Anita and Me

Whenever my father got sick of our three-up-three-down with its high uneven walls and narrow winding stairs, sick of the damp in the pantry, the outside toilet, the three buses it took to get to work, taking a bath in our bike shed and having to whisper when he wanted to shout, he’d turn to my mother and say, ‘You wanted this house, remember that.’

My mother grew up in a small Punjabi village not far from Chandigarh. As she chopped onions for the evening meal or scrubbed the shine back onto a steel pan or watched the clouds of curds form in a bowl of slowly setting homemade yoghurt, any action with a rhythm, she would begin a mantra about her ancestral home. She would chant of a three-storeyed flat-roofed house, blinkered with carved wooden shutters around a dust yard where an old-fashioned pump stood under a mango tree.

She would talk of running with her tin mug to the she-goat tethered to the tree and, holding the mug under its nipples, pulling down a foaming jet of milk straight into her father’s morning tea. She spoke of the cobra who lived in the damp grasses beneath the fallen apples in the vast walled orchard, of the peacocks whose keening kept her awake on rainy monsoon nights, of her Muslim neighbours whom they always made a point of visiting on festivals, bringing sweetmeats to emphasise how the land they shared was more important than the religious differences that would soon tear the Punjab in two.

Yet, in England, when all my mother’s friends made the transition from relatives’ spare rooms and furnished lodgings to homes of their own, they all looked for something ‘modern’. ‘It’s really up-to-date, Daljit,’ one of the Aunties would preen as she gave us the grand tour of her first proper home in England. ‘Look, extra strong flush system…Can opener on the wall…Two minutes walk to all local amenities …’ But my mother knew what she wanted. When she stepped off the bus in Tollington, she did not see the outside lavvy or the apology for a garden or the medieval kitchen, she saw fields and trees, light and space, and a horizon that welcomed the sky which, on a warm night and through squinted eyes, could almost look something like home.

At first I would listen entranced to this litany of love, imagining my mother as I had seen her in those crumpled black and white photographs hoarded in a shiny suitcase on top of her wardrobe. She was skinny and dark then, all eyes and stick insect limbs protruding from a white pyjama suit with paper-sharp creases in the legs. She retained this image, of a country girl lost in the big city, throughout her teens and early twenties, only the costume changed. Here was mama in a school play, a coat hanger for a home-sewn robe, mama winning a race as All Delhi College Champion, running in full length salwar kameez, mama as a lecturer, standing in front of a class of bored Delhi teenage girls, looking younger than all of them. On paper her achievements were remarkably impressive—actress, athlete, teacher—incarnations from other lives, trumpeting talents I would never see fully realised. But I still found it comforting that in every face she wore, I still saw the incredulity and bewilderment she so often turned on me. I liked knowing I could still surprise my mother.

But gradually I got bored, and then jealous of this past that excluded me; she had milked goats, stroked peacocks, pulled sugar cane from the earth as a mid-morning snack. She had even seen someone stabbed to death, much later on when the family had moved to Delhi and partition riots stalked the streets like a ravenous animal. A man in a rickshaw, she said. The driver gave him a bidi, took one himself and indicated he needed a light. As the customer fumbled in the pockets of his ill-fitting suit (and this memory seemed to upset her greatly, remembering how his shirt sleeves protruded from worn linen elbows), the driver reached into his dhoti and brought out a knife which he plunged into his fellow smoker’s head, a lit match still in his victim’s twitching hand.

That was my favourite, but she would not repeat it more than twice. The last time I had asked her to tell me the Rickshaw Story, she looked at me much as I imagine Damien’s mother looked when she gave her smiling baby his first shampoo and found three sixes curled up like commas behind his tiny pink ear. But the story did not fascinate me because of the violence, what obsessed me was this meeting of two worlds, the collision of the epic with the banal. A shared cigarette and a hidden knife, a too-small suit, probably borrowed from a brother who was expecting it back that evening, and a bloody betrayal. I listened to this tale and heard huge boulders moving somewhere, my centre of gravity shifted and I saw the breath of monsters gathering on the horizon. Terrible things could happen, even to ordinary people like me, and they were always unplanned.

I recognised this feeling; it was the same feeling I had when I had almost asphyxiated in the back of our car, that a birthday treat could end with a screaming headline in the Express and Star, TOT CHOKES ON UNCOOKED SAUSAGE! BIRTHDAY RUINED, SAY WEEPING PARENTS! Death itself did not frighten me; I had grown up examining the crushed slippery bodies of baby sparrows who had fallen prematurely from their nests to land under our gables, filmy eyes and bloody beaks open with surprise, maybe with their last thought that mama had made flying look so easy. We local kids regularly gathered round the mangled corpses of cats, foxes and badgers left at the side of the road, their fur patterned with tyre marks, their bluey-white entrails trailing the murdering vehicles’ exit like accusing fingers. What frightened me was the excitement I felt when death became possible, visible, bared its teeth and raised a knife in Indian moonlight. There was so much more I wanted that I could not name, and brushing mortality, all those hot dog moments, helped me name it. Was this all there was? When would anything dangerous and cruel ever happen to me?

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