Gordon Ramsay’s Playing with Fire

Here we go again, I thought. However big someone is, Rule Number One is this: if there is cash, they want it, and these greedy arseholes were about to lose a deal because they wanted a few readies on top of a shedload of money for their restaurant.

Chris and I talked about it. We were both totally pissed off that, having talked through the heads of terms, some dickhead started to murmur about a few pictures so they could screw some more money out of us. We don’t do side deals. So the deal turned stone cold, and Chris told them why. It no longer matters now, but they were totally mystified.

Then the phone rang. It was Glasgow again, and this time, One Devonshire Gardens, Glasgow’s chic West End boutique hotel. Now this was a boner, and I was up there with Chris, as keen as a setter on the scent.

The place looked right immediately: three houses joined together and filled with browns, tweeds and long, elegant drapes, and with rooms the size of snooker halls. There was a smooth life going on here, but the one thing that they didn’t have was a restaurant. Fuck me! We can arrange that. And, in doing so, fine dining would come to my home town. The more I saw of this fantastic establishment, the more I fell in love with it, and any numerical doubts faded away, along with my sense of judgement.

We went back to London, and the whole process of negotiation, lawyers and contracts started all over again. We found Scottish lawyers, who are a different bunch to our beloved Joelson Wilson & Co., but Scotland is Scotland, and they play by a whole different set of laws. Soon we had a deal, and it was only a matter of time before wet ink was scrawled across a ten-year lease and an accompanying operating agreement.

The first base in this home run, as always, was a chef, and I already knew who was going to head north to run the kitchen. This remote outpost would also need a general manager, and I had just the person in mind. From then on, there was a long succession of trips to One Devonshire Gardens by our human resources manager, our operations staff and the kitchen designers. Gradually, a shape was evolving, and although the English press was pretty low-key about this adventure, the Scottish papers were lining up their sharpened pencils.

Amaryllis opened to a Scottish fanfare. We had a launch party that rocked late into the night, which was all very well, but the following day, we were open for business. The opening weeks went well. Nobody could believe that this restaurant was attracting forty covers for lunch and sixty-five in the evening. I did more television interviews and talked to more journalists than ever before. The critics moved in. Their reviews made good reading, and I knew we were already on the way to a Michelin star.

At what stage did I realize that things were going wrong and that the paste that held up the wallpaper was just too thin? Well, if the truth were known, it was not so for far too long.

But it was soon clear that the pressure from Glasgow on our London operation was beginning to grow. The northern kitchen brigade was rowing, absenteeism was at a level not known to us in the south. On top of all this, the owners of the hotel had just run into trouble.

It is always traumatic for everyone involved when there have to be changes in senior management. The finger of blame can only point to myself and Chris, and if we get an appointment wrong, then it will certainly be us who end up paying the price.

All you can do when you appoint someone is interview them and check out their reputation. But reputations are leaked, spread, smeared or openly published, and are often the stuff of crap and nonsense. I know how I can exaggerate and pass on stories about them as if I witnessed the whole thing myself – when, actually, I’ve never met them. As for the interview, well, that can be a trip to Disneyland. Nobody ever goes to an interview with a long list of their weaknesses. They save them for later, and drip-feed them when you least expect it.

So, a new appointment is made, and off we go into the woods, axes in hand, ready to build a tree house. All is sweet to begin with, and slowly, almost imperceptibly, ominous signs begin to appear. They may not have forgotten the axe, exactly, but, at some stage, it will need sharpening and the stone was left at home. The idea is that senior managers have to think things out for themselves. They have to plan, budget, foresee everything and make things happen. If you’re building a tree house, you need drawings, materials, a compliant workforce, safety procedures to stop Bob the Builder from falling off the tree holding his chain-saw, and the house needs to face the right direction to catch the sun. In fact, someone must be experienced enough to see the whole thing through.

If that doesn’t happen, you know you’ve got a problem. When a bend in the road appears, you get a choice. You can either steer around the corner or you can fail to notice it, ignore it, and crash. That’s when you have the odious task of saying goodbye and having to look for someone else, and you know in your heart of hearts that it is not so much a senior management failure, but your own fucking fault – or Chris’s fault, if I’m feeling that evil.

We were, as they say nowadays, ring-fenced from the hotel operation, which was now in the hands of receivers. In practice, that meant it was run by accountants whose only aim in life was to cream every penny out of this financial flop for the creditors, and that was never going to result in a well-run, happy hostelry with residents queuing up to sample my menu.

Still, we paid countless visits to Amaryllis. Chris and I would leave London at 4 a.m. and race up the motorway to be there by 8.30 a.m. When we got there, we would talk to staff, listen to their catalogue of woes, and then do the motivational bit, sure that – this time, finally – everything would change. I would gather all the poor, wee lost souls in the main dining room with the high ceiling and slight mustiness in the air, and I would talk gently. ‘Guys,’ I would say, ‘we have some issues here that we need to sort out. We need to do this together, you and me, so that we can learn from our mistakes and make this so successful that the queue for dinner stretches right down to Sauchiehall Street. So tell me what you think might be wrong at present.’

Nothing is forthcoming, so I move it up a gear. I look for the face that shows that its owner wants to hide behind the drapes – those long, grey, funereal drapes that are looking more and more apt by the day – and I try and draw him out.

‘Harry?’ I ask. He’s the barman who has personally ordered fifty-seven varieties of Scotch in the mistaken belief that he will entice most of Scotland into his bar. ‘How are you with all of this? Do you feel that we can work this out as a team? What about you, Cynthia? How can we improve our daily reservations?’

And so I go on, asking and listening carefully. In their replies, the real answer is hidden. I need to hear the tone, the timbre and the inflection to see if they really think that this can work and to see – most importantly – if they want it to work.

I tell them that they are only here because they are good, and were chosen because of this attribute. I explain that London is not that far away, and that everyone in the office really wants them to succeed. Then I ask them if they can help me get the show on the road. And, bit by bit, I can see hope. They want this to work, and they know that I want it to do so as well. We can do it. We have the best fucking ingredients in the world on our doorstep. We need to spoil our guests with smiles and recognition. We need to deal with problems immediately, and always in favour of the customers. Are we together on this? The room tells me yes, and although it might be some way short of Billy Graham’s call to Jesus, I really believe that I’ve encouraged them.

The trouble was that it never did change and, as this became apparent, we felt less like going up to Amaryllis, knowing that the love affair was over.

London was having its own problems by then. Pétrus had moved to The Berkeley and we had kept on 33 St James’s. It had seemed simple enough to give the restaurant a new name, make some changes to the menu, drop the prices fractionally, and wait for the same old crowd to keep coming. Only they didn’t. Turnover plummeted, and we were suddenly no longer making £40,000 a month.

So Marcus Wareing and I were ‘invited’ to Chris’s office for a chat. It was a bit like attending the funeral of the family pet. There, on his desk, he had sheets of paper with the past six months’ profit and loss figures. We ploughed through them, starting with Royal Hospital Road, then on to Pétrus and the other restaurants we were beginning to open in London. They were bringing in total profits at the rate of around £250,000 each month, which was great.

‘What was wrong with that?’ we wondered, until Chris launched into a rundown on the two failing restaurants.

Marcus and I had a pocketful of reasons and excuses for this state of ruination, and, above all, we had the determination to fix it. There was a pause, and Chris said that he thought that we should shut the two restaurants the next day.

‘Had he gone mad?’ we asked.

Closing would be like admitting defeat, and, most importantly of all, how would it sound to the press?

There was another cold, stony pause from Chris before he delivered the well-aimed kick in the bollocks. ‘You can continue on one condition,’ he said, ‘and that is that the two of you personally pay over to the company a total of £41,000 each month until you have everything under control and the restaurants are no longer bleeding the group dry.’

He went on to explain that both cases were past redemption and that, unless we were happy to carry these losses personally, say for the next six months at a cost of £366,000, he suggested that we spend the rest of the meeting planning the two closures.

It was really strange, but this was suddenly a moment of great clarity, and I felt a huge relief. Of course it was heartbreaking, but both Marcus and I, dumbarses that we were, knew that the game was up and we would no longer have to dread the monthly figures. We would just hear about profit without the big minus pulling at the rear.

Why didn’t I see it before? It had to be vanity, and vanity – as I discovered – could be fucking expensive. But I had learned about the antidote: a bucket of cold reality and serious action if you want to avoid bleeding to death.

The only thing that I had to deal with was a loss of face in the Scottish press and a distant whisper about a small failure in London, but I was beginning to learn how to do that. Because, back in London, the biggest opportunity so far was about to fall into our laps.

CHAPTER FIVE

CLARIDGE’S

When you find a winner, groom it daily. Protect it with your life.

WHILE WE WERE battling with the problems in Glasgow, two things happened that suddenly shifted us into another gear. In January 2001, Royal Hospital Road received its third Michelin star. It was what I had been working my bollocks off for since I started in my first kitchen, and it broadcast to the world what we were about. It was also to bring the most important opportunity so far, as I was about to learn how to take on a major business challenge, rebuild it detail by detail, and then deal with success on a scale previously unknown to me.

Claridge’s is one of the very few old-style, glamorous places that are the real thing. It has been open since before the Battle of Waterloo, and it was among the first establishments to introduce French cooking to Regency London. The Prince Regent had a permanent suite there. And it was from Claridge’s, out of the blue, that we received another one of those phone calls with an invitation to talks about running its restaurant.

Ironically, Claridge’s new owners, Blackstone Private Equity, had been the very people who had delayed the launch of Royal Hospital Road. I had no idea back then, of course, that they would come to be such an important part of my life.

From the moment I first heard of the idea, I knew that Gordon Ramsay at Claridge’s was going to take us into a different league. The deal had everything and, in particular, a new word for me: ‘synergy’, the coming together of two bodies whose combined force would be greater than the sum of their parts. Claridge’s from the history books, and me from a council house. Who would ever have thought it? I learned the significance of this little number rapidly.

The first hurdle was to get the new owners into believing that we could handle this operation. The man whom we negotiated with was John Ceriale, a name that would become iconic within Gordon Ramsay Holdings for years to come. I thought of him as a Bronx bruiser with an uncanny vision when it came to bringing old-fashioned, down-at-heel hotels into the twenty-first century. At this point in time, he had only been with Blackstone Private Equity for a year as their hotel real estate manager and had yet to make his name.

Chris got on particularly well with Ceriale. I think Ceriale saw me as the name above the door, whereas with Chris, he could see someone who could put in place a structure that would carry the whole operation. Their first meeting started with the question, ‘Would Gordon be happy to do breakfast in his restaurant?’ Chris is seated there with Ceriale and at least six of his ‘advisors’ and the senior management from Claridge’s. The answer to the question was about to launch a relationship that, in the fullness of time, would provide Gordon Ramsay Holdings with an incredible billion pounds’ worth of turnover in the coming years. A BILLION pounds. No firm in the world would turn that down, and we certainly weren’t planning on stalling over a simple matter like breakfast.

Fortunately, Chris got the answer right. Without a second’s hesitation, he said that that would be no problem and that Gordon would certainly be up for that, knowing full well that chefs just don’t do breakfast. This had been the stumbling block for all previous contenders. How the fuck Chris imagined he was going to smooth this with me became the funniest thing he ever said. He just looked at me and said that, if it was going to be a problem for me, he would cook the breakfasts himself. Chris can’t cook a breadcrumb.

The early days were difficult. It took an age before we finally got the nod, having been made acutely aware that I was probably the last in the line of those chefs whom Ceriale had invited to talks. Perhaps, understandably, he realized my reputation might not sit comfortably with Claridge’s rearguard. There were certainly plenty of people who were ready to confirm that, and although they liked their eggs boiled, they didn’t like the idea of them being ‘fucking’ boiled. I think what worked in our favour was that Ceriale was clearly a maverick and liked me. He had already realized that the rebirth of Claridge’s was not a move to pander to the hotel’s established clientele. What would happen when they were all dead and gone? What he had in mind was a rebirth of this old lady to accommodate the new money of a younger, wealthier generation. He sought to bring glamour by the bucketful, and he did so with top American designers and investment funds that no one had ever dreamed about.

Ceriale made it clear that, before we went any further, he wanted to meet me. He was one of those operators who was guided by his feelings about people. All his consultants were people he liked, and if we were going to secure Claridge’s, he and I would have to connect. I guess that I am a bit like that myself. It is not easy to work with people you don’t like, and it just so happens that I tend to like people who are good at their jobs. I think that it’s also linked to the search for loyalty. You want to feel that someone is with you for a bigger reason than just a pay packet.

It was arranged for Chris to take John and the general manager of Claridge’s to Royal Hospital Road for lunch, and afterwards, I would come into the dining room and meet them. It gave us a chance to show John what we were about. Impress him, maybe.

Lunch was a hard slog for Chris. The general manager, let’s just call him GM as in General Motors – was clearly not on our side. He couldn’t understand change, and yet was swept along by the energy and vision of his new boss. As Chris said, he had reached the pinnacle of hotel management and was now extending a very tentative toe into hotel realignment. But a step, perhaps, too far for him.

So these two pumped Chris for all he was worth during lunch, asking him all the questions and expressing their doubts about how I would appear as the spearhead for the new restaurant. Both Chris and I knew that I was, without doubt, the right choice, but, for the new owners, there were big bucks riding on the correct decision, so nothing was going to be decided there and then.

As I entered the dining room, I saw the three of them sitting in the corner. Chris did not look happy, and I was thinking that maybe things were not moving in the right direction. We all shook hands, and I could see at once why Chris was so impressed with John Ceriale. He is not tall, he is thinning on top to the point of balding, and he is straight out of the Mafia’s family album. He was dressed immaculately, with blue suit, cufflinks on double cuffs, and a quiet tie. I wondered if I should be kissing his hand. ‘Hey, Gordon, nice ta meet ya.’ He told me that he enjoyed lunch and that he was hoping we might do some stuff together with Claridge’s. He was definitely twitchy, and I saw his eye land on a waiter who had joined the company only a week before. ‘Haven’t I seen him before?’ he asked. My heart sank, as I knew that we had snatched this boy from Claridge’s. ‘Have you been stealing my fuckin’ staff, Gordon? Is this what you do over here? Is this how you operate?’ The man was all over me, and I saw Chris shifting from one foot to the other like he was trying to run through a trough of honey. GM was also uncomfortable with the way the conversation was going. More like a good slapping than a conversation, I was thinking. GM was chewing his top lip like there was a sticky wart on it.

‘If you don’t like me, Gordon, I’m outta here. Do you want me to fuck off out of the restaurant?’

Jesus! What have I done here? I looked at him and it just came out. ‘Yes, he came over from Claridge’s,’ – GM was looking on stonily – ‘and he tells me that the staff have a picture of the new owners on their dartboard. He says that your head has the most holes in it. Why is that, John?’

He looked at me, and the whole of Royal Hospital Road had a frozen moment. ‘Hey, is that so? They stick more darts in me than any other fella? Fucking brilliant.’ And with that, he laughed aloud, grabbed my hand and shook it like we’d been the best of buddies for years. I wondered afterwards what prompted me to say that. It was pretty dangerous stuff, and I can only think that either I was getting angry with this man for talking to me in my restaurant as though I was a criminal, or I just wanted to show him that we could toss in the occasional Molotov as well.

Somehow, although I was not sure as they left immediately afterwards, I thought we had made progress.

Our deal was eventually struck, and we got control of the dining room and kitchen. Blackstone paid for the design and refit in return for 11 per cent of our turnover by way of rent. Maybe a high rent, but just look at what we were getting: a beautiful dining room in the heart of Mayfair with all the glitz that was about to come shimmering through the door. Even the kitchen fit-out was paid for, although we had to wade in and replan the whole area after what we considered was a muddled first attempt. In later deals, this became our area of expertise, but that’s another story.

Within the old kitchen, there was a drink dispense area just opposite the main stoves where countless cocktails had been served to the waiting staff to take through to the dining room. It had been in my mind to look for a space to put in a chef’s table, and this looked perfect. A chef’s table was originally just a table in the kitchen for friends of the chef or visiting chefs who would sit down and taste the kitchen’s offerings. This simple concept developed so that guests of the restaurant could also eat in the kitchen and learn more about what they were eating, about the ingredients and how they are cooked. Chris will always maintain that it was his idea, but the idea went up to the Claridge’s management for their approval. They thought the concept hilarious, particularly the GM, and asked what we imagined the turnover generated by such a table of six would be. ‘Probably around £440,000 a year,’ Chris replied. They continued to laugh, but we got our way, and a year after opening it, had turned over £500,000 – probably more than Claridge’s Royal Suite took in.

The Chef’s Table became a trademark of our operation, and is a feature in nearly all of our restaurants. It makes great commercial sense. For years, guests never dreamed of coming near a commercial kitchen. Suddenly, everyone is interested – not just in food, but how it is put together, and its production has become theatre. The chefs love it when they see guests interested in what they do. Very often, they will invite the guests to the stove to help stir a pot or dice a shallot. The table is a great revenue source, and, occasionally, tips are exceptional – as once witnessed when the three ladies of a particularly lively Chef’s Table stood up and bared their tits in gratitude. The brigade cheered and the evening became buried in folklore. Unfortunately, it was my day off.

The Chef’s Table is also the guarantee of total hygiene. Everyone working in the kitchen knows that clean is not enough. It has to look as it did on the day it opened. Shine, polish, burnish, sparkle – the whole nine yards. No fucking excuses.

The opening of Gordon Ramsay at Claridge’s was delayed by three months. It would have been inconceivable originally, but the combined noise of drilling and the preciousness expressed by hotel guests made the original opening date of July an impossibility. This had an unexpected benefit.

The taking over of Claridge’s restaurant had brought to my attention the concept of TUPE, the Transfer of an Undertaking Protection of Employment. In essence, this meant that anyone employed by a going concern, company or business was automatically transferred as an employee to the new owners or employers, irrespective of how the transfer of the business took place. Sounds reasonable in the first instance – until you realize that you may be taking on employment liabilities relating to people with thirty years’ service. In the case of Claridge’s, there were something like eighty such employees, and this was a real concern. Not only had they been around this establishment for years, but during that time, they had taken on personas that would in no way suit the operation that we had in mind.

What I didn’t realize was that they were as nervous about coming on board as I was about their existence. The easy life of serving twenty or so guests at lunch or dinner was about to come to an end. We were already working on 120 guests for lunch and 150 in the evenings, and word was out on what we expected from our staff. With this in mind, forty of the transferees had already tendered their notices and were on their way to pastures new or, perhaps, just out to pasture. With the announcement of a September opening, the others threw in the towel, every single one of them, and we were free to start afresh. Thank you, God.

For John Ceriale, there were always three fundamental components in opening a successful restaurant: the location, the chef and the design. Well, we certainly had the location, and the kitchen was never going to be a problem. The design – or, rather, the designer – was the ace up John Ceriale’s sleeve. Tucked away in an old converted cold store in New York’s Tribeca was Thierry Despont, who was given the commission to not only bring Claridge’s foyer into the new age of old elegance, but was also charged with the design of my new restaurant.