Horace Chase

"No, you needn't; I'll see to you," answered Dolly. "If I notice you edging up too near him, I'll give a loud ahem. Stay and amuse yourself; you know you like it."

And Malachi Hill did like it. In his mission-work he was tirelessly energetic, self-sacrificing, devoted; on the other hand, he was as fond of merrymaking as a boy. He pulled the candy with glee, but also with eager industry, covering platter after platter with his braided sticks. His only rival in diligence was Chase, who also showed great energy. Dolly pulled; Mrs. Franklin pulled; even Etheridge helped. Ruth did not accomplish much, for she stopped too often; but when she did work she drew out the fragrant strands to a greater length than any one else attempted, and she made wheels of it, and silhouettes of all the company, including Mr. Trone. Miss Billy had begun with much interest; then, seeing that Larue had done nothing beyond arranging the platters and plates in mathematical order on the table, she stopped, slipped out, and went up-stairs to wash her hands. When she returned, fortune favored her; the only vacant seat was one near him, and, after a short hesitation, she took it. Larue did not speak; he was looking at Ruth, who was now pulling candy with Horace Chase, drawing out the golden rope to a yard's length, and throwing the end back to him gayly.

Finally, when not even the painstaking young missionary could scrape another drop from the exhausted pot, Dolly, taking her violin, played a waltz. The uncarpeted floor was tempting, and after all the sticky hands had been washed, the dancing began – Ruth with Chase, Etheridge with Miss Billy; then Etheridge with Mrs. Franklin, while Miss Billy returned quickly to her precious chair.

"But these dances do not compare with the old ones," said Mrs. Franklin, when they had paused to let Dolly rest. "There was the mazurka; and the varsovienne – how pretty that was! La-la-la, la, la!" And humming the tune, she took a step or two lightly. Etheridge, who knew the varsovienne, joined her.

"Go on," said Ruth. "I'll whistle it for you." And sitting on the edge of a table she whistled the tune, while the two dancers circled round the kitchen, looking extremely well together.

"Whistling girls, you know," said Chase, warningly.

He had joined Ruth, and was watching her as she performed her part. She kept on, undisturbed by his jests, bending her head a little to the right and to the left in time with the music; her whistling was as clear as a flute.

"And then there was the heel-and-toe polka. Surely you remember that, commodore," pursued Mrs. Franklin, with inward malice.

For the heel-and-toe was a very ancient memory. It was considered old when she herself had seen it as a child.

"Never heard of it in my life," answered Etheridge. "Hum – ha."

"Oh, I know the heel-and-toe," cried Ruth. "I learned it from mother ages ago, just for fun. Are you rested, Dolly? Play it, please, and mother and I will show them."

Dolly began, and then Mrs. Franklin and Ruth, tall, slender mother, and tall, slender daughter, each with one arm round the other's waist, and the remaining arm held curved above the head, danced down the long room together, taking the steps of the queer Polish dance with charming grace and precision.

"Oh, dear Mrs. Franklin, so young and cheerful! So pleasant to see her, is it not? So lovely! Don't you think so? And dancing is so interesting in so many ways! Though, of course, there are other amusements equally to be desired," murmured Miss Billy, incoherently, to Larue.

"Now we will have a quadrille, and I will improvise the figures," said Ruth. "Mother and the commodore; Miss Billy and Mr. Larue; Mr. Chase with me; and we will take turns in making the fourth couple."

"Unfortunately, I don't dance," observed Larue.

"Spoil-sport!" said Ruth, annihilatingly.

"You got it that time," remarked Chase, condolingly, to the other man.

"Miss Ruth, I can take the senator's place, if you like," said Malachi Hill, springing up, good-naturedly.

Since the termination of the candy-pulling, he had been sitting contentedly beside Dolly, watching her play, and regaling himself meanwhile with a stick of the fresh compound, its end carefully enveloped in a holder of paper.

"Excellent," said Ruth. "Please take Miss Billy, then."

Poor Miss Billy, obliged to dance with a misguided clergyman! This time there was not the excuse of the Mission; it was a real dance. He already smoked; the next step certainly would be cards and horse-racing! While she was taking her place, Rinda ushered in a new guest.

"Maud Muriel – how lucky!" exclaimed Ruth. "You are the very person we need, for we are trying to get up a quadrille, and have not enough persons. I know you like to dance?"

"Yes, I like it very much – for hygienic reasons principally," responded the new-comer.

"Please take my place, then," Ruth went on. "This is Mr. Chase, Miss Maud Mackintosh. Now we will see if our generic geologist and sensational senator will refuse to dance with me." And sinking suddenly on her knees before Larue, Ruth extended her hands in petition.

"What is all that she called him, Miss Maud?" inquired Chase, laughing.

"Miss Mackintosh," said his partner, correctively. "They are only alliterative adjectives, Mr. Chase, rather indiscriminately applied. Ruth is apt to be indiscriminate."

Larue had risen, and Ruth triumphantly led him to his place. He knew that she was laughing at him; in fact, as he went through the figures calmly, his partner mimicked him to his face. But he was indifferent alike to her laughter and her mimicry; what he was noticing was her beauty. If he had been speaking of her, he would have called her "prettyish"; but as he was only thinking, he allowed himself to note the charm of her eyes for the moment, the color in her cheeks and lips. For he was sure that it was only for the moment. "The coloring is evanescent," was his mental criticism. "Her beauty will not last. For she is handsome only when she is happy, and happiness for her means doing exactly as she pleases, and having her own way unchecked. No woman can do that forever. By the time she is thirty she may be absolutely plain."

Maud Muriel had laid aside her hat and jacket. She possessed a wealth of beautiful red hair, whose thick mass was combed so tightly back from her forehead that it made her wink; her much-exposed countenance was not at all handsome, though her hazel eyes were large, calm, and clear. She was a spinster of thirty-six – tall and thin, with large bones. And from her hair to her heels she was abnormally, extraordinarily straight. She danced with much vigor, scrutinizing Chase, and talking to him in the intervals between the figures. These intervals, however, were short, for Ruth improvised with rapidity. Finally she kept them all flying round in a circle so long that Mrs. Franklin, breathless, signalled that she must pause.

"Now we are all hungry," said Ruth. "Zoe, see to the coffee. And, Rinda, you may make ready here. We won't go to the dining-room, His Grand; it's much more fun in the kitchen."

Various inviting dishes were soon arrayed upon a table. And then Ruth, to pass away the time until the coffee should be ready, began to sing. All the Franklins sang; Miss Billy had a sweet soprano, Maud Muriel a resonant contralto, and Malachi Hill a tenor of power; Etheridge, when he chose, could add bass notes.

"Hark, the merry merry Christ-Church bells,One, two, three, four, five, six;They sound so strong, so wondrous sweet,And they troll so merrily, merrily."

Horace Chase took no part in the catch song; he sat looking at the others. It was the Franklin family who held his attention – the mother singing with light-hearted animation; Dolly playing her part on her violin, and singing it also; and Ruth, who, with her hands clasped behind her head, was carolling like a bird. To Chase's mind it seemed odd that a woman so old as Mrs. Franklin, a woman with silver hair and grown-up children, should like to dance and sing. Dolly was certainly a very "live" invalid! And Ruth – well, Ruth was enchanting. Horace Chase's nature was always touched by beauty; he was open to its influences, it had been so from boyhood. What he admired was not regularity of feature, but simply the seductive sweetness of womanhood. And, young as she was, Ruth Franklin's face was full of this charm. He looked at her again as she sat singing the chorus:

"Hark, the first and second bell,Ring every day at four and ten" —

Then his gaze wandered round the kitchen. From part of the wall the plastering was gone; it had fallen, and had never been replaced. The housewives whom he had hitherto known, so he said to himself, would have preferred to have their walls repaired, and spend less, if necessary, upon dinners. Suppers, too! (Here he noted the rich array on the kitchen table.)

This array was completed presently by the arrival of the coffee, which filled the room with its fragrant aroma, and the supper was consumed amid much merriment. When the clock struck twelve, Maud Muriel rose. "I must be going," she said. "Wilhelmina, I came for you; that is what brought me. When I learned at the hotel that you were here, I followed for the purpose of seeing you home."

"Allow me the pleasure of accompanying you both," said Chase.

"That is not necessary; I always see to Wilhelmina," answered Miss Mackintosh, as she put on her hat.

"Yes; she is so kind," murmured Miss Billy. But Miss Billy in her heart believed that in some way or other Achilles Larue would yet be her escort (though he never had been that, or anything else, in all the years of their acquaintance). He was still in the house, and so was she; something might happen!

What happened was that Larue took leave of Mrs. Franklin, and went off alone.

Then Billy said to herself: "On the whole, I'm glad he didn't suggest it. For it is only five minutes' walk to the hotel, and if he had gone with me it would have counted as a call, and then he needn't have done anything more for a long time. So I'm glad he did not come. Very."

"Maud Muriel," demanded Dolly, "why select a clay pipe?"

"Oh, did you see me?" inquired Miss Mackintosh, composedly. "I use a clay pipe, Dolly, because it is cleaner; I can always have a new one. Smoking is said to insure the night's rest, and so I thought it best to learn it, as my brother's children are singularly active at night. I have been practising for three weeks, and I generally go to the woods, where no one can see me. But to-day I did not have time."

Chase broke into a laugh. Etheridge had emitted another ho, ho, ho! Then he gave Maud a jovial tap. "My dear young lady, don't go to the woods. Let me come, with another clay pipe, and be your protector."

"I have never needed a protector in my life," replied Miss Mackintosh; "I don't know what that feeling is, commodore. I secrete myself simply because people might not understand my motives; they might think that I was secretly given to dissolute courses. Are you ready, Wilhelmina?"

As the two ladies opened the outer door and stepped forth into the darkness, Chase, not deterred by the rebuff he had received from the stalwart virgin, passed her, and offered his arm to the gentler Miss Billy. And then Malachi Hill, feeling that he must, advanced to offer himself as escort for the remaining lady.

"Poor manikin! Do you think I need you?" inquired the sculptress sarcastically, under her breath.

The young clergyman disappeared. He did not actually run. But he was round the corner in an astonishingly short space of time.

Etheridge was the last to take leave. "Well, you made a very merry party for your bubbling friend," he said to Mrs. Franklin.

"It wasn't for him," she answered.

"He is not mother's bubbling friend, and he is not Dolly's, either," said Ruth; "he is mine alone. Mother and Dolly do not in the least appreciate him."

"Is he worth much appreciation?" inquired Etheridge, noting her beauty as Larue had noted it. "How striking she grows!" he thought. And, forgetting for the moment what they were talking about, he looked at her as Chase had looked.

Meanwhile Ruth was answering, girlishly: "Much appreciation? All, commodore – all. Mr. Chase is splendid!"

CHAPTER IV

NOTHING could exceed the charm of the early summer, that year, in this high valley. The amphitheatre of mountains had taken on fresher robes of green, the air was like champagne; it would have been difficult to say which river danced more gayly along its course, the foam-flecked French Broad, its clear water open to the sunshine, or the little Swannanoa, frolicking through the forest in the shade.

One morning, a few days after the candy-pulling at L'Hommedieu, even Maud Muriel was stirred to admiration as she threw open the blinds of her bedroom at her usual early hour. "No humidity. And great rarefaction," she said to herself, as she tried the atmosphere with a tentative snort. Maud Muriel lived with her brother, Thomas Mackintosh; that is, she had a room under his roof and a seat at his table. But she did not spend much time at home, rather to the relief of Mrs. Thomas Mackintosh, an easy-going Southern woman, with several young children, including an obstreperous pair of twins. Maud Muriel, dismissing the landscape, took a conscientious sponge-bath, and went down to breakfast. After breakfast, on her way to her studio, she stopped for a moment to see Miss Billy. "At any rate, I walk well," she had often thought with pride. And to-day, as she approached the hotel, she was so straight that her shoulders tipped backward.

Miss Billy was staying at the inn. This hotel bore the name "The Old North State," the loving title given by native North-Carolinians to their commonwealth – a commonwealth which, in its small long-settled towns, its old farms, and in the names of its people, shows less change in a hundred years than any other portion of the Union. The Old North, as it was called, was a wooden structure painted white, with outside blinds of green; in front of it extended a row of magnificent maple-trees. Miss Billy had a small sitting-room on the second floor; Maud Muriel, paying no attention to the negro servants, went up the uncarpeted stairway to her friend's apartment, and, as she opened the door, she caught sight of this friend carefully rolling a waste bit of string into a small ball.

"Too late – I saw you," she said. (For Miss Billy had nervously tried to hide the ball.) "I know you have at least fifty more little wads of the same sort somewhere, arranged in graded rows! A new ball of string of the largest size – enough to last a year – costs a dime, Wilhelmina. You must have a singularly defective sense of proportion to be willing to give many minutes (for I have even seen you taking out knots!) to a substance whose value really amounts to about the thousandth part of a cent! I have stopped on my way to the barn to tell you two things, Wilhelmina. One is that I do not like your 'Mountain Walk.'" Here she took a roll of delicately written manuscript, tied with blue ribbons, from her pocket, and placed it on the table. "It is supposed to be about trees, isn't it? But you do not describe a single one with the least accuracy; all you do is to impute to them various allegorical sentiments, which no tree – a purely vegetable production —ever had."

"It was only a beginning – leading up to a study of the pre-Adamite trees, which I hope to make, later," Miss Billy answered. "Ruskin, you know – "

"You need not quote Ruskin to me – a man who criticises sculpture without any practical knowledge whatever of human anatomy; a man who subordinates correct drawing in a picture to the virtuous state of mind of the artist! If Ruskin's theory is true, very good persons who visit the poor and go to church, are, if they dabble in water-colors, or pen-and-ink sketches, the greatest of artists, because their piety is sincere. And vice versa. The history of art shows that, doesn't it?" commented Maud, ironically. "I am sorry to see that you sat up so late last night, Wilhelmina."

"Why, how do you know?" said Miss Billy, guiltily conscious of midnight reading.

"By the deep line between your eyebrows. You must see to that, or you will be misjudged by scientific minds. For marked, lined, or wrinkled foreheads indicate criminal tendencies; the statistics of prisons prove it. To-night put on two pieces of strong sticking-plaster at the temples, to draw the skin back. The other thing I had to tell you is that the result of my inquiries of a friend at the North who keeps in touch with the latest investigations of Liébeault and the Germans, is, that there may, after all, be something in the subject you mentioned to me, namely, the possibility of influencing a person, not present, by means of an effort of will. So we will try it now – for five minutes. Fix your eyes steadily upon that figure of the carpet, Wilhelmina" – she indicated a figure with her parasol – "and I will do the same. As subject we will take my sister-in-law. We will will her to whip the twins. Are you ready?" She took out her watch. "Begin, then."

Miss Billy, though secretly disappointed in the choice of subject, tried hard to fix her mind upon the proposed castigation. But in spite of her efforts her thoughts would stray to the carpet itself, to the pattern of the figure, and its reds and greens.

"Time's up," announced Maud, replacing her watch in the strong watch-pocket on the outside of her skirt; "I'll tell you whether the whipping comes off. Do you think it is decent, Wilhelmina, to be dressing and undressing yourself whenever you wish to know what time it is?" (For Miss Billy, who tried to follow the fashions to some extent, was putting her own watch back in her bodice, which she had unbuttoned for the purpose.) "Woman will never be the equal of man until she has grasped the conception that the position of her pockets should be unchangeable," Maud went on.

"I think I will go with you as far as L'Hommedieu," suggested Billy, ignoring the subject of the watch-pocket (an old one). "I have some books to take, so I may as well." She put on her hat, and piled eight dilapidated paper-covered volumes on her arm.

"Are you still collecting vapid literature for that feather-headed woman?" inquired Maud. For Billy went all over Asheville, to every house she knew, and probed in old closets and bookcases in search of novels for Mrs. Franklin. For years she had performed this office. When Mrs. Franklin had finished reading one set of volumes, Billy carried them back to their owners, and then roamed and foraged for more.

"If you do go as far as L'Hommedieu, you must stop there definitely; you must not go on to the barn," Maud Muriel announced, as they went down the stairs. "For if you do, you will stay. And then I shall be going back with you, to see to you. And then you will be coming part way back with me, to talk. And thus we shall be going home with each other all the rest of the day!" She passed out and crossed the street, doing it in the face of the leaders of a team of six horses attached to one of the huge mountain wagons, which are shaped like boats tilted up behind; for two files of these wagons, heavily loaded, were coming slowly up the road. Miss Billy started to cross also, but after three or four steps she turned and hurried back to the curb-stone. Then suddenly she started a second time, running first in one direction, then in another, and finally and unexpectedly in a third, so that the drivers of the wagons nearest to her, and even the very horses themselves, were filled with perplexity as to the course which she wished to pursue. Miss Billy, meanwhile, finding herself hemmed in, began to shriek wildly. The drivers in front stretched their necks round the corners of the canvas hoods erected, like gigantic Shaker bonnets, over their high-piled loads, in order to see what was the matter. And the drivers who were behind stood up and peered forward. But they could make out nothing, and, as Miss Billy continued her yells, the whole procession, and with it the entire traffic of the main street, came slowly to a pause. The pause was not long. The energetic Maud Muriel, jerking up the heads of two of the leaders, made a dive, caught hold of her frightened friend, and drew her out by main strength. The horses whom she had thus attacked, shook themselves. "Hep!" called their driver. "Hep!" called the other drivers, in various keys. And then, one by one, with a jerk and a creak, the great wains started on again.

When the friends reached L'Hommedieu, Billy was still trembling.

"I'd better take them in for you," said Maud Muriel, referring to the load of books which Billy was carrying for her companion. They found Dolly in the parlor, winding silk for her next pair of stockings. "Here are some volumes which Wilhelmina is bringing to Mrs. Franklin," said Maud Muriel, depositing the pile on a table.

"More novels?" said Dolly. "I'm so glad. Thank you, Miss Billy. For mother really has nothing for to-day. The one she had yesterday was very dull; she said she was 'worrying' through it. It was a story about female suffrage – as though any one could care for that!"

"Care for it or not, it is sure to come," declared Miss Mackintosh.

"Yes, in A.D. 5000."

"Sooner, much sooner. We may not see it," pursued Maud Muriel, putting up her finger impressively. "But, mark my words, our children will."

Miss Billy listened to this statement with the deepest interest.

"Well, Maud Muriel – Miss Billy, yourself, and myself as parents– that certainly is a new idea!" Dolly replied.

Ruth came in. At the same moment Maud Muriel turned to go; and, unconsciously, Billy made a motion as if about to follow.

"Wilhelmina, you are to stay," said Maud, sternly, as she departed, straighter than ever.

"Yes, Miss Billy, please stay," said Ruth. "I want you to go with me to see Genevieve."

"Genevieve?" repeated Dolly, surprised.

"Yes. She has bought another new dress for me, and this time she is going to fit it herself, she says, so that there may be no more bagging," answered Ruth, laughing. "I know she intends to squeeze me up. And so I want Miss Billy to come and say it's dangerous!"

Ruth was naturally what is called short-waisted; this gave her the long step which in a tall, slender woman is so enchantingly graceful. Genevieve did not appreciate grace of this sort. In her opinion Ruth's waist was too large. If she had been told that it was the waist of Greek sculpture, the statement would not have altered her criticism; she had no admiration for Greek sculpture; the few life-sized casts from antique statues which she had seen had appeared to her highly unpleasant objects. Her ideas of feminine shape were derived, in fact, from the season's fashion plates. Her own costumes were always of one unbroken tint, the same from head to foot. To men's eyes, therefore, her attire had an air of great simplicity. Women perceived at once that this unvarying effect was not obtained without much thought, and Genevieve herself would have been the last to disclaim such attention. For she believed that it was each woman's duty to dress as becomingly as was possible, because it increased her attraction; and the greater her attraction, the greater her influence. If she had been asked, "influence for what?" she would have replied unhesitatingly, "influence for good!" Her view of dress, therefore, being a serious one, she was disturbed by the entire indifference of her husband's family to the subject, both generally and in detail. She had the most sincere desire to assist them, to improve them; most of all she longed to improve Ruth (she had given up Dolly), and more than once she had denied herself something, and taken the money it would have cost, to buy a new costume for the heedless girl, who generally ruined the gifts (in her sister-in-law's opinion) by careless directions, or no directions at all, to the Asheville dressmaker.

Ruth bore Miss Billy away. But as they crossed the garden towards the cottage she said: "I may as well tell you – there will be no fitting. For Mr. Chase is there; I have just caught a glimpse of him from the upper window."

"Then why go now?" inquired Miss Billy, who at heart was much afraid of Genevieve.

"To see Mr. Chase, of course. I wish to thank him for my philopena, which came late last night. Mother and Dolly are not pleased. But I am, ever so much." She took a morocco case from her pocket, and, opening it, disclosed a ring of very delicate workmanship, the gold circlet hardly more than a thread, and enclosing a diamond, not large, but very pure and bright.