Complete Original Short Stories of Guy De Maupassant

The soup was eaten in silence. The children, who had been left to themselves all day, now worn out by fatigue, were sleeping soundly on their chairs, and nobody ventured to break the silence.

Suddenly the flame of the lamp went down. Madame Caravan immediately turned up the wick, a hollow sound ensued, and the light went out. They had forgotten to buy oil. To send for it now to the grocer's would keep back the dinner, and they began to look for candles, but none were to be found except the tapers which had been placed upon the table upstairs in the death chamber.

Madame Caravan, always prompt in her decisions, quickly despatched Marie-Louise to fetch two, and her return was awaited in total darkness.

The footsteps of the girl who had ascended the stairs were distinctly heard. There was silence for a few seconds and then the child descended precipitately. She threw open the door and in a choking voice murmured: "Oh! papa, grandmamma is dressing herself!"

Caravan bounded to his feet with such precipitance that his chair fell over against the wall. He stammered out: "You say? . . . . What are you saying?"

But Marie-Louise, gasping with emotion, repeated: "Grand—grand —grandmamma is putting on her clothes, she is coming downstairs."

Caravan rushed boldly up the staircase, followed by his wife, dumfounded; but he came to a standstill before the door of the second floor, overcome with terror, not daring to enter. What was he going to see? Madame Caravan, more courageous, turned the handle of the door and stepped forward into the room.

The old woman was standing up. In awakening from her lethargic sleep, before even regaining full consciousness, in turning upon her side and raising herself on her elbow, she had extinguished three of the candles which burned near the bed. Then, gaining strength, she got off the bed and began to look for her clothes. The absence of her chest of drawers had at first worried her, but, after a little, she had succeeded in finding her things at the bottom of the wooden box, and was now quietly dressing. She emptied the plateful of water, replaced the sprig of box behind the looking-glass, and arranged the chairs in their places, and was ready to go downstairs when there appeared before her her son and daughter-in-law.

Caravan rushed forward, seized her by the hands, embraced her with tears in his eyes, while his wife, who was behind him, repeated in a hypocritical tone of voice: "Oh, what a blessing! oh, what a blessing!"

But the old woman, without being at all moved, without even appearing to understand, rigid as a statue, and with glazed eyes, simply asked: "Will dinner soon be ready?"

He stammered out, not knowing what he said:

"Oh, yes, mother, we have been waiting for you."

And with an alacrity unusual in him, he took her arm, while Madame Caravan, the younger, seized the candle and lighted them downstairs, walking backwards in front of them, step by step, just as she had done the previous night for her husband, who was carrying the marble.

On reaching the first floor, she almost ran against people who were ascending the stairs. It was the Charenton family, Madame Braux, followed by her husband.

The wife, tall and stout, with a prominent stomach, opened wide her terrified eyes and was ready to make her escape. The husband, a socialist shoemaker, a little hairy man, the perfect image of a monkey, murmured quite unconcerned: "Well, what next? Is she resurrected?"

As soon as Madame Caravan recognized them, she made frantic gestures to them; then, speaking aloud, she said: "Why, here you are! What a pleasant surprise!"

But Madame Braux, dumfounded, understood nothing. She responded in a low voice: "It was your telegram that brought us; we thought that all was over."

Her husband, who was behind her, pinched her to make her keep silent. He added with a sly laugh, which his thick beard concealed: "It was very kind of you to invite us here. We set out post haste," which remark showed the hostility which had for a long time reigned between the households. Then, just as the old woman reached the last steps, he pushed forward quickly and rubbed his hairy face against her cheeks, shouting in her ear, on account of her deafness: "How well you look, mother; sturdy as usual, hey!"

Madame Braux, in her stupefaction at seeing the old woman alive, whom they all believed to be dead, dared not even embrace her; and her enormous bulk blocked up the passageway and hindered the others from advancing. The old woman, uneasy and suspicious, but without speaking, looked at everyone around her; and her little gray eyes, piercing and hard, fixed themselves now on one and now on the other, and they were so full of meaning that the children became frightened.

Caravan, to explain matters, said: "She has been somewhat ill, but she is better now; quite well, indeed, are you not, mother?"

Then the good woman, continuing to walk, replied in a husky voice, as though it came from a distance: "It was syncope. I heard you all the while."

An embarrassing silence followed. They entered the dining-room, and in a few minutes all sat down to an improvised dinner.

Only M. Braux had retained his self-possession. His gorilla features grinned wickedly, while he let fall some words of double meaning which painfully disconcerted everyone.

But the door bell kept ringing every second, and Rosalie, distracted, came to call Caravan, who rushed out, throwing down his napkin. His brother-in-law even asked him whether it was not one of his reception days, to which he stammered out in answer: "No, only a few packages; nothing more."

A parcel was brought in, which he began to open carelessly, and the mourning announcements with black borders appeared unexpectedly. Reddening up to the very eyes, he closed the package hurriedly and pushed it under his waistcoat.

His mother had not seen it! She was looking intently at her clock which stood on the mantelpiece, and the embarrassment increased in midst of a dead silence. Turning her wrinkled face towards her daughter, the old woman, in whose eyes gleamed malice, said: "On Monday you must take me away from here, so that I can see your little girl. I want so much to see her." Madame Braux, her features all beaming, exclaimed: "Yes, mother, that I will," while Madame Caravan, the younger, who had turned pale, was ready to faint with annoyance. The two men, however, gradually drifted into conversation and soon became embroiled in a political discussion. Braux maintained the most revolutionary and communistic doctrines, his eyes glowing, and gesticulating and throwing about his arms. "Property, sir," he said, "is a robbery perpetrated on the working classes; the land is the common property of every man; hereditary rights are an infamy and a disgrace." But here he suddenly stopped, looking as if he had just said something foolish, then added in softer tones: "But this is not the proper moment to discuss such things."

The door was opened and Dr. Chenet appeared. For a moment he seemed bewildered, but regaining his usual smirking expression of countenance, he jauntily approached the old woman and said: "Aha! mamma; you are better to-day. Oh! I never had any doubt but you would come round again; in fact, I said to myself as I was mounting the staircase, 'I have an idea that I shall find the old lady on her feet once more';" and as he patted her gently on the back: "Ah! she is as solid as the Pont-Neuf, she will bury us all; see if she does not."

He sat down, accepted the coffee that was offered him, and soon began to join in the conversation of the two men, backing up Braux, for he himself had been mixed up in the Commune.

The old woman, now feeling herself fatigued, wished to retire. Caravan rushed forward. She looked him steadily in the eye and said: "You, you must carry my clock and chest of drawers upstairs again without a moment's delay." "Yes, mamma," he replied, gasping; "yes, I will do so." The old woman then took the arm of her daughter and withdrew from the room. The two Caravans remained astounded, silent, plunged in the deepest despair, while Braux rubbed his hands and sipped his coffee gleefully.

Suddenly Madame Caravan, consumed with rage, rushed at him, exclaiming: "You are a thief, a footpad, a cur! I would spit in your face! I—I —would——" She could find nothing further to say, suffocating as she was with rage, while he went on sipping his coffee with a smile.

His wife returning just then, Madame Caravan attacked her sister-in-law, and the two women—the one with her enormous bulk, the other epileptic and spare, with changed voices and trembling hands flew at one another with words of abuse.

Chenet and Braux now interposed, and the latter, taking his better half by the shoulders, pushed her out of the door before him, shouting: "Go on, you slut; you talk too much"; and the two were heard in the street quarrelling until they disappeared from sight.

M. Chenet also took his departure, leaving the Caravans alone, face to face. The husband fell back on his chair, and with the cold sweat standing out in beads on his temples, murmured: "What shall I say to my chief to-morrow?"

BESIDE SCHOPENHAUER'S CORPSE

He was slowly dying, as consumptives die. I saw him each day, about two o'clock, sitting beneath the hotel windows on a bench in the promenade, looking out on the calm sea. He remained for some time without moving, in the heat of the sun, gazing mournfully at the Mediterranean. Every now and then, he cast a glance at the lofty mountains with beclouded summits that shut in Mentone; then, with a very slow movement, he would cross his long legs, so thin that they seemed like two bones, around which fluttered the cloth of his trousers, and he would open a book, always the same book. And then he did not stir any more, but read on, read on with his eye and his mind; all his wasting body seemed to read, all his soul plunged, lost, disappeared, in this book, up to the hour when the cool air made him cough a little. Then, he got up and reentered the hotel.

He was a tall German, with fair beard, who breakfasted and dined in his own room, and spoke to nobody.

A vague, curiosity attracted me to him. One day, I sat down by his side, having taken up a book, too, to keep up appearances, a volume of Musset's poems.

And I began to look through "Rolla."

Suddenly, my neighbor said to me, in good French:

"Do you know German, monsieur?"

"Not at all, monsieur."

"I am sorry for that. Since chance has thrown us side by side, I could have lent you, I could have shown you, an inestimable thing—this book which I hold in my hand."

"What is it, pray?"

"It is a copy of my master, Schopenhauer, annotated with his own hand. All the margins, as you may see, are covered with his handwriting."

I took the book from him reverently, and I gazed at these forms incomprehensible to me, but which revealed the immortal thoughts of the greatest shatterer of dreams who had ever dwelt on earth.

And Musset's verses arose in my memory:

And involuntarily I compared the childish sarcasm, the religious sarcasm of Voltaire with the irresistible irony of the German philosopher whose influence is henceforth ineffaceable.

Let us protest and let us be angry, let us be indignant, or let us be enthusiastic, Schopenhauer has marked humanity with the seal of his disdain and of his disenchantment.

A disabused pleasure-seeker, he overthrew beliefs, hopes, poetic ideals and chimeras, destroyed the aspirations, ravaged the confidence of souls, killed love, dragged down the chivalrous worship of women, crushed the illusions of hearts, and accomplished the most gigantic task ever attempted by scepticism. He spared nothing with his mocking spirit, and exhausted everything. And even to-day those who execrate him seem to carry in their own souls particles of his thought.

"So, then, you were intimately acquainted with Schopenhauer?" I said to the German.

He smiled sadly.

"Up to the time of his death, monsieur."

And he spoke to me about the philosopher and told me about the almost supernatural impression which this strange being made on all who came near him.

He gave me an account of the interview of the old iconoclast with a French politician, a doctrinaire Republican, who wanted to get a glimpse of this man, and found him in a noisy tavern, seated in the midst of his disciples, dry, wrinkled, laughing with an unforgettable laugh, attacking and tearing to pieces ideas and beliefs with a single word, as a dog tears with one bite of his teeth the tissues with which he plays.

He repeated for me the comment of this Frenchman as he went away, astonished and terrified: "I thought I had spent an hour with the devil."

Then he added:

"He had, indeed, monsieur, a frightful smile, which terrified us even after his death. I can tell you an anecdote about it that is not generally known, if it would interest you."

And he began, in a languid voice, interrupted by frequent fits of coughing.

"Schopenhauer had just died, and it was arranged that we should watch, in turn, two by two, till morning.

"He was lying in a large apartment, very simple, vast and gloomy. Two wax candles were burning on the stand by the bedside.

"It was midnight when I went on watch, together with one of our comrades. The two friends whom we replaced had left the apartment, and we came and sat down at the foot of the bed.

"The face was not changed. It was laughing. That pucker which we knew so well lingered still around the corners of the lips, and it seemed to us that he was about to open his eyes, to move and to speak. His thought, or rather his thoughts, enveloped us. We felt ourselves more than ever in the atmosphere of his genius, absorbed, possessed by him. His domination seemed to be even more sovereign now that he was dead. A feeling of mystery was blended with the power of this incomparable spirit.

"The bodies of these men disappear, but they themselves remain; and in the night which follows the cessation of their heart's pulsation I assure you, monsieur, they are terrifying.

"And in hushed tones we talked about him, recalling to mind certain sayings, certain formulas of his, those startling maxims which are like jets of flame flung, in a few words, into the darkness of the Unknown Life.

"'It seems to me that he is going to speak,' said my comrade. And we stared with uneasiness bordering on fear at the motionless face, with its eternal laugh. Gradually, we began to feel ill at ease, oppressed, on the point of fainting. I faltered:

"'I don't know what is the matter with me, but, I assure you I am not well.'

"And at that moment we noticed that there was an unpleasant odor from the corpse.

"Then, my comrade suggested that we should go into the adjoining room, and leave the door open; and I assented to his proposal.

"I took one of the wax candles which burned on the stand, and I left the second behind. Then we went and sat down at the other end of the adjoining apartment, in such a position that we could see the bed and the corpse, clearly revealed by the light.

"But he still held possession of us. One would have said that his immaterial essence, liberated, free, all-powerful and dominating, was flitting around us. And sometimes, too, the dreadful odor of the decomposed body came toward us and penetrated us, sickening and indefinable.

"Suddenly a shiver passed through our bones: a sound, a slight sound, came from the death-chamber. Immediately we fixed our glances on him, and we saw, yes, monsieur, we saw distinctly, both of us, something white pass across the bed, fall on the carpet, and vanish under an armchair.

"We were on our feet before we had time to think of anything, distracted by stupefying terror, ready to run away. Then we stared at each other. We were horribly pale. Our hearts throbbed fiercely enough to have raised the clothing on our chests. I was the first to speak:

"'Did you see?'

"'Yes, I saw.'

"'Can it be that he is not dead?'

"'Why, when the body is putrefying?'

"'What are we to do?'

"My companion said in a hesitating tone:

"'We must go and look.'

"I took our wax candle and entered first, glancing into all the dark corners in the large apartment. Nothing was moving now, and I approached the bed. But I stood transfixed with stupor and fright:

"Schopenhauer was no longer laughing! He was grinning in a horrible fashion, with his lips pressed together and deep hollows in his cheeks. I stammered out:

"'He is not dead!'

"But the terrible odor ascended to my nose and stifled me. And I no longer moved, but kept staring fixedly at him, terrified as if in the presence of an apparition.

"Then my companion, having seized the other wax candle, bent forward. Next, he touched my arm without uttering a word. I followed his glance, and saw on the ground, under the armchair by the side of the bed, standing out white on the dark carpet, and open as if to bite, Schopenhauer's set of artificial teeth.

"The work of decomposition, loosening the jaws, had made it jump out of the mouth.

"I was really frightened that day, monsieur."

And as the sun was sinking toward the glittering sea, the consumptive German rose from his seat, gave me a parting bow, and retired into the hotel.

ORIGINAL SHORT STORIES, Vol. 3.

VOLUME III.

MISS HARRIET

There were seven of us on a drag, four women and three men; one of the latter sat on the box seat beside the coachman. We were ascending, at a snail's pace, the winding road up the steep cliff along the coast.

Setting out from Etretat at break of day in order to visit the ruins of Tancarville, we were still half asleep, benumbed by the fresh air of the morning. The women especially, who were little accustomed to these early excursions, half opened and closed their eyes every moment, nodding their heads or yawning, quite insensible to the beauties of the dawn.

It was autumn. On both sides of the road stretched the bare fields, yellowed by the stubble of wheat and oats which covered the soil like a beard that had been badly shaved. The moist earth seemed to steam. Larks were singing high up in the air, while other birds piped in the bushes.

The sun rose at length in front of us, bright red on the plane of the horizon, and in proportion as it ascended, growing clearer from minute to minute, the country seemed to awake, to smile, to shake itself like a young girl leaving her bed in her white robe of vapor. The Comte d'Etraille, who was seated on the box, cried:

"Look! look! a hare!" and he extended his arm toward the left, pointing to a patch of clover. The animal scurried along, almost hidden by the clover, only its large ears showing. Then it swerved across a furrow, stopped, started off again at full speed, changed its course, stopped anew, uneasy, spying out every danger, uncertain what route to take, when suddenly it began to run with great bounds, disappearing finally in a large patch of beet-root. All the men had waked up to watch the course of the animal.

Rene Lamanoir exclaimed:

"We are not at all gallant this morning," and; regarding his neighbor, the little Baroness de Serennes, who struggled against sleep, he said to her in a low tone: "You are thinking of your husband, baroness. Reassure yourself; he will not return before Saturday, so you have still four days."

She answered with a sleepy smile:

"How stupid you are!" Then, shaking off her torpor, she added: "Now, let somebody say something to make us laugh. You, Monsieur Chenal, who have the reputation of having had more love affairs than the Due de Richelieu, tell us a love story in which you have played a part; anything you like."

Leon Chenal, an old painter, who had once been very handsome, very strong, very proud of his physique and very popular with women, took his long white beard in his hand and smiled. Then, after a few moments' reflection, he suddenly became serious.

"Ladies, it will not be an amusing tale, for I am going to relate to you the saddest love affair of my life, and I sincerely hope that none of my friends may ever pass through a similar experience.

"I was twenty-five years of age and was pillaging along the coast of Normandy. I call 'pillaging' wandering about, with a knapsack on one's back, from inn to inn, under the pretext of making studies and sketching landscapes. I knew nothing more enjoyable than that happy-go-lucky wandering life, in which one is perfectly free, without shackles of any kind, without care, without preoccupation, without thinking even of the morrow. One goes in any direction one pleases, without any guide save his fancy, without any counsellor save his eyes. One stops because a running brook attracts one, because the smell of potatoes frying tickles one's olfactories on passing an inn. Sometimes it is the perfume of clematis which decides one in his choice or the roguish glance of the servant at an inn. Do not despise me for my affection for these rustics. These girls have a soul as well as senses, not to mention firm cheeks and fresh lips; while their hearty and willing kisses have the flavor of wild fruit. Love is always love, come whence it may. A heart that beats at your approach, an eye that weeps when you go away are things so rare, so sweet, so precious that they must never be despised.

"I have had rendezvous in ditches full of primroses, behind the cow stable and in barns among the straw, still warm from the heat of the day. I have recollections of coarse gray cloth covering supple peasant skin and regrets for simple, frank kisses, more delicate in their unaffected sincerity than the subtle favors of charming and distinguished women.

"But what one loves most amid all these varied adventures is the country, the woods, the rising of the sun, the twilight, the moonlight. These are, for the painter, honeymoon trips with Nature. One is alone with her in that long and quiet association. You go to sleep in the fields, amid marguerites and poppies, and when you open your eyes in the full glare of the sunlight you descry in the distance the little village with its pointed clock tower which sounds the hour of noon.

"You sit down by the side of a spring which gushes out at the foot of an oak, amid a growth of tall, slender weeds, glistening with life. You go down on your knees, bend forward and drink that cold, pellucid water which wets your mustache and nose; you drink it with a physical pleasure, as though you kissed the spring, lip to lip. Sometimes, when you find a deep hole along the course of these tiny brooks, you plunge in quite naked, and you feel on your skin, from head to foot, as it were, an icy and delicious caress, the light and gentle quivering of the stream.

"You are gay on the hills, melancholy on the edge of ponds, inspired when the sun is setting in an ocean of blood-red clouds and casts red reflections or the river. And at night, under the moon, which passes across the vault of heaven, you think of a thousand strange things which would never have occurred to your mind under the brilliant light of day.

"So, in wandering through the same country where we, are this year, I came to the little village of Benouville, on the cliff between Yport and Etretat. I came from Fecamp, following the coast, a high coast as straight as a wall, with its projecting chalk cliffs descending perpendicularly into the sea. I had walked since early morning on the short grass, smooth and yielding as a carpet, that grows on the edge of the cliff. And, singing lustily, I walked with long strides, looking sometimes at the slow circling flight of a gull with its white curved wings outlined on the blue sky, sometimes at the brown sails of a fishing bark on the green sea. In short, I had passed a happy day, a day of liberty and of freedom from care.