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Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850.
Specimens of the Bridges, Viaducts, &c., on the United Slates Railroads, by George Duggin, deserves an honorable place by the side of the two preceding serials, as an important contribution to the science of civil engineering in this country. The sixth number has already made its appearance, being the commencement of an elaborate treatise on Bridge-building, illustrated with sketches of the most remarkable specimens in this branch of architecture. The multiplicity of works like those we have just alluded to, and the great and instant popularity which they attain, present a cheering proof of the prevalence of scientific curiosity, and of the mental activity which leads to thorough investigation, among the leading artisans of the United States.
The Second Book in Greek, by John M'Clintock, published by Harper and Brothers, is the complement to the previous volume, entitled First Book in Greek, which, as a practical manual in this branch of philology, has elicited the warmest approbation of judicious teachers. Dr. M'Clintock has brought the resources of a ripe and generous scholarship to the preparation of this work, which, with the other volumes of his Elementary Series in Greek and Latin, is a highly honorable proof of his sound learning and correct taste. The present work gives a full view of the Greek Syntax, with copious illustrations, and extracts from Xenophon's Anabasis, Homer, Anacreon, and sentences from the Greek Dramatists. Its peculiar merit consists in the progressive manner in which the various difficulties of Greek combination are unfolded, the pupil being thus led forward, by a natural sequence, to a mastery of the complicated idioms of the language, and trained imperceptibly to a perception of its rich and wonderful beauties.
Lea and Blanchard, Philadelphia, have republished Impressions and Experiences of the West Indies and North America in 1849, by Robert Baird, an intelligent Scotchman, apparently of the legal profession, but with little of the talent essential to the composition of a popular book of travels. His remarks on the United States are in a more discriminating tone than is often attained by English tourists, but the whole tone of the volume is, for the most part, so prosy and commonplace as to make its perusal an intolerable bore.
Tallis, Willoughby, and Company are publishing a beautifully embellished edition of The Life of Christ, by the Rev. John Fleetwood, with original illustrations by Warren, who has attained a distinguished reputation, as a delineator of Oriental scenery, characters, and costumes. It is to be completed in twenty-five parts, of which two have been issued, in a style of elegant typography, highly creditable to the taste and enterprise of the publishers. The biography of the Saviour by Dr. Fleetwood is written with decorum and gravity, reproducing the consecutive events of the sacred narrative in symmetrical order, and presenting with becoming reserve, such moral reflections as are naturally suggested by the different topics of the sublime history. The work is happily distinguished from several recent attempts on similar themes, by its freedom from the ambitious and disgusting pretension of dressing up the severe simplicity of the Oriental writers in the tawdry and finical robes of modern rhetoric.
The Shoulder-Knot, by the Rev. B. F. Tefft, published by Harper and Brothers, is a work of more than common originality, intended to convey important views of life, through the medium of fiction, and containing many passages of remarkable vigor and beauty. The story is derived from facts in the history of Louis XIII. of France, who, with his Queen, the admirable Anne of Austria, the Queen Mother, the selfish and passionate Mary, and the consummate master of intrigue, Cardinal Richelieu, is made to act a leading part in the development of the narrative. The author displays less skill in the artistic blending together of the principal incidents of the plot, than in his isolated descriptions and conversations, many of which indicate a high order of talent. The whole story is pervaded with a wholesome and elevated religious tone, showing the power of fictitious creation to illustrate the most vitally important truths.
Stringer and Townsend have published a Supplement to Frank Forrester's Fish and Fishing in the United States, by W. H. Herbert, correcting some errors which had crept into the principal work on that subject, and completing the memoirs of the finny tribes under the democratic institutions of America, with the jaunty airiness of description, and genuine relish of natural scenery (as well as of fried fish), which have given such a wide celebrity to the flowing and unctuous pen of Frank Forrester.
The Morning Watch is an anonymous poem, published by George P. Putnam, breathing an atmosphere of tender, religious sentiment, and showing considerable descriptive power. It has not, however, sufficient vigor of imagination to atone for the intense subjectivity of thought which throws a dim haze over the best-conceived passages.
J. Ross Browne's Report of the Debates in the Convention of California on the Formation of the State Constitution, is a curious historical document, and will possess still more interest when the antiquities of the modern Eldorado shall become the object of learned research.
The Mothers of the Wise and Good, by Jabez Burns, D.D., reprinted by Gould, Kendall, and Lincoln, Boston, is a collection of interesting incidents, showing the effects of maternal influence on the formation of character, and tracing the excellence of many eminent men in various walks of life, to the pure and exalted virtues with which they were familiar in early life, within the sacred retirements of the domestic circle.
The seventh number of Carlyle's Latter-Day Pamphlets, issued by Harper and Brothers, is a mere seven-fold repetition of the ancient discontent of the author, whose mirth is changed into a permanent wail, and for whom the "brave o'erhanging firmament has become only a foul and pestilential congregation of vapors." The subject of this number is the "Statue of Hudson," the great deposed Railway King. It says much more of statues in general, than of this particular one of Hudson's. Like all the recent productions of Carlyle, it reminds us of the strugglings of a sick giant, whom his friends in mercy should compel to take to his bed and turn his face to the wall.
An elegant edition of The Illustrated Domestic Bible, by the Rev. Ingram Cobbin, is publishing in numbers by Samuel Hueston. It has brief notes and reflections by the editor, and copious pictorial embellishments, illustrative of Oriental scenery and manners. The work is to be completed in twenty-five numbers.
Stanford and Swords have reprinted a neat edition of Earnestness, or Incidents in the Life of an English Bishop, by Charles B. Taylor, whose rare talent for applying the resources of fiction to the illustration of religious truth has given him an enviable reputation with a large circle of readers. The present work will be found to possess equal interest with the previous religious stories of the author.
Amy Harrington, by the author of The Curate of Linwood, another spirited religious novel, directing a battery of red-hot shot against the Tractarian or Puseyite movement in England, is republished by J. C. Riker. It is written in a tone of uncommon earnestness, and contains some passages of genuine pathos and eloquence.
The Vale of Cedars, by Grace Aguilar, republished by D. Appleton and Co., is a novel of more than ordinary power, indebted for its principal interest to its vivid description of the social condition of Spain during the reign of Isabella. The volume is introduced with an interesting biographical sketch of the able authoress, who died in 1847.
Crosby and Nichols, Boston, have republished Chronicles and Characters of the Stock Exchange, by John Francis, a work describing the progress of financial speculation in England, with great liveliness of delineation, and illustrated with a variety of personal incidents and scenes of the richest character. The volume is intended to give a popular narrative of the money power of England, in a manner at once interesting and suggestive, and it accomplishes its purpose with eminent success.
Wah-to-yah, and the Taos Trail, by Lewis W. Garrard published by H. W. Derby and Co., Cincinnati, is a record of wild adventures among the Indians, by a rollicking Western youth, who never misses the opportunity for a scene, and who tells his story with a gay saucy, good-natured audacity, which makes his book far more companionable than most volumes of graver pretensions. Commend us to young Garrard, whoever he may be, as a free and easy guide to the mysteries of life in the forest.
Poems by H. Ladd Spencer, published by Phillips, Sampson, and Co., Boston, are rather remarkable specimens of juvenile precocity, most of them having been written in the days of the author's earliest boyhood, and some of them during his twelfth year, and at a period little less remote. Their poetical merit must, of course, be inconsiderable, and they are not sufficiently curious to warrant publication.
D. Appleton and Co. have issued a novel entitled Heloise, or the Unrevealed Secret, by Talvi, the gifted authoress of The Sketch of the Slavic Language and Literature, which is entitled to special commendation among the recent productions of American literature. Without the machinery of a complicated plot, and in language that is almost sculpturesque in its chaste simplicity, it possesses an intense and unflagging interest, by its artistic delineation of character, its profound insight into the mysteries of passion, and the calm, delicate, spiritual beauty of its heroine. Its subtle conception of the nicest variations of feeling, is no less remarkable than its precision in the use of language, the work, for the most part, not only reading like the production of a native, but of one familiar with the most intimate resources of idiomatic English. A very few exceptions to this remark in some portions of the dialogue, whose naïveté atones for their inaccuracy, only present the general purity of the composition in a more striking light. We sincerely trust that the writer, who has been so happily distinguished in the field of literary research, will be induced, by the success of this volume, to continue her labors in the province of fictitious creation. Nothing is wanting to her assurance of an enviable fame in this department of letters.
The Initials is the title of an English novel, reprinted by A. Hart, Philadelphia, illustrative of German life and character, and in all respects of more interest than would be predicted from its ambiguous designation.
The Lorgnette, published by Stringer and Townsend, continues to make its appearance once a fortnight, and well sustains the reputation it has acquired, as a brilliant, searching, and good-humored satirical commentary on the many-colored phantasmagoria of the town. The name of the author is still a dead secret, in spite of numerous hints and winks among the knowing ones, and he is shrewd enough to prefer the prestige of concealment to the tickling of his vanity by publicity. The most noticeable feature in his work is its quiet, effective style of composition, which is utterly free from the pyrotechnic arts of so many current pretenders.
SUMMER FASHIONS
Promenade Dress. – For walking in public gardens, barège dresses, plain or figured, are generally adopted; but glacé, or damask bareges are the most recherchés. Dresses of shot silk form also charming toilets. The skirts are less full than those of last year – but, to compensate for it, they are trimmed with graduated flounces up to the waist – as many as five are worn, and they are pinked and stamped at the edges. The bodies are tight, and open in front; a cord connects the two sides of the corsage, and buttons, either of silk, colored stones, or steel, are placed on the centre of this cord. The sleeves are wider at the bottom than at the top, and are trimmed with two small flounces; from beneath them a large lace sleeve falls over the hand, leaving the lower part of the arm uncovered. This form of sleeve is very becoming to the hand.
Mantelets are very slightly altered; they are, however, rather more closely fitted to the figure than last year; they are all made of taffetas glacé, and trimmed with pinked ruches of the same material for young persons, and with wide black lace for married ladies.
is a Pelerine of a pattern quite new; made of embroidered net, trimmed with three rows of point d'Alençon, and ornamented with a large knot of ribbons Bayadère. Another pattern is of Indian muslin Canezcu, embroidered and trimmed with malines, open and buttoned up in the back.
is a neat costume for a little girl.
Dress of glacé silk, shaded in light green and lilac. The skirt trimmed with four rows of fringe of green and lilac silk intermingled. The corsage low and plain, with a pelerine which passes along the back and shoulders, and is brought down to the front of the waist in a point. This pelerine is edged with two rows of fringe. The sleeves of the dress, which are short, are edged simply with one row of fringe. Attached to these short sleeves are long sleeves of white muslin made so as to set nearly close to the upper part of the arms, but finished between the elbow and the wrist with three drawings separated by bands of needlework insertion. Above these drawings there is a frill which falls back on the arm. The neck is covered by a chemisette of muslin, finished at the throat with a trimming of needlework, turned over.
Home Dress. – Morning cap trimmed with Valenciennes and gauze ribbons, cut out in the shape of leaves, muslin guimpe bouillonné, with embroidered entre-deux; the gown en gros d'Ecosse, with facing and trimmings cut out; pagode sleeves, with a white muslin puffing ornamented with a very large bouillonné.
In the engraving is represented a Ball Costume, with a graceful head-dress, composed of a vine garland with grapes; on each side hangs a bunch of grapes (several little hunches are preferred). The novelty of this year is to be observed in the length of the branches, which come down on the shoulders, mixing with long curls. This head-dress is worn also with bandeaux, but then the garland must be thicker in the lower part. The leaves are of different colors, from the various shades of green to the autumnal red tint. This kind of garland is made also of ivy, with small red balls. The gowns are of taffetas d'Italie—white, rose, or blue (their shades are to be glacés de blanc): the body is trimmed with a berthe, made of two rows of blonde; the front ornamented with a puffing of white net laced with satin ribbons the color of the gown.
1
After the death of More, this favorite home of his, where he had so frequently gathered "a choice company of men distinguished by their genius and learning," passed into the rapacious hands of his bad sovereign, and by him was presented to Sir William Pawlet, ultimately Lord High Treasurer and Marquis of Winchester; from his hands it passed into Lord Dacre's, to whom succeeded Lord Burghley; then followed his son, the Earl of Salisbury, as its master; from him it passed successively to the Earl of Lincoln, Sir Arthur Gorges, the Earl of Middlesex, Villiers duke of Buckingham, Sir Bulstrode Whitelock, the second Duke of Buckingham, the Earl of Bristol, the Duke of Beaufort, and ultimately to Sir Hans Slonne, who obtained it in 1738, and after keeping it for two years razed it to the ground; an unhappy want of reverence on the part of the great naturalist for the home of so many great men. There is a print of it by J. Knyff, in 1699, which is copied (p. 292); it shows some old features, but it had then been enlarged and altered. Erasmus has well described it as it was in More's lifetime. It had "a chapel, a library, and a gallery, called the New Buildings, a good distance from his main house, wherein his custom was to busy himself in prayer and meditation, whensoever he was at leisure." Heywood, in his II Moro (Florence, 1556), describes "the garden as wonderfully charming, both from the advantages of its site, for from one part almost the whole of the noble city of London was visible, and from the other the beautiful Thames, with green meadows by woody eminences all around, and also for its own beauty, for it was crowned with an almost perpetual verdure." At one side was a small green eminence to command the prospect.
2
The conduct of this great man's house was a model to all, and as near an approach to his own Utopia as might well be. Erasmus says, "I should rather call his house a school or university of Christian religion, for though there is none therein but readeth and studyeth the liberal sciences, their special care is piety and virtue; there is no quarreling or intemperate words heard; none seen idle; which household discipline that worthy gentleman doth not govern, but with all kind and courteous benevolence." The servant-men abode on one side of the house, the women on another, and met at prayer-time, or on church festivals, when More would read and expound to them. He suffered no cards or dice, but gave each one his garden-plot for relaxation, or set them to sing or play music. He had an affection for all who truly served him, and his daughters' nurse is as affectionately remembered in his letters when from home as are they themselves. "Thomas More sendeth greeting to his most dear daughters Margaret, Elizabeth, and Cecily; and to Margaret Giggs, as dear to him as if she were his own," are his words in one letter; and his valued and trustworthy domestics appear in the family pictures of the family by Holbein. They requited his attachment by truest fidelity and love; and his daughter Margaret, in her last passionate interview with her father on his way to the Tower, was succeeded by Margaret Giggs and a maid-servant, who embraced and kissed their condemned master, "of whom, he said after, it was homely but very lovingly done." Of these and other of his servants, Erasmus remarks, "after Sir Thomas More's death, none ever was touched with the least suspicion of any evil fame."
3
Wood and Weaver both affirm that the body of More was first deposited in the Tower Chapel, but was subsequently obtained by his devoted and accomplished daughter, Margaret Roper, and re-interred in Chelsea Church, in the tomb he had finished in 1532, the year in which he had surrendered the chancellorship, and resolved to abide the issue of his conscientious opposition to the king's wishes, as if he felt that the tomb should then be prepared.
4
Faulkner, in his history of Chelsea, adheres to this opinion, and says that the tomb in that church is but "an empty cenotaph." His grandson, in his Life, says, "his body was buried in the Chapel of St. Peter, in the Tower, in the belfry, or, as some say, as one entereth into the vestry;" and he does not notice the story of his daughter's re-interment of it elsewhere.
5
The Ropers lived at Canterbury, in St Dunstan's-street. The house is destroyed, and a brewery occupies its site; but the picturesque old gateway, of red brick, still remains, and is engraved above. Margaret Roper, the noble-hearted, learned, and favorite daughter of More resided here with her husband, until her death, in 1544, nine years after the execution of her father, when she was buried in the family vault at St. Dunstan's, where she had reverently placed the head of her father. The story of her piety is thus told by Cresacre More, in his life of his grandfather, Sir Thomas: "His head having remained about a month upon London Bridge, and being to be cast into the Thames, because room should be made for divers others, who, in plentiful sort, suffered martyrdom for the same supremacy, shortly after, it was bought by his daughter Margaret, lest, as she stoutly affirmed before the council, being called before them after for the matter, it should be food for fishes; which she buried, where she thought fittest." Anthony-a-Wood says, that she preserved it in a leaden box, and placed it in her tomb "with great devotion;" and in 1715, Dr. Rawlinson told Hearne the antiquary, that he had seen it there "inclosed in an iron grate." This was fully confirmed in 1835, when the chancel of the church being repaired, the Roper vault was opened, and several persons descended into it, and saw the skull in a leaden box, something like a bee-hive, open in the front, and which was placed in a square recess, in the wall, with an iron-grating before it. A drawing was made, which was engraved in the Gentleman's Magazine of May, 1837, which we have copied in our initial letter; Summerly, in his Handbook to Canterbury, says: "In the print there, however, the opening in the leaden box, inclosing the head, is made oval, whereas it should be in the form of a triangle." We have therefore so corrected our copy.
6
Naseby, June 14, 1646.
7
It was this invasion that made Corsica a French island, and consequently Napoleon Bonaparte a French citizen
8
He had also been confined in two prisons, in the Ile de Rue, and the Castle of Dijon.
9
Madame Campan's Memoirs.
10
Madame de Staël.
11
Bertrand de Moleville.
12
De Levis.
13
De Ferrieres.
14
The idea of this story is partly taken from a Danish Visa, or legendary ballad, entitled "Proud Margaret."
15
Hyldemoer, elder-mother, is the name of a Danish elf inhabiting the elder-tree. Eda signifies a grandmother or female ancestor. Children born on Sundays were especially under the power of the elves.
16
Kong Tolv, or King Twelve, is one of the Elle-kings who divide the fairy sovereignty of Zealand.
17
Dronningstolen, or Queen's Chair.
18
The Roman: a Dramatic Poem. By Sydney Yendys. London: Rantley, 1850.
19
See "Life and Letters of Campbell." Vol. I. Residence in Mull.
20
Channing.
21
Peter's Letters to his Kinsfolk, 2d edit, vol. iii pp 267-273.
22
Foster.
23
Memoirs of the Life of the Right Hon. Sir James Mackintosh, vol. ii. p. 343. The person known among his particular friends by the name of "Bobus" was Robert Smith, who had held the office of Advocate-General in Bengal, and who is not to be confounded with his namesake, the brother of the Rev. Sydney Smith.
24
Professor Rymer Jones.
25
The Atlantic has just made the passage direct in ten days and sixteen hours.