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The Element Encyclopedia of the Psychic World: The Ultimate A–Z of Spirits, Mysteries and the Paranormal
Crystal gazing takes time and practice, but in time you will probably see clouds appearing and disappearing and images becoming clearer. Eventually detailed scenarios may even start to appear in your crystal, leading to great psychic vision.
CRYSTALS
Crystals have been used for centuries for their alleged protective and healing powers. Ancient peoples typically wore crystals as amulets in jewellery and on their clothing, and the practice continued through the Middle Ages, when they were worn to guard against the plague. Today crystals continue to be worn in pendants and rings and other jewellery, or carried around in small pouches, or placed about workplaces and houses.
Because of the ability crystals have to retain and focus electromagnetic energy they are believed to be ideal tools for repelling bad energies or for attracting good ones, and for stimulating and balancing the body’s energy flow, also known as its life force or chi. They are used in meditation, divination and alternative healing techniques and are thought to help alleviate stress, stimulate creativity, enhance dreams, energize, promote healing, enhance luck and happiness and awaken psychic powers. In some healing techniques they are laid upon the body’s chakra points and energy meridians to enhance the energies of the ailing chakra.
There is no scientific evidence that crystals have magical or paranormal powers, but crystal enthusiasts are convinced that the stones emit silent and unseen vibrations. Some even believe that crystals can be programmed for certain functions using techniques such as exposure to sunlight and moonlight or through meditation.
Crystal healing in some form has been practised by almost every society on earth, many of which held deeply rooted holistic beliefs. However, without this cultural foundation, crystal healing has largely become a matter of faith. You either believe or not, as there is little or no rational explanations of how it might work, if it does.
Crystals are often fashioned as wands or magical tools, but they come in all shapes and sizes. It is claimed that an odd number of facets on the stone aid in healing, while an even number of facets create the best energizers. Red, yellow and orange stones are said to produce energy; clear and aquamarine stones are healers; and lavender and blue-violet stones create calming effects.
Crystal power
Below is a list of commonly known crystals and their reputed benefits. Please note that this information is not intended to replace any licensed medical or psychological treatment, and no guarantee is made towards their validity.
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Practitioners of modern-day crystal therapy believe that the stones’ ability to work as conductors allow them to focus energy by way of a person’s thoughts to stimulate healing - both physical and non-physical - and thousands of people worldwide swear by the use of crystals to help a variety of mental, emotional and physical problems.
Many people who work with crystals believe that the stones choose whom to work with, not the other way round. But whatever you believe you need to be selective with the stones you use. Once selected it is suggested that you should never let anyone touch your crystals, and should programme’ it to attune to your particular energy. Each crystal should be cleansed before use to clear any stored energy, by either soaking it in salted water or by wrapping it in silk and burying it in the ground for 24 hours.
CURSES
Associated with black magic and intended to cause someone harm, curses are deliberately malevolent or vengeful oaths, spells or invocations of spirits directed against another person by psychic means.
See also Psychic attack.
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DACTYLOMANCY
An ancient form of divination involving rings. A ring was tied to a string, or dropped into a bowl of water, with the position of the ring at the end of the string, or at the bottom of the bowl, determining the answer or response to the question asked. Dactylomancy is thought to be one of the earliest forms of divination involving the use of pendulums.
DAGG POLTERGEIST
Poltergeist activity that eventually manifested itself as a speaking entity in 1889 on a farm in Quebec owned by George Dagg.
According to records the activity began with streaks of animal faeces or manure appearing on the floor of the house. A young boy, Dean, was blamed; however, when the boy was out of the house the stains continued to appear, proving that he was not the cause. Soon the activity increased: windows were smashed, objects were thrown and fires broke out. This time the focus was identified as 11-year-old Dinah McLean, an adopted child of the family.
In November 1889 an investigator named Percy Woodstock asked Dinah to take him to the woodshed where she had reported seeing a strange man. To Woodstock’s amazement, from the middle of the empty shed a few feet away came the clearly audible voice of an old man. It cursed them both in a deep, gruff voice, using language Woodstock would not record. It said, ‘I am the devil, I’ll have you in my clutches, I’ll break your neck.’ Woodstock talked to the voice for several hours, during which it admitted causing the fires, spreading the manure, smashing the windows and moving objects. Eventually it calmed down and admitted it was only doing the haunt-ings for fun.
A crowd soon heard about the phenomena and gathered around the house and woodshed, where the entity allegedly performed incredible feats for the audience. Woodstock organized a statement signed by 17 witnesses acknowledging that they had seen the phenomena of flying stones and a mouth organ playing by itself:
To whom it may concern:
We, the undersigned, solemnly declare that the following curious proceedings, which began on the 15th day of September, 1889, and are still going on, on the 17th day of November, 1889, in the home of Mr George Dagg, a farmer living seven miles from Shawville, Clarendon Township, Pontiac County, Province of Quebec, actually occurred as below described.
1st, That fires have broken out spontaneously through the house, as many as eight occurring on one day, six being in the house and two outside; that the window curtains were burned whilst on the windows, this happening in broad daylight whilst the family and neighbors were in the house.
2nd, That stones were thrown by invisible hands through the windows, as many as eight panes of glass being broken; that articles such as waterjug, milk pitcher, a wash basin, cream jug, butter tub and other articles were thrown about the house by the same invisible agency; a jar of water being thrown in the face of Mrs John Dagg, also in the face of Mrs George Dagg, whilst they were busy about their household duties, Mrs George Dagg being alone in the house at the time it was thrown in her face; that a large shelf [mouth organ] was heard distinctly to be played and was seen to move across the room on to the floor; immediately after, a rocking chair began rocking furiously. That a washboard was sent flying down the stairs from the garret, no one being in the garret at the time. That when the child Dinah is present, a deep gruff voice like that of an aged man has been heard at various times, both in the house and outdoors, and when asked questions answered so as to be distinctly heard, showing that he is cognizant of all that has taken place, not only in Mr Dagg’s family but also in the families of the surrounding neighborhood. That he claims to be a discarnated being who died twenty years ago, aged eighty years; that he gave his name to Mr George Dagg and to Mr Willie Dagg, forbidding them to tell it. That this intelligence is able to make himself visible to Dinah, little Mary and Johnnie, who have seen him under different forms at different times, at one time as a tall thin man with a cow’s head, horns and cloven foot, at another time as a big black dog, and finally as a man with a beautiful face and long white hair, dressed in white, wearing a crown with stars in it.
What is of particular interest is that the entity made itself visible in a variety of guises to Dinah and the two younger children of the house - as a devil, a black dog and a man in white robes. Finally, when the entity had got the attention it craved, it was said to have departed from the farm singing beautiful music in the sky.
Sceptics argue that Dinah and the children may have been responsible for the whole phenomena, tricking their parents into believing an entity existed, but this does not explain how they could convince a whole crowd of adults. The case has never been resolved but some experts believe that the poltergeist, having finally got some attention, calmed down and went away. According to this theory, poltergeists can act like humans at times, perhaps behaving badly out of boredom or a need to attract attention. Once they get the attention they want their disruptive behaviour ceases.
DAPHNOMANCY
A form of divination that predicted the future through burning a branch of laurel in an open fire. If the laurel burned with a good crackling sound this was a good omen, but if the laurel burned slowly and quietly this was a bad sign.
The practice dates back to ancient Rome where a sacred grove of laurel trees was planted by each emperor when they ascended to the throne. In the year AD 68 the laurel grove withered and died. This was the same year Emperor Nero died and the long line of Caesars came to an end.
DAVENPORT BROTHERS
The Davenport brothers conducted one of the most popular and successful séance acts of the nineteenth century. Ira Erastas and William Henry Davenport added the spirit cabinet to the medium’s repertoire and their sophisticated performances amazed and mystified audiences all over America and Europe.
Ira Davenport was born in Buffalo, New York on 17 September 1839, and his brother William two years later, on 1 February 1841. Their father, a New York policeman, was interested in stories of rappings reported in nearby Rochester and decided to try a sitting at home with his family. Almost immediately they got results and Mr Davenport would later tell friends that the boys and their younger sister Elizabeth levitated about the room.
The family began to hold regular séances and at one in 1850 the family made contact with their spirit guide, an entity named John King. It was King who allegedly told the family to rent a hall and give public performances, and in 1855, the boys went on stage for the first time, aged 16 and 14. At first their act consisted of table tilting and rapping but soon the Davenport brothers began to introduce new phenomena, such as floating musical instruments playing under their own power and playful spirit hands that touched and pulled at audience members. By the end of the year the brothers had introduced escapes from complicated rope bindings and knots into their séances and, what would eventually become the signature for their act, the spirit cabinet.
The cabinet was a box, similar to a closet, which would be erected on stage. A sceptical member of the audience would be asked to bind and tie the brothers inside the cabinet, making it seemingly impossible for them to escape. However, as soon as the cabinet doors were closed, and the lights turned off, spirit music would play and disembodied hands would appear through apertures that had been left open on the exterior walls.
On occasion, a volunteer from the audience would be placed between the brothers in the cabinet. A few moments after the doors were closed the volunteer would be tossed out of the box with a tambourine on his head. When the doors were opened the Davenports would be found tied up, in exactly the same way they were before.
The act was billed as a séance and created a sensation. Although the brothers never admitted to being mediums - leaving that to the audience to decide - and critics labelled them mere stage magicians, spiritualists hailed their act as genuine proof of spirit phenomena.
In 1864 Southern preacher Jesse Bab-cock Ferguson joined the brothers to act as master of ceremonies. He travelled with them on their controversial but successful four-year tour of Europe, and claimed to know of no occasion when their phenomena were not genuinely paranormal.
William died suddenly in July 1877 on a trip to Australia and Ira, lost without his brother, retired from performing. During his retirement he was interviewed and befriended by the magician and anti-spiritualist Harry Houdini. According to Houdini, Ira confessed that the brothers were expert conjurers, not spiritualists, but had got carried away with the public’s enthusiasm for all things supernatural. Ira explained many of the brothers’ escape tricks, such as rubbing their hands with oil so that they could slip out of the ropes more easily, and employing as many as ten hidden accomplices at a time. The most important part of their escapes took place during the binding, when they managed to get plenty of slack into the ropes by twisting, flexing and contorting their limbs. Once they relaxed, the ropes could be easily slipped off.
Despite their natural ability many people remained convinced that they were spirit mediums and that Houdini’s testimony contradicted the signed statements of distinguished believers and reporters. Newspaper accounts, such as the one below, which appeared in the conservative London Post, gave them credit for producing miracles.
The musical instruments, bells, etc., were placed on the table; the Davenport Brothers were then manacled, hands and feet, and securely bound to the chairs by ropes. A chain of communication (though not a circular one) was formed, and the instant the lights were extinguished the musical instruments appeared to be carried about the room. The current of air, which they occasioned in their rapid transit, was felt upon the faces of all present.
The bells were loudly rung; the trumpets made knocks upon the floor, and the tambourine appeared running around the room, jingling with all its might. At the same time sparks were observed as if passing from south to west. Several persons exclaimed that they were touched by the instruments, which on occasion became so demonstrative that one gentleman received a knock on the nasal organ which broke the skin and caused a few drops of blood to flow.
With the media in awe of the brothers and convinced of their powers, it is hardly surprising that spectators were equally amazed and that the Davenports - who were never caught cheating once in their performing career - created a sensation.