Koko

Koko

Peter Straub

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

HarperCollinsPublishers Ltd.

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by Viking 1988

Copyright © Seafront Corporation 1988

The Author asserts the moral right to be identified as the author of this work

A catalgue copy of this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007103676

Ebook Edition © JUNE 2010 ISBN: 9780007375516

Version: 2016-11-23

Praise

KOKO

‘A masterpiece…a crime novel, a suspense novel, a horror novel and a study of human relationships. Fascinating and complex.’

Houston Post

‘Gripping…The characters are realistic and complex, and the story continues to resonate in the mind long after the final page is turned.’

Publishers Weekly

‘Vastly entertaining and brilliantly written…evokes bizarre fevers and brimstone terror…Peter Straub flexes all his muscles…his style is at its peak…Koko is his finest work…with an inspired, wonderfully handled ending…judged as a thriller it deserves to be compared to the best.’

Washington Post

‘Remarkable…an unusual and wonderfully suspenseful thriller…evokes a fascinating and frightening picture of war and its aftermath.’

Boston Herald

Dedication

For Susan Straub and For Lila J. Kalinich, M.D.

Epigraph

I believe it is possible and even recommended to play the blues on everything.

FRANK MORGAN, alto saxophonist

Table of Contents

Cover Page

Title Page

Copyright

Praise

Dedication

Epigraph

PART ONE The Dedication

1 Washington, D.C.

2 Message

3 Reunion

4 The Answering Machine

5 Beans Beevers at the Memorial

PART TWO Preparations for Takeoff

6 Beevers at Rest

7 Conor at Work

8 Dr Poole at Work and Play

9 In Search of Maggie Lah

10 Conversations and Dreams

11 Koko

PART THREE The Tiger Balm Gardens

12 Men in Motion

13 Koko

14 Remembering Dragon Valley

15 Meeting Lola in the Park

16 The Library

17 Koko

PART FOUR In the Underground Garage

18 The Steps to Heaven

19 How Dengler Died

20 Telephone

21 The Riverside Terrace

22 Victor Spitalny

PART FIVE The Sea of Forgetfulness

23 Robbie, with Lantern

24 In the Cave

25 Coming Home

26 Koko

PART SIX The Real Raw Taste

27 Pat and Judy

28 A Funeral

29 The Line-up

30 A Second Reunion

31 Encounters

PART SEVEN The Killing Box

32 First Night at the Pforzheimer

33 Second Night at the Pforzheimer

34 The End of the Search

35 The Killing Box

PART EIGHT Tim Underhill

And then what happened?

Keep Reading

About the Author

By Peter Straub

About the Publisher

PART ONE The Dedication

1 Washington, D.C.

1

At three o’clock in the afternoon of a grey, blowing mid-November day, a baby doctor named Michael Poole looked down through the windows of his second-floor room into the parking lot of the Sheraton Hotel. A VW van, spray-painted with fuzzy peace symbols and driven by either a drunk or a lunatic, was going for a ninety-eight-point turn in the space between the first parking row and the entrance, trapping a honking line of cars in the single entry lane. As Michael watched, the van completed its turn by grinding its front bumper into the grille and headlights of a dusty little Camaro. The whole front end of the Camaro buckled in. Horns blew. The van now faced a stalled, frustrated line of enemy vehicles. The driver backed up, and Michael thought he was going to escape by reversing down the first row of cars to the exit onto Woodley Road. Instead, the driver nipped the van into an empty space two cars down. ‘Well, damn,’ Michael said to himself – the van’s driver had sacrificed the Camaro for a parking place.

Michael had called down twice for messages, but none of the other three men had checked in yet. Unless Conor Linklater was going to ride a motorcycle all the way from Norwalk, they would almost certainly take the shuttle from New York, but Michael enjoyed the fantasy that while he stood at the window he would see them all step out of the van – Harry ‘Beans’ Beevers, the Lost Boss, the world’s worst lieutenant; Tina Pumo, Pumo the Puma, whom Underhill had called ‘Lady’ Pumo; and wild little Conor Linklater, the only other survivors of their platoon. Of course they would arrive separately, in taxis, at the front of the hotel. But he wished they would get out of the van. He hadn’t known how strongly he wanted them to join him – he wanted to see the Memorial first by himself, but he wanted even more to see it later with them.

Michael Poole watched the doors of the van slide open. There appeared first a hand clamped around the neck of a bottle which Michael immediately recognized as Jack Daniel’s sour mash whiskey.

The Jack Daniel’s was slowly followed by a thick arm, then a head concealed by a floppy jungle hat. The whole man, now slamming the driver’s door, was well over six feet tall and weighed at least two hundred and thirty pounds. He wore tiger-stripe fatigues. Two smaller men similarly dressed left through the sliding door in the side of the van, and a big bearded man in a worn flak jacket closed the van’s passenger door and went around the front to take the bottle. He laughed, shook his head, and upended it into his mouth before passing it to one of the others. Individually and collectively they looked just enough like dozens of soldiers Poole had known for him to lean forward, staring, his forehead pressed against the glass.

Of course he knew none of these men. The resemblance was generic. The big man was not Underhill, and the others were none of the others.

He wanted to see people he had known over there, that was the large simple truth. He wanted a great grand reunion with everyone he had ever seen in Vietnam, living or dead. And he wanted to see the Memorial – in fact Poole wanted to love the Memorial. He was almost afraid to see it. From the pictures he had seen, the Memorial was beautiful, strong and stark, and brooding. That would be a Memorial worth loving. The only memorial he’d ever expected to have was a memorial to separateness, but it belonged to him and to the cowboys out in the parking lot, because they were forever distinct, as the dead were finally distinct. Together they were all so distinct that to Poole they almost felt like a secret country of their own.

There were names he wanted to find on the Memorial, names that stood in place of his own.

The big cowboy had taken a slip of paper from his shirt pocket and was writing, bent halfway over the hood of the van. The others unloaded duffel bags from the back of the van. The Jack Daniel’s bottle circulated until the driver took a last slug and eased it into one of the bags.

Now Michael wanted to be outside, to be moving. According to the schedule he picked up at the registration desk downstairs, the parade up Constitution Avenue had already begun. By the time he had his first look at the Memorial and came back, the others would have checked in.

Unless, that is, Harry Beevers had managed to get drunk at the bar of Tina Pumo’s restaurant and was still asking for one more vodka martini, one more little teeny martooni, we’ll catch the five o’clock shuttle instead of the four o’clock, or the six o’clock, or the seven. Tina Pumo, the only one of the old group Poole saw with anything like regularity, had told him that Beevers sometimes spent all afternoon in his place. Poole’s only contact with Harry Beevers in four or five years had come three months before, when Beevers had called him up to read aloud a Stars and Stripes article, sent to Beevers by his brother, about a series of random murders committed in the Far East by someone who identified himself as Koko.

Poole stepped back from the window. It was not time for Koko, now. The giant in tiger stripes and jungle hat finished putting his note under one of the Camaro’s windshield wipers. What could it say? Sorry I beat up your car, man, come around for a shot of Jack –

Poole sat down on the edge of the bed, picked up the receiver, and after a second of hesitation dialed Judy’s number at school.

When she answered he said, ‘Well, I’m here, but the other guys haven’t checked in yet.’

‘Do you want me to say, “Poor Michael”?’ asked Judy.

‘No, I thought you’d like to know what’s going on.’

‘Look, Michael, is something special on your mind? This conversation has no point. You’re going to spend a couple of days going all drunk and sentimental with your old army buddies. Do I have any place in that? I’d just make you feel guilty.’

‘I still wish you’d have come along.’

‘I think the past is in the past because that’s where it belongs. Does that tell you anything?’

‘I guess it does,’ Michael said. There was a moment of silence that went on too long. She would not speak until he did. ‘Okay,’ Michael finally said. ‘I’ll probably see Beevers and Tina Pumo and Conor tonight, and there are some ceremonies I’d like to take part in tomorrow. I’ll get home Sunday about five or six, I suppose.’

‘Your patients are extremely understanding.’

‘Diaper rash is rarely fatal,’ Michael said, and Judy uttered a smoky exhalation that might have been laughter.

‘Should I call you tomorrow?’

‘Don’t bother. It’s nice, but don’t bother, really.’

‘Really,’ Michael said, and hung up.

2

Michael moved slowly through the Sheraton’s lobby looking at the men lined up at the registration desk, among them the big cowboy in tiger-stripe fatigues and his three buddies, and the groups of people sitting on padded dark green chairs and banquettes. The Sheraton was one of those hotels with no true bar. Women in clinging, filmy dresses brought drinks to the twenty or thirty tables in the sunken lobby. The waitresses all seemed to have descended from the same tall, languid, handsome family. Where these princesses might normally have served gin-and-tonics and Perriers-and-lime to men with dark suits and power haircuts – to men like Michael Poole’s neighbors in Westchester County – now they set down shots of tequila and bottles of beer before wildmen in battle jackets and bush hats, in funky fatigues and funkier khaki ballcaps.

The sulphurous conversation with his wife made Michael want to sit down among the wildmen and order a drink. But if he sat down, he would be drawn into things. Someone would begin to talk to him. He would buy a drink for a man who had been in some of the same places he had been, or had been near the places he had been, or who had a friend who had been near those places. Then the man would buy him a drink. This would lead to stories, memories, theories, introductions, vows of brotherhood. Eventually he would join the parade as part of a gang of strangers and see the Memorial through the thick insulating comfort of alcohol. Michael kept moving.

‘Cavalry all the way!’ shouted a whiskey voice behind his back.

Michael went through a side door out into the parking lot. It was just a little too cold for his tweed jacket and sweater, but he decided not to go back upstairs for his coat. The heavy billowing sky threatened rain, but Michael decided that he didn’t much care if it rained.

Cars streamed up the ramp from the street. Florida license plates, Texas plates, Iowa and Kansas and Alabama, every kind and make of vehicle, from hardcore GM pickups to tinny Japanese imports. The van cowboy and his friends had driven to Washington from New Jersey, the Garden State. Tucked beneath the Camaro’s windshield wiper was the note: You were in my way so FUCK YA!!!

Down on the street, Michael flagged a cab and asked the driver to take him to Constitution Avenue.

‘You gonna walk in the parade?’ the driver immediately asked.

‘That’s right.’

‘You’re a vet, you were over there?’

‘That’s right.’ Michael looked up. From the back, the cabdriver could have been one of the earnest, desperate, slightly crazed students doomed to flunk out of medical school: colorless plastic glasses, dishwater hair, pale youthful skin. His ID plate said that his name was Thomas Strack. Blood from an enormous pimple had dried on the collar of his shirt.

‘You ever in combat? Like in a firefight or something?’

‘Now and then.’

‘There’s somethin’ I always wanted to ask – I hope you don’t take no offense or nothing.’

Michael knew what the cabdriver was going to ask. ‘If you don’t want me to take offense, don’t ask an offensive question.’

‘Okay.’ The driver turned his head to glance at Michael, then looked straight ahead again. ‘Okay, no need to get heavy.’

‘I can’t tell you how it feels to kill someone,’ Michael said.

‘You mean you never did it.’

‘No, I mean I can’t tell you.’

The cabbie drove the rest of the way in boiling silence. You coulda told me something. Gimme a little gore, why don’t you? Lemme see that good old guilt, lemme see that fine old rapture. The past is in the past because that’s where it belongs. Don’t bother, really. You were in my way, so fuck ya.

I’ll take a triple Finlandia martini on the rocks, please, hold the olives, hold the vermouth, please, hold the rocks, please, and get the same thing for my four hundred buddies in here, please, They might look a little funny, but they’re my tribe.

‘This okay?’ the cabbie asked. Beside the car was a wall of people. Michael could see flags and men carrying banners suspended between poles. He paid the driver and left the cab.

Michael could see over the heads of most of the people lining the sidewalk. Here the tribe had gathered, all right. Men who had once been soldiers, most of them dressed as though they were still soldiers, filled the width of Constitution Avenue. In platoon-sized groups interspersed with high school bands, they marched raggedly down the street. Other people stood on the sidewalk and watched them go by because they approved of what they were, what they meant because of what they had done. By standing there the bystanders applauded. Until now, Michael realized, he had resisted fully believing in the reality of this parade.

It was not ticker tape and limousines on Fifth Avenue – the Iranian hostages had been given that one – but in most ways this was better, being more inclusive, less euphoric but more emotional. Michael edged through the people on the sidewalk. He stepped off the curb and fell in behind the nearest large and irregular group. Surprised tears instantly filled his eyes.

The men before him were three-fourths jungle fighters with everything but Claymores and M-16s, and one-fourth pudgy WWII vets who looked like ex-boxers. Michael realized that the sun had come out only when he saw their long shadows stretching out to him on the street.

He could see Tim Underhill, another long shadow, striding along with his belly before him and cigar smoke drifting in his wake. In his mind, Underhill was muttering obscene hilarious remarks about everyone in sight and wearing his summer uniform of a bandanna and blousy fatigue pants. A streak of mosquito blood was smeared across his left shoulder.

In spite of everything, Michael wished that Underhill were beside him now. Michael realized that he had been considering Underhill – not brooding or thinking about him, considering him – since Harry Beevers had called him at the end of October to tell him about the newspaper articles his brother had sent him from Okinawa.

In two separate incidents, three people, an English tourist in his early forties and an older American couple, had been murdered in Singapore just about the time the Iranian hostages had returned to America. The murders were thought to have been committed at least a week to ten days apart. The Englishman’s body was found on the grounds of the Goodwood Park Hotel, those of the American couple in a vacant bungalow in the Orchard Road section of the city. All three bodies had been mutilated, and on two of them had been found playing cards scrawled with an unusual and enigmatic name: Koko. Six months later, in the summer of 1981, two French journalists were found similarly mutilated in their Bangkok hotel room. Playing cards with the same name had been placed on the bodies. The only difference between these killings and those that had happened after Ia Thuc, a decade and a half earlier, was that the cards were not regimental, but ordinary commercial playing cards.

Michael thought Underhill lived in Singapore. At least Underhill had always claimed that he was going to move there after he got out of the army. But Poole could not make the mental leap required to convict Tim Underhill of murder.

Poole had known two extraordinary human beings during his time in Vietnam, two men who had stood out as exceptionally worthy of respect and affection in the half-circus, half-laboratory of human behaviour that a longstanding combat unit becomes. Tim Underhill was one, and a boy from Milwaukee named M.O. Dengler was the other. The bravest people he had ever known, Underhill and little Dengler had seemed perfectly at home in Vietnam.

Tim Underhill had gotten himself back to the Far East as soon as possible after the war and had become a moderately successful crime novelist. M. O. Dengler was killed in a freakish street accident while on R&R in Bangkok with another soldier, named Victor Spitalny, and never returned from Asia at all.

Oh, Michael Poole missed Underhill. He missed them both, Underhill and Dengler.

The group of vets behind Michael, as scattered and varied as those before him, gradually caught up with him. He became aware that he was no longer marching alone, but was moving along between the crowds lining both sides of the street with a couple Dengler-sized boonie-rats, fiercely moustached, and an assortment of polyester-suited VFW types.

As if he had been reading his thoughts, one of the Denglersized boonie-rats walking beside Michael sidled up to him and whispered something. Michael bent down, cupping his ear.

‘I was a hell of a fighter, man,’ the little ex-soldier whispered a shade louder. Tears gleamed in his eyes.

‘To tell you the truth,’ Michael said, ‘you remind me of one of the best soldiers I ever knew.’

‘No shit.’ The man nodded briskly. ‘What outfit was you in?’

Poole named his division and his battalion.

‘What year?’ The man cocked his head to check out Poole’s face.

‘’Sixty-eight, ‘sixty-nine.’

‘Ia Thuc,’ the boonie-rat said immediately. ‘I remember that. That was you guys, right? Time magazine and all that shit?’

Poole nodded.

‘Fuckin’-A. They shoulda give that Lieutenant Beevers a fuckin’ Medal of Honor for what he done, and then took it away again for shootin’ off his mouth in front of fuckin’ journalists,’ the boonie-rat said, sidling away with an easy fluid motion that would have been noiseless if they had been walking over brittle twigs.

Two fat women with short fluffy hair, pastel pantsuits, and placid church-picnic faces were rhythmically waving between them a red banner with the stark black letters POW-MIA. A few paces behind marched two youngish ex-soldiers bearing another banner: COMPENSATE FOR AGENT ORANGE. Agent Orange –

Victor Spitalny had tilted his head and stuck out his tongue, claiming that the stuff tasted good. You motherfuckers, drink it down! This shit’s boo-koo good for your insides! Washington and Spanky Burrage and Trotman, the black soldiers on the detail, cracked up, falling into the thick jungly growth beside the trail, slapping each other on the back and sides, repeating ‘boo-koo good for your insides’ and enraging Spitalny, whom they knew had only been trying, in his stupid way, to be funny. The smell of Agent Orange, halfway between gasoline and industrial solvent, stuck to all of them until sweat and insect repellent and trail grime either covered it up or washed it off.

Poole caught himself wiping the palms of his hands together, but it was too late to wash away the Agent Orange.

How does it feel to kill somebody? I can’t tell you because I can’t tell you. I think maybe I got killed myself, but not before I killed my son. You shit in your pants, man, you laugh so hard.

3

By the time Michael Poole reached the park, the parade had melted down into a wandering crowd, marchers and onlookers moving together across the grass. Loose, ragged groups streamed over the entire landscape, walking through the sparse trees, filling the whole scene. Though he could not see the Memorial, Michael knew where it was. About a hundred yards before him, the crowds were moving down a grade into a natural bowl from which came the psychic flare of too many people. The Memorial stood at the bottom of all those people. Michael’s scalp tingled.

A phalanx of men in wheelchairs were pushing themselves across the long stretch of grass before the bowl. One of the chairs tilted over sideways and a gaunt, black-haired, legless man with a shockingly familiar face spilled out. Michael’s heart froze – the man was Harry Beevers. Michael started to run forward to help. Then he checked himself. The fallen man was surrounded by friends, and in any case he could not be Poole’s old lieutenant. Two others righted the chair. They held it steady as the man braced himself on his stumps. Then he pushed himself up onto the metal footrests. The man reached up, grasped the armrests, and with neat gymnastic skill deposited himself in his own seat.