relief. He might never see her again. Geraldine…
But Tom did not emerge from the outer precincts of the vast music-hall without several more conversations with fellows-well-met, and when he and Henry reached the pavement, Cosette and Loulou happened to be just getting into a cab. Tom did not see them, but Henry and Cosette caught sight of each other. She beckoned to him.
'You come and take lunch with me to-morrow? Hein?' she almost whispered in that ear of his.
'Avec plaisir,' said Henry. He had studied French regularly for six years at school.
'Rue de Bruxelles, No. 3,' she instructed him. 'Noon.'
'I know it!' he exclaimed delightedly. He had, in fact, passed through the street during the day.
No one had ever told him before that his ears were pretty.
When, after parleying nervously with the concierge, he arrived at the second-floor of No. 3, Rue de Bruxelles, he heard violent high sounds of altercation through the door at which he was about to ring, and then the door opened, and a young woman, flushed and weeping, was sped out on to the landing, Cosette herself being the exterminator.
'Ah, mon ami!' said Cosette, seeing him. 'Enter then.'
She charmed him inwards and shut the door, breathing quickly.
'It is my domestique, my servant, who steals me,' she explained. 'Come and sit down in the salon. I will tell you.'
The salon was a little room about eight feet by ten, silkily furnished. Besides being the salon, it was clearly also the salle à manger, and when one person had sat down therein it was full. Cosette took Henry's hat and coat and umbrella and pressed him into a chair by the shoulders, and then gave him the full history of her unparalleled difficulties with the exterminated servant. She looked quite a different Cosette now from the Cosette of the previous evening. Her black hair was loose; her face pale, and her lips also a little pale; and she was draped from neck to feet in a crimson peignoir, very fluffy.
'And now I must buy the lunch,' she said. 'I must go myself. Excuse me.'
She disappeared into the adjoining room, the bedroom, and Henry could hear the fracas of silk and stuff. 'What do you eat for lunch?' she cried out.
'Anything,' Henry called in reply.
'Oh! Que les hommes sont bêtes!' she murmured, her voice seemingly lost in the folds of a dress. 'One must choose. Say.'
'Whatever you like,' said Henry.
'Rumsteak? Say.'
'Oh yes,' said Henry.
She reappeared in a plain black frock, with a reticule in her hand, and at the same moment a fox-terrier wandered in from somewhere.
'Mimisse!' she cried in ecstasy, snatching up the animal and kissing it. 'You want to go with your mamma? Yess. What do you think of my fox? She is real English. Elle est si gentille avec sa mère! Ma Mimisse! Ma petite fille! My little girl! Dites, mon ami' – she abandoned the dog – 'have you some money for our lunch? Five francs?'
'That enough?' Henry asked, handing her the piece.
'Thank you,' she said. 'Viens, Mimisse.'
'You haven't put your hat on,' Henry informed her.
'Mais, mon pauvre ami, is it that you take me for a duchess? I come from the ouvriers, me, the working peoples. I avow it. Never can I do my shops in a hat. I should blush.'