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The Feast of Love
The Feast of Love

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The Feast of Love

Язык: Английский
Год издания: 2018
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When I get there, I am served by a woman whose name tag identifies her as Chloé. Kathryn orders a café latte, sizes me up, then begins to speak.

CHARLIE, I’LL START with a generalization here that maybe only applies to me. Maybe. Please don’t be too offended. I always found it a challenge to love men. At first I just thought I had to, that I had no choice. I thought that men in general—I’d really rather not say this—were unlovable. But I mean, look at them. If you’re a man you probably may not realize how they are. Amazing when any woman can stay married to one of them. Most of the ones I’ve known are bossy, or passive and obsessive, the men I mean, and after the age of twenty-five or so they are by most standards not beautiful. If one of them happens to be easy on the eyes, he gets hired by the photogenic industry. Beauty is not part of the show they do, most of the ones I’ve known. So you have to cross that off the list of accountables right away. And you’re left with their behavior.

They sulk, men, so many of them. They bear grudges and they get violent almost as a hobby, the ones I’ve known. Didn’t you realize this? Ask around. As a gender they’re—you’re—always scheming or at least they seem to be scheming because they never ever tell you what’s on their minds. The sample I’ve had. They just sit there day after day and they brood. After the brooding, then the firepower. Well, I know these are generalizations, but I don’t care, because they’re my generalizations, so I don’t have to prove them, which is exciting.

I will say that the one feature I like about men is that they can usually figure out how small appliances work. They’re good at fixing this and that. But that competence doesn’t lead to passion, just to gainful employment. Of course I’m only using the case studies here of the men I have happened to know in my brief lifetime. But a sample is a sample and what I’m describing to you is what I have observed.

They get to you in the small ways. They have their little bag of tricks. You take Bradley. In high school he sat behind me or next to me in English and biology. He was above average whenever he studied, which wasn’t that often because Bradley wasn’t and isn’t particularly studious. While everybody else was taking notes or being rowdy, Bradley was drawing sketches in his notebooks. Of me. Day in and day out he did pencil drawings of me in detail on paper. Even if his eyes were too large or too direct, he was a good-looking boy in those days when he remembered to comb his hair and to shave, and you should have seen the sketches he did of me. A few of them were confiscated by the teachers. Whenever they managed to steal a peek at what he was doing, the other girls were agog that he loved me so much. Everyone thought we were terrible sweethearts. Jesus. I never knew what I had done to attract his attention. In his hands a picture of a woman could often be more beautiful or arresting than the woman herself. It was hurtful, how beautiful he made me. I thought: that’s me? I was just Kathryn before but in his sketches of me I was a miracle. I was extraordinary. I just couldn’t get over what he did to me.

Do you understand what I’m saying? He confused me in the way that a lot of women get confused. He had a system going with these sketches so that if he happened to be distorting my beauty by making me more attractive than I actually was, I never had the brains or the wit to notice it. These pictures pretended to be mere records of my looks, standing or sitting or gazing downward in thought, but they undermined me. If somebody makes you beautiful or says you’re pretty and then repeats it insistently, you become his victim. He wasn’t always detailed about my eyes but I didn’t notice that at the time. That was my mistake. I should have noticed. Remember Picasso’s trouble with Gertrude Stein’s eyes in that portrait he did of her? Rembrandt’s portrait of himself in old age—I saw it in London—is as terrific as it is because of what he knew about his own eyes. Go look. Bradley didn’t know anything about my eyes and therefore avoided them. They’re not really in the pictures.

But because these Bradley-drawn pictures were celebrating me I fell in love with the pictures and then in a standard move I fell in love with the guy himself as the creator of the images in which a beautified version of me appeared. He drew one very elaborate sketch of me riding a horse that just about took the breath out of me. I was both beautiful and muscled, like the horse. A naked woman on a horse, two animals. I thought: if he can see me this way, then what else would I ever need?

Well, much else is necessary, believe me. He only loved his love for me and the pictures he was drawing. He loved those two. He loved the feeling he was having. I was a mere accessory to the feeling.

Loving him was extremely tricky because he was inaccessible in a sort of wacky way. Like so many of these twenty-something guys he was a perpetual traveler in outer space. What are you guys looking for out there? Trysts with aliens? I don’t get it. Never have. He was one of those men who could talk articulately about anything—food or movies or music or current events—but you could discern in the middle of his conversation that he had commenced to brood about something else that was not making its way into the mix. Right at the table he’d disappear on you and you couldn’t get him back. When he made love to me, he had this absentminded sex mannerism going on that eventually drove me crazy. And I don’t mean how, with sex, personality has to give way to your desire. That’s why it’s so hard to talk when you’re engaged physically.

Silent physical passion would have been just fine. But I felt insulted after a while: he made love the way you would drive a car to work. Autopilot stuff. Short-little-span-of-attention stuff. What I mean is that he was hardly in the same room with me when we were in bed together. He didn’t notice enough how I was reacting. It was boorish. He hummed while he was doing it, as if he were changing a light bulb. If he could concentrate on me in the pictures, then why couldn’t he concentrate on me in person when I was naked for him between the sheets? It made no sense. I assumed that this elemental problem with his absentminded love would improve, would go away, would dissolve.

I kept reaching for his heart and finding nothing there to hold on to.

Gradually I lost my confidence. That was about when he proposed to me and I said yes. Some mistakes are both simple and huge. The worst mistakes I’ve made have been the ones directed by sweet-natured hopefulness.

After we were married I realized that I had no particular idea who he was. I once called him the Lon Chaney of Ann Arbor, and instead of being hurt, he was pleased. At least I’m a star, he said. Days would go by without an endearment. He was too young to be a sleepwalker, so I’d try to wake him up. We’d have a nice dinner and we’d rent a movie and then we’d go to bed. We’d kick back the sheets and frolic like a good modern couple, and he would gradually fade on me, he’d look like he was thinking about the stock market. His distance took the wind out of me. And then I got this idea that the trouble I was having wasn’t just with Bradley but was a generic trouble. It was with men. He wouldn’t share his heart with me. He was preoccupied with the unspoken and would be all his life.

Believe me, most women know what I’m talking about.

AND THEN SOMEONE walks into your life and takes control of the situation.

This was a few weeks before he took me to the dog pound, this episode I’m about to describe. About at the end of the summer, the last week of August. He was correct about the two jobs I had and that he and I were married by then.

Oh, I should tell you one other story about that period. My grandfather was dying. He was getting Alzheimer’s and living in an assisted-care facility. I’d go over there to visit him. And one summer afternoon I drove over to see him and went up to his apartment and knocked and went in, because the door wasn’t locked. I heard the water turned on in the shower.

“Grandpa?” I asked. He wasn’t in the living room.

“I’m in here,” he said, calling from the bathroom.

“Okay,” I said.

So I waited for him. But he stayed in there. Stayed and stayed. So eventually I stood up, because I was worried and anxious about him, and I went into the bathroom where he had said he was. I looked in through the translucent glass of the shower stall and saw my grandfather in there, and I could also see that he had all his clothes on. Naturally, I was alarmed. I reached over and pulled aside the glass divider.

There—inside the shower—was my grandfather wearing his three-piece suit. He was standing under the spray of water, his wet hair hanging like seaweed down the sides of his head. Even his shoes were on. “Grandpa,” I said, “what are you doing in there?”

He looked at me. “The stars,” he said. “The stars are so beautiful.”

“The stars at night?” I asked.

“What other stars are there?”

I took his hand and led him out of the shower and took his clothes off and toweled him dry and into his pajamas. Then I went downstairs and told the attendants that they would have to take better care of my grandfather, that they would have to watch him more closely.

BUT BACK TO BRADLEY. In those days he had an idea that he was a painter. Of course he was a painter. That’s not what I mean. He labored as a house painter but his real love consisted of a variety of sly and very odd expressionism on canvas. He became proficient at it. He understood the ironies of his existence, painting houses during the day and making eerie images at night. When you’re as young as we were you have a strong sense of the pranks of fate. He had to prove that he could be a real painter and not a pretender, just the way that a lot of men feel they have to prove they’re real men. I’ve never known what that was about. I don’t think that most women have to prove that they’re real women. You live long enough, you graduate to being real.

Bradley comes on as a know-nothing but he really admired artists like Diebenkorn and Jennifer Bartlett and Hockney and all the other painters who knew how to use a light luminescent blue. He loved representational art that was full of problems you couldn’t solve just by looking. He loved stylization and stasis and pale pastel color, color that appeared to be temporary or about to fade, colors that might be in danger of becoming obsolete any minute now, blues that were endangered and inadequate. Did he mention that? Probably not. Because he had sold so few of his own works, he grew killingly modest. The more representational his art was, the more abstract he became. You couldn’t find him anywhere. He turned himself into the greatest abstraction.

As for his paintings, they filled up all the space we had. It was really tricky for me to adjust my attitude toward his accomplishments because I really wasn’t sure whether his work’s self-consciousness was intelligent or just gawky and shy. He had given up hyperrealism and had gone in for social commentary in faded hues. I remember that he splashed Tip of the Andes coffee on one of his canvases as a judgment against the proliferation of big coffeehouses like Starbucks, but how would you ever know that unless he told you, since the painting was of a window? All his canvases required an explanation or a commentary. They accumulated in the house. They even occupied the bathroom. And his art took up most of his free time. So when he was painting I found other diversions.

I had squeezed in some soffball as my one evening sport. I’m a bit of a jock. As a girl I swam constantly and played basketball when I could. I used to love to watch gymnastics. I would rather watch the women gymnasts than the men. I would rather watch women playing basketball than guys. When sports are played by women it speaks directly to my condition. I like to watch their fierceness and the animal pride of female physical movement.

Our softball team was doing pretty well that particular summer. We were blowing everybody else into the ash can. That week—the one I’m telling you about—we had this night game with the Brackner Buick Devils. They were another women’s team and supposedly our rivals. What I liked was simply getting out on the field under the lights during those summer evenings, playing the game, watching the evening come down to earth, the moths flittering in front of the floodlights. I was psyched for it. I had let Bradley know how much the game meant to me.

So on this occasion it was the bottom of the eighth inning. We were ahead, five to four. Bradley sat in the stands watching. He cast his husbandly gaze on me and maybe paid more attention to me as a Softball player than as his wife and lover. He had a curious budget of attention, Bradley did, maybe it was the painter in him, maybe he thought of Softball diamonds as geometrical abstractions. I was up to bat. Their pitcher was throwing some skillful stuff and they were concentrating hard in the infield and I could hear Bradley from the stands clapping and encouraging me. That was sweet. Give him credit. I had my patient husband the Toad in my corner. So I thought I’d show them, and on her next pitch I connected with what I thought was a line drive.

Their shortstop was a sort of lanky woman. She had that specific appearance of physical confidence as if she never thought twice about making a move before making it. All her moves were ones she did purposefully. First thought, best thought. She did them quickly. Body and mind together. It was certainly beautiful to watch. As an athlete she had no hesitation of the kind that sometimes hobbled me. After my hit, I was two steps off for first base when she ran backward and leaped to her left for the ball. She extended herself and went airborne and caught the ball smack in her glove. Thmp. My line drive.

I was out. I was absolutely out and out. What she had done was there and then the most amazing physical move I had seen for I don’t know how long, in its concentration and certainty and grace. Most people would have been crushed that they were put out in a game that close. Not me. Not that time. I am telling you it was heart-stopping. To watch that goddess in her ponytail doing that one leap caused me to halt in my tracks. I was almost irrelevant to what she did. I did the hit. She did the move on it. She had conviction. God, I loved that. So I stood there like a waxwork. I stayed right on that spot halfway between home and first base. They could have put me into Madame Tussaud’s, I was so unmoving. She got up from the ground and dusted herself off. She rubbed her forehead with her forearm. She held the glove up and then threw the ball to the pitcher. She smiled at her teammates and girl-whooped the way you do when you’re the champ of one particular action that you can do in front of other people. Then she smiled at me.

If a guy did that smile to another guy it might be a challenge to him and an insult. But not hers. Not her spun-steel-and-stardust smile. She was displaying what she could do for me. A very pleasing and smiling woman. And I thought: this certainly ain’t your regular sort of day. Or your regular sort of game either. Because that night with the moths clustering in front of the lights, when she smiled at me I felt that smile go down through me and out the other side. Some sort of competitive drive in me gave way to something else. As if I was transparent. A burning. Permeable to her smile.

We ended up losing that game. Six to five. Even while it was happening the game was already a quickly fading memory. Losing. Winning. Who cared? Because by that time I was watching her stealthily. I was trying to recover that moment by sheer willpower.

AFTERWARD THEIR TEAM and our team went out for beers at the King’s Armor Bar. As it turned out her name was Jenny. I’d seen her before. She worked as a meter maid. Almost like a song: Lovely Jenny, meter maid. Pitchers of beer circulated all around the table. I was the pretty woman in a baseball uniform sitting with her husband and surrounded by other girl-jocks. We were smoking and laughing and consuming the beer. I was being cool. My husband—Bradley—was scrunched up against my left side where I could lean into him and he was talking to the other husbands and boyfriends and girlfriends who happened to be stringing along. Jenny the meter maid had taken a seat on my right. I had not the slightest clue what I was going to do next. Except for my involuntary stomach flips it might have been any night at all. I was ignoring the stomach flips.

Peanut shells all over the floor. Smoke everywhere. Hubcaps decorating the walls. The cap-gun clang and bonk of pinball machines. People saying “Fuck” every five seconds and then laughing haw haw haw after they pour beer down themselves.

After all, I was just married. Some women never even get that far. The wedding ring felt new on my finger. That little diamond? I could still feel it planted against my skin all the time. When you’ve got it there for the first few months it feels a little bit like a gender award that you can carry around and display. It has clout. My ring—outside the mitt—broadcast its glitter as if I had just won it in a small-town raffle, the only prize most women get. He had gazed at me fixedly for hours on end and then he had just made me princess of some personal half-secret kingdom. Look, I could say. I am very young but singularly acclaimed. This absentminded man, he’s mortgaged his life to me. On me Bradley’s pale light has fallen. I’m subject voluntarily to his gaze from here on. It’s happy-ever-after time.

She sat on my other side. She had freckles in star-field patterns on the back of her hands, different patterns for each hand. On her right cheek was an odd dimple that appeared whenever she frowned, a dimple to break your heart. Her hair was mostly brownish but with a streak of something blond running through it to punctuate it. Up close I could see her eyes more closely, brown with a tiny flaw of blue in the right one. She was small-breasted like so many athletic girls and she held her shoulders together as if she were cold. She leaned forward and encouraged me to talk about anything. It was odd: she felt like the sun to me. I glanced down and saw Cassiopeia’s chair in the freckles on her left hand.

Jenny and I did a conversational dance, something very formal. She didn’t say anything about her leaping catch. She was talking about her cat instead. She had a calico cat named Ralph with urinary tract problems. She went on about this cat. Women often do. It’s polite to listen. I don’t like cats much but I listened to her talk about this cat Ralph and I hung on every word. She got the cat at the Humane Society, by the way. You might be interested in that literary coincidence. By listening to the stories of the cat I learned that she lived by herself in a sort of spare apartment on the north side. One of those apartments decorated with line-strings of plastic hot peppers up near the molding to provide cheer. I was imagining it. She kept her radio tuned to the jazz station. Too much traffic noise in her neighborhood made it hard to sleep. Hard to sleep. She said she tossed and turned. Uh-huh. I see. It would be sad to be alone in that bed with the ionizer buzzing in the corner.

And I was thinking: Oh, this is a wonderful moment. I have a new woman friend and I can talk to her about anything, by which I mean all the subjects that Bradley never managed to pay any attention to.

In the bar she was still lanky. Big feet. Long legs. And they all moved in a pleasing languid dramatic graceful performance. As if her body also were busy having a conversation. First it talked to itself and then it talked politely to me. Beneath that politeness glided schools of fish.

I told her that Bradley and I had just been married and that we lived in a basement apartment just as spare as hers, except for his paintings. She appeared to be quite interested in Bradley and so I told her about his work and his art and the jobs we did. She yelled across me to say hi to him, and they shook hands over my lap. Then I explained again about our apartment. Ours was just as spare and empty as hers, I repeated without thinking why. For some reason we got on the subject of female medicine and I gave her the name of my gynecologist, Dr. Moosbrugger. I said I worked a couple of dumb jobs. She listened to me as if every time I made a commonplace observation it was the most noteworthy event of the day. We talked about cloning, hair dye, and personal web sites. As if we were two musicians, we kept striking chords. I don’t know how else to say it. She leaned forward toward me. She laughed and nodded. For the first time in my life I felt myself hanging on to somebody’s words, hanging on for dear life. By her expression, you could tell that she hung likewise on mine. Tightrope hanging, as we reached for each other’s hearts.

You don’t know that you’ve crossed a border until you’re over on the other side. At that point you see where you’ve got yourself to and whether you’re done for or not. Plenty of friendships have a latent erotic component. But before I had even quite realized that I was attracted to her—well, I knew I was because I wanted to be more like her than I was like myself—the old terrible magic coalesced into the air, and I realized with a sort of shock what I wanted to do. Dear God, I wanted to put my hands on her as a trial, just as a test. I wanted to put a hand on her face or on her arm because I thought that if I did that, I would be so happy. I just wanted to feel her skin but of course I wanted to feel the muscle beneath her skin and I wanted to get at the soul underneath that muscle because I could smell it. I had never gotten a whiff of Bradley’s soul and at that moment at the table in the King’s Armor I had a flash that I never would. The menu of sensations in this post-softball evening was mostly new to me. But at that table I could smell her soul and I wanted it. She being a woman, et cetera, it was scary. But it was uplifting too. That’s what you have to know.

When she laughed she opened her mouth and I saw her teeth. Well, now, and hello. I had a new thought: I love those teeth. Never in my life have I felt so private to myself with those feelings banging around in my skull. They were white and straight, those teeth, and I thought of a line of French poetry I had learned in junior high: God, how good it is to look upon her. I can’t remember the original, only the translation. I shuddered with the excitement and fear of it. I was inventing each moment as it arrived as if I were in a car shooting down the side of a mountain without brakes.

I also felt as if I had been shot. That’s how strong it was. Or maybe punched. Poor Bradley, he had no idea what was happening to me. Poor me also.

Well, she said, I believe I will put some money in the jukebox. She stood up and sauntered through the cigarette smoke over to the Wurlitzer. Behind her the smoke swirled as it filled the space behind her. As I watched the smoke eddy in those patterns in her wake, I realized that my new friend was just about all that I wanted forever and ever and ever. You can’t dictate to yourself what you want. You either want it or you don’t. I suppose I was drunk by then. She put a dollar bill into the jukebox and started programming. She stood in front of that jukebox with her hip canted to the right. She was profiling for my benefit, I noticed.

She walked back slowly to the table. Her ponytail bobbed a little as she walked. I’d never seen a woman walking that comfortably before. Oh she was secure in herself, and in despair and exaltation all at once I wanted to be free of Bradley and secure in her, and I shocked myself so much with that thought that I quelled it. She did a promenade thing through the smoke and the noise. The noise quieted in my head when she walked. I had the sudden perception that she was my royalty. I would bow down to her somehow. I would do it without drawing attention to myself or to her. She cleared a path through the room and the smoke swirled in to fill the space behind her as previously. Nobody noticed her all that much except me. Majesty and control in a woman was for me a suddenly disarming sight. That, and the way she looked into my eyes as Bradley never had. She saw my eyes.

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