Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850.

It was a calm, delicious evening in April, in the year after I had entered the school, that I was strolling alone on the old fortified wall, which, once a strong redoubt, was the favorite walk of the good citizens of Nancy. I was somewhat tired with the fatigues of the day, and sat down to rest under one of the acacia trees, whose delicious blossom was already scenting the air. The night was still and noiseless; not a man moved along the wall; the hum of the city was gradually subsiding, and the lights in the cottages over the plain told that the laborer was turning homeward from his toil. It was an hour to invite calm thoughts, and so I fell a-dreaming over the tranquil pleasures of a peasant's life, and the unruffled peace of an existence passed amid scenes that were endeared by years of intimacy. "How happily," thought I, "time must steal on in these quiet spots, where the strife and struggle of war are unknown, and even the sounds of conflict, never reach." Suddenly my musings were broken in upon by hearing the measured tramp of cavalry, as at a walk, a long column wound their way along the zig-zag approaches, which by many a redoubt and fosse, over many a draw bridge, and beneath many a strong arch, led to the gates of Nancy. The loud, sharp call of a trumpet was soon heard, and, after a brief parley, the massive gates of the fortress were opened for the troops to enter. From the position I occupied exactly over the gate, I could not only see the long, dark line of armed men as they passed, but also hear the colloquy which took place as they entered.

"What regiment?"

"Detachments of the 12th Dragoons and the 22d Chasseurs-à-Cheval."

"Where from?"

"Valence."

"Where to?"

"The army of the Rhine."

"Pass on!"

And with the words the ringing sound of the iron-shod horses was heard beneath the vaulted entrance. As they issued from beneath the long, deep arch, the men were formed in line along two sides of a wide "Place" inside the walls, where, with that dispatch that habit teaches, the billets were speedily distributed, and the parties "told off" in squads for different parts of the city. The force seemed a considerable one, and with all the celerity they could employ, the billeting occupied a long time. As I watched the groups moving off, I heard the direction given to one party, "Cavalry School – Rue de Lorraine." The young officer who commanded the group took a direction exactly the reverse of the right one; and hastening down from the rampart, I at once overtook them, and explained the mistake. I offered them my guidance to the place, which being willingly accepted, I walked along at their side.

Chatting as we went, I heard that the dragoons were hastily withdrawn from the La Vendée to form part of the force under General Hoche. The young sous-lieutenant, a mere boy of my own age, had already served in two campaigns in Holland and the south of France; had been wounded in the Loire, and received his grade of officer at the hands of Hoche himself on the field of battle.

He could speak of no other name – Hoche was the hero of all his thoughts – his gallantry, his daring, his military knowledge, his coolness in danger, his impetuosity in attack, his personal amiability, the mild gentleness of his manner, were themes the young soldier loved to dwell on; and however pressed by me to talk of war and its chances, he inevitably came back to the one loved theme – his general.

When the men were safely housed for the night, I invited my new friend to my own quarters, where, having provided the best entertainment I could afford, we passed more than half the night in chatting. There was nothing above mediocrity in the look or manner of the youth; his descriptions of what he had seen were unmarked by any thing glowing or picturesque; his observations did not evince either a quick or a reflective mind, and yet, over this mass of commonplace, enthusiasm for his leader had shed a rich glow, like a gorgeous sunlight on a landscape, that made all beneath it seem brilliant and splendid.

"And now," said he, after an account of the last action he had seen, "and now, enough of myself; let's talk of thee. Where hast thou been?"

"Here!" said I, with a sigh, and in a voice that shame had almost made inaudible; "Here, here, at Nancy."

"Not always here?"

"Just so. Always here."

"And what doing, mon cher. Thou art not one of the Municipal Guard, surely?"

"No," said I, smiling sadly; "I belong to the 'Ecole d'Equitation.'"

"Ah, that's it," said he, in somewhat of confusion; "I always thought they selected old sergeants en retraite, worn out veterans, and wounded fellows, for riding-school duty."

"Most of ours are such," said I, my shame increasing at every word – "but somehow they chose me also, and I had no will in the matter – "

"No will in the matter, parbleu! and why not? Every man in France has a right to meet the enemy in the field. Thou art a soldier, a hussar of the 9th, a brave and gallant corps, and art to be told, that thy comrades have the road to fame and honor open to them; while thou art to mope away life like an invalided drummer? It is too gross an indignity, my boy, and must not be borne. Away with you to-morrow at day-break to the 'Etat Major,' ask to see the commandant. You're in luck, too, for our colonel is with him now, and he is sure to back your request. Say that you served in the school to oblige your superiors; but that you can not see all chances of distinction lost to you forever, by remaining there. They've given you no grade yet, I see," continued he, looking at my arm.

"None: I am still a private."

"And I a sous-lieutenant, just because I have been where powder was flashing! You can ride well, of course?"

"I defy the wildest Limousin to shake me in my saddle."

"And as a swordsman, what are you?"

"Gros Jean calls me his best pupil."

"Ah, true! you have Gros Jean here; the best 'sabreur' in France! And here you are – a horseman, and one of Gros Jean's 'eléves' – rotting away life in Nancy! Have you any friends in the service?"

"Not one."

"Not one! Nor relations, nor connections?"

"None. I am Irish by descent. My family are only French by one generation."

"Irish? Ah! that's lucky too," said he. "Our colonel is an Irishman. His name is Mahon. You're certain of getting your leave now. I'll present you to him to-morrow. We are to halt two days here, and before that is over, I hope you'll have made your last caracole in the riding-school of Nancy."

"But remember," cried I, "that although Irish by family, I have never been there. I know nothing of either the people or the language; and do not present me to the general as his countryman."

"I'll call you by your name, as a soldier of the 9th Hussars; and leave you to make out your claim as countrymen, if you please, together."

This course was now agreed upon, and after some further talking, my friend, refusing all my offers of a bed, coolly wrapped his cloak about him, and, with his head on the table, fell fast asleep, long before I had ceased thinking over his stories and his adventures in camp and battle-field.

CHAPTER VIII

"TRONCHON."

My duties in the riding-school were always over before mid-day, and as noon was the hour appointed by the young lieutenant to present me to his colonel, I was ready by that time, and anxiously awaiting his arrival. I had done my best to smarten up my uniform, and make all my accoutrements bright and glistening. My scabbard was polished like silver, the steel front on my shako shone like a mirror, and the tinsel lace of my jacket had undergone a process of scrubbing and cleaning that threatened its very existence. My smooth chin and beardless upper lip, however, gave me a degree of distress, that all other deficiencies failed to inflict: I can dare to say, that no mediæval gentleman's bald spot ever cost him one half the misery, as did my lack of mustache occasion me. "A hussar without beard, as well without spurs or sabretasche;" a tambour major without his staff, a cavalry charger without a tail, couldn't be more ridiculous: and there was that old sergeant of the riding-school, "Tronchon," with a beard that might have made a mattress! How the goods of this world are unequally distributed! thought I; still why might he not spare me a little – a very little would suffice – just enough to give the "air hussar" to my countenance. He's an excellent creature; the kindest old fellow in the world. I'm certain he'd not refuse me; to be sure the beard is a red one, and pretty much like bell-wire in consistence; no matter, better that than this girlish smooth chin I now wear.

Tronchon was spelling out the Moniteur's account of the Italian campaign as I entered his room, and found it excessively difficult to get back from the Alps and Apennines to the humble request I preferred.

"Poor fellows," muttered he, "four battles in seven days, without stores of any kind, or rations – almost without bread; and here comest thou, whining because thou hasn't a beard."

"If I were not a hussar – "

"Bah!" said he, interrupting, "what of that? Where should'st thou have had thy baptism of blood, boy? Art a child, nothing more."

"I shared my quarters last night with one, not older, Tronchon, and he was an officer, and had seen many a battle-field."

"I know that, too," said the veteran, with an expression of impatience, "that General Bonaparte will give every boy his epaulets, before an old and tried soldier."

"It was not Bonaparte. It was – "

"I care not who promoted the lad; the system is just the same with them all. It is no longer, 'Where have you served? what have you seen?' but, 'Can you read glibly? can you write faster than speak? have you learned to take towns upon paper, and attack a breast-work with a rule and a pair of compasses!' This is what they called 'la génie,' 'la génie!' ha! ha! ha!" cried he, laughing heartily; "that's the name old women used to give the devil when I was a boy."

It was with the greatest difficulty I could get him back from these disagreeable reminiscences to the object of my visit, and, even then, I could hardly persuade him that I was serious in asking the loan of a beard. The prayer of my petition being once understood, he discussed the project gravely enough; but to my surprise he was far more struck by the absurd figure he should cut with his diminished mane, than I with my mock mustache.

"There's not a child in Nancy won't laugh at me – they'll cry, 'There goes old Tronchon – he's like Klaber's charger, which the German cut the tail off to make a shako plume!'"

I assured him that he might as well pretend to miss one tree in the forest of "Fontainebleu" – that after furnishing a squadron like myself, his would be still the first beard in the Republic; and at last he yielded, and gave in.

Never did a little damsel of the nursery array her doll with more delighted looks, and gaze upon her handiwork with more self-satisfaction, than did old Tronchon survey me, as, with the aid of a little gum, he decorated my lip with a stiff line of his iron red beard.

"Diantre!" cried he, in ecstasy, "if thou ben't something like a man, after all. Who would have thought it would have made such a change? Thou might pass for one that saw real smoke and real fire, any day, lad. Ay! thou hast another look in thine eye, and another way to carry thy head, now! Trust me, thou'lt look a different fellow on the left of the squadron."

I began to think so, too, as I looked at myself in the small triangle of a looking-glass, which decorated Tronchon's wall, under a picture of Kellerman, his first captain. I fancied that the improvement was most decided. I thought that, bating a little over-ferocity, a something verging upon the cruel, I was about as perfect a type of the hussar as need be. My jacket seemed to fit tighter – my pelisse hung more jauntily – my shako sat more saucily on one side of my head – my sabre banged more proudly against my boot – my very spurs jangled with a pleasanter music – and all because a little hair bristled over my lip, and curled in two spiral flourishes across my cheek! I longed to see the effect of my changed appearance, as I walked down the "Place Carrière," or sauntered into the café where my comrades used to assemble. What will Mademoiselle Josephine say, thought I, as I ask for my "petit vèrre," caressing my mustache thus! Not a doubt of it, what a fan is to a woman, a beard is to a soldier! a something to fill up the pauses in conversation, by blandly smoothing with the finger, or fiercely curling at the point!

"And so thou art going to ask for thy grade, Maurice?" broke in Tronchon, after a long silence.

"Not at all. I am about to petition for employment upon active service. I don't seek promotion till I have deserved it."

"Better still, lad. I was eight years myself in the ranks before they gave me the stripe on my arm. Parbleu! the Germans had given me some three or four with the sabre before that time."

"Do you think they'll refuse me, Tronchon?"

"Not if thou go the right way about it, lad. Thou mustn't fancy it's like asking leave from the captain to spend the evening in a guinguette, or to go to the play with thy sweetheart. No, no, boy. It must be done 'en regle.' Thou'lt have to wait on the general at his quarters at four o'clock, when he 'receives,' as they call it. Thou'lt be there, mayhap, an hour, ay, two, or three belike, and after all, perhaps, won't see him that day at all! I was a week trying to catch Kellerman, and, at last, he only spoke to me going down stairs with his staff.

"'Eh, Tronchon, another bullet in thy old carcass; want a furlough to get strong again, eh?'

"'No, colonel; all sound this time. I want to be a sergeant – I'm twelve years and four months corporal.'

"'Slow work, too,' said he, laughing, 'ain't it, Charles?' and he pinched one of his young officers by the cheek. 'Let old Tronehon have his grade; and I say, my good fellow,' said he to me, 'don't come plaguing me any more about promotion, till I'm General of Division. You hear that?'

"Well, he's got his step since; but I never teased him after."

"And why so, Tronchon?" said I.

"I'll tell thee, lad," whispered he, in a low, confidential tone, as if imparting a secret well worth the hearing. "They can find fellows every day fit for lieutenants and chefs d'escadron. Parbleu! they meet with them in every café, in every 'billiard' you enter; but a sergeant, Maurice, one that drills his men on parade – can dress them like a wall – see that every kit is well packed, and every cartouch well filled – who knows every soul in his company as he knows the buckles of his own sword-belt – that's what one should not chance upon, in haste. It's easy enough to manœuvre the men, Maurice; but to make them, boy, to fashion the fellows so that they be like the pieces of a great machine, that's the real labor – that's soldiering, indeed."

"And you say I must write a petition, Tronchon?" said I, more anxious to bring him back to my own affairs, than listen to these speculations of his. "How shall I do it?"

"Sit down there, lad, and I'll tell thee. I've done the thing some scores of times, and know the words as well as I once knew my 'Pater.' Parbleu, I often wish I could remember that now, just to keep me from gloomy thoughts when I sit alone of an evening."

It was not a little to his astonishment, but still more to his delight, that I told the poor fellow I could help to refresh his memory, knowing, as I did, every word of the litanies by heart; and, accordingly, it was agreed on that I should impart religious instruction, in exchange for the secular knowledge he was conferring upon me.

"As for the petition," said Tronchon, seating himself opposite to me at the table, "it is soon done; for, mark me, lad, these things must always be short; if thou be long-winded, they put thee away, and tell some of the clerks to look after thee – and there's an end of it. Be brief, therefore, and next – be legible – write in a good, large round hand; just as, if thou wert speaking, thou wouldst talk with a fine, clear, distinct voice. Well, then, begin thus, 'Republic of France, one and indivisible!' Make a flourish round that, lad, as if it came freely from the pen. When a man writes 'France!' he should do it as he whirls his sabre round his head in a charge! Ay, just so."

"I'm ready, Tronchon, go on."

"'Mon General!' Nay, nay – General mustn't be as large as France – yes, that's better. 'The undersigned, whose certificates of service and conduct are herewith inclosed.'" "Stay, stop a moment, Tronchon; don't forget that I have got neither one or t'other." "No matter; I'll make thee out both. Where was I? Ay, 'herewith inclosed; and whose wounds, as the accompanying report will show – '"

"Wounds! I never received one."

"No matter, I'll – eh – what? Feu d'enfer! how stupid I am! What have I been thinking of? Why, boy, it was a sick-furlough I was about to ask for; the only kind of petition I have ever had to write in a life long."

"And I am asking for active service."

"Ha! That came without asking for in my case."

"Then, what's to be done, Tronchon? clearly, this won't do!"

He nodded sententiously an assent, and, after a moment's rumination, said,

"It strikes me, lad, there can be no need of begging for that which usually comes unlooked for; but if thou don't choose to wait for thy billet for t'other world, but must go and seek it, the best way will be to up and tell the general as much."

"That was exactly my intention."

"If he asks thee 'Canst ride?' just say, 'Old Tronchon taught me;' he'll be one of the young hands, indeed, if he don't know that name! And mind, lad, have no whims or caprices about whatever service he names thee for, even were't the infantry itself! It's a hard word, that! I know it well! but a man must make up his mind for any thing and every thing. Wear any coat, go any where, face any enemy thou'rt ordered, and have none of those new-fangled notions about this general, or that army. Be a good soldier, and a good comrade. Share thy kit and thy purse to the last sous, for it will not only be generous in thee, but that so long as thou hoardest not, thou'lt never be over eager for pillage. Mind these things, and with a stout heart and a sharp sabre, Maurice, 'tu ira loin.' Yes, I tell thee again, lad, 'tu ira loin'."

I give these three words as he said them, for they have rung in my ears throughout all my life long. In moments of gratified ambition, in the glorious triumph of success, they have sounded to me like the confirmed predictions of one who foresaw my elevation, in less prosperous hours. When fortune has looked dark and louring, they have been my comforter and support, telling me not to be downcast or depressed, that the season of sadness would soon pass away, and the road to fame and honor again open before me.

"You really think so, Tronchon? You think that I shall be something yet?'

"'Tu ira loin,' I say," repeated he emphatically, and with the air of an oracle who would not suffer further interrogation. I therefore shook his hand cordially, and set out to pay my visit to the general.

(To be continued.)[From the London Eclectic Review.]

HAVE GREAT POETS BECOME IMPOSSIBLE? 18

"Poetry is declining – poetry is being extinguished – poetry is extinct. To talk of poetry now is eccentricity – to write it is absurdity – to publish it is moonstruck madness." So the changes are rung. Now, it is impossible to deny that what is called poetry has become a drug, a bore, and nuisance, and that the name "Poet," as commonly applied, is at present about the shabbiest in the literary calendar. But we are far from believing that poetry is extinct. We entertain, on the contrary, sanguine hopes of its near and glorious resurrection. Soon do we hope to hear those tones of high melody, which are now like the echoes of forgotten thunder:

"From land to land re-echoed solemnly,

Till silence become music."

We expect, about the very time, when the presumption against the revivication of poetry shall have attained the appearance of absolute certainty, to witness a Tenth Avatar of Genius – and to witness its effect, too, upon the sapient personages who had been predicting that it was forever departed.

But this, it seems, is "not a poetical age." For our parts, we know not what age has not been poetical – in what age have not existed all the elements of poetry, been developed all its passions, and been heard many of its tones. "Were the dark ages poetical?" it will be asked. Yes, for then, as now, there was pathos – there was passion – there were hatred, revenge, love, grief, despair, religion. Wherever there is the fear of death and of judgment, there is, and must be poetry – and when was that feeling more intensely developed than during that dim period? The victims of a spell are objects of poetical interest. Here was a strong spell, embracing a world. Was no arm during the dark ages bared aloft in defense of outraged innocence? Or was no head then covered with the snows of a hundred winters, through one midnight despair? Was the voice of prayer then stifled throughout Europe's hundred lands? Was the mighty heart of man – the throbbing of which is just poetry, then utterly silent? But it was not expressed! We maintain, on the contrary, that it was – expressed at the time, in part by monks, and scalds, and orators, and expressed afterward in the glad energy of the spring which human nature made from its trance, into new life and motion. The elements of poetry had been accumulating in secret. The renovation of letters merely opened a passage for what had been struggling for vent. What is Dante's work but a beautiful incarnation of the spirit of the Middle Ages? His passion is that of a sublimated Inquisitor. His "Inferno" is such a dream as might have been dreamed by a poet monk, whose body had been macerated by austerities, and whose spirit had been darkened by long broodings on the fate of the victims of perdition. It is the poetical part of the passion of those ages of darkness finding a full voice – an eternal echo. And it was not in vain that so deep had been the slumber, when such had been its visions. There is a grandeur about any passion when carried to excess. Superstition, therefore, became the inspiration of one of the greatest productions of the universe. Dante was needed precisely when he appeared. The precise quantity of poetical material to answer the ends of a great original poet was accumulated; and the mighty Florentine, when he rose, became the mouth-piece and oracle of his age and of its cognate ages past – the exact index of all that redeemed, animated, excited, or adorned them.

The crusades, too, were another proof that the slumber in which Europe had been buried was not absolutely and altogether that of stupor or death. They occurred after the noon of that period we usually denominate dark. But they were the realization of a dream which had often passed through the monkish heart – the embodiment, of a wish which had often brought tears into the eyes of genuine enthusiasts. There was, surely, as much sublimity in the first conception as in the execution. What indeed were the crusades, but the means of bringing to light, feelings, desires, passions, a lofty disinterested heroism, which the very depth of the former darkness had tended to foster and fire?

If the dark ages had thus their poetical tendencies, climbing toward a full poetic expression, surely no age need or can be destitute of theirs – need or can be called unpoetical. But the misfortune is, that men will not look at the essential poetry which is lying around them, and under their feet. They suppose their age to be unpoetical, merely because they grapple not with its great excitements, nor will venture to sail upon its "mighty stream of tendency." They overlook the volcano in the next mountain – while admiring or deploring those which have been extinct for centuries, or which are a thousand miles away. They are afraid that if they catch the spirit of their age in verse, they will give it a temporary stamp; and therefore they either abstain from writing, and take to abusing the age on which they have unluckily fallen, or else come to the same resolution after an unsuccessful attempt to revive faded stimulants. Dante embodied, for instance, his countrymen's rude conception of future punishment – and he did well. But our modern religious poets have never ventured to meddle with those moral aspects of the subject which have now so generally supplanted the material. They talk instead, with Pollok, of the "rocks of dark damnation," or outrage common sense by such barbarous mis-creations as he has sculptured on the gate of hell, and think they have written an "Inferno," or that, if they have failed, it is because their age is not poetical.