Hawaiian Folk Tales

Highest antiquity is claimed for Hawaiian traditions in regard to events subsequent to the creation of man. “In one of the sacrificial hymns of the Marquesans, when human victims were offered, frequent allusions were made to ‘the red apples eaten in Naoau,’ … and to the ‘tabooed apples of Atea,’ as the cause of death, wars, pestilence, famine, and other calamities, only to be averted or atoned for by the sacrifice of human victims. The close connection between the Hawaiian and the Marquesan legends indicates a common origin, and that origin can be no other than that from which the Chaldean and Hebrew legends of sacred trees, disobedience, and fall also sprang.” In comparison of “the Hawaiian myth of Kanaloa as a fallen angel antagonistic to the great gods, as the spirit of evil and death in the world, the Hebrew legends are more vague and indefinite as to the existence of an evil principle. The serpent of Genesis, the Satan of Job, the Hillel of Isaiah, the dragon of the Apocalypse—all point, however, to the same underlying idea that the first cause of sin, death, evil, and calamities, was to be found in disobedience and revolt from God. They appear as disconnected scenes of a once grand drama that in olden times riveted the attention of mankind, and of which, strange to say, the clearest synopsis and the most coherent recollection are, so far, to be found in Polynesian traditions. It is probably in vain to inquire with whom the legend of an evil spirit and his operations in Heaven and on earth had its origin. Notwithstanding the apparent unity of design and remarkable coincidence in many points, yet the differences in coloring, detail, and presentation are too great to suppose the legend borrowed by one from either of the others. It probably descended to the Chaldeans, Polynesians, and Hebrews alike, from a source or people anterior to themselves, of whom history now is silent.”

II

Exploits of Maui

Rev. A. O. Forbes

I.—Snaring the Sun

Maui was the son of Hina-lau-ae and Hina, and they dwelt at a place called Makalia, above Kahakuloa, on West Maui. Now, his mother Hina made kapas. And as she spread them out to dry, the days were so short that she was put to great trouble and labor in hanging them out and taking them in day after day until they were dry. Maui, seeing this, was filled with pity for her, for the days were so short that, no sooner had she got her kapas all spread out to dry, than the Sun went down, and she had to take them in again. So he determined to make the Sun go slower. He first went to Wailohi, in Hamakua, on East Maui, to observe the motions of the Sun. There he saw that it rose toward Hana. He then went up on Haleakala, and saw that the Sun in its course came directly over that mountain. He then went home again, and after a few days went to a place called Paeloko, at Waihee. There he cut down all the cocoanut-trees, and gathered the fibre of the cocoanut husks in great quantity. This he manufactured into strong cord. One Moemoe, seeing this, said tauntingly to him: “Thou wilt never catch the Sun. Thou art an idle nobody.”

Maui answered: “When I conquer my enemy, and my desire is attained, I will be your death.” So he went up Haleakala again, taking his cord with him. And when the Sun arose above where he was stationed, he prepared a noose of the cord and, casting it, snared one of the Sun’s larger beams and broke it off. And thus he snared and broke off, one after another, all the strong rays of the Sun.

Then shouted he exultingly: “Thou art my captive, and now I will kill thee for thy going so swiftly.”

And the Sun said: “Let me live, and thou shalt see me go more slowly hereafter. Behold, hast thou not broken off all my strong legs, and left me only the weak ones?”

So the agreement was made, and Maui permitted the Sun to pursue its course, and from that time on it went more slowly; and that is the reason why the days are longer at one season of the year than at another. It was this that gave the name to that mountain, which should properly be called Alehe-ka-la (sun snarer), and not Haleakala.

When Maui returned from this exploit, he went to find Moemoe, who had reviled him. But that individual was not at home. He went on in his pursuit till he came upon him at a place called Kawaiopilopilo, on the shore to the eastward of the black rock called Kekaa, north of Lahaina. Moemoe dodged him up hill and down, until at last Maui, growing wroth, leaped upon and slew the fugitive. And the dead body was transformed into a long rock, which is there to this day, by the side of the road.

II.—The Origin of Fire

Maui and Hina dwelt together, and to them were born four sons, whose names were Maui-mua, Maui-hope, Maui-kiikii, and Maui-o-ka-lana. These four were fishermen. One morning, just as the edge of the Sun lifted itself up, Maui-mua roused his brethren to go fishing. So they launched their canoe from the beach at Kaupo, on the island of Maui, where they were dwelling, and proceeded to the fishing ground. Having arrived there, they were beginning to fish, when Maui-o-ka-lana saw the light of a fire on the shore they had left, and said to his brethren: “Behold, there is a fire burning. Whose can this fire be?”

And they answered: “Whose, indeed? Let us return to the shore, that we may get our food cooked; but first let us get some fish.”

So, after they had obtained some fish, they turned toward the shore; and when the canoe touched the beach Maui-mua leaped ashore and ran toward the spot where the fire had been burning. Now, the curly-tailed alae (mud-hens) were the keepers of the fire; and when they saw him coming they scratched the fire out and flew away. Maui-mua was defeated, and returned to the house to his brethren.

Then said they to him: “How about the fire?”

“How, indeed?” he answered. “When I got there, behold, there was no fire; it was out. I supposed some man had the fire, and behold, it was not so; the alae are the proprietors of the fire, and our bananas are all stolen.”

When they heard that, they were filled with anger, and decided not to go fishing again, but to wait for the next appearance of the fire. But after many days had passed without their seeing the fire, they went fishing again, and behold, there was the fire! And so they were continually tantalized. Only when they were out fishing would the fire appear, and when they returned they could not find it.

This was the way of it. The curly-tailed alae knew that Maui and Hina had only these four sons, and if any of them stayed on shore to watch the fire while the others were out in the canoe the alae knew it by counting those in the canoe, and would not light the fire. Only when they could count four men in the canoe would they light the fire. So Maui-mua thought it over, and said to his brethren: “To-morrow morning do you go fishing, and I will stay ashore. But do you take the calabash and dress it in kapa, and put it in my place in the canoe, and then go out to fish.”

They did so, and when they went out to fish the next morning, the alae counted and saw four figures in the canoe, and then they lit the fire and put the bananas on to roast. Before they were fully baked one of the alae cried out: “Our dish is cooked! Behold, Hina has a smart son.”

And with that, Maui-mua, who had stolen close to them unperceived, leaped forward, seized the curly-tailed alae and exclaimed: “Now I will kill you, you scamp of an alae! Behold, it is you who are keeping the fire from us. I will be the death of you for this.”

Then answered the alae: “If you kill me the secret dies with me, and you won’t get the fire.” As Maui-mua began to wring its neck, the alae again spoke, and said: “Let me live, and you shall have the fire.”

So Maui-mua said: “Tell me, where is the fire?”

The alae replied: “It is in the leaf of the a-pe plant” (Alocasia macrorrhiza).

So, by the direction of the alae, Maui-mua began to rub the leaf-stalk of the a-pe plant with a piece of stick, but the fire would not come. Again he asked: “Where is this fire that you are hiding from me?”

The alae answered: “In a green stick.”

And he rubbed a green stick, but got no fire. So it went on, until finally the alae told him he would find it in a dry stick; and so, indeed, he did. But Maui-mua, in revenge for the conduct of the alae, after he had got the fire from the dry stick, said: “Now, there is one thing more to try.” And he rubbed the top of the alae’s head till it was red with blood, and the red spot remains there to this day.

III

Pele and the Deluge

Rev. A. O. Forbes

All volcanic phenomena are associated in Hawaiian legendary lore with the goddess Pele; and it is a somewhat curious fact that to the same celebrated personage is also attributed a great flood that occurred in ancient times. The legends of this flood are various, but mainly connected with the doings of Pele in this part of the Pacific Ocean. The story runs thus:

Kahinalii was the mother of Pele; Kanehoalani was her father; and her two brothers were Kamohoalii and Kahuilaokalani. Pele was born in the land of Hapakuela, a far-distant land at the edge of the sky, toward the southwest. There she lived with her parents until she was grown up, when she married Wahialoa; and to these were born a daughter named Laka, and a son named Menehune. But after a time Pele’s husband, Wahialoa, was enticed away from her by Pele-kumulani. The deserted Pele, being much displeased and troubled in mind on account of her husband, started on her travels in search of him, and came in the direction of the Hawaiian Islands. Now, at that time these islands were a vast waste. There was no sea, nor was there any fresh water. When Pele set out on her journey, her parents gave her the sea to go with her and bear her canoes onward. So she sailed forward, flood-borne by the sea, until she reached the land of Pakuela, and thence onward to the land of Kanaloa. From her head she poured forth the sea as she went, and her brothers composed the celebrated ancient mele:

O the sea, the great sea!Forth bursts the sea:Behold, it bursts on Kanaloa!

But the waters of the sea continued to rise until only the highest points of the great mountains, Haleakala, Maunakea, and Maunaloa, were visible; all else was covered. Afterward the sea receded until it reached its present level. This event is called the Kai a Kahinalii (Sea of Kahinalii), because it was from Kahinalii, her mother, that Pele received the gift of the sea, and she herself only brought it to Hawaii.

And from that time to this, Pele and all her family forsook their former land of Hapakuela and have dwelt in Hawaii-nei, Pele coming first and the rest following at a later time.

On her first arrival at Hawaii-nei, Pele dwelt on the island of Kauai. From there she went to Kalaupapa,1 on the island of Molokai, and dwelt in the crater of Kauhako at that place; thence she departed to Puulaina,2 near Lahainaluna, where she dug out that crater. Afterward she moved still further to Haleakala, where she stayed until she hollowed out that great crater; and finally she settled at Kilauea, on the island of Hawaii, where she has remained ever since.3

IV

Pele and Kahawali

From Ellis’s “Tour of Hawaii”

In the reign of Kealiikukii, an ancient king of Hawaii, Kahawali, chief of Puna, and one of his favorite companions went one day to amuse themselves with the holua (sled), on the sloping side of a hill, which is still called ka holua ana o Kahawali (Kahawali’s sliding-place). Vast numbers of the people gathered at the bottom of the hill to witness the game, and a company of musicians and dancers repaired thither to add to the amusement of the spectators. The performers began their dance, and amidst the sound of drums and the songs of the musicians the sledding of Kahawali and his companion commenced. The hilarity of the occasion attracted the attention of Pele, the goddess of the volcano, who came down from Kilauea to witness the sport. Standing on the summit of the hill in the form of a woman, she challenged Kahawali to slide with her. He accepted the offer, and they set off together down the hill. Pele, less acquainted with the art of balancing herself on the narrow sled than her rival, was beaten, and Kahawali was applauded by the spectators as he returned up the side of the hill.

Before starting again, Pele asked him to give her his papa holua, but he, supposing from her appearance that she was no more than a native woman, said: “Aole! (no!) Are you my wife, that you should obtain my sled?” And, as if impatient at being delayed, he adjusted his papa, ran a few yards to take a spring, and then, with this momentum and all his strength he threw himself upon it and shot down the hill.

Pele, incensed at his answer, stamped her foot on the ground and an earthquake followed, which rent the hill in sunder. She called, and fire and liquid lava arose, and, assuming her supernatural form, with these irresistible ministers of vengeance, she followed down the hill. When Kahawali reached the bottom, he arose, and on looking behind saw Pele, accompanied by thunder and lightning, earthquake, and streams of burning lava, closely pursuing him. He took up his broad spear which he had stuck in the ground at the beginning of the game, and, accompanied by his friend, fled for his life. The musicians, dancers, and crowds of spectators were instantly overwhelmed by the fiery torrent, which, bearing on its foremost wave the enraged goddess, continued to pursue Kahawali and his companion. They ran till they came to an eminence called Puukea. Here Kahawali threw off his cloak of netted ki leaves and proceeded toward his house, which stood near the shore. He met his favorite pig and saluted it by touching noses, then ran to the house of his mother, who lived at Kukii, saluted her by touching noses, and said: “Aloha ino oe, eia ihonei paha oe e make ai, ke ai mainei Pele.” (Compassion great to you! Close here, perhaps, is your death; Pele comes devouring.) Leaving her, he met his wife, Kanakawahine, and saluted her. The burning torrent approached, and she said: “Stay with me here, and let us die together.” He said: “No; I go, I go.” He then saluted his two children, Poupoulu and Kaohe, and said, “Ke ue nei au ia olua.” (I grieve for you two.) The lava rolled near, and he ran till a deep chasm arrested his progress. He laid down his spear and walked over on it in safety. His friend called out for his help; he held out his spear over the chasm; his companion took hold of it and he drew him securely over. By this time Pele was coming down the chasm with accelerated motion. He ran till he reached Kula. Here he met his sister, Koai, but had only time to say, “Aloha oe!” (Alas for you!) and then ran on to the shore. His younger brother had just landed from his fishing-canoe, and had hastened to his house to provide for the safety of his family, when Kahawali arrived. He and his friend leaped into the canoe, and with his broad spear paddled out to sea. Pele, perceiving his escape, ran to the shore and hurled after him, with prodigious force, great stones and fragments of rock, which fell thickly around but did not strike his canoe. When he had paddled a short distance from the shore the kumukahi (east wind) sprung up. He fixed his broad spear upright in the canoe, that it might answer the double purpose of mast and sail, and by its aid he soon reached the island of Maui, where they rested one night and then proceeded to Lanai. The day following they moved on to Molokai, thence to Oahu, the abode of Kolonohailaau, his father, and Kanewahinekeaho, his sister, to whom he related his disastrous perils, and with whom he took up his permanent abode.

V

Hiku and Kawelu

J. S. Emerson

Not far from the summit of Hualalai, on the island of Hawaii, in the cave on the southern side of the ridge, lived Hina and her son, the kupua, or demigod, Hiku. All his life long as a child and a youth, Hiku had lived alone with his mother on this mountain summit, and had never once been permitted to descend to the plains below to see the abodes of men and to learn of their ways. From time to time, his quick ear had caught the sound of the distant hula (drum) and the voices of the gay merrymakers. Often had he wished to see the fair forms of those who danced and sang in those far-off cocoanut groves. But his mother, more experienced in the ways of the world, had never given her consent. Now, at length, he felt that he was a man, and as the sounds of mirth arose on his ears, again he asked his mother to let him go for himself and mingle with the people on the shore. His mother, seeing that his mind was made up to go, reluctantly gave her consent and warned him not to stay too long, but to return in good time. So, taking in his hand his faithful arrow, Pua Ne, which he always carried, he started off.

This arrow was a sort of talisman, possessed of marvellous powers, among which were the ability to answer his call and by its flight to direct his journey.

Thus he descended over the rough clinker lava and through the groves of koa that cover the southwestern flank of the mountain, until, nearing its base, he stood on a distant hill; and consulting his arrow, he shot it far into the air, watching its bird-like flight until it struck on a distant hill above Kailua. To this hill he rapidly directed his steps, and, picking up his arrow in due time, he again shot it into the air. The second flight landed the arrow near the coast of Holualoa, some six or eight miles south of Kailua. It struck on a barren waste of pahoehoe, or lava rock, beside the waterhole of Waikalai, known also as the Wai a Hiku (Water of Hiku), where to this day all the people of that vicinity go to get their water for man and beast.

Here he quenched his thirst, and nearing the village of Holualoa, again shot the arrow, which, instinct with life, entered the courtyard of the alii or chief, of Kona, and from among the women who were there singled out the fair princess Kawelu, and landed at her feet. Seeing the noble bearing of Hiku as he approached to claim his arrow, she stealthily hid it and challenged him to find it. Then Hiku called to the arrow, “Pua ne! Pua ne!” and the arrow replied, “Ne!” thus revealing its hiding-place.

This exploit with the arrow and the remarkable grace and personal beauty of the young man quite won the heart of the princess, and she was soon possessed by a strong passion for him, and determined to make him her husband.

With her wily arts she detained him for several days at her home, and when at last he was about to start for the mountain, she shut him up in the house and thus detained him by force. But the words of his mother, warning him not to remain too long, came to his mind, and he determined to break away from his prison. So he climbed up to the roof, and removing a portion of the thatch, made his escape.

When his flight was discovered by Kawelu, the infatuated girl was distracted with grief. Refusing to be comforted, she tasted no food, and ere many days had passed was quite dead. Messengers were despatched who brought back the unhappy Hiku, author of all this sorrow. Bitterly he wept over the corpse of his beloved, but it was now too late; the spirit had departed to the nether world, ruled over by Milu. And now, stung by the reproaches of her kindred and friends for his desertion, and urged on by his real love for the fair one, he resolved to attempt the perilous descent into the nether world and, if possible, to bring her spirit back.

With the assistance of her friends, he collected from the mountain slope a great quantity of the kowali, or convolvulus vine. He also prepared a hollow cocoanut shell, splitting it into two closely fitting parts. Then anointing himself with a mixture of rancid cocoanut and kukui oil, which gave him a very strong corpse-like odor, he started with his companions in the well-loaded canoes for a point in the sea where the sky comes down to meet the water.

Arrived at the spot, he directed his comrades to lower him into the abyss called by the Hawaiians the Lua o Milu. Taking with him his cocoanut-shell and seating himself astride of the cross-stick of the swing, or kowali, he was quickly lowered down by the long rope of kowali vines held by his friends in the canoe above.

Soon he entered the great cavern where the shades of the departed were gathered together. As he came among them, their curiosity was aroused to learn who he was. And he heard many remarks, such as “Whew! what an odor this corpse emits!” “He must have been long dead.” He had rather overdone the matter of the rancid oil. Even Milu himself, as he sat on the bank watching the crowd, was completely deceived by the stratagem, for otherwise he never would have permitted this bold descent of a living man into his gloomy abode.

The Hawaiian swing, it should be remarked, unlike ours, has but one rope supporting the cross-stick on which the person is seated. Hiku and his swing attracted considerable attention from the lookers-on. One shade in particular watched him most intently; it was his sweetheart, Kawelu. A mutual recognition took place, and with the permission of Milu she darted up to him and swung with him on the kowali. But even she had to avert her face on account of his corpse-like odor. As they were enjoying together this favorite Hawaiian pastime of lele kowali, by a preconcerted signal the friends above were informed of the success of his ruse and were now rapidly drawing them up. At first she was too much absorbed in the sport to notice this. When at length her attention was aroused by seeing the great distance of those beneath her, like a butterfly she was about to flit away, when the crafty Hiku, who was ever on the alert, clapped the cocoanut-shells together, imprisoning her within them, and was then quickly drawn up to the canoes above.

With their precious burden, they returned to the shores of Holualoa, where Hiku landed and at once repaired to the house where still lay the body of his beloved. Kneeling by its side, he made a hole in the great toe of the left foot, into which with great difficulty he forced the reluctant spirit, and in spite of its desperate struggles he tied up the wound so that it could not escape from the cold, clammy flesh in which it was now imprisoned. Then he began to lomilomi, or rub and chafe the foot, working the spirit further and further up the limb.

Gradually, as the heart was reached, the blood began once more to flow through the body, the chest began gently to heave with the breath of life, and soon the spirit gazed out through the eyes. Kawelu was now restored to consciousness, and seeing her beloved Hiku bending tenderly over her, she opened her lips and said: “How could you be so cruel as to leave me?”

All remembrance of the Lua o Milu and of her meeting him there had disappeared, and she took up the thread of consciousness just where she had left it a few days before at death. Great joy filled the hearts of the people of Holualoa as they welcomed back to their midst the fair Kawelu and the hero, Hiku, from whom she was no more to be separated.

Location of the Lua o Milu

In the myth of Hiku and Kawelu, the entrance to the Lua o Milu is placed out to sea opposite Holualoa and a few miles south of Kailua. But the more usual account of the natives is, that it was situated at the mouth of the great valley of Waipio, in a place called Keoni, where the sands have long since covered up and concealed from view this passage from the upper to the nether world.

Every year, so it is told, the procession of ghosts called by the natives Oio, marches in solemn state down the Mahiki road, and at this point enters the Lua o Milu. A man, recently living in Waimea, of the best reputation for veracity, stated that about thirty or more years ago, he actually saw this ghostly company. He was walking up this road in the evening, when he saw at a distance the Oio appear, and knowing that should they encounter him his death would be inevitable, he discreetly hid himself behind a tree and, trembling with fear, gazed in silence at the dread spectacle. There was Kamehameha, the conqueror, with all his chiefs and warriors in military array, thousands of heroes who had won renown in the olden time. Though all were silent as the grave, they kept perfect step as they marched along, and passing through the woods down to Waipio, disappeared from his view.

In connection with the foregoing, Professor W. D. Alexander kindly contributes the following: