The Place of Honeymoons

“Wait!” he called to the driver.

He dived among the carriages and cars, and presently he found what he sought, – her limousine. He had taken the number into his mind too keenly to be mistaken. He saw the end of his difficulties; and he went about the affair with his usual directness. It was only at rare times that he ran his head into a cul-de-sac. If her chauffeur was regularly employed in her service, he would have to return to the hotel; but if he came from the garage, there was hope. Every man is said to have his price, and a French chauffeur might prove no notable exception to the rule.

“Are you driver for Madame da Toscana?” Courtlandt asked of the man lounging in the forward seat.

The chauffeur looked hard at his questioner, and on finding that he satisfied the requirements of a gentleman, grumbled an affirmative. The limousine was well known in Paris, and he was growing weary of these endless inquiries.

“Are you in her employ directly, or do you come from the garage?”

“I am from the garage, but I drive mademoiselle’s car most of the time, especially at night. It is not madame but mademoiselle, Monsieur.”

“My mistake.” A slight pause. It was rather a difficult moment for Courtlandt. The chauffeur waited wonderingly. “Would you like to make five hundred francs?”

“How, Monsieur?”

Courtlandt should have been warned by the tone, which contained no unusual interest or eagerness.

“Permit me to remain in mademoiselle’s car till she comes. I wish to ride with her to her apartment.”

The chauffeur laughed. He stretched his legs. “Thanks, Monsieur. It is very dull waiting. Monsieur knows a good joke.”

And to Courtlandt’s dismay he realized that his proposal had truly been accepted as a jest.

“I am not joking. I am in earnest. Five hundred francs. On the word of a gentleman I mean mademoiselle no harm. I am known to her. All she has to do is to appeal to you, and you can stop the car and summon the police.”

The chauffeur drew in his legs and leaned toward his tempter. “Monsieur, if you are not jesting, then you are a madman. Who are you? What do I know about you? I never saw you before, and for two seasons I have driven mademoiselle in Paris. She wears beautiful jewels to-night. How do I know that you are not a gentlemanly thief? Ride home with mademoiselle! You are crazy. Make yourself scarce, Monsieur; in one minute I shall call the police.”

“Blockhead!”

English of this order the Frenchman perfectly understood. “Là, là!” he cried, rising to execute his threat.

Courtlandt was furious, but his fury was directed at himself as much as at the trustworthy young man getting down from the limousine. His eagerness had led him to mistake stupidity for cleverness. He had gone about the affair with all the clumsiness of a boy who was making his first appearance at the stage entrance. It was mightily disconcerting, too, to have found an honest man when he was in desperate need of a dishonest one. He had faced with fine courage all sorts of dangerous wild animals; but at this moment he hadn’t the courage to face a policeman and endeavor to explain, in a foreign tongue, a situation at once so delicate and so singularly open to misconstruction. So, for the second time in his life he took to his heels. Of the first time, more anon. He scrambled back to his own car, slammed the door, and told the driver to drop him at the Grand. His undignified retreat caused his face to burn; but discretion would not be denied. However, he did not return to the hotel.

Mademoiselle da Toscana’s chauffeur scratched his chin in perplexity. In frightening off his tempter he recognized that now he would never be able to find out who he was. He should have played with him until mademoiselle came out. She would have known instantly. That would have been the time for the police. To hide in the car! What the devil! Only a madman would have offered such a proposition. The man had been either an American or an Englishman, for all his accuracy in the tongue. Bah! Perhaps he had heard her sing that night, and had come away from the Opera, moonstruck. It was not an isolated case. The fools were always pestering him, but no one had ever offered so uncommon a bribe: five hundred francs. Mademoiselle might not believe that part of the tale. Mademoiselle was clever. There was a standing agreement between them that she would always give him half of whatever was offered him in the way of bribes. It paid. It was easier to sell his loyalty to her for two hundred and fifty francs than to betray her for five hundred. She had yet to find him untruthful, and to-night he would be as frank as he had always been.

But who was this fellow in the Bavarian hat, who patrolled the sidewalk? He had been watching him when the madman approached. For an hour or more he had walked up and down, never going twenty feet beyond the limousine. He couldn’t see the face. The long dark coat had a military cut about the hips and shoulders. From time to time he saw him glance up at the lighted windows. Eh, well; there were other women in the world besides mademoiselle, several others.

He had to wait only half an hour for her appearance. He opened the door and saw to it that she was comfortably seated; then he paused by the window, touching his cap.

“What is it, François?”

“A gentleman offered me five hundred francs, Mademoiselle, if I would permit him to hide in the car.”

“Five hundred francs? To hide in the car? Why didn’t you call the police?”

“I started to, Mademoiselle, but he ran away.”

“Oh! What was he like?” The prima donna dropped the bunch of roses on the seat beside her.

“Oh, he looked well enough. He had the air of a gentleman. He was tall, with light hair and mustache. But as I had never seen him before, and as Mademoiselle wore some fine jewels, I bade him be off.”

“Would you know him again?”

“Surely, Mademoiselle.”

“The next time any one bothers you, call the police. You have done well, and I shall remember it. Home.”

The man in the Bavarian hat hurried back to the third car from the limousine, and followed at a reasonably safe distance.

The singer leaned back against the cushions. She was very tired. The opera that night had taxed her strength, and but for her promise she would not have sung to the ambassador’s guests for double the fee. There was an electric bulb in the car. She rarely turned it on, but she did to-night. She gazed into the little mirror; and utter weariness looked back from out the most beautiful, blue, Irish eyes in the world. She rubbed her fingers carefully up and down the faint perpendicular wrinkle above her nose. It was always there on nights like this. How she longed for the season to end! She would fly away to the lakes, the beautiful, heavenly tinted lakes, the bare restful mountains, and the clover lawns spreading under brave old trees; she would walk along the vineyard paths, and loiter under the fig-trees, far, far away from the world, its clamor, its fickleness, its rasping jealousies. Some day she would have enough; and then, good-by to all the clatter, the evil-smelling stages, the impossible people with whom she was associated. She would sing only to those she loved.

The glamour of the life had long ago passed; she sang on because she had acquired costly habits, because she was fond of beautiful things, and above all, because she loved to sing. She had as many moods as a bird, as many sides as nature. A flash of sunshine called to her voice; the beads of water, trembling upon the blades of grass after a summer shower, brought a song to her lips. Hers was a God-given voice, and training had added to it nothing but confidence. True, she could act; she had been told by many a great impressario that histrionically she had no peer in grand opera. But the knowledge gave her no thrill of delight. To her it was the sum of a tremendous physical struggle.

She shut off the light and closed her eyes. She reclined against the cushion once more, striving not to think. Once, her hands shut tightly. Never, never, never! She pressed down the burning thoughts by recalling the bright scenes at the ambassador’s, the real generous applause that had followed her two songs. Ah, how that man Paderewski played! They two had cost the ambassador eight thousand francs. Fame and fortune! Fortune she could understand; but fame! What was it? Upon a time she believed she had known what fame was; but that had been when she was striving for it. A glowing article in a newspaper, a portrait in a magazine, rows upon rows of curious eyes and a patter of hands upon hands; that was all; and for this she had given the best of her life, and she was only twenty-five.

The limousine stopped at last. The man in the Bavarian hat saw her alight. His car turned and disappeared. It had taken him a week to discover where she lived. His lodgings were on the other side of the Seine. After reaching them he gave crisp orders to the driver, who set his machine off at top speed. The man in the Bavarian hat entered his room and lighted the gas. The room was bare and cheaply furnished. He took off his coat but retained his hat, pulling it down still farther over his eyes. His face was always in shadow. A round chin, two full red lips, scantily covered by a blond mustache were all that could be seen. He began to walk the floor impatiently, stopping and listening whenever he heard a sound. He waited less than an hour for the return of the car. It brought two men. They were well-dressed, smoothly-shaven, with keen eyes and intelligent faces. Their host, who had never seen either of his guests before, carelessly waved his hand toward the table where there were two chairs. He himself took his stand by the window and looked out as he talked. In another hour the room was dark and the street deserted.

In the meantime the prima donna gave a sigh of relief. She was home. It was nearly two o’clock. She would sleep till noon, and Saturday and Sunday would be hers. She went up the stairs instead of taking the lift, and though the hall was dark, she knew her way. She unlocked the door of the apartment and entered, swinging the door behind her. As the act was mechanical, her thoughts being otherwise engaged, she did not notice that the lock failed to click. The ferrule of a cane had prevented that.

She flung her wraps on the divan and put the roses in an empty bowl. The door opened softly, without noise. Next, she stopped before the mirror over the mantel, touched her hair lightly, detached the tiara of emeralds … and became as inanimate as marble. She saw another face. She never knew how long the interval of silence was. She turned slowly.

“Yes, it is I!” said the man.

Instantly she turned again to the mantel and picked up a magazine-revolver. She leveled it at him.

“Leave this room, or I will shoot.”

Courtlandt advanced toward her slowly. “Do so,” he said. “I should much prefer a bullet to that look.”

“I am in earnest.” She was very white, but her hand was steady.

He continued to advance. There followed a crash. The smell of burning powder filled the room. The Burmese gong clanged shrilly and whirled wildly. Courtlandt felt his hair stir in terror.

“You must hate me indeed,” he said quietly, as the sense of terror died away. He folded his arms. “Try again; there ought to be half a dozen bullets left. No? Then, good-by!” He left the apartment without another word or look, and as the door closed behind him there was a kind of finality in the clicking of the latch.

The revolver clattered to the floor, and the woman who had fired it leaned heavily against the mantel, covering her eyes.

“Nora, Nora!” cried a startled voice from a bedroom adjoining. “What has happened? Mon Dieu, what is it?” A pretty, sleepy-eyed young woman, in a night-dress, rushed into the room. She flung her arms about the singer. “Nora, my dear, my dear!”

“He forced his way in. I thought to frighten him. It went off accidentally. Oh, Celeste, Celeste, I might have killed him!”

The other drew her head down on her shoulder, and listened. She could hear voices in the lower hall, a shout of warning, a patter of steps; then the hall door slammed. After that, silence, save for the faint mellowing vibrations of the Burmese gong.

CHAPTER V

CAPTIVE OR RUNAWAY

At the age of twenty-six Donald Abbott had become a prosperous and distinguished painter in water-colors. His work was individual, and at the same time it was delicate and charming. One saw his Italian landscapes as through a filmy gauze: the almond blossoms of Sicily, the rose-laden walls of Florence, the vineyards of Chianti, the poppy-glowing Campagna out of Rome. His Italian lakes had brought him fame. He knew very little of the grind and hunger that attended the careers of his whilom associates. His father had left him some valuable patents – wash-tubs, carpet-cleaners, and other labor-saving devices – and the royalties from these were quite sufficient to keep him pleasantly housed. When he referred to his father (of whom he had been very fond) it was as an inventor. Of what, he rarely told. In America it was all right; but over here, where these inventions were unknown, a wash-tub had a peculiar significance: that a man should be found in his money through its services left persons in doubt as to his genealogical tree, which, as a matter of fact, was a very good one. As a boy his schoolmates had dubbed him “The Sweep” and “Suds,” and it was only human that he should wish to forget.

His earnings (not inconsiderable, for tourists found much to admire in both the pictures and the artist) he spent in gratifying his mild extravagances. So there were no lines in his handsome, boyish, beardless face; and his eyes were unusually clear and happy. Perhaps once or twice, since his majority, he had returned to America to prove that he was not an expatriate, though certainly he was one, the only tie existing between him and his native land being the bankers who regularly honored his drafts. And who shall condemn him for preferring Italy to the desolate center of New York state, where good servants and good weather are as rare as are flawless emeralds?

Half after three, on Wednesday afternoon, Abbott stared moodily at the weather-tarnished group by Dalou in the Luxembourg gardens – the Triumph of Silenus. His gaze was deceptive, for the rollicking old bibulous scoundrel had not stirred his critical sense nor impressed the delicate films of thought. He was looking through the bronze, into the far-away things. He sat on his own folding stool, which he had brought along from his winter studio hard by in the old Boul’ Miche’. He had arrived early that morning, all the way from Como, to find a thunderbolt driven in at his feet. Across his knees fluttered an open newspaper, the Paris edition of the New York Herald. All that kept it from blowing away was the tense if sprawling fingers of his right hand; his left hung limply at his side.

It was not possible. Such things did not happen these unromantic days to musical celebrities. She had written that on Monday night she would sing in La Bohème and on Wednesday, Faust. She had since vanished, vanished as completely as though she had taken wings and flown away. It was unreal. She had left the apartment in the Avenue de Wagram on Saturday afternoon, and nothing had been seen or heard of her since. At the last moment they had had to find a substitute for her part in the Puccini opera. The maid testified that her mistress had gone on an errand of mercy. She had not mentioned where, but she had said that she would return in time to dress for dinner, which proved conclusively that something out of the ordinary had befallen her.

The automobile that had carried her away had not been her own, and the chauffeur was unknown. None of the directors at the Opera had been notified of any change in the singer’s plans. She had disappeared, and they were deeply concerned. Singers were generally erratic, full of sudden indispositions, unaccountable whims; but the Signorina da Toscana was one in a thousand. She never broke an engagement. If she was ill she said so at once; she never left them in doubt until the last moment. Indecision was not one of her characteristics. She was as reliable as the sun. If the directors did not hear definitely from her by noon to-day, they would have to find another Marguerite.

The police began to move, and they stirred up some curious bits of information. A man had tried to bribe the singer’s chauffeur, while she was singing at the Austrian ambassador’s. The chauffeur was able to describe the stranger with some accuracy. Then came the bewildering episode in the apartment: the pistol-shot, the flight of the man, the astonished concierge to whom the beautiful American would offer no explanations. The man (who tallied with the description given by the chauffeur) had obtained entrance under false representations. He claimed to be an emissary with important instructions from the Opera. There was nothing unusual in this; messengers came at all hours, and seldom the same one twice; so the concierge’s suspicions had not been aroused. Another item. A tall handsome Italian had called at eleven o’clock Saturday morning, but the signorina had sent down word that she could not see him. The maid recalled that her mistress had intended to dine that night with the Italian gentleman. His name she did not know, having been with the signorina but two weeks.

Celeste Fournier, the celebrated young pianist and composer, who shared the apartment with the missing prima donna, stated that she hadn’t the slightest idea where her friend was. She was certain that misfortune had overtaken her in some inexplicable manner. To implicate the Italian was out of the question. He was well-known to them both. He had arrived again at seven, Saturday, and was very much surprised that the signorina had not yet returned. He had waited till nine, when he left, greatly disappointed. He was the Barone di Monte-Verdi in Calabria, formerly military attaché at the Italian embassy in Berlin. Sunday noon Mademoiselle Fournier had notified the authorities. She did not know, but she felt sure that the blond stranger knew more than any one else. And here was the end of things. The police found themselves at a standstill. They searched the hotels but without success; the blond stranger could not be found.

Abbott’s eyes were not happy and pleasant just now. They were dull and blank with the reaction of the stunning blow. He, too, was certain of the Barone. Much as he secretly hated the Italian, he knew him to be a fearless and an honorable man. But who could this blond stranger be who appeared so sinisterly in the two scenes? From where had he come? Why had Nora refused to explain about the pistol-shot? Any woman had a perfect right to shoot a man who forced his way into her apartment. Was he one of those mad fools who had fallen in love with her, and had become desperate? Or was it some one she knew and against whom she did not wish to bring any charges? Abducted! And she might be, at this very moment, suffering all sorts of indignities. It was horrible to be so helpless.

The sparkle of the sunlight upon the ferrule of a cane, extending over his shoulder, broke in on his agonizing thoughts. He turned, an angry word on the tip of his tongue. He expected to see some tourist who wanted to be informed.

“Ted Courtlandt!” He jumped up, overturning the stool. “And where the dickens did you come from? I thought you were in the Orient?”

“Just got back, Abby.”

The two shook hands and eyed each other with the appraising scrutiny of friends of long standing.

“You don’t change any,” said Abbott.

“Nor do you. I’ve been standing behind you fully two minutes. What were you glooming about? Old Silenus offend you?”

“Have you read the Herald this morning?”

“I never read it nowadays. They are always giving me a roast of some kind. Whatever I do they are bound to misconstrue it.” Courtlandt stooped and righted the stool, but sat down on the grass, his feet in the path. “What’s the trouble? Have they been after you?”

Abbott rescued the offending paper and shaking it under his friend’s nose, said: “Read that.”

Courtlandt’s eyes widened considerably as they absorbed the significance of the heading – “Eleonora da Toscana missing.”

“Bah!” he exclaimed.

“You say bah?”

“It looks like one of their advertising dodges. I know something about singers,” Courtlandt added. “I engineered a musical comedy once.”

“You do not know anything about her,” cried Abbott hotly.

“That’s true enough.” Courtlandt finished the article, folded the paper and returned it, and began digging in the path with his cane.

“But what I want to know is, who the devil is this mysterious blond stranger?” Abbott flourished the paper again. “I tell you, it’s no advertising dodge. She’s been abducted. The hound!”

Courtlandt ceased boring into the earth. “The story says that she refused to explain this blond chap’s presence in her room. What do you make of that?”

“Perhaps you think the fellow was her press-agent?” was the retort.

“Lord, no! But it proves that she knew him, that she did not want the police to find him. At least, not at that moment. Who’s the Italian?” suddenly.

“I can vouch for him. He is a gentleman, honorable as the day is long, even if he is hot-headed at times. Count him out of it. It’s this unknown, I tell you. Revenge for some imagined slight. It’s as plain as the nose on your face.”

“How long have you known her?” asked Courtlandt presently.

“About two years. She’s the gem of the whole lot. Gentle, kindly, untouched by flattery… Why, you must have seen and heard her!”

“I have.” Courtlandt stared into the hole he had dug. “Voice like an angel’s, with a face like Bellini’s donna; and Irish all over. But for all that, you will find that her disappearance will turn out to be a diva’s whim. Hang it, Suds, I’ve had some experience with singers.”

“You are a blockhead!” exploded the younger man.

“All right, I am.” Courtlandt laughed.

“Man, she wrote me that she would sing Monday and to-night, and wanted me to hear her. I couldn’t get here in time for La Bohème, but I was building on Faust. And when she says a thing, she means it. As you said, she’s Irish.”

“And I’m Dutch.”

“And the stubbornest Dutchman I ever met. Why don’t you go home and settle down and marry? – and keep that phiz of yours out of the newspapers? Sometimes I think you’re as crazy as a bug.”

“An opinion shared by many. Maybe I am. I dash in where lunatics fear to tread. Come on over to the Soufflet and have a drink with me.”

“I’m not drinking to-day,” tersely. “There’s too much ahead for me to do.”

“Going to start out to find her? Oh, Sir Galahad!” ironically. “Abby, you used to be a sport. I’ll wager a hundred against a bottle of pop that to-morrow or next day she’ll turn up serenely, with the statement that she was indisposed, sorry not to have notified the directors, and all that. They do it repeatedly every season.”

“But an errand of mercy, the strange automobile which can not be found? The engagement to dine with the Barone? Celeste Fournier’s statement? You can’t get around these things. I tell you, Nora isn’t that kind. She’s too big in heart and mind to stoop to any such devices,” vehemently.

“Nora! That looks pretty serious, Abby. You haven’t gone and made a fool of yourself, have you?”

“What do you call making a fool of myself?” truculently.

“You aren’t a suitor, are you? An accepted suitor?” unruffled, rather kindly.

“No, but I would to heaven that I were!” Abbott jammed the newspaper into his pocket and slung the stool over his arm. “Come on over to the studio until I get some money.”

“You are really going to start a search?”

“I really am. I’d start one just as quickly for you, if I heard that you had vanished under mysterious circumstances.”

“I believe you honestly would.”

“You are an old misanthrope. I hope some woman puts the hook into you some day. Where did you pick up the grouch? Some of your dusky princesses give you the go-by?”

“You, too, Abby?”

“Oh, rot! Of course I never believed any of that twaddle. Only, I’ve got a sore head to-day. If you knew Nora as well as I do, you’d understand.”

Courtlandt walked on a little ahead of the artist, who looked up and down the athletic form, admiringly. Sometimes he loved the man, sometimes he hated him. He marched through tragedy and comedy and thrilling adventure with no more concern that he evinced in striding through these gardens. Nearly every one had heard of his exploits; but who among them knew anything of the real man, so adroitly hidden under unruffled externals? That there was a man he did not know, hiding deep down within those powerful shoulders, he had not the least doubt. He himself possessed the quick mobile temperament of the artist, and he could penetrate but not understand the poise assumed with such careless ease by his friend. Dutch blood had something to do with it, and there was breeding, but there was something more than these: he was a reversion, perhaps, to the type of man which had made the rovers of the Lowlands feared on land and sea, now hemmed in by convention, hampered by the barriers of progress, and striving futilely to find an outlet for his peculiar energies. One bit of knowledge gratified him; he stood nearer to Courtlandt than any other man. He had known the adventurer as a boy, and long separations had in nowise impaired the foundations of this friendship.