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Her Guilty Secret
Her Guilty Secret

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Her Guilty Secret

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She’s the good girl...

He’s guilty as sin!

Hotshot defense attorney and visiting professor Connor Hughes is so hot it’s criminal! And while idealistic law student Olivia Amorelli might not agree with his practices, she just can’t stop fantasizing about ripping Connor’s clothes off. But she’s always been a good girl, and an affair with her teacher is strictly forbidden—until Connor tempts Olivia to let him corrupt her!

CLARE CONNELLY was raised in small-town Australia among a family of avid readers. She spent much of her childhood up a tree, Mills & Boon book in hand. Clare is married to her own real-life hero and they live in a bungalow near the sea with their two children. She is frequently found staring into space—a surefire sign that she’s in the world of her characters. She has a penchant for French food and ice-cold champagne, and Mills & Boon continue to be her favorite-ever books. Writing for Mills & Boon is a long-held dream. Clare can be contacted via clareconnelly.com or her Facebook page.

If you liked Her Guilty Secret, why not try

Stripped by Nicola Marsh

Sweet as Sin by J. Margot Critch

Getting Naughty by Avril Tremayne

And check out the next installment in

Clare Connelly’s Guilty as Sin duet,

His Innocent Seduction,

coming soon to Mills & Boon!

Discover more at millsandboon.co.uk.

Her Guilty Secret

Clare Connelly


www.millsandboon.co.uk

ISBN: 978-1-474-08681-3

HER GUILTY SECRET

© 2019 Clare Connelly

Published in Great Britain 2019

by Mills & Boon, an imprint of HarperCollins Publishers 1 London Bridge Street, London, SE1 9GF

All rights reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Books S.A.

This is a work of fiction. Names, characters, places, locations and incidents are purely fictional and bear no relationship to any real life individuals, living or dead, or to any actual places, business establishments, locations, events or incidents. Any resemblance is entirely coincidental.

By payment of the required fees, you are granted the non-exclusive, non-transferable right and licence to download and install this e-book on your personal computer, tablet computer, smart phone or other electronic reading device only (each a “Licensed Device”) and to access, display and read the text of this e-book on-screen on your Licensed Device. Except to the extent any of these acts shall be permitted pursuant to any mandatory provision of applicable law but no further, no part of this e-book or its text or images may be reproduced, transmitted, distributed, translated, converted or adapted for use on another file format, communicated to the public, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of publisher.

® and ™ are trademarks owned and used by the trademark owner and/or its licensee. Trademarks marked with ® are registered with the United Kingdom Patent Office and/or the Office for Harmonisation in the Internal Market and in other countries.

www.millsandboon.co.uk

Version: 2020-03-02

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For Elle Woods and Legally Blonde,

without whom I might never have enrolled in a

law degree and had my own inappropriate crush

on a lecturer.

Contents

Cover

Back Cover Text

About the Author

Booklist

Title Page

Copyright

Dedication

PROLOGUE

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

About the Publisher

PROLOGUE

SHE SITS IN the third row of students, as usual. Her enormous eyes stare at me with the kind of intensity that makes my blood pound and my cock hard. She stares at me with eyes that are mentally stripping my body of clothes, imagining what’s underneath.

I should know.

It’s how I want to look at her, but I can’t because she is forbidden to me.

Olivia.

Olivia Amorelli.

Even her name is a turn-on.

She’s wearing the pale green dress again, the one she wore last week. It comes to her knees and has tiny white swallows detailed in the fabric. There are buttons down the front, and I have spent way too long fantasising about pulling them apart using only my teeth, stripping her, slowly. Unwrapping her like a Christmas gift, a present just for me.

What the hell is happening to me?

I don’t think I’ve ever fantasised about a woman like this, and never one like Olivia. She is all that is sweet and innocent. She is my opposite in every way. I have made a career defending the indefensible. I am renowned—notorious?—for my defence of the unscrupulous. Men like Donovan. Thoughts of that particular case needle my sides and I push them away, not wanting to think of that man now. Not wanting to think about the fact he is free because of me. But he is. Free, because of me. I can’t ignore it.

Where I am darkness, Olivia Amorelli is not. In the few weeks I’ve been her professor, I’ve discovered she thinks differently to me. She is purity and passion, sweet and good. Her smile practically glows with sunbeams.

What would it be like to have someone like her in my bed? In my life?

Would that be enough to lay this demon to rest? If someone like Olivia could want me, could forgive me my sins, would I make my peace with what I’ve done?

All sins are deserving of forgiveness, Connor. Father O’Sullivan said that to me a lot after my parents’ murder. He believed my hatred for the terrorists responsible for their deaths would consume me one day, and perhaps he was right. Therefore, confess your sins to one another and pray for one another, that you may be healed. The quote from James spins around my head often; I hear it in Father O’Sullivan’s hoarse, throaty whisper, cracked by that gentle smile of his.

I came to pray for my parents’ murderers, to understand that in forgiveness lay my own refuge from grief and despair. It worked, for a time. I don’t think anyone is praying for me right now. I don’t think I deserve it, either.

I run my eyes over the room, pretending to scan the other students when it’s really just a ruse to return my focus to her. She’s toying with her blonde hair, flicking the ends of her ponytail between her fingers. Her nails are red today, just like her lips, and I want them on my body more than I can say. Her nails, her lips. All of her.

It’s been four weeks. Four weeks of watching her and wanting her, knowing that I can’t act on it. The school’s guidelines prohibit it.

That wouldn’t usually stop me from taking what I want but, the thing is, she’d get suspended. Possibly expelled.

Just because I want to run my tongue down her body and taste every inch of her. Just because I want to see if her innocence can be drawn to my guilt; to see if she can absolve me with her body’s delights.

It would be selfish to indulge this. Selfish to make her wait after class just so I can be alone with her. Selfish to lift her dress up and take her against the whiteboard, making her cry out into this very classroom.

Fuck. I’m hard as granite. I stand, keeping my body behind the desk. ‘Right.’ I look right at her and she sits a little straighter, pressing her knees together beneath the table. My cock jerks. ‘Let’s get started, shall we?’

CHAPTER ONE

CONNOR HUGHES MIGHT be one of the most successful defence barristers in the country, famous the world over for his inspired interpretation of the law to ensure justice is done, even when that means defending some of the most undeserving members of society.

He might be everyone else’s idea of some kind of hero.

But not mine.

People like him are everything that’s wrong with the law. Smooth tongue, smart, beguiling, charming. No wonder his win-to-loss ratio is one of the best in the business. How many criminals are wandering the streets because of his egomaniacal need to win? His obsession with being the best at what he does, even when what he does is exonerate those who should never again see the light of day?

Yeah. He’s everything that’s wrong with the law.

But that doesn’t change how much I want him. It doesn’t change the fact that when our eyes meet I feel like I’ve been injected with live voltage. It doesn’t change the fact that he looks at me a little longer than he should, that there’s an invisible current electrifying the air between us all the time.

I stare at him as he writes something on the whiteboard. I don’t see the words, though. I see his fingers. Long, lean, darkly tanned like the rest of his body would be. At least, it is in my imaginings. Tanned to match his swarthy face, his stubbled, square jaw and bright green eyes that have captivated me, and stolen my breath, from the first moment I saw him, standing like this at the front of the classroom, speaking to all one hundred of us, but reaching into my body and stirring everything up, swishing me around in a way that was instantly new and addictive.

Frankly, I’m glad I don’t like him. I’m glad I don’t like the work he does. I’m probably the only person in here who doesn’t admire his meteoric trajectory to the top of the field. Sure, he started his own firm at twenty-six and grew it into one of the UK’s largest within five years. Sure, he’s worked on some of the most high-profile cases. But what good is being smart if you don’t use those powers for good?

My derision of his professional accomplishments is so important to remember, because it’s the only thing standing between me and a crazed impulse to act on the desire that has taken over my body. Desire that makes my thighs tremble and my breasts ache. Desire that has turned Connor Hughes into the star of all my dirtiest dreams—dreams that I have no control over, because they fill my mind when I’m asleep and I can’t control that, can I?

‘Who wants to tell me why the chain of evidence is so important?’ He runs his eyes over the class and I wonder if he’s forgotten we’re in our final year, not first.

It’s his ‘thing’, though. On the first day in class, he spelled it out for us. I’m going to act like you know nothing, because in the real world you don’t. I’m going to teach you how to follow the law and win cases.

And he is very good at winning cases—cases that should have been open and shut.

‘Miss Amorelli?’

Holy hell.

It’s the first time he’s called on me directly. His tongue rolls over my name as though he’s kissing it down my body. My shiver is involuntary.

Our eyes lock and the atmosphere charges with the force of a hurricane. Lightning dances between us, thunder rolls. His expression is a challenge and, despite the simplicity of the question, my mouth is dryer than desert sand. I feel like I’ve chewed on a box of chalk. I can’t find my tongue.

‘The chain of evidence,’ he prompts, lifting one brow with a hint of sarcastic mockery that makes me want to reach for his shirt and bunch it in my fist.

‘Obviously,’ I say, quietly, so that he leans forward a little, to catch my softly spoken word, ‘to ensure the authenticity of the evidence.’

‘Wrong.’

My eyes flare wide and I feel heat in my cheeks. I don’t like being told I’m wrong. I’m not wrong. ‘Why?’

His eyes lock onto mine. It’s just the two of us here now. Us and our major electrical storm, humming and buzzing through the room. ‘It doesn’t matter if the evidence has been tampered with.’

‘Of course it does,’ I say with a shake of my head.

‘No.’ His smile is the last word in sexual heat. My insides flip around, bubbling and aching, distracting me momentarily from what we’re discussing. ‘It matters what you can suggest. Facts are less important than the doubt you can cast.’

My eyes narrow. He’s hit upon my biggest problem with his application of the law. Connor Hughes, while undoubtedly a genius, earned his name and his fortune wielding that mega-watt intelligence to get bad guys out of prison sentences that they definitely deserve. ‘Facts don’t matter?’

He comes around to the front of the desk and props his ass on its edge, his long legs stretched out in front of him. He’s wearing a suit, but he’s taken off the jacket and pushed his sleeves halfway up his forearms. God, they’re nice arms. Tanned and leanly muscled. There’s a small tattoo on his inner wrist. A cross, but a Celtic-looking one. It is incongruous for a man like this, who must surely be Godless. He also doesn’t suit a suit.

I mean, he wears it like it was made for him, but there’s such a savagery to him. I could see him in a loincloth, beating his chest... The thought heats my cheeks and almost makes me smile.

‘Facts don’t matter,’ he says with a nod. The class laughs. I don’t.

‘Why not?’ I’m challenging him. I’m pissed off and my voice shows it by quivering a little.

‘Facts are subjective, in law.’ His response is really deep and husky. Airy, and full of weight.

‘Facts can’t be subjective.’ I glare at him as though he’s lost the plot. ‘That’s oxymoronic.’

‘Why?’

‘Because facts just are!’

‘Says who?’ His eyes are locked onto mine and the intensity of his scrutiny is doing funny things to my pulse. I suspect I’d find it easier to concentrate on what he’s saying if I wasn’t imagining him as a modern-day Tarzan, lifting me up and carrying me to his treetop den of debauchery. ‘Says who?’ he pushes insistently.

‘Says everyone.’

He looks around the class. ‘There are forty-eight students in here. True or false.’

I narrow my eyes then spin in my chair, with every intention of counting.

‘No,’ he says firmly, and his commanding tone sends a shiver down my spine. I imagine him being commanding in other ways, other places, and my gut churns with delicious desire. ‘Without looking.’

I turn back slowly in my chair, crossing my legs beneath the small wooden desk. Holy shit. Did I just imagine the way his eyes dropped down to my bare legs? I uncross them to test the theory but his gaze remains steady, and now there’s just the hint of a smile at the corners of his mouth. My heart throbs.

‘I don’t know.’

‘There are forty-eight students enrolled. Is anyone absent?’

‘I don’t know.’ I sound frustrated because I am.

‘That’s reasonable doubt.’

I roll my eyes. ‘It’s not my job to keep an attendance record. If it were, I’d know how many of us are here.’

‘What about the witness who swears he saw two men entering a bakery at two in the morning? It’s not his job to notice who goes where. How do you know he remembers accurately?’

I expel a soft breath. ‘I guess you have to trust him.’

‘You have to trust him?’ His smile is curt. ‘I don’t. I don’t trust anyone’s recollection beyond reasonable doubt.’

His eyes lock onto mine once more and then shift slightly lower, to the front of my dress, where a pretty row of white buttons dots downwards. He stares at them for a good three seconds. Long enough for my insides to begin quivering and heat to slick between my legs.

Then he moves on, as though he hasn’t almost brought me to orgasm simply by flicking a glance at my dress.

‘We’re looking at how facts are represented in court.’ The class has his attention now and I try to level out my breathing. ‘How you can pull apart a prosecutor’s case, piece by piece. Nothing is too small for your attention. You check every detail. Why was there a fifteen-minute delay between a police officer arriving at the station and items being logged? What happened in those fifteen minutes? Did he stop to talk to someone in the corridor? Did he take a piss? Where’d he put the evidence while he was zipping up? Could someone else have touched it? Even for a moment?’

Indignation spurts like a wave of angry heat in my belly. My jaw drops, and I know my cheeks are flushing pink. I hate everything about what Connor has just said. I hate that he’s teaching it to a whole room of us.

He doubles down, leaning forward slightly to underscore his point, and when he speaks his voice is loaded with intensity.

‘That’s reasonable doubt. That’s uncertainty. The law is never black and white, no matter how much you might want it to be, Miss Amorelli.’ My stomach lurches, and it’s with desire now, not indignation. How can he send me from one emotion to the other in no time flat? No matter how much you might want it to be, Miss Amorelli. I want his tongue around more than my name. It’s his Irish accent and the way it lilts across the syllables, making it sound musical and illicit, somehow. ‘Not in the real world. It’s about a thousand shades of grey. It’s about making a jury doubt. About making a judge wonder.’

‘That’s disgusting.’ I say it quietly, with my head bent forward, so I don’t know if he hears. I don’t care. My face is flushed bright red.

I’ve seen what Connor’s thinking does to people. I’ve seen what it did to my dad, a senior detective who had a case thrown out because someone like Connor was able to discredit his work. I saw the way it pulled my dad apart—the knowledge that he’d let the victim down by not being above reproach. And it had all been bogus. A big, fat lie that had practically killed my dad.

I grind my teeth and glare at him. Anger, apparently, is what I need. It trumps desire.

Good. I’ll just have to stay angry for the next month or so.

* * *

‘Miss Amorelli.’

I’m almost at the door when he calls my name. It would be so easy to pretend I haven’t heard. I’m almost out—so close—albeit on legs that are a little shaky. It’s the end of the day and I just want to get home and have a cold shower and take myself to bed. And fantasise about this arrogant, sexy beast of a man.

But he’s right here and he’s said my name.

I’m not exactly in the business of ignoring my professors. I’m someone who does everything that’s asked of me. Besides, I’d be lying to myself if I pretended I wasn’t intrigued. The hurricane around us swells, cracks; a shiver runs the length of my spine in anticipation.

He’s my lecturer. My teacher. So prohibited from me, from the things I want. But, oh, how I want them.

And therein lies the problem. I don’t do illicit. I don’t do naughty.

Ever.

But Connor makes me want all the naughty, all the time.

‘Yes?’ I ask, the word throbbing with expectation despite my efforts to quell my racing pulse.

‘Shut the door,’ he murmurs without looking up from the paper he’s reading.

It’s close to being an order, and I don’t particularly like his tone. I bite back on the desire to remind him to say ‘please’, settling for a noise of disapproval and impatience instead.

I move back to the door and then click it into place.

‘Should I lock it, sir?’ I ask, knowing on some instinctive level that I’m playing with fire by addressing him in this manner, and not caring.

He looks at me then. Green eyes as vivid as the sunlit ocean impale me, making movement difficult. I stay near the door because I fear what I’m capable of. I fear that the temptation to succumb to this overpowering sense of desire and attraction will be too strong. I need the strength of the door—a tether to the real world—at my back.

‘That won’t be necessary.’ He stands and I am again reminded of his size. The sheer breadth of his frame, his muscled body. Does he work out? When would he have the time? Surely his job—his real job, not this university gig—is too demanding?

My eyes flick around the room.

We are alone.

Me and Connor Hughes.

The realisation brings the desert sands back to my mouth. It is dry and chalky and my breath is like overheated vapour. A single droplet of perspiration slinks down my spine. I feel it because my body is hyper-aware of every single sensation.

‘You disagree with my assessment.’ He comes to stand directly in front of me. Just slightly too close—not too close in a bad way, just too close for clarity of mind. His face is only inches from mine. Up close I can see that he has a few freckles across the bridge of his nose, and his lashes are longer and darker than I’d appreciated from the safety of the third row.

‘Your assessment?’ I ask. I told you, he’s too close for any clarity of thought.

‘About the chain of evidence.’

‘Oh.’ Crap. I don’t know. I can’t think straight with him right there! I know I have opinions on this but where the hell are they right now? I suck in a breath—big mistake—the air tastes of him. My body rejoices, and instantly wants more. ‘I...’

‘Yes?’ His eyes roam my face and I feel like he can see so much more than I want him to. I feel like he can look at me and peel away all the layers of who I am to see what I used to be. I feel exposed, and I can’t even say with certainty whether I hate that or not. Because I also feel...fascinated and fascinating, and addicted to that sensation.

‘I’m sorry.’ I dredge up my best smile. ‘I’m not sure what you’re talking about.’

He is unrelenting and for a moment I catch an insight of what it would be like to be in the witness stand, being questioned by this man. ‘You felt my take on the chain of evidence to be...disgusting?’

So he heard. Heat stains my cheeks, warming me up like a paraffin lamp. I might be a little overwhelmed by his nearness but I’m not dumb and I stand by what I feel. ‘I think...’ I take a step back and collide with the door. It’s still there, tethering me, reassuring me. Reminding me who I am and why I can’t be so completely caught up in this swirling storm of need. ‘I think it’s disgusting to discredit hardworking police officers in order to get criminals back on the street.’

His laugh is a gruff sound. ‘Hardworking police officers should be above reproach, don’t you think?’

‘Yes. And I think most are. But I also think it’s very easy to confuse someone on the witness stand. To make them seem uncertain about events that they do actually remember clearly.’

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