When It's Real

Wealth, fame and a real-life romance she never expected—seventeen-year-old Vaughn Bennett lands it all when she agrees to become a pop star’s fake girlfriend in this smart, utterly addictive novel from #1 New York Times bestselling author duo Erin Watt

Under ordinary circumstances, Oakley Ford and Vaughn Bennett would never even cross paths.

There’s nothing ordinary about Oakley. This bad-boy pop star’s got Grammy Awards, millions of fangirls and a reputation as a restless, too-charming troublemaker. But with his home life disintegrating, his music well suddenly running dry and the tabloids having a field day over his outrageous exploits, Oakley needs to show the world he’s settling down—and who better to help him than Vaughn, a part-time waitress trying to help her family get by? The very definition of ordinary.

Posing as his girlfriend, Vaughn will overhaul Oakley’s image from troublemaker to serious artist. In return for enough money to put her brothers through college, she can endure outlandish Hollywood parties and carefully orchestrated Twitter exchanges. She’ll fool the paparazzi and the groupies. She might even start fooling herself a little.

Because when ordinary rules no longer apply, there’s no telling what your heart will do...

When It’s Real

Erin Watt

ERIN WATT is the brainchild of two bestselling authors linked together through their love of great books and an addiction to writing.

They share one creative imagination.

Their greatest love (after their families and pets, of course)? Coming up with fun—and sometimes crazy—ideas.

Their greatest fear? Breaking up.

To Margo.

We loved you before you bought this book, and we love you even more after you helped us polish this manuscript into the gem it is. Thank you for being our editor, our cheerleader, our friend.

Contents

Cover

Back Cover Text

Title Page

About the Author

Dedication

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

CHAPTER 31

CHAPTER 32

CHAPTER 33

CHAPTER 34

CHAPTER 35

CHAPTER 36

CHAPTER 37

CHAPTER 38

EPILOGUE

Copyright

1

HIM

“Please tell me every girl in there is of legal age.”

“Every girl in there is of legal age,” I dutifully repeat to my manager, Jim Tolson.

Truth is, I have no clue if everyone’s legal. When I came home last night from the studio, the party was already raging. I didn’t take the time to card anyone before grabbing a beer and chatting up some eager girls who proclaimed that they were so in love with my music that they sang it in their sleep. It sounded vaguely like an invitation, but I wasn’t interested. My buddy Luke took them off my hands and then I wandered around trying to figure out if I knew even a quarter of the people in my house.

I ended up counting seven, tops, that I actually recognized.

Jim presses his already thin lips together before taking a seat in the lounger across from me. There’s a girl passed out on it, so he’s forced to perch on the end. Jim once told me that the biggest hazard of working with a young rock star is the age of his groupies. Sitting this close to a bikini-clad teenager makes him visibly edgy.

“Keep that line in mind in case TMI asks you about it on the street today,” Jim warns.

“Noted.” Also noted? Avoid any celeb hot spots today. I have zero desire to be papped.

“How was the studio last night?”

I roll my eyes. As if Jim didn’t have the studio tech on the phone immediately after I left, replaying the track. “You know exactly how it was. Crappy. Worse than crappy. I think a barking Chihuahua could lay down better vocals than me right now.”

I lean back and stroke my throat. Nothing’s wrong with my vocal cords. Jim and I got that checked out with a doctor a few months ago. But the notes that were coming out yesterday lacked...something. All my music seems flat these days.

I haven’t recorded anything decent since my last album. I can’t pinpoint the problem. It could be the lyrics or the rhythm or the melody. It’s everything and nothing, and no amount of tweaking has helped me.

I run my fingers over the six strings of my Gibson, knowing my frustration must show on my face.

“Come on, let’s walk a little.” Jim dips his head toward the girl. She looks passed out, but she could be faking it.

With a sigh, I set the guitar on the cushion and rise to my feet.

“Didn’t know you liked walks on the beach, Jim. Should we start quoting poetry to each other before you propose?” I joke. But he’s probably right about putting some distance between us and the groupie. We don’t need some yappy fan talking about my music block to the tabloids. I give them enough to talk about already.

“Did you see the latest social media numbers?” He holds his phone up.

“Is that an actual question?”

We stop at the railing on my wraparound deck. I wish we could walk down to the beach, but it’s public, and the last time I tried setting foot on the sand in the back of my house, I came away with my swim trunks torn off and a bloody nose. That was three years ago. The tabloids turned it into a story about me getting into a fight with my ex and terrorizing young children.

“You’re losing followers at a rate of a thousand a week.”

“Sounds dire.” Sounds awesome, actually. Maybe I’ll finally be able take advantage of my beachfront property.

His perfectly unlined face, courtesy of some of the best Swiss knives money can buy, is marred by irritation. “This is serious, Oakley.”

“So what? Who cares if I lose followers?”

“Do you want to be taken seriously as an artist?”

This lecture again? I’ve heard it from Jim a million frickin’ times since he signed me when I was fourteen. “You know I do.”

“Then you have to shape up,” he huffs.

“Why?” What does shaping up have to do with making great music? If anything, maybe I need to be wilder, really stretch the limits of everything in life.

But...haven’t I done that already? I feel like I’ve drunk, smoked, ingested and experienced nearly everything the world has to offer in the past five years. Am I already the washed-up pop star before I hit my twenties?

A tinge of fear scrapes down my spine at the thought.

“Because your label is on the verge of dropping you,” Jim warns.

I practically clap like a child at this news. We’ve been at odds for months. “So let them.”

“How do you think you’re going to have your next album made? The studio’s already rejected your last two attempts. You want to experiment with your sound? Use poetry as lyrics? Write about things other than heartache and pretty girls who don’t love you back?”

I stare sullenly at the water.

He grabs my arm. “Pay attention, Oak.”

I give him a what the hell are you doing look, and he lets go of my arm. We both know I don’t like being touched.

“They aren’t going to let you cut the record you want if you keep alienating your audience.”

“Exactly,” I say smugly. “So why do I care if the label drops me?”

“Because labels exist to make money, and they won’t produce your next album unless it’s one they can actually market. If you want to win another Grammy, if you want to be taken seriously by your peers, then your only chance is to rehabilitate your image. You haven’t had a record out since you were seventeen. That was two years ago. It’s like a decade in the music business.”

“Adele released at nineteen and twenty-five.”

“You aren’t fuckin’ Adele.”

“I’m bigger,” I say, and it’s not a boast. We both know it’s true.

Since I released my first album at fourteen, I’ve had unreal success. Every album has gone double platinum, with my self-titled Ford reaching the rare Diamond. That year I did thirty international tour stops, all stadium tours, all sellouts. There are fewer than ten artists in the world who do stadium tours. Everyone else is relegated to arenas, auditoriums, halls and clubs.

“Were bigger,” Jim says bluntly. “In fact, you’re on the verge of being a has-been at nineteen.”

I tense up as he voices my earlier fear.

“Congratulations, kid. Twenty years from now, you’ll be sitting in a chair on Hollywood Squares and some kid will ask their mother, ‘who’s Oakley Ford?’ and the mom will say—”

“I get it,” I say tightly.

“No. You don’t get it. Your existence will have been so fleeting that even that parent will turn to her kid and say, ‘I have no idea who that is.’” Jim’s tone turns pleading. “Look, Oak, I want you to be successful with the music you want to make, but you have to work with me. The industry is run by a bunch of old white men who are high on coke and power. They love knocking you artists around. They get off on it. Don’t give them any more reason to decide that you’re the fall guy. You’re better than that. I believe in you, but you gotta start believing in yourself, too.”

“I do believe in myself.”

Does it sound as fake to Jim’s ears as it does to mine?

“Then act like it.”

Translation? Grow up.

I reach over and take the phone from his hand. The social media number beside my name is still in the eight digits. Millions of people follow me and eat up all the ridiculous things my PR team posts daily. My shoes. My hands. Man, the hands post got over a million likes and launched an equal number of fictional stories. Those girls have very vivid imaginations. Vivid, dirty imaginations.

“So what’s your suggestion?” I mutter.

Jim sighs with relief. “I have a plan. I want you to date someone.”

“No way. We already tried the girlfriend thing.”

During the launch of Ford, management hooked me up with April Showers. Yup, that’s her real name—I saw it on her driver’s license. April was an up-and-coming reality television star and we all thought she’d know the score. A fake relationship to keep both our names on magazine covers and headlining every gossip site on the web. Yes, there’d be hate from certain corners, but the nonstop media attention and speculation would drive our visibility through the roof. Our names would be on everyone’s lips from here to China and back again.

The press strategy worked like a charm. We couldn’t sneeze without someone taking our picture. We dominated celebrity gossip for six months, and the Ford tour was a smashing success. April sat in the front row of more fashion shows than I knew actually existed and went on to sign a huge two-year modeling contract with a major agency.

Everything was great until the end of the tour. What everyone, including me, had failed to recognize was that if they threw two teenagers together and told them to act like they were in love, stuff was going to happen. Stuff did happen. The only problem? April thought stuff would continue to happen after the tour was over. When I told her it wouldn’t, she wasn’t happy—and she had a big enough platform to tell the world exactly how unhappy she was.

“This won’t be another April thing,” Jim assures me. “We want to appeal to all the girls out there who dream of walking down the red carpet but think it’s out of reach. We don’t want a model or a star. We want your fans to think you’re attainable.”

Against my better judgment, I ask, “And how do we do that?”

“We conjure up a normal. She starts posting to you on your social media accounts. Flirting with you online. People see you interact. Then you invite her to a concert. You meet, fall in love and boom. Serious heartthrob status again.”

“My fans hated April,” I remind him.

“Some did, but millions loved her. Millions more will love you if you fall for an ordinary girl, because each and every one of those girls is going to think that she’s their stand-in.”

I clench my teeth. “No.”

If Jim was trying to think up a way to torture me, this is absolutely it, because I hate social media. I grew up having my baby steps photographed and sold to the highest bidder. For charity, my mom later claimed. The public gets a ton of me. I want to keep some parts of my life private, which is why I pay a couple of people a fortune so I don’t have to touch that stuff.

“If you do this...” Jim pauses enticingly. “King will produce your album.”

My head swivels around so fast that Jim jumps back in surprise. “You serious?”

Donovan King is the best producer in the country. He’s worked on everything from rap to country to rock albums, turning artists into legends. I once read an interview where he said he’d never work with a pop star and their soulless commercial music, no matter how much anyone paid him. Working with King is a dream of mine, but he’s turned down every overture I’ve ever made.

If he wasn’t interested in producing Ford, then why this latest album? Why now?

Jim grins. Well, as much as his plastic face allows him to smile. “Yes. He said if you were serious, then he’d be interested, but he needs a show of faith.”

“And a girlfriend is that show of faith?” I ask incredulously.

“Not a girlfriend. It’s what dating a nonfamous, ordinary girl signifies. That you’re down-to-earth, making music for the sake of music, not for the sake of money and fame.”

“I am down-to-earth,” I protest.

Jim responds with a snort. He jerks his thumb at the French doors behind us. “Tell me something—what’s the name of that girl who’s passed out in there?”

I try not to cringe. “I...don’t know,” I mumble.

“That’s what I thought.” He frowns now. “Do you want to know what Nicky Novak was photographed doing last night?”

My head is starting to spin. “What the hell does Novak have to do with anything?” Nicky Novak is a sixteen-year-old pop star I’ve never even met. His boy band just released their debut album, and apparently it’s topping the charts. The group is giving 1D a run for their money.

“Ask me what Novak was doing,” Jim prompts.

“Fine. Whatever. What was Novak doing?”

“Bowling.” My manager crosses his arms over his chest. “He got papped on a bowling date with his girlfriend—some girl he’s been dating since middle school.”

“Well, good for him.” I give another eye roll. “You want me to go bowling, is that it? You think that will convince King to work with me? Seeing me roll some gutter balls?” It’s hard to keep the sarcasm out of my voice.

“I just told you what I want,” Jim grumbles. “If you want King to produce your album, you need to show him you’re serious, that you’re ready to stop partying with girls whose names you don’t know and settle down with someone who will ground you.”

“I can tell him that.”

“He needs proof.”

My gaze shifts back to the ocean, and I stand there for a moment, watching the surf crash against the beach. This album I’ve been working on these past two years—no, the one I’m trying to work on and failing—suddenly feels as if it’s actually within my reach. A producer like King could help me move past this creative block and make the kind of music I’ve always wanted.

And all I have to do in return is date a normal? I guess I can do that. I mean, every artist has to make sacrifices for his art at one point in his life.

Right?

2

HER

“No.”

“You haven’t even heard what I want,” my sister objects.

“I don’t need to. You have that look in your eye.” I pull the bacon out of the microwave and dump four slices on each plate.

“What look?” Paisley checks her reflection on the back of the spoon I used to stir the eggs.

“The one that says I’m not going to like what you have to say.” I pause as I dish up the rest of the twins’ breakfast. “Or that I’m too young to understand.”

“Ha. Everyone knows you’re more together than most adults. I wish you were more impulsive, actually. It’d make this easier.”

“Breakfast is ready!” I shout.

The clatter of shoes on the staircase makes Paisley sigh. Our little brothers are incredibly loud, eat an incredible amount of food and are getting incredibly expensive. All I can say is, thank goodness for Paisley’s new job. We’re barely keeping our heads above water, even though Paisley has performed miracles with what little insurance money our parents left us. I’m adding to the family account with my waitressing job at Sharkey’s, but we don’t have much extra left over. Spencer and Shane insist that we don’t need to worry about college tuition for them because they plan on full-ride athletic scholarships. But unless it’s for competitive eating, I’m not going to count on it.

As the twins practically fall face-first into their breakfast, Paisley pours their milk and shoves a paper towel next to their plates. Hopefully they’ll use it instead of the kitchen towel. Again, I’m not holding my breath.

I drink my coffee-infused milk, watching my twelve-year-old brothers inhale the first of what will likely be their six meals of the day. As they grumble about the shortness of Christmas break, I think about how glorious it is that I haven’t had one class this year, unlike them.

“Vaughn,” Paisley says urgently. “I still need to talk to you.”

“I already told you no.”

“I’m serious.”

“Oh, fine. Talk.”

“Outside.” She jerks her head toward the back door.

“We’re not listening,” says Spencer.

Shane nods in agreement because that’s their shtick. Spencer talks and Shane backs up everything his brother says, even if he disagrees.

“Outside.” Paisley’s head jerk looks painful this time, so I take pity on her.

“Lead the way.”

The screen door slams shut behind us. I take another sip of my rapidly cooling drink as I watch Paisley search for words, which is worrisome because Paisley is never at a loss for words.

“Okay, so I want you to hear me out. Don’t say anything until the very end.”

“Did you drink one too many Red Bulls this morning?” I ask. We both know Paisley kind of has a caffeine addiction.

“Vaughn!”

“Okay. Okay.” I zip my lips shut. “Not another word.”

She rolls her eyes. “You do the lip-zipping after the last word, not before.”

“Details, shmetails. Now talk. I promise not to interrupt.”

She takes a deep breath. “Okay, so you know how they finally gave me my own cubicle, so I don’t have to share with that other assistant anymore?”

I nod. “They” are her bosses at Diamond Talent Management. Paisley’s official job title is Brand Coverage Assistant, but technically she’s a glorified gofer—she goes on coffee runs, makes a zillion photocopies and spends an insane amount of time scheduling meetings. I swear, the people she works for hold more meetings than the UN.

“Well, my cube has this little bulletin board on the wall. I’m allowed to put up pictures, so yesterday I brought in a few photos. You know, like the one of Mom and Dad that we love, where they’re kissing on the boardwalk? And one of the twins at baseball camp. And then I put up the one I took of you at the beach bonfire we had for your birthday last month.”

I have to fight the urge not to make a waving motion with my hand to tell her to speed up. Paisley takes forever to get to the point.

“Anyway, so get this! Jim Tolson is walking by my cube—”

“Who’s Jim Tolson?” I ask, breaking my vow of silence.

“He’s my boss’s brother. He manages some of the biggest musicians in the world.” Paisley is so excited her cheeks are flushed. “So he’s walking by, and he sees the picture of you on my bulletin board and asks if he could borrow it for a minute—”

“Ew! I do not like where this story is going.”

She shoots me a dirty look. “I’m not done. You promised to be quiet until I was done.”

I swallow a sigh. “Sorry.”

“So I’m, like, sure, go ahead, but just make sure to bring it back because that’s my favorite picture of my little sister. So he takes the photo and disappears into his brother’s office for a while. He’s got all these assistants in there and they’re all talking about your picture—”

Okay, now I really don’t like where this is heading.

“Something major is going down at the agency,” Paisley adds. “I have no idea what, because I’m a lowly assistant, but Mr. Tolson has been in and out, arguing with his brother all week, and they keep having these secret meetings in the conference room.”

I swear, if she doesn’t get to the point soon, I’m going to lose my mind.

“So at the end of the day, my boss—Leo—calls me into Jim’s office and they start asking me all these questions about you.” She must see my worried look, because she’s quick to reassure me. “Nothing too personal. Jim wanted to know how old you are, what your interests are, if you’ve ever been in trouble with the law—”

“Um, what?”

Paisley huffs in annoyance. “He just wants to make sure you’re not a criminal.”

Forget this vow of silence. I’m too confused to stick to it. “Why does this agent—”

“Manager,” she corrects.

“Manager...” I roll my eyes. “Why does this manager care so much about me? And you said he manages musicians—is he trying to sign me as a client or something? You told him I can’t carry a tune, right?”

“Oh, totally. That was one of his questions, if you had any ‘musical aspirations.’” She air-quotes that. “He was pretty happy when I told him you’re (a) not musical and (b) interested in becoming a teacher.”

“Is it a matchmaking thing then? Because, gross. How old is this dude?” I ask skeptically.

She waves a hand. “In his thirties, I think. And that’s not it.”

“Is there an it? Because I’m beginning to wonder.”

Paisley pauses for a beat. Then she blurts out her next words in one breath. “They want you to pretend to be Oakley Ford’s girlfriend this year.”

I spray the concrete steps with lukewarm coffee mixed with spit. “What?”

“I promise you it isn’t as bad as it sounds.”

She runs a hand through her ordinarily perfectly styled black bob, and I notice for the first time that her hair is sticking up on the sides. Paisley’s usually so polished, from the top of her shiny head to the tips of the flats that she buffs every night.

“Mr. Tolson thinks you’re perfect for the job,” she tells me. “He said you’re pretty but not in an over-the-top way. More like a natural, girl-next-door type. I described you as down-to-earth, and he thinks that will complement Oakley, because Oakley can be really intense sometimes—”

“Okay, let’s back up,” I cut in. “Are you talking about Oakley Ford, pop icon? Oakley Ford, the guy with so many girls’ names tattooed on his body he’s like a phone directory of former Victoria’s Secret models? Oakley Ford, who tried to depants a monk in Angkor Wat and nearly caused an international incident? That Oakley Ford?”