Under the Greenwood Tree

Old William sat in the centre of the front row, his violoncello between his knees and two singers on each hand. Behind him, on the left, came the treble singers and Dick; and on the right the tranter and the tenors. Farther back was old Mail with the altos and supernumeraries.

But before they had taken their places, and whilst they were standing in a circle at the back of the gallery practising a psalm or two, Dick cast his eyes over his grandfather’s shoulder, and saw the vision of the past night enter the porch-door as methodically as if she had never been a vision at all. A new atmosphere seemed suddenly to be puffed into the ancient edifice by her movement, which made Dick’s body and soul tingle with novel sensations. Directed by Shiner, the churchwarden, she proceeded to the small aisle on the north side of the chancel, a spot now allotted to a throng of Sunday school girls, and distinctly visible from the gallery front by looking under the curve of the furthermost arch on that side.

Before this moment the church had seemed comparatively empty—now it was thronged; and as Miss Fancy rose from her knees and looked around her for a permanent place in which to deposit herself—finally choosing the remotest corner—Dick began to breathe more freely the warm new air she had brought with her; to feel rushings of blood, and to have impressions that there was a tie between her and himself visible to all the congregation.

Ever afterwards the young man could recollect individually each part of the service of that bright Christmas morning, and the trifling occurrences which took place as its minutes slowly drew along; the duties of that day dividing themselves by a complete line from the services of other times. The tunes they that morning essayed remained with him for years, apart from all others; also the text; also the appearance of the layer of dust upon the capitals of the piers; that the holly-bough in the chancel archway was hung a little out of the centre—all the ideas, in short, that creep into the mind when reason is only exercising its lowest activity through the eye.

By chance or by fate, another young man who attended Mellstock Church on that Christmas morning had towards the end of the service the same instinctive perception of an interesting presence, in the shape of the same bright maiden, though his emotion reached a far less developed stage. And there was this difference, too, that the person in question was surprised at his condition, and sedulously endeavoured to reduce himself to his normal state of mind. He was the young vicar, Mr Maybold.

The music on Christmas mornings was frequently below the standard of church-performances at other times. The boys were sleepy from the heavy exertions of the night; the men were slightly wearied; and now, in addition to these constant reasons, there was a dampness in the atmosphere that still further aggravated the evil. Their strings, from the recent long exposure to the night air, rose whole semitones, and snapped with a loud twang at the most silent moment; which necessitated more retiring than ever to the back of the gallery, and made the gallery throats quite husky with the quantity of coughing and hemming required for tuning in. The vicar looked cross.

When the singing was in progress there was suddenly discovered to be a strong and shrill reinforcement from some point, ultimately found to be the school-girls’ aisle. At every attempt it grew bolder and more distinct. At the third time of singing, these intrusive feminine voices were as mighty as those of the regular singers; in fact, the flood of sound from this quarter assumed such an individuality, that it had a time, a key, almost a tune of its own, surging upwards when the gallery plunged downwards, and the reverse.

Now this had never happened before within the memory of man. The girls, like the rest of the congregation, had always been humble and respectful followers of the gallery; singing at sixes and sevens if without gallery leaders; never interfering with the ordinances of these practised artists—having no will, union, power, or proclivity except it was given them from the established choir enthroned above them.

A good deal of desperation became noticeable in the gallery throats and strings, which continued throughout the?musical portion of the service. Directly the fiddles were laid down, Mr Penny’s spectacles put in their sheath, and the text had been given out, an indignant whispering began.

“Did ye hear that, souls?” Mr Penny said, in a groaning breath.

“Brazen-faced hussies!” said Bowman.

“True; why, they were every note as loud as we, fiddles and all, if not louder!”

“Fiddles and all!” echoed Bowman bitterly.

“Shall anything saucier be found than united ’ooman?” Mr Spinks murmured.

“What I want to know is,” said the tranter (as if he knew already, but that civilisation required the form of words), “what business people have to tell maidens to sing like that when they don’t sit in a gallery, and never have entered one in their lives? That’s the question, my sonnies.”

“’Tis the gallery have got to sing, all the world knows,” said Mr Penny. “Why, souls, what’s the use o’ the ancients spending scores of pounds to build galleries if people down in the lowest depths of the church sing like that at a moment’s notice?”

“Really, I think we useless ones had better march out of church, fiddles and all!” said Mr Spinks, with a laugh which, to a stranger, would have sounded mild and real. Only the initiated body of men he addressed could understand the horrible bitterness of irony that lurked under the quiet words “useless ones,” and the ghastliness of the laughter apparently so natural.

“Never mind! Let ’em sing too—’twill make it all the louder—hee, hee!” said Leaf.

“Thomas Leaf, Thomas Leaf! Where have you lived all your life?” said grandfather William sternly.

The quailing Leaf tried to look as if he had lived nowhere at all.

“When all’s said and done, my sonnies,” Reuben said, “there’d have been no real harm in their singing if they had let nobody hear ’em, and only jined in now and then.”

“None at all,” said Mr Penny. “But though I don’t wish to accuse people wrongfully, I’d say before my lord judge that I could hear every note o’ that last psalm come from ’em as much as from us— every note as if ’twas their own.”

“Know it! ah, I should think I did know it!” Mr Spinks was heard to observe at this moment, without reference to his fellow players—shaking his head at some idea he seemed to see floating before him, and smiling as if he were attending a funeral at the time. “Ah, do I or don’t I know it!”

No one said “Know what?” because all were aware from experience that what he knew would declare itself in process of time.

“I could fancy last night that we should have some trouble wi’ that young man,” said the tranter, pending the continuance of Spinks’s speech, and looking towards the unconscious Mr Maybold in the pulpit.

“I fancy,” said old William, rather severely, “I fancy there’s too much whispering going on to be of any spiritual use to gentle or simple.” Then folding his lips and concentrating his glance on the vicar, he implied that none but the ignorant would speak again; and accordingly there was silence in the gallery, Mr Spinks’s telling speech remaining for ever unspoken.

Dick had said nothing, and the tranter little, on his episode of the morning; for Mrs Dewy at breakfast expressed it as her intention to invite the youthful leader of the culprits to the small party it was customary with them to have on Christmas night—a piece of knowledge which had given a particular brightness to Dick’s reflections since he had received it. And in the tranter’s slightly-cynical nature, party feeling was weaker than in the other members of the choir, though friendliness and faithful partnership still sustained in him a hearty earnestness on their account.

CHAPTER 7

The Tranter’s Party

During the afternoon unusual activity was seen to prevail about the precincts of tranter Dewy’s house. The flagstone floor was swept of dust, and a sprinkling of the finest yellow sand from the innermost stratum of the adjoining sand-pit lightly scattered thereupon. Then were produced large knives and forks, which had been shrouded in darkness and grease since the last occasion of the kind, and bearing upon their sides, “Shear steel, warranted,” in such emphatic letters of assurance, that the warranter’s name was not required as further proof, and not given. The key was left in the tap of the cider-barrel, instead of being carried in a pocket. And finally the tranter had to stand up in the room and let his wife wheel him round like a turnstile, to see if anything discreditable was visible in his appearance.

“Stand still till I’ve been for the scissors,” said Mrs Dewy.

The tranter stood as still as a sentinel at the challenge.

The only repairs necessary were a trimming of one or two whiskers that had extended beyond the general contour of the mass; a like trimming of a slightly-frayed edge visible on his shirt-collar; and a final tug at a grey hair—to all of which operations he submitted in resigned silence, except the last, which produced a mild “Come, come, Ann,” by way of expostulation.

“Really, Reuben, ’Tis quite a disgrace to see such a man,” said Mrs Dewy, with the severity justifiable in a long-tried companion, giving him another turn round, and picking several of Smiler’s hairs from the shoulder of his coat. Reuben’s thoughts seemed engaged elsewhere, and he yawned. “And the collar of your coat is a shame to behold—so plastered with dirt, or dust, or grease, or something. Why, wherever could you have got it?”

“’Tis my warm nater in summer-time, I suppose. I always did get in such a heat when I bustle about.”

“Ay, the Dewys always were such a coarse-skinned family. There’s your brother Bob just as bad—as fat as a porpoise—wi’ his low, mean, ‘How’st do, Ann?’ whenever he meets me. I’d ‘How’st do’ him indeed! If the sun only shines out a minute, there be you all streaming in the face—I never see!”

“If I be hot week-days, I must be hot Sundays.”

“If any of the girls should turn after their father ’twill be a bad look-out for ’em, poor things! None of my family were sich vulgar sweaters, not one of ’em. But, Lord-a-mercy, the Dewys! I don’t know how ever I cam’ into such a family!”

“Your woman’s weakness when I asked ye to jine us. That’s how it was I suppose.” But the tranter appeared to have heard some such words from his wife before, and hence his answer had not the energy it might have shown if the inquiry had possessed the charm of novelty.

“You never did look so well in a pair o’ trousers as in them,” she continued in the same unimpassioned voice, so that the unfriendly criticism of the Dewy family seemed to have been more normal than spontaneous. “Such a cheap pair as ’twas too. As big as any man could wish to have, and lined inside, and double-lined in the lower parts, and an extra piece of stiffening at the bottom. And ’Tis a nice high cut that comes up right under your armpits, and there’s enough turned down inside the seams to make half a pair more, besides a piece of cloth left that will make an honest waistcoat—all by my contriving in buying the stuff at a bargain, and having it made up under my eye. It only shows what may be done by taking a little trouble, and not going straight to the rascally tailors.”

The discourse was cut short by the sudden appearance of Charley on the scene, with a face and hands of hideous blackness, and a nose like a guttering candle. Why, on that particularly cleanly afternoon, he should have discovered that the chimney-crook and chain from which the hams were suspended should have possessed more merits and general interest as playthings than any other articles in the house, is a question for nursing mothers to decide. However, the humour seemed to lie in the result being, as has been seen, that any given player with these articles was in the long-run daubed with soot. The last that was seen of Charley by daylight after this piece of ingenuity was when in the act of vanishing from his father’s presence round the corner of the house—looking back over his shoulder with an expression of great sin on his face, like Cain as the Outcast in Bible pictures.

The guests had all assembled, and the tranter’s party had reached that degree of development which accords with ten o’clock P.M. in rural assemblies. At that hour the sound of a fiddle in process of tuning was heard from the inner pantry.

“That’s Dick,” said the tranter. “That lad’s crazy for a jig.”

“Dick! Now I cannot—really, I cannot have any dancing at all till Christmas-day is out,” said old William emphatically. “When the clock ha’ done striking twelve, dance as much as ye like.”

“Well, I must say there’s reason in that, William,” said Mrs Penny. “If you do have a party on Christmas-night, ’Tis only fair and honourable to the sky-folk to have it a sit-still party. Jigging parties be all very well on the Devil’s holidays; but a jigging party looks suspicious now. O yes; stop till the clock strikes, young folk—so say I.”

It happened that some warm mead accidentally got into Mr Spinks’s head about this time.

“Dancing,” he said, “is a most strengthening, livening, and courting movement, ’specially with a little beverage added! And dancing is good. But why disturb what is ordained, Richard and Reuben, and the company zhinerally? Why, I ask, as far as that do go?”

“Then nothing till after twelve,” said William.

Though Reuben and his wife ruled on social points, religious questions were mostly disposed of by the old man, whose firmness on this head quite counterbalanced a certain weakness in his handling of domestic matters. The hopes of the younger members of the household were therefore relegated to a distance of one hour and three-quarters—a result that took visible shape in them by a remote and listless look about the eyes—the singing of songs being permitted in the interim.

At five minutes to twelve the soft tuning was again heard in the back quarters; and when at length the clock had whizzed forth the last stroke, Dick appeared ready primed, and the instruments were boldly handled; old William very readily taking the bass-viol from its accustomed nail, and touching the strings as irreligiously as could be desired.

The country-dance called the “Triumph, or Follow my Lover,” was the figure with which they opened. The tranter took for his partner Mrs Penny, and Mrs Dewy was chosen by Mr Penny, who made so much of his limited height by a judicious carriage of the head, straightening of the back, and important flashes of his spectacle-glasses, that he seemed almost as tall as the tranter. Mr Shiner, age about thirty-five, farmer and churchwarden, a character principally composed of a crimson stare, vigorous breath, and a watch-chain, with a mouth hanging on a dark smile but never smiling, had come quite willingly to the party, and showed a wondrous obliviousness of all his antics on the previous night. But the comely, slender, prettily-dressed prize Fancy Day fell to Dick’s lot, in spite of some private machinations of the farmer, for the reason that Mr Shiner, as a richer man, had shown too much assurance in asking the favour, whilst Dick had been duly courteous.

We gain a good view of our heroine as she advances to her place in the ladies’ line. She belonged to the taller division of middle height. Flexibility was her first characteristic, by which she appeared to enjoy the most easeful rest when she was in gliding motion. Her dark eyes—arched by brows of so keen, slender, and soft a curve, that they resembled nothing so much as two slurs in music—showed primarily a bright sparkle each. This was softened by a frequent thoughtfulness, yet not so frequent as to do away, for more than a few minutes at a time, with a certain coquettishness; which in its turn was never so decided as to banish honesty. Her lips imitated her brows in their clearly-cut outline and softness of bend; and her nose was well shaped—which is saying a great deal, when it is remembered that there are a hundred pretty mouths and eyes for one pretty nose. Add to this, plentiful knots of dark-brown hair, a gauzy dress of white, with blue facings; and the slightest idea may be gained of the young maiden who showed, amidst the rest of the dancing-ladies, like a flower among vegetables. And so the dance proceeded. Mr Shiner, according to the interesting rule laid down, deserted his own partner, and made off down the middle with this fair one of Dick’s—the pair appearing from the top of the room like two persons tripping down a lane to be married. Dick trotted behind with what was intended to be a look of composure, but which was, in fact, a rather silly expression of feature—implying, with too much earnestness, that such an elopement could not be tolerated. Then they turned and came back, when Dick grew more rigid around his mouth, and blushed with ingenuous ardour as he joined hands with the rival and formed the arch over his lady’s head; which presumably gave the figure its name; relinquishing her again at setting to partners, when Mr Shiner’s new chain quivered in every link, and all the loose flesh upon the tranter—who here came into action again— shook like jelly. Mrs Penny, being always rather concerned for her personal safety when she danced with the tranter, fixed her face to a chronic smile of timidity the whole time it lasted—a peculiarity which filled her features with wrinkles, and reduced her eyes to little straight lines like hyphens, as she jigged up and down opposite him; repeating in her own person not only his proper movements, but also the minor flourishes which the richness of the tranter’s imagination led him to introduce from time to time—an imitation which had about it something of slavish obedience, not unmixed with fear.

The earrings of the ladies now flung themselves wildly about, turning violent summersaults, banging this way and that, and then swinging quietly against the ears sustaining them. Mrs Crumpler—a heavy woman, who, for some reason which nobody ever thought worth inquiry, danced in a clean apron—moved so smoothly through the figure that her feet were never seen; conveying to imaginative minds the idea that she rolled on castors.

Minute after minute glided by, and the party reached the period when ladies’ back-hair begins to look forgotten and dissipated; when a perceptible dampness makes itself apparent upon the faces even of delicate girls—a ghastly dew having for some time rained from the features of their masculine partners; when skirts begin to be torn out of their gathers; when elderly people, who have stood up to please their juniors, begin to feel sundry small tremblings in the region of the knees, and to wish the interminable dance was at Jericho; when (at country parties of the thorough sort) waistcoats begin to be unbuttoned, and when the fiddlers chairs have been wriggled, by the frantic bowing of their occupiers, to a distance of about two feet from where they originally stood.

Fancy was dancing with Mr Shiner. Dick knew that Fancy, by the law of good manners, was bound to dance as pleasantly with one partner as with another; yet he could not help suggesting to himself that she need not have put quite so much spirit into her steps, nor smiled quite so frequently whilst in the farmer’s hands.

“I’m afraid you didn’t cast off,” said Dick mildly to Mr Shiner, before the latter man’s watch-chain had done vibrating from a recent whirl.

Fancy made a motion of accepting the correction; but her partner took no notice, and proceeded with the next movement, with an affectionate bend towards her.

“That Shiner’s too fond of her,” the young man said to himself as he watched them. They came to the top again, Fancy smiling warmly towards her partner, and went to their places.

“Mr Shiner, you didn’t cast off,” said Dick, for want of something else to demolish him with; casting off himself, and being put out at the farmer’s irregularity.

“Perhaps I shan’t cast off for any man,” said Mr Shiner.

“I think you ought to, sir.”

Dick’s partner, a young lady of the name of Lizzy—called Lizz for short—tried to mollify.

“I can’t say that I myself have much feeling for casting off,” she said.

“Nor I,” said Mrs Penny, following up the argument; “especially if a friend and neighbour is set against it. Not but that ’Tis a terrible tasty thing in good hands and well done; yes, indeed, so say I.”

“All I meant was,” said Dick, rather sorry that he had spoken correctingly to a guest, “that ’Tis in the dance; and a man has hardly any right to hack and mangle what was ordained by the regular dance-maker, who, I daresay, got his living by making ’em, and thought of nothing else all his life.”

“I don’t like casting off: then very well; I cast off for no dance-maker that ever lived.”

Dick now appeared to be doing mental arithmetic, the act being really an effort to present to himself, in an abstract form, how far an argument with a formidable rival ought to be carried, when that rival was his mother’s guest. The dead-lock was put an end to by the stamping arrival up the middle of the tranter, who, despising minutiae on principle, started a theme of his own.

“I assure you, neighbours,” he said, “the heat of my frame no tongue can tell!” He looked around and endeavoured to give, by a forcible gaze of self-sympathy, some faint idea of the truth.

Mrs Dewy formed one of the next couple.

“Yes,” she said, in an auxiliary tone, “Reuben always was such a hot man.”

Mrs Penny implied the species of sympathy that such a class of affliction required, by trying to smile and to look grieved at the same time.

“If he only walk round the garden of a Sunday morning, his shirt-collar is as limp as no starch at all,” continued Mrs Dewy, her countenance lapsing parenthetically into a housewifely expression of concern at the reminiscence.

“Come, come, you women-folk; ’Tis hands across—come, come!” said the tranter; and the conversation ceased for the present.

CHAPTER 8

They Dance More Wildly

Dick had at length secured Fancy for that most delightful of country-dances, opening with six-hands-round.

“Before we begin,” said the tranter, “my proposal is, that ’twould be a right and proper plan for every mortal man in the dance to pull off his jacket, considering the heat.”

“Such low notions as you have, Reuben! Nothing but strip will go down with you when you are a-dancing. Such a hot man as he is!”

“Well, now, look here, my sonnies,” he argued to his wife, whom he often addressed in the plural masculine for economy of epithet merely; “I don’t see that. You dance and get hot as fire; therefore you lighten your clothes. Isn’t that nature and reason for gentle and simple? If I strip by myself and not necessary, ’Tis rather pot-housey I own; but if we stout chaps strip one and all, why, ’Tis the native manners of the country, which no man can gainsay? Hey—what did you say, my sonnies?”

“Strip we will!” said the three other heavy men who were in the dance; and their coats were accordingly taken off and hung in the passage, whence the four sufferers from heat soon reappeared, marching in close column, with flapping shirtsleeves, and having, as common to them all, a general glance of being now a match for any man or dancer in England or Ireland. Dick, fearing to lose ground in Fancy’s good opinion, retained his coat like the rest of the thinner men; and Mr Shiner did the same from superior knowledge.

And now a further phase of revelry had disclosed itself. It was the time of night when a guest may write his name in the dust upon the tables and chairs, and a bluish mist pervades the atmosphere, becoming a distinct halo round the candles; when people’s nostrils, wrinkles, and crevices in general, seem to be getting gradually plastered up; when the very fiddlers as well as the dancers get red in the face, the dancers having advanced further still towards incandescence, and entered the cadaverous phase; the fiddlers no longer sit down, but kick back their chairs and saw madly at the strings, with legs firmly spread and eyes closed, regardless of the visible world. Again and again did Dick share his Love’s hand with another man, and wheel round; then, more delightfully, promenade in a circle with her all to himself, his arm holding her waist more firmly each time, and his elbow getting further and further behind her back, till the distance reached was rather noticeable; and, most blissful, swinging to places shoulder to shoulder, her breath curling round his neck like a summer zephyr that had strayed from its proper date. Threading the couples one by one they reached the bottom, when there arose in Dick’s mind a minor misery lest the tune should end before they could work their way to the top again, and have anew the same exciting run down through. Dick’s feelings on actually reaching the top in spite of his doubts were supplemented by a mortal fear that the fiddling might even stop at this supreme moment; which prompted him to convey a stealthy whisper to the far-gone musicians, to the effect that they were not to leave off till he and his partner had reached the bottom of the dance once more, which remark was replied to by the nearest of those convulsed and quivering men by a private nod to the anxious young man between two semiquavers of the tune, and a simultaneous “All right, ay, ay,” without opening the eyes. Fancy was now held so closely that Dick and she were practically one person. The room became to Dick like a picture in a dream; all that he could remember of it afterwards being the look of the fiddlers going to sleep, as humming-tops sleep, by increasing their motion and hum, together with the figures of grandfather James and old Simon Crumpler sitting by the chimney-corner, talking and nodding in dumb-show, and beating the air to their emphatic sentences like people near a threshing machine.