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Best of Bordeaux
identified from those times, including what are now Cognac and Angers. Libourne
does not appear on the list. It was on the basis of this meagre evidence that Suf-
frein established Ausonius' villa as being in Saint-Emilion, where Gallo-Roman
artefacts have indeed been found. However, after archaeologists found the foun-
dations of a large Roman villa near Saint-André / Montagne, Suffrein's thesis was
dismissed as pure fabrication. Researchers still argue about which excavations
can be attributed to Ausonius, who owned estates in Bordeaux and Saintes but
spent a large part of his life in Milan and Trier. Whether Suffrein (whose thesis
sought primarily to demonstrate the importance of Libourne as far back as Ro-
man times) was influenced by Jean Cantenat, who renamed his estate with the
unpronounceable name of Rocblancan as “Ausone” in around 1781, or was instead
inspired by the research findings of local historians and amateur archaeologists,
is something we will probably never know. One thing is certain: during this pe-
riod, various other estates in the region (Pétrus, Conseillante and Beauséjour)
also gained finer-sounding (and thus more tempting) names. This small digres-
sion should not be viewed as an accusation of the falsification of history, but is
rather simply designed to illustrate how fact and fiction are often intertwined in
Bordeaux.
Since the most important Atlantic port in southern France came to be in Bor-
deaux, the ocean is still shaping its destiny today, and Bordeaux became the
northernmost part of south-western France to continue successfully growing
fine red wine – for Bordeaux is on the Atlantic, and not on the Mediterranean or
even the Amazon despite many opinions to the contrary! True Bordeaux locals
never go out without a cap and an umbrella, not to mention the local women
who are constantly on the alert and generally under cover, always holding onto
their skirts when walking through the city: if Billy Wilder had filmed ‘Some Like
It Hot' in Bordeaux rather than New York in 1959, Marilyn Monroe's lovely knees
could have been exposed without the need for subway grating. Here the west
wind howls, bringing rain, gales and legendary summer storms, the weather is
sometimes so capricious that the mercury gets the hiccups, and without check-
ing the weather report it is impossible to know whether you should be pulling on
a T-shirt or a woollen jumper, in the height of summer or the depths of winter.
‘A true Bordelais', as I was told with a raised finger by none other than Jacques
Chaban-Delmas, ‘never goes out walking without an umbrella'. I did it anyway
and turned up at an appointment to interview the city's legendary former may-
or soaked to the skin, dripping on the polished and waxed parquet floor of the
city hall like fresh laundry throughout our conversation. On 4 August 2003, the
thermometer here shot up to an exuberant 40.7 degrees Celsius, but on 8 August

16
History Bordeaux melting pot
1924 it remained stuck at just 1.5 degrees. However, even the greatest climatic up-
heavals can be tolerated whenever there are riches to be made. Mankind peered
at Bordeaux's legendary terroirs like Moses peered at God in Mann's trilogy ‘Jo-
seph and His Brothers', and thus helped them into existence. Resourceful minds
adapted the terroir to their needs and people also adapted to suit the terrior (or
less concisely: after Armenians or Greeks or Mesopotamians or whoever accus-
tomed the vine – a climbing plant from shaded forests – to the alkaline clay and
limestone soils and the burning sun and persuaded it to produce grapes which
could be made into wine, the Gallo-Romans who had already begun making wine
on the right bank but also wanted to produce it on this side of the river, adapted
the plants to the acidic soils and cheerfully damp climate on the left bank of the
Garonne). They therefore created terroir in its broadest sense, terroir consisting of
time and space, terroir made from history and nature, terroir, inextricably linked
to humans and their destiny.
The Bordeaux melting pot
More than a single lifetime would be required to investigate the thousand-
year family tree of a thoroughbred Bordelais. The Bituriges, who according to
legend founded Burdigala and introduced Vitis Biturica (the first ancestor of
Cabernet), were not the only contributors to the archetypal Bordeaux blood-
line. Novem Populi was the name of a south-western Roman province where
nine peoples were supposed to have settled. In fact it was not nine but nearly
thirty tribes who accepted Roman rule more or less willingly and with it, almost
inevitably, Roman genes: love is blind, not pure-bred. Over the centuries they
were joined by Visigoths and Saracens, Britons (themselves a mixture of Angles,
Saxons and Normans), followed by the Jews, Navarrese and Lombards, along
with the Dutch, Irish and Scots, not forgetting the Hanseatic and Baltic peoples
as well as South Sea Islanders, North Africans, Senegalese, Italians, Spaniards
and Portuguese: for 2,000 years Bordeaux has been a trade city, as cosmopolitan
as Hong Kong, Rio and New York put together, and has long been a magnet for
anyone in search of wealth and success.
Bordeaux has never got anywhere in military terms – people dominated here
not by the sword but rather with plough and sickle or abacus and stylus. The Ro-
mans never had a garrison here, remaining in Blavia (Blaye) on the right bank of
the Gironde. Citizens adapted to conquerors in public and were decadent in se-
cret. The dark chapter of the Second World War with its submarine port, depor-
tation station and Maurice Papon, Secretary General of the Gironde from 1942
to 1944 who was convicted of being an accomplice to crimes against humanity
in a sensational trial in 1998, and of the world of wine which disintegrated into
collaborators, emigrants and silent victims and which suffered from a severe


18
shortage of manpower, is an inglorious story that has not yet been fully told:
Bordeaux prefers to leave its evil spirits alone and its bodies deeply buried. How-
ever, its reputation was never truly damaged: even the worst characters were
unable to resist the otherworldly charms of the wine and its native land, like
the allure of a lady of easy virtue. Bordeaux is a city which runs wild in beauti-
ful finery during the day and then at night is redolent of the demimonde like a
perfume that bewitches the senses.
It is ironic that the Bordelais have a woman – Eleanor of Aquitaine – to thank
for making wine into such an all-powerful asset, because for a long time, the
Bordelais would not even allow women into their cellars for fear of them turn-
ing the grape juice sour. But these same Bordelais would happily squander their
money in the city's brothels or the city theatre (which was built in 1738 only
to burn down 17 years later, leading to the construction of the current Grand
Théâtre by the architect Victor Louis, now a major attraction of this city that
was named a World Heritage Site in 2007). And these same Bordelais would
conclude their transactions –generally in private alcoves – so loudly that the few
real culture lovers persuaded the king's intendant to establish France's first pub-
lic park, or Jardin Public, in Bordeaux in 1746, where good male society could
finally swagger in the open air or the shade of the Atlas cedars.

19
Eleanor of Aquitaine was the granddaughter of William the Troubadour Duke
of Aquitaine, the wife of the French King Louis VII before an annulment was
granted. She was also a crusader and the incestuous lover of her uncle Raymond
of Poitiers. In 1151 she married the heir to the English throne Henry IIPlantagen-
et who was ten years her junior, for whom she produced eight children includ-
ing Richard the Lionheart and John Lackland whom Ivanhoe fans will know
from Walter Scott's chivalric novel, before instigating a plot against her husband
and consequently being imprisoned for ten years. There are numerous legends
about this determined lady. Only one of these is relevant to us, and it is demon-
strably true: thanks to her, Bordeaux came under English rule for 300 years, and
thus became the island kingdom's wine cellar, in top vintages brimming over
with the equivalent of Switzerland's current annual production.
Vines were then planted in the ‘palus' – fertile alluvial soils along the Garonne,
which to the west of the city joins up with the Dordogne, into which the Isle
flows at Libourne. This land definitely has no shortage of water. Bordeaux owes
its reputation not the greatest terroirs in the world, but instead to deep soils that
are rather unsuitable for top wines from today's perspective. The region pul-
sates to the rhythm of the tides and is shaped by a rainy Atlantic climate. This
once again demonstrates that terroir has as much to do with commercial policy
and a strategic transport location as it does with geology and climate.

20
History The new French claret
The wines from these soils were a translucent, clear, bright red colour like
virtually all of the ‘red wines' produced in the cultivation area we now call
France up until the mid-19th century. The English called it claret, which in
Britain remains a synonym for Bordeaux to this day. These wines were not even
particularly elegant or refined, as people would sometimes have us believe.
Instead, they had a robust constitution in order to withstand the rigours of
shipping in reasonable condition and so that they only turned sour once poured
into the purchaser's glass. Without a doubt, they would have been sweet and
sparkling as happens to wines today if we leave them to their own devices,
which was the practice at the time. The few historic sources citing wines with
their origins (Andely, Rabelais, Villon) make no mention of Bordeaux until the
late 16th century.
The New French Claret
The concept of a Grand Vin, differing from standard wine like a prince from
a pauper, came to the owner of a plot called Ho Brian (Haut-Brion) to the south
of Bordeaux between 1550 and 1650, a flash of inspiration which should earn
him a heartfelt tribute from any halfway grateful Bordeaux fan. Of course, the
various Jeans and Arnauds de Pontac (in Bordeaux as elsewhere, first names
are re-used throughout multiple generations, making genealogical research a
particularly exacting activity), were thinking not of winemaking posterity, but
rather of their own pockets and economic survival. During this same period of
history, Columbus ran aground in the Bahamas in 1492, Magellan circumnavi-
gated the globe for the first time in 1519, and in 1582 German doctor and natural
historian Leonhart Rauwolf wrote a 500-page volume recounting his Oriental
travels, which included a passage on Turkish drinking habits (page 105): ‘among
the rest they have a very good drink they call Chaube that is almost as black as
ink and very good in illness, especially of the stomach.' In 1550 the first coffee
house opened in Istanbul, Venice began brewing mocha in around 1600, and
bags full of ‘Chaube' beans were first listed on the London and Marseille port
registers in around 1650. The assiduous Rauwolf revealed that the Turks viewed
coffee as a replacement for wine, the consumption of which was a punishable
offence across the entire Ottoman Empire (with the exception of short periods
of drinking freedom).
If the Bordelais in general (who had been making a living from winemaking
for more than 300 years) and the de Pontacs in particular (who were heavily reli-
ant on it because they gave with one hand and took away with the other) wanted
to defy the nascent competition, they had to come up with something whether
they liked it or not. Their local wines, which were only successful because A) the
water was so dangerous to drink that it had to be disinfected with this wine and



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a large variety of herbs and ‘Pro Specie Rara' fruits and vegetables.
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Phone +41 71 858 62 62
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The organic Château
at Lake of Constance

22
B) all other wines from surrounding areas and the remaining southwest were
refused access to the port until after Christmas, could not bear comparison with
other generally more powerful and transportable drinks such as coffee, tea and
chocolate. This also applied to brandy and there was strong competition from
Portugal – military and economic partners of England since the 1386 Treaty of
Windsor – and Spain whose ‘sack' from Jerez was sold by the Vintner's Company
in London from 1565. Did Shakespeare have Falstaff drink Bordeaux? Absolutely
not! The womaniser declaimed in the 1597 play Henry IV, part 2: ‘A good sherris-
sack (...) ascends into the brain (...) and warms the blood'. No mention of claret!
A successful product cannot just be plucked out of thin air: you first have to
analyse the production conditions, the market and sales opportunities. If the
conditions do not match the consumers' needs, you invest in clever marketing.
You identify consumer motivators – people who define the spirit of the age – and
allow them to test the product, invite them to a good meal or a relaxing few days
on a yacht. That is exactly what the de Pontacs and their neighbours skilfully
did – they analysed the natural conditions and made the best of them. Because
they had gravel mounds rather than the fertile sediment along the banks of the
Garonne, they simply gathered up the latter from every mud deposit they could
find in order to improve their gravel soils (anyone who believes that vines will
grow in stone alone will end up bitterly disappointed) and then planted their

23
rows of vines into this mixture. The vines seemed to take to it well, but would
the results meet the expectations?
After many years of testing and selection, the resulting wine was red in colour
but sadly also rather tart and angular, and not at all sweet or easy to drink. It also
had a rather unique aroma – in the truest sense of the word. The Londoner, Sec-
retary to the Admiralty and Member of Parliament Samuel Pepys did not write
in his oft-cited diary in 1663 that he had drunk a wine that tasted better than
any other, but rather that he ‘drank a sort of French wine, called Ho Bryan, that
hath a good and most particular taste that I never met with', and which – reading
between the lines – left him surprised and very undecided, perhaps thinking
‘this tastes a little strange, but if others like it then I will probably enjoy it as
well'. However, the fields and farmland which the de Pontacs gained as a dowry
were very unforgiving, so the family developed new cultivation techniques and
selected and planted suitable vines, all with the bailiffs at the door. They simply
made a virtue out of necessity and turned a disadvantage into an advantage.
Opaque colour and tannic flavour? Something for men of the world to savour
and keeps much better than the pink sauces of their competition, particularly
once wine was sold in glass bottles, the production of which gradually improved
from the 16th century onwards (King Charles II of England's cellar book from
1660 records the purchase of 169 bottles of Hobrion at the price of 21 shillings
Château Calon Ségur

24
History New luxury
4 pence per full bottle), stopped with a cork (the use of which also gradually
came into fashion), left to mature for a while and served in delicate Venetian
crystal glasses rather than the drinking horns, pewter mugs or leather cups of
the common people. If left to mature for a while, this new wine gradually de-
veloped astounding smoothness, a well-balanced taste and a stunning bouquet
the like of which no one had ever experienced before. And to ensure that the
wine would not be confused with others and would become its own brand, it
was named after its producer and place of origin and ultimately transformed
into a luxury product with the clever suggestion that it might be of noble origin
and have bathed in the twilight of a cellar in a chateau owned by some ancient
aristocracy. But more on that later.
After the end of the English Civil War (1642–1650) London became the intel-
lectual and cultural capital of Europe, knocking Paris off the podium. Not even
the plague to which a fifth of the city's population fell victim in 1665 or the Great
Fire of September 1666 (which actually claimed very few lives but caused mas-
sive destruction) could not compromise this development: London had made it
to the top and was there to stay. Shortly after the Great Fire, the Pontacs opened
a tavern in the capital called the Pontac's Head which quickly became the best
eatery in the city. It served up French specialities and its own wine, and soon
anyone who was anyone was seen there. Although Jonathan Swift complained
that the wine was much too expensive at seven shillings a flagon, other intel-
lectuals such as the philosopher John Locke became veritable ambassadors for
the brand. Locke paid a visit to Haut-Brion in 1677, carefully examined its terroir,
studied cultivation techniques and set about solving the mystery as to why the
Pontacs' wine tasted so delicious that ‘the rich English would order it for any
price'. He also noted: ‘The wine of Pontac, so revered in England, is made on a
little rise of ground, lieing open most to the west. It is noe thing but pure white
sand, mixed with a little gravel. One would imagin it scarce fit to beare anything.'
And suddenly everyone wanted some, and the de Pontacs were able to sell Ho
Brian at ten or twenty times the price of standard claret, pay off their creditors
and a
ff
ord younger courtesans.
However, the competition never sleeps. What was just right for the de Pontacs
was sacred to the de Ségurs, de Rauzans or de Lestonnacs, and the Bordeaux
bourgeois (who were all also ship-owners and merchants, and often lawyers or
notaries and bankers and always city parliamentarians) thus triggered what you
might call a veritable cultivation war in Bordeaux. And when the gravel mounds
to the southwest, west and northwest of the city (what is now Pessac-Léognan)
were requisitioned and seemed particularly suitable for producing this new
style of French wine which the Brits called ‘new French claret', Bordeaux's
moneyed aristocracy simply purchased the endless hunting grounds of the Mé-
doc, now dried out by the Dutch. These were characterised by the numerous

Château Lafaurie-Peyraguey
Sauternes
1945
Château Lafaurie-Peyraguey, Sauternes, 1945
Tasting note by René Gabriel:
Medium dark bright gold, freshly picked apricots,
caramel, orange peel, Butterscotch.
Exhibition: 10 to 24 May 2017, studio visits on request.
Pierre Aerni, Burgstrasse 4, CH-8604 Volketswil, e-mail: aerni@sauternes-art.ch
www.sauternes-art.ch
sauternes-art.ch
Tasting Notes Metamorphoses


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Early years History
flat gravel knolls transported from the Pyrenees by the Garonne in prehistoric