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Records of a Girlhood
She was not regularly handsome, but of a sweet and most engaging countenance; her figure was very pretty, her voice exquisite, and her whole manner, air, and deportment graceful, attractive, and charming. Men, women, and children not only loved her, but inevitably fell in love with her, and the fascination which she exercised over every one that came in contact with her invariably deepened into profound esteem and confidence in those who had the good fortune to share her intimacy. Her manner, which was the most gentle and winning imaginable, had in it a touch of demure playfulness that was very charming, at the same time that it habitually conveyed the idea of extreme self-control, and a great reserve of moral force and determination underneath this quiet surface.
Mrs. Harry's manner was artificial, and my mother told me she thought it the result of an early determination to curb the demonstrations of an impetuous temper and passionate feelings. It had become her second nature when I knew her, however, and contributed not a little to the immense ascendency she soon acquired over my vehement and stormy character. She charmed me into absolute submission to her will and wishes, and I all but worshiped her.
She was a Miss Murray, and came of good Scottish blood, her great-grandfather having at one time been private secretary to the Young Pretender. She married Mrs. Siddons's youngest son, Harry, the only one of my aunt's children who adopted her own profession, and who, himself an indifferent actor, undertook the management of the Edinburgh theater, fell into ill-health, and died, leaving his lovely young widow with four children to the care of her brother, William Murray, who succeeded him in the government of the theater, of which his sister and himself became joint proprietors.
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