Original Sin

‘Oh, grow up, David,’ shouted Brooke. ‘Maybe, just maybe, she still loves you, did you ever think of that? Maybe she’ll do anything to stop you from being happy with anyone else.’

David turned to look at her. His face was stony.

‘Brooke, she finished our relationship.’

It stung Brooke like a slap in the face. She had always had the romantic notion of David Billington, America’s most eligible bachelor, rejecting each of his previous girlfriends because he was still searching, like Prince Charming, for the one girl who was perfect in every way. Childishly, she had allowed herself to believe that she had been that girl, that she was his one true love. Not for moment did she imagine she was second choice, that all along he had been pining for the one he could not have. She wondered momentarily if David and Alicia would still be together if Alicia had not called it a day, and the image of David and Alicia glad-handing the party in natural symmetry jumped into her head. But she knew she was right about Alicia, she just knew it.

‘Just because she finished with you doesn’t mean she wants anyone else to have you, David,’ she said. ‘It’s naive to think Alicia is somehow incapable of being spiteful and underhand just because you were once in love with her.’

‘Well thanks for the vote of confidence.’

It did not escape Brooke’s notice that he had failed to deny he had been in love with Alicia, but despite her hurt and anger she still felt a pang of protectiveness. She hadn’t been striking out, she had been telling the truth: David was strong in so many ways, but he had one Achilles heel. He always saw the best in people. There was nothing naturally suspicious or cynical in his make-up, and she knew that if he were one day to run for office, it could be a fatal flaw. Her voice softened and she put a hand on his arm.

‘Oh honey, let’s not fight about this,’ she said softly. ‘You know I’m only saying it for your own good.’

‘No, you’re saying it because you’re pissed,’ he replied flatly. ‘You’ve had a crappy night and you’re feeling sorry for yourself. I’d just cool it, if I were you, Brooke. Okay, so you had one lapse of judgement with that Jeff Daniels character, but that doesn’t mean you have to assassinate everyone else’s character. It’s not very attractive.’

His words scalded her. ‘A lapse of judgement? So all that stuff about how you believed my story and how you trusted me was just crap, was it? Do you even care about how I felt back there tonight?’ She felt hot tears pricking at the back of her eyes.

He puffed out his cheeks. ‘Of course I care,’ he said in a low voice. ‘It’s just that if you’re going to be my wife, you’re going to have to get used to these parties, these people. It’s my life, Brooke.’

They were just a couple of minutes away from her apartment and she couldn’t think of anywhere she would rather be. She tapped the driver on the shoulder. ‘Miguel, can you drop me home please?’

David tutted loudly. ‘Honey, don’t overreact.’

‘I’m not overreacting. I just want to go home,’ she said quietly.

David nodded at Miguel. ‘Take her home.’

10

‘We have a major problem,’ announced Mimi Hall, publisher of Yellow Door’s children’s division. They were only two minutes into the weekly executive editorial meeting and already Brooke was on edge. Mimi Hall could be a very frightening woman, particularly when there were problems, when she always seemed to cleverly shift the blame onto other people. Brooke’s privilege and celebrity were no protection here; in fact it was something that seemed to annoy Mimi Hall. Everyone in the room knew Mimi did not belong in the gentle, good-natured world of children’s publishing, Five years earlier she had been a hotshot in the adult fiction division at Doubleday, but a string of high-profile flops and their consequent financial losses had got her fired. She’d taken the publisher’s job at Yellow Door, not because she thought a move into children’s publishing was exciting – far from it, Mimi Hall didn’t even like children. But it was a job, and sitting out her purgatory, awaiting a plum MD job somewhere, Mimi Hall seemed hellbent on taking out her professional frustrations on everyone else. Particularly Brooke.

‘This morning I had a long conversation with Jennifer Kelly and at this point it seems unlikely that she’s going to deliver in time for an October launch.’

She delivered the news casually but, sitting next to her, Edward Walker, the division’s affable English-born managing director, went pale. Jennifer was currently Yellow Door’s biggest author. Rumour had it she accounted for 15 per cent of the company’s annual profits with her whimsical love stories based in rural Ireland. A huge hit with Midwest teenagers, her first three books had topped the New York Times best-seller list for weeks. She had been one of Mimi’s discoveries; she’d bought world rights for a five-book deal for fifty thousand dollars, which was precisely why her present reign of fear was tolerated.

‘But, Mimi, a couple of weeks ago you told me she had delivered,’ spluttered Edward. ‘It’s April, Mimi. April! The book should be in.’ Even from the other end of the table, Brooke could see the panic in his eyes. Mimi turned her head and looked at Edward contemptuously. It was no secret that Mimi was waiting for Edward to retire, move on, or be moved on.

‘You clearly misunderstood me, Edward. I said Jennifer was about to deliver, but unfortunately she’s pregnant and so she can’t meet the deadline.’

‘She’s pregnant?’ said Edward disbelievingly. ‘When I last met a pregnant woman I think she was still capable of sitting at her laptop.’ Edward was by nature a polite and calm man, and this was the first time that Brooke had ever seen him rattled. ‘And if she was about to deliver, then she can’t be that far off finishing the manuscript.’

‘I need not remind you that we have to keep her on side,’ said Mimi, still casual. ‘Once Jennifer delivers this book, she’s out of contract. We both know that every publishing company in town has got their chequebook out ready to win her over. Even though she owes her entire career to me, loyalty means crap in this town. In other words, the kid gloves have to go on whether we like it or not.’

Everyone around the table knew what was really going on with Jennifer Kelly. Her latest book, Chocolate Kisses, was only one hundred and fifty pages long – and what there was of it was bloated and poorly written. It had still sold to the loyal fans, but it was obvious that their star writer’s heart wasn’t in it any more. She had earned millions of dollars in royalties from the books alone, and last Christmas the Disney adaptation of her second book, Butterfly Heart, had broken all box-office records. Just thirty years old, she had a villa in Provence, an apartment in Manhattan, and a small manor house in Ireland. The truth was, Jennifer just couldn’t be bothered. ‘Can’t we get a ghost to churn something out?’ asked commissioning editor Debs Asquith, Brooke’s best friend at Yellow Door and one of the few people with enough balls to speak out in front of Mimi.

‘We don’t churn out any books on my list,’ said Mimi witheringly. ‘But yes, I have gently discussed the possibility of Jennifer working with a ghostwriter to get it done, but – understandably – she was a little upset. And anyway, the trade press would have a field day if they found out. Jennifer is a big star. We want to keep her that way, not jeopardize her career and reputation.’

Edward raised a hand.

‘Mimi. We can take up this issue separately. In the meantime, I don’t need to tell anyone that Jennifer’s potential failure to deliver leaves a gaping hole in the October schedule, one that might well be financially punitive for the company,’ he added, looking directly at Mimi. ‘So. Has anyone got any ideas about how we can fill it? Joel, how about getting Pete Coles to write something?’

Joel Hamilton was a well-regarded publishing director who edited Pete Coles, a former US Army Marine who wrote Bourne Identity-style thrillers aimed at teenage boys.

Joel pulled a face. ‘Sorry, no. He’s training for a North Pole expedition and doesn’t think he has to deliver anything until Christmas. Anyway, it’s April, so we can forget about anything that isn’t completely done. It would be touch and go even to turn a re-release around at the moment. For an October launch we should really have sold into the retailers already.’

‘Debs?’ said Edward hopefully. ‘You were out with William Morris and Trident last week. Anyone got anything interesting?’

Debs shook her head sadly, her long red curls swishing behind her. ‘Nothing guaranteed to fill a two-million-dollar hole in the P&L, boss.’

‘Brooke,’ said Mimi, smiling thinly. ‘You must have a young celebrity girlfriend we can work with. Miley Cyrus? What about that Bush twin who teaches kindergarten?’

‘I don’t know Miley actually,’ said Brooke, feeling her cheeks flush. Brooke knew she had the most unimpressive roster of authors of anyone in the room, certainly in terms of financial return. Brooke’s speciality was commissioning beautifully illustrated books and sweet stories aimed at the 7–11 age group. To even her own surprise, one of her books had just won the Carnegie Medal at the Bologna Fair, but, in terms of sales, which was all that counted in this cut-throat climate, they were all strictly mid-list. The really big hitters of children’s publishing – J. K. Rowling, Stephanie Meyer – were the ones that had crossover appeal with the adult market.

Then suddenly Brooke thought of a female magician. Of course – the amazing manuscript she had rescued from the slush pile. She had taken what she had Belcourt and read it on the afternoon of the party to distract herself from the circus that was going on around her. It had been even better than she had hoped.

‘Actually,’ she said, tapping her pencil against her lip, ‘I have seen a manuscript that I think has real potential.’

‘Really?’ said Mimi sarcastically. It was no secret that Mimi didn’t think Brooke should be attending these meetings. ‘So give me the elevator pitch.’

Brooke always felt as if she was being interviewed whenever she spoke to Mimi. ‘It’s about a teenage female magician.’

‘Uggh,’ groaned Mimi, rolling her eyes. ‘Not another Harry Potter wannabe.’

‘Not at all,’ replied Brooke. ‘It’s more of a mystery novel. She solves an assortment of crimes over a trilogy of books.’

‘Who’s the author?’ asked Edward more graciously.

‘Eileen Dunne.’

‘Never heard of her,’ snapped Mimi.

‘No, she’s a first-time author,’ said Brooke hesitantly.

‘So who’s representing her?’

‘No one yet. Actually, it’s a slush-pile script.’

‘Enough said,’ said Mimi, holding up one manicured hand. ‘Now has anybody got anything else that might be of genuine interest?’

You are such an old witch, thought Brooke, feeling suddenly protective of the magician book.

‘It’s actually really very good,’ she said, interrupting Mimi. ‘Dark and funny, a young adult book that adults will buy as well.’

She turned and met Mimi’s glare. ‘I think we should give it a chance. The manuscript is completed; even better, it’s a trilogy, and the author has the second book almost finished too.’

‘We like trilogies,’ smiled Edward. He turned to his left. ‘Mimi, I think you should take a look at it.’

Her sigh was audible.

‘Very well. I suppose if it’s bearable we can pick it up for peanuts. She’ll think all her Christmases have come at once.’

Let’s hope mine have too, thought Brooke.

11

The Eton Manor School, on a quiet corner of East Ninety-Third Street, was a beautiful mansion with a quaint courtyard and functioning bell tower that had once been a Greek Orthodox church. Although the school was only twenty-five years, old, it had quietly become one of the most exclusive schools in Manhattan, challenging the old guard like Brearley, Chapin and Collegiate. Eton Manor did not pretend to have links to the great British boarding school, but with an austere British head teacher, it was the school of choice for the rich and fashionable who wanted a coed school where they could channel their inner Englishness.

As Paula pulled up in her Porsche, it was exactly eight fifteen a.m., right in the middle of the prime fifteen-minute window for the school drop-off. Paula ignored the bickering in the back seat of her two children, Casey and Amelia, for a moment, pausing to scout out the area, checking for anyone else in the school zone. Across the street she recognized the black Escalade belonging to Nicole Nixon, the wife of one of New York’s most successful record producers. A plume of exhaust fumes showed its engine was still running, and three giggling children were ejected onto the pavement. Noticing it was the Nixons’ nanny, not Nicole Nixon herself driving, Paula’s gaze moved on. Just to the side, Robyn Steel, who had a son in Casey and Amelia’s class, was parking her convertible Mercedes, the boy squashed in the back, her miniature schnauzer on the front seat, but otherwise it was fairly uneventful people-watching. It seemed today, more than ever, was a day for nannies to do the drop-offs: a harassed-looking Australian, English, and Filipino girls pushing Silver Cross buggies. Paula unloaded the children from the car and strode into the school’s courtyard, clutching the girls’ hands tightly.

‘It’s so great you’re taking us to school today, Mummy,’ said Casey, her eldest twin, looking up at her mother and smiling.

‘You know how busy Mummy gets in the morning,’ she said, squeezing her daughter’s fingers.

‘Why are you going to see Miss Beaumont?’ asked Amelia, always the more suspicious, guarded child. ‘Are you sure we’re not in trouble?’

‘Absolutely sure,’ smiled Paula.

Paula paused in the courtyard, positioning herself just below the head teacher’s office window so that anyone inside could see. Then she crouched down eye to eye with her girls and embraced them tightly. She watched them go, their blonde ponytails swinging from side to side under their felt berets, then straightened her Chanel jacket. She was ready to go to war.

‘Mrs Asgill, so good to see you again.’

Miss Fenella Beaumont, Eton Manor’s headmistress, extended a plump hand across the large walnut desk that dominated her office and settled back into her chair, smoothing down the heavy black robe she always wore over her blouse and skirt. She was a formidable-looking woman: tall with ash-blonde hair set on her head like a helmet, and a powerful speaking voice honed at the Oxford Union, Miss Beaumont having studied Classics at the university in the early 1970s. Paula was well aware that the school’s pupils and many of their parents wilted under her fierce gaze, but she had no intention of letting a pompous English spinster get in her way.

‘Thank you for making the time to see me,’ said Paula, giving the headmistress her sweetest smile. She was careful to conceal her true feelings here, but Paula had been absolutely furious when it had taken her a week to get an appointment with Miss Beaumont. They were paying ten thousand dollars a term each Casey and Amelia to attend Eton Manor. That was sixty thousand dollars a year, not including the hiked-up lunch fees, ballet classes, French tutorials, music lessons, and sundry ‘donations’ they paid on top. For that money, Paula had expected to see Miss Beaumont immediately. The teacher nodded graciously.

‘What can I do for you today?’ she asked.

‘It’s the girls,’ said Paula plainly, waving away the offer of tea.

Miss Beaumont glanced down at a sheet of paper in front of them.

‘I understand Casey and Amelia are both doing quite well.’

Paula did her best to look troubled.

‘Yes, that’s true, but … it’s not easy being a twin.’

Miss Beaumont’s forehead creased slightly, perhaps perceiving a slight against the school.

‘Generally speaking, of course, my husband and I are very happy with the school,’ continued Paula carefully. ‘But lately we are getting a little concerned that your teachers seem to be – how shall I put this?–seeing the girls as one.’

Miss Beaumont poured milk into her tea from a tiny china jug and nodded thoughtfully. ‘Please. Expand.’

‘Well, the girls say their teachers have addressed them both by the wrong names on numerous occasions. Casey, Amelia. Amelia, Casey. Amelia particularly has been getting very upset about it, as she is the more sensitive of the girls, as I’m sure you know. I could almost understand it if they were identical twins, but, well, that’s not the case.’

Miss Beaumont was not a woman to get flustered by fussy parents. She fixed Paula with a baleful gaze. ‘Well, naturally I’m sorry for any distress,’ she said. ‘I’ll talk to all the teachers concerned.’

Paula released a disappointed sigh. She had been rehearsing the sigh for two days.

‘Well, that would certainly be a start,’ she said. ‘But, really, I fear this is impacting on the girls’ personal development. My husband and I would be much more reassured if we could work out a way to try and stop this happening again.’

‘What did you have in mind?’

Paula took a breath. ‘Casey and Amelia should be separated, put in different classes,’ she said. ‘As soon as possible.’

Miss Beaumont’s brow creased. ‘Really? I understood that you wanted them to be together in class?’

Paula met her gaze without flinching. This was actually true. William had made a big deal about it when they had originally been accepted for the kindergarten class eighteen months earlier.

‘Secondly, I’m generally against moving a pupil into another class away from the friends she’s cultivated over the last year. Especially mid-way through the academic year.’

Paula examined Miss Beaumont’s face, looking for any trace of suspicion. Had any other parents heard of Princess Katrina’s arrival at the school and tried to get their child in the same class? But no, that was impossible. Word might have got out on the grapevine of Carlotta’s enrolment, but not even the admissions secretary’s sister knew which of the two Transition classes the royal child was going to be in. The beauty of twins, thought Paula with the smallest of smiles. With one of her beautiful daughters in each class, she would have all bases covered. Play-dates at the Princess’s palatial Seventy-Second Street town house were surely just a matter of weeks away.

‘Are you saying you can’t help us, Miss Beaumont?’ said Paula, introducing a note of challenge.

The headmistress shook her head.

‘Not at all, I’m simply saying I should talk to the teachers concerned and review the situation in a few weeks.’

She was as tough as old boots, thought Paula grimly. Fenella Beaumont had the inscrutable earnestness of someone that could not be bought; rather foolish of her, given the position of power she was in, thought Paula. Still, she had an ace up her sleeve.

‘A few weeks?’ she cried, adding a quaver of hysteria for effect. ‘Who knows what psychological problems might have set in by then? These are sensitive girls at a critical juncture in their development.’

Paula had, of course, anticipated Miss Beaumont’s objections and had spent many hours thinking of a way to combat them. She had thought of reporting that Amelia, the younger, quieter twin was being bullied, but that would involve accusation, names, and Paula had no intention of making unnecessary enemies of influential parents.

‘Miss Beaumont,’ she said, adopting the intonation of a political chat-show host, ‘you should know that we have already seen a child psychotherapist about these identity issues.’

She’d practised saying the words so many times that she now almost believed that Casey and Amelia had been to see a shrink. ‘Dr Hill is worried, very worried. In his professional opinion, the girls being in the same class, the name mix-ups; it’s all causing damage.’

She emphasized the word ‘damage’ and the implication was not lost on the headmistress. She might be British, but she still understood the litigious culture of America.

Fenella Beaumont exhaled slightly, her plump cheeks expanding like a goldfish’s.

She flipped open a class register and seemed thoughtful for a moment.

‘We do have one new pupil joining Transition B next term, but that’s cancelling out Lucy Kwong’s departure from the school.’ She looked up quickly. ‘Her father has been posted to Dubai.’

‘Well, if someone new is starting, perhaps another new pupil joining the class would make it easier for both of them,’ said Paula.

Miss Beaumont nodded. ‘I suppose that makes sense.’

She snapped the register shut and stood up, her gown billowing behind her as she rose. ‘I will see what I can do. For the welfare of the girls, you understand,’ she added with emphasis.

‘Thank you, Miss Beaumont. We believe Casey should be the one to move into Transition B,’ added Paula casually. ‘More buoyant, more confident. I think she will adapt to new classmates quicker than Amelia would.’

‘Yes, quite,’ said Miss Beaumont. ‘I certainly agree.’

Paula smiled. Beautiful, popular Casey. Her golden girl. The sort of child that everyone would want to befriend. Yes, she thought, with a soaring sense of triumph. Casey would be her entrée into the very highest society.

12

Brooke Asgill snatched up the phone and speed-dialled Kim Yi-Noon’s extension.

‘Kim, can you come through? We’ve got a crisis.’

It was eight thirty in the morning. Brooke hadn’t even taken her jacket off when she noticed the manuscript of her magical slush-pile discovery Portico sitting in the middle of her desk. It had a coffee ring on the cover plus a bright yellow Post-it that read: ‘Buy this. Cheap. Mimi.’

Kim came running into Brooke’s office. Ever since the editorial meeting, Brooke had been trying, unsuccessfully, to reach Eileen Dunne, Portico’s author. She seemed to have disappeared in a puff of green smoke.

‘Hi Kim, where are we on tracking down Eileen Dunne?’ She waved the Post-it at her assistant. ‘Just got this from Mimi; looks like it’s getting serious all of a sudden.’

Kim nodded. ‘Yes, I was trying the author all last night and this morning, but I finally spoke to her a few minutes ago. She’s been out of town. Seems very nice.’

‘Especially since we probably got her out of bed,’ smiled Brooke, plumping up the vase of roses that David had sent her the day before to finally put Saturday night’s spat behind them. Neither Alicia nor Matthew had been mentioned since and she thought it best to keep it that way.

‘Well, that’s good news, can you get her on the phone for me …’ she began, but the look on Kim’s face made her stop.

‘Oh,’ said Kim, looking slightly embarrassed. ‘Eileen told me she’s being represented by Vanessa Friedmann, so it’s probably best if you speak to her in the first instance.’

The news was like a body blow to Brooke. The smile dropped off her face and she sat down in her chair.

‘Vanessa Friedmann,’ she gasped. ‘How? When did that happen?’ Her eyes strayed back to Mimi’s note and a feeling of panic rose in her stomach.

Kim flipped open the diary she had tucked under her arm. ‘On Friday the fifteenth you asked me to phone Eileen and suggest she get an agent. I recommended Vanessa, Jane Grubman at IAA and Larry at Authors Inc.’

Brooke stared at Kim, hoping it was a nasty joke. ‘Ohmigod. You recommended three of the toughest negotiators in New York?’

Kim nodded earnestly. ‘You said Eileen needed an agent, so I thought it would be better for you if your authors had prestigious ones.’

Brooke took a deep breath. Kim was efficient and super-keen, but she had an awful lot to learn about the publishing business. She wanted to shout at her, but Brooke knew that Kim had no idea what she had just done.