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We discussed all sorts of things, from the Christian and other religions and European policy down, for her thirst for knowledge seemed to be insatiable. But what really interested her was the state of affairs in Zululand, with which she knew I was well acquainted, as a person who had played a part in its history and who was received and trusted at the Great House, and as a white man who understood the designs and plans of the Boers and of the Governor of Natal.

Now, if the old king, Panda, should chance to die, she would ask me, which of his sons did I think would succeed him – Umbelazi or Cetewayo, or another? Or, if he did not chance to die, which of them would he name his heir?

I replied that I was not a prophet, and that she had better ask Zikali the Wise.

“That is a very good idea,” she said, “only I have no one to take me to him, since my father would not allow me to go with Saduko, his ward.” Then she clapped her hands and added: “Oh, Macumazahn, will you take me? My father would trust me with you.”

“Yes, I dare say,” I answered; “but the question is, could I trust myself with you?”

“What do you mean?” she asked. “Oh, I understand. Then, after all, I am more to you than a black stone to play with?”

I think it was that unlucky joke of mine which first set Mameena thinking, “like a white ant in its tunnel,” as Saduko said. At least, after it her manner towards me changed; she became very deferential; she listened to my words as though they were all wisdom; I caught her looking at me with her soft eyes as though I were quite an admirable object. She began to talk to me of her difficulties, her troubles and her ambitions. She asked me for my advice as to Saduko. On this point I replied to her that, if she loved him, and her father would allow it, presumably she had better marry him.

“I like him well enough, Macumazahn, although he wearies me at times; but love – Oh, tell me, what is love?” Then she clasped her slim hands and gazed at me like a fawn.

“Upon my word, young woman,” I replied, “that is a matter upon which I should have thought you more competent to instruct me.”

“Oh, Macumazahn,” she said almost in a whisper, and letting her head droop like a fading lily, “you have never given me the chance, have you?” And she laughed a little, looking extremely attractive.

“Good gracious!” – or, rather, its Zulu equivalent – I answered, for I began to feel nervous. “What do you mean, Mameena? How could I – “ There I stopped.

“I do not know what I mean, Macumazahn,” she exclaimed wildly, “but I know well enough what you mean – that you are white as snow and I am black as soot, and that snow and soot don’t mix well together.”

“No,” I answered gravely, “snow is good to look at, and so is soot, but mingled they make an ugly colour. Not that you are like soot,” I added hastily, fearing to hurt her feelings. “That is your hue” – and I touched a copper bangle she was wearing – “a very lovely hue, Mameena, like everything else about you.”

“Lovely,” she said, beginning to weep a little, which upset me very much, for if there is one thing I hate, it is to see a woman cry. “How can a poor Zulu girl be lovely? Oh, Macumazahn, the spirits have dealt hardly with me, who have given me the colour of my people and the heart of yours. If I were white, now, what you are pleased to call this loveliness of mine would be of some use to me, for then – then – Oh, cannot you guess, Macumazahn?”

I shook my head and said that I could not, and next moment was sorry, for she proceeded to explain.

Sinking to her knees – for we were quite alone in the big hut and there was no one else about, all the other women being engaged on rural or domestic tasks, for which Mameena declared she had no time, as her business was to look after me – she rested her shapely head upon my knees and began to talk in a low, sweet voice that sometimes broke into a sob.

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Примечания

1

“Marie” was the first. The third and final act in the drama is yet to come.

2

– The Zulu word “Meena” – or more correctly “Mina” – means “Come here,” and would therefore be a name not unsuitable to one of the heroine’s proclivities; but Mr. Quatermain does not seem to accept this interpretation. – EDITOR.

3

– For the story of this shooting of the vultures by Allan Quatermain, see the book called “Marie.” – EDITOR.

4

– “Makosi”, the plural of “Inkoosi”, is the salute given to Zulu wizards, because they are not one but many, since in them (as in the possessed demoniac in the Bible) dwell an unnumbered horde of spirits. – EDITOR.

5

– In Zululand a son-in-law is known as “isigodo so mkwenyana”, the “son-in-law log,” for the reason stated in the text. – EDITOR.

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